Student__________________________________________
SHAKESPEARE READING - ACT III: Scene 2
Complete but adapted slightly.
Read the scene in this packet and as you read, follow the directions at the right.
ACT III: Scene 2 (Capulet's orchard) [Enter JULIET]
JULIET Gallop apace, you fiery-footed steeds,
Towards Phoebus's* lodging: such a wagoner
As Phaethon would whip you to the west,
And bring in cloudy night immediately.
Spread thy close curtain, love-performing night,
That runaway's eyes may wink and Romeo
Leap to these arms, untalked of and unseen.
Lovers can see to do their amorous rites
By their own beauties; or, if love be blind,
It best agrees with night…
*This is a mythological allusion. Phoebus is an
epithet of Apollo, the sun god. Phaethon is
another god associated with the sun, said to be a
son of Helios. Phaethon here is described as
driving a team of horses through the skies as he
moves the sun.
Why would Juliet be anxious for “cloudy night”
to get there soon?
Come, night; come, Romeo; come, thou day in night;
For thou wilt lie upon the wings of night
Whiter than new snow on a raven's back.
Come, gentle night, come, loving, black-browed night,
Give me my Romeo; and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possessed it, and, though I am sold,
Not yet enjoyed…
O, here comes my nurse,
And she brings news; and every tongue that speaks
But Romeo's name speaks heavenly eloquence.
 Underline sentence pieces that are two
different pieces of evidence of your above
answer and draw an arrow from the pencil icon
to that evidence.
 Underline the sentence or sentence piece that
shows Juliet has married Romeo but has not yet
consummated the marriage sexually. Draw an
arrow from the pencil to what you underline.
[Enter Nurse, with rope ladder which Romeo had instructed her to
prepare]
JULIET:
Now, nurse, what news? What hast thou there? The cords
That Romeo bid thee fetch?
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NURSE:
Ay, ay, the cords.
*To wring one’s hands is to twist and rub them
in nervousness.
JULIET Ay me! what news? Why dost thou wring* thy hands?
NURSE: Ah, well-a-day! he's dead, he's dead, he's dead!
We are undone, lady, we are undone!
Alack the day! he's gone, he's killed, he's dead!
Whom does the nurse mean is dead when she
says these lines? (Consider which recently
killed person would the nurse care about.)
JULIET Can heaven be so envious?
NURSE: Romeo can,
Though heaven cannot: O Romeo, Romeo!
Who ever would have thought it? Romeo!
What does the nurse mean about Romeo when
she says, “Who ever would have thought it?”
JULIET What devil art thou, that dost torment me thus?
This torture should be roared in dismal hell.
Hath Romeo slain himself? say thou but 'I,'
And that bare vowel 'I' shall poison more
Than the death-darting eye of cockatrice.
I am not I, if there be such an I;
Or those eyes shut, that make thee answer 'I.'
If he be slain, say 'I'; or if not, no.
Brief sounds determine of my weal or woe.
Re-read the first eight lines on this page. Figure
out how Juliet could interpret what she heard to
mean that Romeo is dead.
Then look at what Juliet then says to the nurse.
When she asks if Romeo has committed suicide,
do you see how the nurse could interpret that
differently: to mean, “Did Romeo do the killing
himself (alone)? (So the nurse still does not
know Juliet thinks Romeo is dead and that that
is what is upsetting her.)
NURSE: I saw the wound, I saw it with mine eyes,-God save the mark!--here on his manly breast.
A piteous corpse, a bloody piteous corpse;
Pale, pale as ashes, all bedaub'd in blood,
All in gore-blood; I swounded at the sight.
Whose wound is the nurse talking about?
JULIET O, break, my heart! poor bankrupt, break at once!
To prison, eyes, ne'er look on liberty!
Vile earth, to earth resign; end motion here;
And thou and Romeo press one heavy bier!
Whose wound does Juliet think she is talking
about?
NURSE: O Tybalt, Tybalt, the best friend I had!
O courteous Tybalt! honest gentleman!
That ever I should live to see thee dead!
JULIET What storm is this that blows so contrary?
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Is Romeo slaughtered, and is Tybalt dead?
My dear-loved cousin, and my dearer lord?
Then, dreadful trumpet, sound the general doom!
For who is living, if those two are gone?
Then Juliet thinks the mention of Tybalt is
describing a SECOND death.
NURSE: Tybalt is gone, and Romeo banishèd;
Romeo that killed him, he is banishèd.
 Draw an arrow from the pencil to the line
where Juliet finally figures out what actually
happened.
JULIET O God! did Romeo's hand shed Tybalt's blood?
NURSE: It did, it did; alas the day, it did!
JULIET O serpent heart, hid with a flowering face!
Did ever dragon keep so fair a cave?
Beautiful tyrant! fiend angelical!
Dove-feathered raven! wolvish-ravening lamb!
Despised substance of divinest show!
Just opposite to what thou justly seem'st,
A damned saint, an honourable villain!
O nature, what hadst thou to do in hell,
When thou didst bower the spirit of a fiend
In moral paradise of such sweet flesh?
Was ever book containing such vile matter
So fairly bound? O that deceit* should dwell
In such a gorgeous palace!
Chagrined at her husband and love Romeo
having killed her relative, Tybalt, Juliet makes
this speech full of opposites. What is the term
we learned earlier in the play to describe such
language is “beautiful tyrant” or “honourable
villain”?
deceit= deception, lying, betrayal
NURSE: There's no trust,
No faith, no honesty in men; all perjured,
All forsworn, all naught, all dissemblers.
Ah, where's my man? give me some aqua vitae*.
These griefs, these woes, these sorrows make me old.
Shame come to Romeo!
aqua vitae= name for a particular alcoholic
drink of the time
What shows that although Juliet was in lines
above upset about Romeo’s action, she defends
him when the nurse says bad about him.
JULIET Blistered be thy tongue
For such a wish! he was not born to shame.
Upon his brow shame is ashamed to sit;
For 'tis a throne where honour may be crowned
Sole monarch of the universal earth.
O, what a beast was I to chide at him!
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NURSE: Will you speak well of him that killed your cousin?
So if you were wondering if the nurse knows
they are married, you know she knows by this
point.
JULIET Shall I speak ill of him that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours wife, have mangled it?
But, wherefore*, villain, didst thou kill my cousin?
That villain cousin would have killed my husband.
Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have slain my husband.
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murdered me. I would forget it fain;
But, O, it presses to my memory,
Like damned guilty deeds to sinners' minds.
'Tybalt is dead, and Romeo--banishèd;'
That 'banishèd,' that one word 'banishèd,'
Hath slain ten thousand Tybalts. Tybalt's death
Was woe enough, if it had ended there.
Or, if sour woe delights in fellowship
And needly will be ranked with other griefs,
Why followed not, when she said 'Tybalt's dead,'
Thy father, or thy mother, nay, or both,
Which modern lamentations might have moved?
But with a rear-ward following Tybalt's death,
'Romeo is banishèd,' to speak that word,
Is father, mother, Tybalt, Romeo, Juliet,
All slain, all dead. 'Romeo is banishèd!'
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?
What does wherefore mean?
What is Juliet’s answer to her question that uses
the word wherefore?
So what is Juliet asking herself when she uses
“wherefore” here? What is she convincing
herself of?
What is the word Juliet obsesses about in this
speech? What does that show she is upset most
about?
NURSE: Weeping and wailing over Tybalt's corpse.
Will you go to them? I will bring you thither.
JULIET Wash they his wounds with tears. Mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those cords.
beguiled=charmed (in this case with a magic
that is ironically tragic)
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[Then speaking to the rope ladder:] Poor ropes, you are beguiled*,
Both you and I; for Romeo is exiled.
He made you for a highway to my bed;
But I, a maid, die maiden-widowèd.
Come, cords, come, nurse; I'll to my wedding-bed;
And death, not Romeo, take my maidenhead*!
NURSE: Hie to your chamber. I'll find Romeo
To comfort you. I know well where he is.
Hark ye, your Romeo will be here at night.
I'll to him; he is hid at Laurence's cell.
What does “hie” mean? (You should have it
written on your pink sheet in your binder.)
Remember that you learned in Act I:Scene 1
what “maidenhead” meant. So this confirms
your answer to the last question on page 1 of
this packet.
JULIET O, find him! Give this ring to my true knight,
And bid him come to take his last farewell.
[They exit]
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