Adobe Magazine SPRING 2003 FAST FACTS TUTORIALS NEWSFLASH! ANNOUNCING ADOBE CREATIVE SUITE BUSINESS USERS – How to combine different files into one PDF document. BRAIN STRAIN QUIZ SUBSCRIPTION DETAILS FEATURE CORPORATE STORY-TELLING – the digital way. SHOWCASE ADOBE CREATIVE SUITE OVERVIEW plus TOP 10 new features of each product. CREATIVE PROFESSIONALS – Two quick Photoshop text tricks to save time and stress! EVENTS CALENDAR CREATIVE SUITE HITS THE ROAD REAL WORLD PHOTOSHOP AND COLOUR MANAGEMENT presented by Bruce Fraser GASAA ROUND TABLE WITH BOB ROSEN INDUSTRY UPDATE Announcing the Adobe Creative Suite Exit BSAA LAUNCHES NEW SAM PROGRAM GOOD LUCK DANIEL BRAIN STRAIN QUIZ ANSWERS Adobe Magazine SPRING 2003 Announcing the Adobe Creative Suite Adobe Systems has launched worldwide its newest offering — The Adobe® Creative Suite. Hailed as the platform for the future of design and publishing, the product combines new full-version upgrades of Adobe Photoshop® CS, Illustrator® CS, InDesign® CS, GoLive® CS and Acrobat® 6.0 Professional, and introduces the innovative Version Cue® file version manager. > Find out how Adobe Creative Suite will allow you to create print and web content more efficiently in the Showcase section. FASTFACTS CONTENTS THIS ISSUE PREVIOUS PAGE NEXT PAGE NEXT STORY ACA Awards Adobe quiz OPEN FOR ENTRIES QUESTIONS The Australian Catalogue Association will be calling for entries from November onwards for its 13th Australian Catalogue Awards, to be held in June 2004. Over 700 entries for 32 categories were received for the 2003 Awards and organisers expect a similar success rate for next year. www.catalogue.asn.au for entry details. Subscribe to the Adobe Magazine If you have been sent this edition of the Adobe Magazine by a friend or if you’re reading a paper version in the office lunch room, why not get your own copy. 1. In typography why is leading called leading? 2. This Magazine is in Adobe PDF format, what does PDF stand for? 3. What printing process did Alois Senefelder invent in 1796 by scribbling down a laundry list with a greasy crayon? 4. How many millimetres are there in a kilometre? 5. Who beat France in 1987 to win the first Rugby World cup? Go to Industry Update section for Answers. Click to subscribe... It’s FREE! Adobe Magazine SPRING 2003 Two Quick Photoshop Text Tricks to save you time and stress! 1 TEXT TRICK ONE You’ve layed out your job but you’re just not too sure about the font you’ve used in the main heading. Did you know you can scroll through all of your installed fonts and get a live preview right there on your page? 1 2 TRY THIS… STEP 1 Select the text you want to change, or just select the type layer in the layers palette. STEP 2 Select the name of the current font you have open in the options bar. STEP 3 Use the up and down arrow keys to move through your installed fonts to view your new masterpiece. 3 TUTORIAL: CREATIVE PROFESSIONALS CONTENTS THIS ISSUE PREVIOUS PAGE 2 NEXT PAGE TEXT TRICK TWO You’ve just finished an advertisement in Photoshop Art for an important client meeting. But then the Art Director walks in and says: “You’ve used the wrong font.” This wouldn’t be a problem if you’ve only got a couple of text boxes, however you have over twenty individual text boxes that need to be changed pronto. The AD is standing over your shoulder and the suit has already ordered the cab! TRY THIS COOL TRICK… STEP 1 Link all of the individual text layers together in the layers palette that you want to globally change STEP 2 Select one of the linked text layers STEP 3 Select the text tool so the type tools appear in the task bar above your document STEP 4 Hold shift down while selecting the new font. VIOLA! All of your text is now in the correct font. This trick also works if you need to change the colour or warp the text. 1 2 3 4 NEXT STORY Adobe Magazine SPRING 2003 TUTORIAL: BUSINESS USERS CONTENTS THIS ISSUE PREVIOUS PAGE NEXT PAGE NEXT STORY Time Saver Tip 2. OPEN THE CREATE PDF FROM MULTIPLE FILES DIALOG BOX M 3. SELECT THE FILES TO INCLUDE. HOW TO COMBINE DIFFERENT TYPES OF FILES INTO ONE PDF DOCUMENT ost of us don’t realise that just about any business document such as a proposal, legal contract, annual report or financial summary consists of many components – title page, text sections, charts, graphics etc that were all created as separate files in several different applications. When it comes to combining some or all of these files into the one document, it pays to know that by using Adobe® Acrobat® 6.0 Standard or Professional, you can convert each of these files to Adobe PDF and simultaneously merge them into a single PDF document. You can even add headers and footers, or a background or watermark, to give the entire document a consistent look. Here’s how you do it…. 1. SAVE THE FILES YOU WANT TO CONVERT Ensure the files you want to include in the Adobe PDF document are completed and saved in their original applications. You may find it easier to save all the files to the one folder so you can locate them quickly. In Acrobat 6.0 Standard or Professional, choose File> Create PDF. From Multiple Files, click the Create PDF button and choose From Multiple Files. Alternatively right-click a file and choose Combine in Adobe Acrobat from the context menu. Click Browse (Windows) or Choose (Mac OS), and then select a file to include. Ctrl-click (Windows) or Command-click (Mac OS) to select more than one file from the same folder. When you’ve selected the files, click Add. Click Browse or Choose again to add files from a different folder. You can add the same file two or more times. Adobe Magazine SPRING 2003 4.CONVERT THE FILES Order the files in the sequence you want them to appear in your final PDF document by selecting a filename and clicking Move Up or Move Down to change its position in the list, or by dragging it to a new position. Click OK to convert the files. (Some source applications may start and close automatically during the conversion process.) When the conversion is complete, the PDF document opens. Choose File> Save As, and the name the file. 5.ADD HEADERS AND FOOTERS Choose Document > Add Headers and Footers. Click the Header or Footer tab. Select the left, right, or center alignment option to specify the location of the header or footer on the page. Select a font and type size for the contents of TUTORIAL: BUSINESS USERS CONTENTS THIS ISSUE the header or footer. Add the creation date, page number, or custom text, and click Insert. Next, choose the pages that will include the header or footer and set a top margin (header) or bottom margin (footer) to position it on the page. Click Preview to see how the header or footer will appear, and then click OK to apply it. Headers and footers typically present a document’s title, date, or page numbers in the top or bottom margins of the document. You can add multiple lines of text to an entry on the Header or Footer tab. 6. ADD A BACKGROUND OR WATERMARK Choose Document > Add Watermark and Background. Select Add a Background to add content that appears behind the text and graphics on the page, or Add a Watermark to superimpose PREVIOUS PAGE NEXT PAGE NEXT STORY content over text and graphics on the page. Select whether the watermark or background should appear on-screen, on the printed version of the PDF document, or both. Then, click Browse (Windows) or Choose (Mac OS) to select the PDF file that contains the image you want to use as the background or watermark. If the PDF file contains multiple images, select the page number of the image you want to use. Then specify the pages on which you want the watermark or background to appear, where you want it to appear on the page, its rotation and its opacity. Each image you use as a background or watermark must be on its own page in a PDF document. To stretch the watermark or background to fill the page, choose Fit for both the vertical and horizontal alignment. Adobe Magazine SUMMER 2003 Story-telling - the digital way A bout five years ago the corporate video industry experienced a similar shake up to what the desktop publishing industry experienced in late 80’s / early 90’s. The arrival of the much-heralded digital video camera turned the market on its head. In addition, editing software that was significantly cheaper and easier to use came onto the market. Almost overnight it seemed, companies of all shapes and sizes started a DIY trend. Internal staff, (generally novice DV camera users) ‘had a go’ at the filming, and the editing was often outsourced to inexperienced operators, a combination that produced patchy results. So what kind of impact did this have on the corporate video industry? We talked to several FEATURE: CORPORATE STORYTELLING CONTENTS THIS ISSUE PREVIOUS PAGE industry folk who experienced the shift and found out what it meant to them. Dave Klum is a Video Director with over 10 years’ experience in the industry. Dave is currently on staff at Efex, a leading Production, Post-production and Event Management company located in Sydney Australia. Mal Veitch is a freelancer, specialising in Avid editing. Mal has over 20 years’ industry experience. NEXT PAGE NEXT STORY HOW DO YOU SUM UP THE CORPORATE VIDEO INDUSTRY THESE DAYS? Dave Klum, EFEX: It’s certainly become slicker over the past five or so years. Because of the advances in technology, both with camera and editing software, people certainly expect a lot more for a lot less. The client input process has also changed, they now want to be more involved, they want to see the graphics, talk through the script and be comfortable with every element prior to production. They are also more specific about the purpose of the piece, if it appeals to the target audience and how it contributes to the corporate brand. “ If you are good at story telling the equipment and software can only accelerate you.” Adobe Magazine SUMMER 2003 HOW IS CORPORATE VIDEO MAINLY BEING USED THESE DAYS? Mal: My work in video falls into two areas. Communicating information throughout a company, such as demonstrating a new product or service, a product launch or to educate employees on OH&S issues, the other area is conferences, filming segments such as motivational speeches, presentations, awards or just humorous breakers. WHAT FORMAT DOES CORPORATE VIDEO TYPICALLY USE THESE DAYS? Dave: There is a fair amount of VHS work around, but the trend is DVD. This is commonly being used for on-line communication via the company intranet or website. For many corporates, using MPEG files for presentations on the laptop or via a data projector is very popular. We are also seeing an increase in CD ROMS with a high degree of interactive content. And at the other end of the scale, there is the filming of large events, sometimes with the vision being projected onto stadium screens. HAS THERE BEEN A STEEP LEARNING CURVE TO MAKE MONEY OUT OF DIGITAL VIDEO? Mal Veitch, freelancer: I suppose there has been, but I personally enjoy that kind of learning. Certainly DVD authoring has been a large hurdle. Dave: The technology now is just amazing, there is lots to learn but on the flip side its much more easy to use. If you are good at story telling the equipment and software can only accelerate you. HAVE YOU NEEDED TO RE-INVENT YOURSELF OVER THE LAST 5 YEARS? FEATURE: CORPORATE STORYTELLING CONTENTS THIS ISSUE PREVIOUS PAGE Mal: Yes, I’ve gone from working full-time for a production company, to freelancing. This has become more possible because of the advances in desktop technology, which has made the old technology much more affordable second hand as well. WHERE DO YOU SEE VIDEO AS A MEDIUM BEING USED FOR CORPORATES OVER THE NEXT FIVE YEARS? Mal: More DVD and web delivery, less VHS (surprise!). Probably more low-value communication from less-skilled corporate employees in the short term, much the same way NEXT PAGE NEXT STORY that desktop publishing meant ‘no longer needing a designer’. Pretty soon, companies went back to their designers because they recognised the results from the desktop systems in the hands of non-designers were not communicating as effectively. This will happen in desktop video. Dave: Corporates will continue with DVDs. It really comes down to the skill of good story-telling, if you have that ability and access to the latest technology, the sky’s the limit. It’s an amazing time in our industry and clients can only benefit! Check out the Digital Video Collection an amazing time in “ourIt’sindustry and clients can only benefit!” Adobe Magazine SUMMER 2003 Overview of Adobe Creative Suite SHOWCASE: ADOBE CREATIVE SUITE OVERVIEW CONTENTS THIS ISSUE PREVIOUS PAGE Photoshop CS Top Ten Features Check out the new Photoshop CS upgrade The Adobe Creative Suite is a complete design solution that provides today’s creative professionals with the tools they need to create and publish content for print and the Web faster, more easily, and more affordably than ever. The Adobe Creative Suite Premium Edition combines the full, new version of Adobe’s leading-edge creative applications – Adobe Photoshop CS with Adobe ImageReady CS, Adobe Illustrator CS, Adobe InDesign CS, Adobe GoLive CS, and Adobe Acrobat 6.0 Professional – with the innovative new Version Cue file version manager. It also supports a complete Adobe Portable Document Format (PDF) workflow and offers and assortment of robust educational resources as well as expanded support options. A complete solution, the Adobe Creative Suite offers time-saving integration, simplified workflows, and an unprecedented value. Check out the new Creative Suite Improved File Browser Quickly preview, tag, and sort images; search and edit metadata and keywords; and automatically share batches of files from the improved File Browser. Match Color command Achieve a consistent look between package shots, fashion photos, and more by instantly matching the color scheme of one image to another. NEXT PAGE NEXT STORY Histogram palette Monitor changes to your image in the Histogram palette, which dynamically updates as you make adjustments. Shadow/Highlight correction Quickly improve the contrast of over or underexposed areas of an image while preserving the overall balance of the photo using Shadow/Highlight correction. Text on a path Create eye-catching typography by placing text on paths or within shapes. Edit the text at any time, even in Adobe Illustrator software. Integrated digital camera raw file support Get truer, higher quality output by working with the complete raw data files from most major digital camera models. Adobe Magazine SUMMER 2003 Comprehensive 16-bit support Perform more precise editing and retouching with expanded support for 16-bit images in core features, including layers, brushes, text, shapes, and more. Layer Comps Create design variations for clients more efficiently by saving different combinations of layers within the same file as Layer Comps. Macromedia® Flash™ (SWF) file export Use ImageReady CS to create SWF animations, complete with vector artwork and variable text. Customisable keyboard shortcuts Customize, save, and print a summary of your ideal set of keyboard shortcuts, so the functions you use most are always at your fingertips. Illustrator CS Top Ten Features Check out the new Illustrator CS upgrade Advanced typographical controls Set sophisticated-looking type with new text composition controls, character and paragraph styles, and more. Enhanced Adobe PDF file creation Create native Adobe Portable Document Format (PDF) files using settings and options consistent with Adobe Acrobat® Distiller® software. Adobe PDF layers support Create separate layers in Adobe PDF files that can be displayed or hidden within Adobe Acrobat 6.0 software to organize your work or to show different design options. SHOWCASE: ADOBE CREATIVE SUITE OVERVIEW CONTENTS THIS ISSUE PREVIOUS PAGE Faster performance Enjoy faster opening, saving, and printing of files; copying and pasting; and displaying of artwork. 3D effects Create custom 3D shapes and type treatments, add lighting, and wrap artwork around shapes for packaging mock-ups. Expanded print capabilities Get fast, consistent print results with features like Fit to Page, Print Preview, and support for Print settings. Tighter Microsoft Office integration Export Illustrator graphics in a format optimized to print and display in Microsoft Office products. Save As Template command Reuse designs by saving files as templates that include artboard dimensions, styles, symbols, layers, and more. Professionally designed content Get projects off to a quick start with more than 200 professionally NEXT PAGE NEXT STORY designed templates and over 100 OpenType® fonts in addition to clip art and stock photographs— all included free. Video tour of new features Learn how to use the new features in Illustrator CS with the special quick-start training video, included free. InDesign CS Top Ten Features Check out the new InDesign CS upgrade Separations Preview palette Prevent printing errors by using the Separations Preview palette to preview plates, overprinting, ink limits, and more. Story Editor Edit and style text in the Story Editor, an integrated word Adobe Magazine SUMMER 2003 processor that helps you more efficiently handle text spanning multiple frames. Flexible workspace management Take advantage of numerous workspace enhancements, such as the new Control palette and custom workspaces, to tailor your work environment to your needs. Enhanced support for Photoshop (PSD) files Place and print native Adobe Photoshop® CS files, including duotones, tritones, and quadtones, as well as PSD and TIFF files that contain spot channels. Usability enhancements Work more efficiently with dozens of usability enhancements. For example, double-click a text frame to switch instantly to the Type tool. Nested styles Perform complex text formatting more efficiently with nested styles. For example, specify a unique drop cap font with a character style nested within a paragraph style. Running headers and footers in tables Automatically add running headers and footers to tables that run across multiple linked text frames. Stroke style editor Create and save striped, dotted, and dashed stroke styles and apply them to underlines and strikethroughs, as well as to lines and paragraph rules. Enhanced XML support Automatically style imported XML documents or add structure to formatted content by mapping XML tags to paragraph and character styles, or vice versa. Document presets Save your commonly used document settings, such as page size, columns, margins, and bleed and slug areas, as named presets that you can instantly apply to new documents. SHOWCASE: CREATIVE SUITE OVERVIEW CONTENTS THIS ISSUE PREVIOUS PAGE GoLive CS Top Ten Features Check out the new GoLive CS upgrades Smart Objects Open, edit, and place Adobe® Photoshop®, Illustrator®, and Adobe Portable Document Format (PDF) files within the GoLive environment. InDesign Package for GoLive Use XML to transfer a print publication’s text and image assets from Adobe InDesign® to GoLive. Shared color management Achieve consistent color with the common Adobe Color Engine. Advanced Adobe PDF integration Create, view, and add links to Adobe PDF files directly within the GoLive environment. Prebuilt page designs Choose from 58 professionally designed templates ideal for NEXT PAGE NEXT STORY image gallery designs, editorial layouts, Web-based forms, and business and e-commerce sites. Object Toolbar With the click of a button, transform the Object Toolbar from a Photoshop style orientation to a familiar GoLive style orientation. Visual CSS authoring True visual CSS Level 1 and Level 2 authoring and previewing provide real-time style rendering and feedback. Source code completion Syntax-aware extensible source code completion allows you to quickly work with tags, attributes, and methods based on blocks of syntax, such as PHP, JavaScript, XHTML, CSS, SVG, and SMIL. XML editing and validation Author and inspect XML using Layout, Source, and Outline editors with validation. GoLive Co-Author mode Allow content contributors to update and maintain content within an access-controlled Co-Author™ interface. (Separate GoLive CoAuthor software license required.) Adobe Magazine SPRING 2003 EVENTS CALENDAR CONTENTS THIS ISSUE PREVIOUS PAGE NEXT PAGE NEXT STORY Adobe Creative Suite Roadshow Seminars New Adobe Creative Suite. Now get the whole picture... Adobe Creative Suite hits the road... To help you discover the full functionality of Adobe Creative Suite, Adobe is holding a series of free seminars, in Australia and New Zealand. At this special event we will show you the real business benefits of using the Adobe Creative Suite in your digital workflow. You will also see how tight integration allows you to switch applications without slowing down, thanks to common commands, tools and palettes. And, of course, we will include in-depth demonstrations of each new version of the component products. Hurry! Places are limited so reserve your seat online www.pacific.adobe.com/csroadshow Thursday 6th November CANBERRA Wednesday 12th November MELBOURNE Thursday 13th November SYDNEY Friday 14th November BRISBANE Thursday 20th November ADELAIDE Friday 21st November PERTH Wednesday 26th November AUCKLAND The Bob Rosen Oz Tour Brought to you by GASAA (Graphic Arts Services Association of Australia) For more information click here National Convention Centre, Bradman Theatrette Crown Entertainment Complex Palladium A/B Wesley Conference Centre Wesley Theatre Sheraton Brisbane Ballroom North Adelaide Convention Centre, Hall A Duxton Hotel Perth Ballroom Crowne Plaza Ballroom Imaging Solutions Aust presents BRUCE FRASER in a series of inspiring SEMINARS AND WORKSHOPS For more information click here Adobe Magazine SUMMER 2003 Industry Update By establishing good Software Asset Management programs and procedures, businesses can maximize their IT budgets and minimize the risks associated with poor software compliance. The BSAA have compiled some valuable tools and resources to assist you in establishing these programs within your organisation and have launched a new campaign, where you have the opportunity to win free training by simply downloading and using these resources. INDUSTRY UPDATE: CONTENTS THIS ISSUE PREVIOUS PAGE NEXT PAGE NEXT STORY Adobe PDF : the package that’s better to give and receive. Think Adobe® PDF files are just for reviewing and printing? Think again. Adobe PDF is the ideal electronic package to contain everything from spreadsheets, presentations, and brochures, to photographs, rich graphics, and more. Creating Adobe PDF files is as easy as clicking a button using the Adobe Acrobat® 6.0. family of products. Adobe PDF files preserve the look and integrity of your original documents, and you can share them with anyone electronically, regardless of hardware and software platforms. • Learn more about Adobe PDF.- Click Here • Take an animated Web tour of Adobe Acrobat software. – Click Here • Purchase Adobe Acrobat. – Click Here Good luck Daniel! The editor of Design Graphics magazine, Daniel Wade has recently resigned after clocking up a respectable nine years with the publication. Daniel will head off overseas for a well-earned adventure and expects to return to the industry in the new year. Editorial queries can be directed to Loueze Harper [email protected] ANSWERS 1. Because printers used to insert thin strips of lead between lines of type to add space 2. Portable Document Format 3. Lithography 4. One Million 5. All Blacks
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