Humboldt-Universität zu Berlin
PS Musikedition und Notensatz
Sommersemester 2001
Alexander Steinhilber M.A.
Ausführliche Bibliographie
EDITING
(revidierter und korrigierter Datenbestand aus RILM)
(Korrektur- und Ergänzungsvorschläge werden gerne entgengenommen und eingearbeitet)
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2
1.
[20th-century French music] 20ème siècle: Images de la musique française.: [The 20th
century: Images of French music.] (Paris: SACEM/ Papiers, 1986) 172 p. Illustration. In
French.
2.
[Anderson memorial volume] Gordon Athol Anderson (1929-1981) in memoriam: Von
seinen Studenten, Freunden und Kollegen. [Gordon Athol Anderson (1929-1981) in
memoriam: By his students, friends, and colleagues.]: Musicological studies/
Wissenschaftliche Abhandlungen, Vol. 39/1-2, (Henryville, Penn.: Institute of Medieval
Music, 1984) 2 v. xxix, 573 p. Facsimile, music examples. Essays in English (16), German
(2), French (1), Czech (1), Russian (1).
3.
[Blankenburg/ Harz, 1986] Generalbassspiel im 17. und 18. Jahrhundert: Editionsfragen aus
der Sicht vorliegender Ausgaben zum Jubiläumsjahr 1985 . [Continuo performance in the
17th and 18th centuries: Editing questions in light of available editions in the jubilee year
1985.]
4.
[Blankenburg/ Harz, 1986] Zur vokalen und instrumentalen Ornamentik in der ersten Hälfte
des 18. Jahrhunderts. [Vocal and instrumental ornamentation in the first half of the 18th
century.]
5.
[Blankenburg/ Harz, 1987] Der Einfluss der italienischen Musik in der ersten Hälfte des 18.
Jahrhunderts. [The influence of Italian music in the first half of the 18th century.]
6.
[Brook Festschrift] Music in the Classic period: Essays in honor of Barry S. Brook. (New
York: Pendragon, 1985) 384 p. Bibliography.
7.
[Bydgoszcz, 1988] Musica antiqua. VIII/1: Acta musicologica. (Bydgoszcz: Filharmonia
Pomorska im. I. Paderewskiego, 1988) 1129 p. Essays in English (33), German (12),
Russian (17), Polish (1), and French (5).
8.
[Clercx-Lejeune Gedenkschrift] Hommages a Suzanne Clercx-Lejeune. [ Homage to
Suzanne Clercx-Lejeune.] Belgisch tijdschrift voor muziekwetenschap / Revue belge de
musicologie, Vol. XLII (1988) 312 p. In French, English.
9.
[Cuyler Festschrift] Notations and editions: a book in honor of Louise Cuyler. (Dubuque,
Iowa: Brown, 1974) viii, 204 p. Illustration, facsimile, music examples.
10.
[Dorfmüller Festschrift] Ars iocundissima: Festschrift für Kurt Dorfmüller zum 60.
Geburtstag. [Ars iocundissima: Festschrift for Kurt Dorfmüller on his 60th birthday.]
(Tutzing: Schneider, 1984) viii, 406 p . In German, Italian, English.
11.
[Dublin, 1985] Ballad research: The stranger in ballad narrative and other topics.
12.
[Eisenstadt, 1986] Liszt heute. [Liszt today.] Vol. 78, (Eisenstadt: Burgenländisches
Landesmuseum, 1987) 167 p. Music examples, bibliography . In German.
13.
[Forchert Festschrift] Festschrift Arno Forchert zum 60. Geburtstag am 29 . Dezember
1985. [Festschrift for Arno Forchert in honor of his 60th birthday on 29 December 1985.]
(Kassel: Bärenreiter, 1986) 319 p. In German.
14.
[Frankfurt an der Oder, 1984] Carl Philipp Emanuel Bach in unserer Zeit.: [Carl Philipp
Emanuel Bach in our time.] (Frankfurt an der Oder: n.p., 1985) 96 p. Illustration, portrait,
music examples, thematic catalogue, charts, tables. In German.
15.
[Halle, 1983] Georg Friedrich Händel im Verständnis des 19. Jahrhunderts . [Georg
Friedrich Händel as understood in the 19th century.]
16.
[Hamburg, 1985] Musik in den Medien: Programmgestaltung im Spannungsfeld von
Dramaturgie, Industrie und Publikum. [Music in the media: Programming and the claims of
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drama, industry, and audience.] (Baden -Baden: Nomos, 1986) 202 p. Diagrams, tables. In
German.
17.
[Hamburg] Händel und Hamburg. [Händel and Hamburg.] (Hamburg: Wagner, 1985) 179 p.
In German.
18.
[Harz/Blankenburg, 1984] Zur Aufführungspraxis und Interpretation der Musik von Johann
Sebastian Bach und Georg Friedrich Händel. Georg Friedrich Händel: Ein Beitrag zum 300.
Geburtstag. [Performance practice and interpretation of the music of Johann Sebastian Bach
and Georg Friedrich Händel. Georg Friedrich Händel: Contribution to his tercentenary.]
19.
[Henle Festschrift] Musik. Edition. Interpretation. Gedenkschrift Gunter Henle. [Music.
Editions, Interpretation.] (München: Henle, 1980) In German, English (6 articles), French (1
article).
20.
[Karlsruhe] Georg Friedrich Händel. (Karlsruhe: Badische Landesbibliothek, 1985) 267 p.
In German.
21.
[München, 1983] Wagnerliteratur - Wagnerforschung. [Wagner literature - Wagner
research.] (Mainz: Schott, 1985) 239 p. In German.
22.
[Plamenac Festschrift] Spomenica u pocast Draganu Plamencu (1895-1983).: [Festschrift in
honor of Dragan Plamenac (1895-1983).] Arti musices , (Dec 1986) (Zagreb: Muzikoloski
Zavod Muzicke Akademije, 1986) 92 p. In Croatian; summaries in English, German.
23.
[Potsdam, 1983] Neue Aspekte zur Musikästhetik und Musikgeschichte im 18. Jahrhundert
unter besonderer Berücksichtigung der Potsdamer und Berliner Musikkultur. [New aspects
of 18th-century music aesthetics and music history with particular consideration of the
music culture of Potsdam and Berlin.] Potsdamer Forschungen: Wissenschaftliche
Schriftenreihe der Pädagogischen Hochschule Potsdam, Vol. 60, (Potsdam: Pädagogische
Hochschule, 1984) 129 p. In German.
24.
[Prague, 1984] Sto let odkazu Bedricha Smetany. [One hundred years of the legacy of
Bedrich Smetana.] (Praha: Svaz Ceskych Skladatelu a Koncertních Umelcu, 1985) 277 p. In
Czech.
25.
[Pretoria, 1987] Bydraes tot die Musiekwetenskapkongres 1987/ Contributions to the
Annual Musicology Congress, 1987.
26.
[Ruhnke Festschrift] Festschrift Martin Ruhnke zum 65. Geburtstag. [Festschrift for Martin
Ruhnke on his 65th birthday.] (Neuhausen: Hänssler, 1986) 408 p. In German.
27.
[Strauss Gesellschaft Festschrift] Freut euch des Lebens: Festgabe anlässlich des 50jährigen
Bestehens der Johann Strauss Gesellschaft. [Freut euch des Lebens: Special volume
published on the occasion of the 50th anniversary of the Johann Strauss Gesellschaft.]
(Wien: Johann Strauss Gesellschaft, 1986) 60 p. Illustration, portrait, facsimile, music
examples. In German.
28.
[Warsaw, 1986] Chopin a romantyzm. I. [Chopin and Romanticism. I.]: Rocznik
chopinowski, (1987) 11-313. In Polish.
29.
[Wroclaw, 1987] Problemy wykonawcze muzyki wspólczesnej. [Performance practice in
contemporary music.] Zeszyt naukowy: Akademia Muzyczna im. Karola Lipinskiego we
Wroclawiu, Vol. 47, (1988) 75-110 p.
30.
[Würzburg, 1981] Der Historismus in Orgelbau, Orgelspiel und Orgelkomposition.
[Historicism in organ building, organ playing, and organ composition.] Acta organologica,
(Kassel: Gesellschaft der Orgelfreunde, 1984) 425 p. Illustration, music examples. In
German.: ISSN: 0567-7874.
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31.
25. Händelfestspiele der Deutschen Demokratischen Republik. [25th Händel Festival of the
DDR.] (Leipzig: Kreutzmann, 1976) 54 p. Thematic catalogue. In German.
32.
Abrah m, Mariann: "Edited by/Herausgegeben von/Közreadja: Csurka Magda.": Parlando,
Issue 2; 1993; pp. 21-23: ISSN: 0133-2767.
33.
Ackermann, Peter: Musikgeschichte und historische Aufführungspraxis: Paul Hindemiths
Versuch einer Rekonstruktion der ersten Aufführung von Monteverdis Orfeo. [Music
history and performance practice: Paul Hindemith's Versuch einer Rekonstruktion der ersten
Aufführung of Monteverdi's Orfeo.] Hindemith-Jahrbuch/Annales Hindemith, Vol. 23;
1994; pp. 61-81; Music: ISSN: 0172-956X.
34.
Adamczyk, Jan [Editor]: Inzynieria i rezyseria dzwieku: Materialy sympozjum. [Audio
engineering and sound mastering control: Proceedings of a conference.] Kraków: Akademia
Górniczo-Hutnicza; 1989; 269 p.
35.
Adams, Douglas: Danzas del ballet "Estancia" by Alberto Ginastera: IV- -Danza final
(Malambo) Journal of the Conductors' Guild, Vol. 15; Issue 2; summer-fall 1994; pp. 125126: ISSN: 0734-1032.
36.
Adams, Douglas: Outdoor overture by Aaron Copland. Journal of the Conductors' Guild,
Vol. 15; Issue 2; summer-fall 1994; pp. 119-124; Charts, diagr.: ISSN: 0734-1032.
37.
Adamson, Amanda: Petrucci's Motetti C: A critical edition and study of the anonymous
motets. 1991; 310 p.; (MM thesis, Musicology: U. of Auckland, 1991); Bibliog., charts,
diagr.
38.
Adler, Samuel; Higdon, James: Epistrophe/Samuel Adler; [editing and registration by James
Higdon] [Minneapolis], Augsburg Fortress, 1992; 32 p. of music
39.
Aigrain, Philippe: New applications of content processing of music.: Journal of new music
research, Vol. 28; Issue 4; Dec 1999; pp. 271-280 ; Bibliog., Internet resources: ISSN:
0929-8215.
40.
Aikin, Jim [Introduction]; Milano, Dominic: Wendy Carlos: Further adventures in the
making of Switched-on Bach 2000. Keyboard, Vol. 18; Issue 9; Sept 1992; pp. 82-107;
Port.: ISSN: 0730-0158.
41.
Akehurst, F.R.P. [Editor and Foreword]; Davis, Judith M. [Editor]: A handbook of the
troubadours. Publications of the Center for Medieval and Renaissance Studies, 26, Los
Angeles: U. of California; 1995; vii, 502 p.; Bibliog., them. cat., charts, diagr., sound
recording: ISBN: 0-520 -07975-2.
42.
Albrecht, Christoph: Eine Neuausgabe der freien Orgelwerke Buxtehudes.: [A new edition
of the free organ works of Buxtehude.] Musik und Kirche , Vol. 64; Issue 2; 1994; pp. 6676; Music: ISSN: 0027-4771.
43.
Albrecht, Christoph: Zur Akzidentienfrage im 16. Jahrhundert. [ Concerning the question of
accidentals in the 16th century.] Musik und Kirche, Vol. L/3 (1980) 125-30. In German.:
ISSN: 0027-4771.
44.
Albrecht, Georg Alexander: Das sinfonische Werk Hans Pfitzners: Textkritische
Anmerkungen und Hinweise zur Aufführungspraxis. [Hans Pfitzner's symphonic works:
Editorial observations and suggestions for performance.] Veröffentlichungen der HansPfitzner-Gesellschaft, Vol. 4 (Tutzing: Schneider, 1987) 80 p. Music examples. In German.
45.
Albrecht, Michael von [Editor]; Schubert, Werner [Editor]: Musik und Dichtung: Neue
Forschungsbeiträge, Viktor Pöschl zum 80. Geburtstag gewidmet. [Music and poetry: New
research findings, for Viktor Pöschl on his 80th birthday.] Quellen und Studien zur
EDITING
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Musikgeschichte von der Antike bis in die Gegenwart, 23, Frankfurt am Main, Germany:
Lang; 1990; 528 p.; Illus., music
46.
Albrecht, Michael von: "Ein Stummer zieht durch die Lande": Musik und Dichtung in
Georg von Albrechts Oper Das Vaterunser. ["A mute man travels through the land": Music
and poetry in Georg von Albrecht's opera Das Vaterunser.] Frankfurt am Main, Germany:
Lang; 1990; pp. 515-521; Music
47.
Albrecht, Michael von; Schubert, Werner [Editors]: Musik in Antike und Neuzeit. [Music in
antiquity and in modern times.] Quellen und Studien zur Musikgeschichte von der Antike
bis in die Gegenwart, 1, Vol. 1, (Frankfurt am Main: Lang, 1987) 348 p. Illustration, music
examples. Essays in German (17) and French (1).
48.
Albright, Lawrence Eugene: A comparison of nine selected modern editions of the Schubert
Mass in G. 1995; 140 p.; (MA thesis, : San Jose State U.). PA 1374559.
49.
Alday, François: Alday, violoniste compositeur du XVIIIe siècle: Un Rondeau russe sorti de
l'oubli. [Alday, composer and violinist of the 18th century: A Rondeau russe rescued from
oblivion.] Acad‚mie musicologique du Forez, Issue 17; June 1991; pp. 33-51
50.
Allihn, Ingeborg: Die neue Bach-Ausgabe: Grundlage für Interpretation und
Aufführungspraxis. [The Neue Bach-Ausgabe: fundamental principles for interpretation and
performance.] Musik und Gesellschaft, Vol. XXX/7 (1980) 392-96. Illustration. In
German.: ISSN: 0027-4755.
51.
Allorto, Riccardo: Bergamo e la rinascita donizettiana. [Bergamo and the Donizetti
Renaissance.] Bergamo, Italy: Comune di Bergamo; 1993; pp . 27-33
52.
Allorto, Riccardo: Il consumo musicale in Italia. [The consumption of music in Italy.]
Nuova rivista musicale italiana, Italy/4 (November -December 1967) 758-75.: ISSN: 00296228.
53.
Allred, Brady: Legacy and challenge: Mozart's C-minor Mass. American choral review,
Vol. 33; Issue 1; winter-spring 1991; pp. 5-13: ISSN: 0002-7898.
54.
Allroggen, Gerhard [Editor]; Veit, Joachim [Editor]: Carl-Maria-von -WeberGesamtausgabe. Weber-Studien. I (1993) Weber-Studien, Mainz, Germany: Schott; 283 p.;
Vol. 1; 1993; Illus., music: ISBN: 3-7957 -0280-1.
55.
Almjeld, Paul Floyd: The madrigals of Horatio F a. (DMA doc., Performance practice: U. of
Illinois, Urbana-Champaign, 1988) DA 8823071.:
56.
Almquist, Bradley Leonard: Adrian Willaert's Musica nova selected motets : Editions and
commentary. 2v.; 1993; 510 p.; (DMA doc., : Louisiana State U.). PA 94-05382.
57.
Alphonce, Bo [Editor]; Pennycook, Bruce [Editor]: International Computer Music
Conference; McGill U.. Proceedings: International Computer Music Conference, Montreal,
1991. Montr‚al: McGill U.; 1991; xvii, 594 p.; Index
58.
Alsheimer, Rainer: Lied- und Musikforschung: Bibliographische Systematisierung im
Spiegel einer veränderten volkskundlichen Kulturanalyse. [Research in song and music:
Bibliographic systematization in light of a changed folkloric analysis of culture.]: Jahrbuch
für Volkskunde und Kulturgeschichte, Vol. 16; 1993; pp. 127 -136: ISSN: 0138-4503.
59.
Altenburg, Detlef [Editor]; Winkler, Gerhard J. [Editor]: Die Projekte der Liszt-Forschung:
Bericht über das internationale Symposion Eisenstadt , 19.-21. Oktober 1989. [The projects
of Liszt research: Report on the international symposium in Eisenstadt, 19-21 October
1989.]: Wissenschaftliche Arbeiten aus dem Burgenland, 87, Eisenstadt, Austria:
Burgenländisches Landesmuseum; 1991; 123 p.; Bibliog.
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60.
Altenburg, Detlef: Auf dem Weg zu einem neuen Liszt-Bild. [En route to a new image of
Liszt.] Eisenstadt, Austria: Burgenländisches Landesmuseum; 1991; pp. 9-17; Bibliog.
61.
Altenburg, Detlef: Die Schriften von Franz Liszt: Bemerkungen zu einem zentralen Problem
der Liszt-Forschung. [Franz Liszt's writings: Observations on a central problem in Liszt
research.] (Kassel: Bärenreiter, 1986) 242-51. In German. See RILM 1987-00810-be.
62.
Altenburg, Detlef: Schwerpunkte und Tendenzen der Liszt-Forschung in Deutschland nach
1945. [Emphases and trends in German Liszt research since 1945.] (Eisenstadt:
Burgenländisches Landesmuseum, 1987) 87-101. Bibliog. In German. See RILM 198801002-bs.
63.
Altman, Rick: Television/sound. Bloomington, IN: Indiana U.; 1986; pp. 39-54
64.
Alviani, Henry Anthony: Transcription and analysis of Latin choral church music from
Tenbury MSS 354-8 by Robert Johnson and Robert Parsons.: 1993; 153 p.; (DMA doc., :
Arizona State U.). PA 93-20571.
65.
Amato, Luiz Britto P.: Recitativo, variaçoes e fuga: An interpretative analysis of a
contemporary Brazilian piece. 1996; 63 p.; (DMA doc., : U. of California, Santa Barbara).
PA 9626177.
66.
Ameln, Konrad: Anmerkungen zu Martin Luthers Kirchenliedern: Kritik an einer Edition.
[Observations on Martin Luther's hymns: Criticism of an edition.] Jahrbuch für
Volksliedforschung, Vol. XXX (1985) 13-17. In German.: ISSN: 0075-2789.
67.
Ameln, Konrad: Das Lied vom Papstaustreiben. [The driving-out-the-Pope song.] Jahrbuch
für Volksliedforschung, Vol. XXXIII (1988) 11-18. Music examples. In German; summary
in English.: ISSN: 0075-2789.
68.
Ameln, Konrad: Neudrucke alter Quellen zum Kirchenlied und zur Musik. Ein
Literaturbericht. [New editions of old sources on the hymn tune and on music: a report on
the literature.] Jahrbuch für Liturgik und Hymnologie, Vol. XXVI (1982) 198-202. In
German.: ISSN: 0075-2681.
69.
Ameln, Konrad: Neue Faksimile-Ausgaben zur Hymnologie und Kirchenmusik: Ein
Literaturbericht. [New facsimile editions in hymnology and church music: A report on the
literature.] Jahrbuch für Liturgik und Hymnologie , Vol. XXX (1987) 128-31. In German.:
ISSN: 0075-2681.
70.
Andersen, Flemming G.: "Laing sagde mig mundtlig". Om Grundtvigs studierejse til
England og Skotland, 1843. ["Laing told me himself": Grundtvig's research in England and
Scotland in 1843.] 1997; pp. 13-17:
71.
Andersen, Mogens [Editor]; Foltmann, Niels Bo [Editor]; Rollum-Larsen, Claus [Editor]:
Festskrift Jan Maegaard 14.4.1996. [Jan Maegaard Festschrift, 14 April 1996.] Kobenhavn:
Engstrom & Sodring; 1996; 348 p .; Illus., port., facs., music, bibliog., list of works, discog.,
index, charts, diagr.: ISBN: 87-87091-94-1.
72.
Andersen, Rune J.: Noen edisjonstekniske problemer i forbindelse med utgivelse av Edvard
Griegs klaverkvintett-fragment. [Some technical problems of editing in connection with the
publication of Edvard Grieg's fragmentary piano quintet.] Oslo, Norway: U. i Oslo; 1993;
pp. 384-388:
73.
Anderson, Tim M.: E-SCaPE: An extendable sonic composition and performance
environment. San Francisco, CA: Computer Music Association; 1990; pp. 212-215
74.
Angerer, Paul: Edition, Edition...: Fragen und Antworten, Fragen ohne Antworten,
Erkenntnisse und Bekenntnisse, Aufregungen und Anregungen. [ Edition, edition...:
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Questions and answers, questions without answers, realizations and acknowledgments,
excitement and incitement.]: ™sterreichische Musikzeitschrift, Vol. XLIII/1 (January 1988)
16-20. Music examples. In German.: ISSN: 0029-9316.
75.
Angermüller, Rudolph [Editor]; Berke, Dietrich [Editor]; Hofmann, Ulrike [Editor]; Rehm,
Wolfgang [Editor]: Bericht über den Internationalen Mozart-Kongreß Salzburg 1991.
[Report on the International Mozart Congress, Salzburg 1991.] Mozart-Jahrbuch, 1991;
1113 p.; Illus., music: ISSN: 0077-1805.
76.
Angermüller, Rudolph: Anmerkungen zu Cosi fan tutte. [Observations on Cosí fan tutte.] im
sterreichische Musikzeitschrift, Vol. XXXVII/7-8 (July-August 1982) 379-86. Illustration.
In German.: ISSN: 0029-9316.
77.
Angermüller, Rudolph: Feuerstein, Jahndl und das Ehepaar Nissen. [Feuerstein, Jahndl, and
the Nissens.] Wiener Figaro, XXXIX (May 1971) 9 -15.
78.
Anonymus. [De musica mensurabili and De semibrevibus caudatis.] Corpus scriptorum de
musica, (Roma: Amer. Inst. of Musicol., 1971) 13 79 p. $12 . Music examples
79.
Anthony, James: Towards a principal source for Lully's court ballets: Foucault vs. Philidor.
Recherches sur la musique française classique,: Vol. XXV (1987) 77-104. Illustration,
facsimile, music examples.: ISSN: 0080-0139.
80.
Antonicek, Susanne [ed]; Biba, Otto [ed]: [Vienna 1983] Brahms-Kongress Wien 1983.
[Vienna Brahms congress, 1983.] (Tutzing: Schneider, 1988) 519 p. In German.
81.
Antonicek, Theophil: Leopold Nowak 1904-1991. Mitteilungen der ™sterreichischen
Gesellschaft für Musikwissenschaft, Issue 23; July 1991 ; pp. 5-7
82.
Apel, Willi: Punto intenso contra remisso. (See RILM 1981-02245-be) 175 -82. Music
examples.
83.
Aperghis-Tramoni, Christian: Une structure d'acquisition automatique d'information
musicale. [A structure for the automated acquisition of musical information.] Informatique
musicale, (See RILM 1978-02401-bs) 63-81. In French.
84.
Appel, Bernhard R.: Die Robert-Schumann-Forschungsstelle e.V. in Düsseldorf. [The
Robert-Schumann-Forschungsstelle e.V., in Düsseldorf. ] Forum Musikbibliothek: Beiträge
und Informationen aus der musikbibliothekarischen Praxis, Issue 1; 1995; pp. 7-16: ISSN:
0173 -5187.
85.
Appel, Bernhard R.: Zur Editionsgeschichte von Robert Schumanns Klaviersonate Opus 11.
[A history of the editions of Robert Schumann's op. 11 piano sonata.] Studia musicologica
Academiae Scientiarum Hungaricae, Vol. 34; Issue 3-4; 1992; pp. 367-388; Facs., music:
ISSN: 0039-3266.
86.
Archer,: Optical sound recording. Australian sound recording, Vol. I/6 (1979) 33-37.
Illustration.
87.
Arlt, Wulf: Zu einigen Fragen der Funktion, Interpretation und Edition der Introitustropen.
[Several questions as to the function, performance, and editing of introit tropes.] (München:
Arbeo, 1985) 131-50. In German. See RILM 1986-00733-bs.
88.
Arnold, Stephen [Editor]; Hair, Graham [Editor]: International Computer Music
Association. Proceedings of the International Computer Music Conference, Glasgow, 1990.
San Francisco, Ca: Computer Music Association ; 1990; 425 p.; Index
89.
Artis, Pere: L'obra del Cançoner popular de Catalunya. [Creating the Cançoner popular de
Catalunya.] Revista musical catalana, Vol. 15 (1986) 28-34. Illustration, portrait, music
examples. m In Catalan.
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90.
Askenfelt, Anders; Elenius, Kjell: Editor and search programs for music . Speech
Transmission Laboratory: Quarterly progress and status report , Vol. 4 (1977) 9-12; and
four unnumbered pages. (mimeo). Music examples.
91.
Aubert, Laurent: Une importante réédition de disques: La collection C. Brailoiu de musique
populaire suisse. [An important reissue of records: The Constantin Brailoiu collection of
Swiss folk music.] Mus‚es de Genève, Issue 266; June 1986; pp. 2-7; Port.
92.
Audus, Mark: Chybející pojítko: Rekonstrukce Její pastorkyne z r.1904.: [Missed
connection: Reconstruction of Její pastorkyna (Jenufa) from 1904.] Opus musicum, Vol. 28;
Issue 5; 1996; pp. 186-196; Music, index, charts, diagr.: ISSN: 0862-8505.
93.
Avanzi, Pietro: Sulla realizzazione del basso continuo nell'Opera 2 di Antonio Vivaldi. [On
the realization of the basso continuo in Antonio Vivaldi's opus 2.] Ricerche musicali, Vol.
II/2 (November 1978) 113-57. Music examples. In Italian.
94.
Béla Bartók. Musik-Konzepte, Vol. 22, (München: text + kritik, 1981) 153 p.: ISSN: 09313311.
95.
Bärenreiter; Supraphon. Editorial guidelines for the complete edition of Jan cek's works.
Stuyvesant, NY: Pendragon; 1995; pp. 221-241
96.
Bónis, Ferenc [Editor]: Kodály Zoltán és Szabolcsi Bence emlékezete. [In memory of Zolt n
Kodály and Bence Szabolcsi.] Magyar zenetört‚neti tanulm nyok, 5, Kecskemét: Kodály
Intézet; 1992; 346 p.; Illus., facs., music, bibliog., charts, diagr.: ISBN: 963-7295-07-0.
97.
Bach, Carl Philipp Emanuel; Munclinger, Milan: Trio sonatas, violins, continuo, H. 579, Eb
major; arr.; Sonata in G minor, "Conversation sonata" for flute and piano/ Bach, C.P.E.;
[realization of the figured bass and editing by Milan] Munclinger.; Conversation sonata.
New York, International Music Co, 1976; 1 score (20 p.) + 1 part (5 p.)
98.
Bach, Johann Sebastian: Bearbeitungen fremder Werke. [Arrangements of others' works.]
Neue Ausgabe samtlicher Werke, (Kassel: Bärenreiter, 1980) 130 p. Music examples. In
German.
99.
Bach, Johann Sebastian; Wulfhorst, Martin [Editor & Comm.]; Perlman, Itzhak
[Introduction]: Violinsoli aus den geistlichen Vokalwerk: Urtext nach der Neue BachAusgabe/Violin solos from the sacred vocal works: Urtext based on the New Bach edition.
Kassel, Germany: Bärenreiter; 1996 ; Music: ISBN: M-006-49818-5.
100.
Badura-Skoda, Eva [ed]: [Vienna, 1982] Joseph Haydn. [Joseph Haydn.] p . 641 (München:
Henle, 1986).
101.
Badura-Skoda, Paul: Das Problem 'Urtext': Ein fiktives Interview zwischen dem
Musikkritiker Joachim Császár und Paul Badura-Skoda. [The 'Urtext' question: A fictive
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XL/3 (May-June 1986) 222 -28. In German.: ISSN: 0027-4518.
102.
Badura-Skoda, Paul, Paul: Fehler - Fehler! Einige Anmerkungen zu weitverbreiteten
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103.
Badura-Skoda, Paul, Paul: Noch einmal zur Frage Ais oder A in der Hammerklavier-Sonate
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German.
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104.
Badura-Skoda, Paul: Problematische Textstellen in Mozarts Klavierwerken und ihre
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Leipzig: Peters; 1993; pp. 122-44; Music, facs.
105.
Badura-Skoda, Paul, Paul: Textual problems in Schubert. Discrepancies between text and
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ISSN: 0031-9554.
106.
Baecker, Ronald; Buxton, William; Patel, Sanad; Reeves, William: Scope in interactive
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107.
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108.
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109.
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110.
Baldassari, Maria Luisa: Il Quarto libro delli concerti di Giovanni Ghizzolo. [Giovanni
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1984) 234 p. Facsimile, music examples, bibliography, index. In Italian.
111.
Ballman, Christine: La musique profane de Roland de Lassus mise en tablature pour le luth.
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Foundation, Vol. 1; 1995; pp. 181-199; Music, list of works
112.
Balough, Teresa: The English Gothic music of Dom Anselm Hughes and Percy Grainger.
Studies in music, Vol. XIII (1979) 63-65.: ISSN: 0081-8267 .
113.
Banks, Paul: Mahler and the ethics of completing unfinished works of art . 's-Gravenhage:
Nijgh & Van Ditmar; 1991; pp. 9-16
114.
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115.
Barbera, Andr‚: New and revived approaches to text criticism in early music theory. The
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116.
Baroffio, Bonifacio Giacomo: The musical repertories of the liturgy of southern Italy and
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117.
Barth, George Robert: The changing face of Mozart editions. Humanities , Vol. 12; Issue 2;
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118.
Bartlett, Clifford: Editing Monteverdi's Vespers. Leading notes: Journal of the National
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119.
Bartlett, Clifford: Facsimiles and editing. Cambridge: Cambridge U.; 1995; pp. 196-209;
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120.
Barlett, Clifford: Handel's solo sonatas: a guide to editions. Brio , Vol. XX/2 (fall 1983) 5357. Tables.
121.
Barlett, Clifford: New editions. Brio, Vol. XIV/2 (1977) 45-49.
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122.
Bartlett, Clifford: Scipio engulfed: Notes from an editor's diary.: Leading notes: Journal of
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123.
Barlett, Clifford: The death of the editorial double dot?. Early music news, Vol. 26
(December 1979) 15.
124.
Bartlett, Clifford: Transposing choral music. Leading notes: Journal of the National Early
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125.
Bartlett, Clifford; Zych, Cezary [Translator]: Pracujac nad Nieszporami Monteverdiego.
[Working on Monteverdi's Vespers.] Canor: Kwartalnik poswiecony problemom
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126.
Bartlett, Clifford; Zych, Cezary [Translator]: Transponowanie muzyki chóralnej.
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127.
Bartos, Michael: About recording. Journal of the Conductors' Guild,: Vol. 12; Issue 3-4;
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128.
Basart, Ann: Editorial practice and publishing opportunities in serious English-language
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129.
Baselt, Bernd [Collaborator]; Fleischhauer, Günter [Collaborator]; Hobohm, Wolf [Editor];
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Baselt, Bernd [Collaborator]; Fleischhauer, Günter [Collaborator]; Hobohm, Wolf [Editor];
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133.
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134.
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Baselt, Bernd: Händel-Editionen zur Zeit der Wiener Klassik. [Händel editions during the
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EDITING
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136.
Baselt, Bernd: Zu 'Handel's Roman Vespers': Probleme der Edition von Werken G.F.
Händels am Beispiel seiner lateinischen Kirchenmusik. [ 'Handel's Roman Vespers':
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(Blankenburg/ Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 48-56. In German.
See RILM 1987 -00860-bs.
137.
Baselt, Bernd: Zur Editionspraxis der Werke Georg Friedrich Händels. [ Editing the work of
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138.
Baselt, Berndt: Händel-Edition im Verständnis des 19. Jahrhunderts: Beiträge zur
Geschichte der Ausgabe der deutschen Händel-Gesellschaft, hrsg. von Friedrich
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the edition of the German Händel -Gesellschaft edited by Friedrich Chrysander.]
Wissenschaftliche Beiträge der Martin-Luther-Univeristät Halle, Vol. XXXVIII/G11 (See
RILM 1984-00711-bs) (1984) 46-61. In German.
139.
Bauer, Hans-Joachim: Stand, Probleme und Perspektiven der Richard-Wagner Briefausgabe. [The edition of Richard Wagner's letters: Status, problems, perspectives.]
(See RILM 1985-00774-bs) 139-42. In German.
140.
Bauman, Thomas: Requiem, but no piece. 19th-century music, Vol. 15; Issue 2; fall 1991;
pp. 151-161: ISSN: 0148-2076.
141.
Baumann, Max Peter [Editor]: International Institute for Comparative Music Studies and
Documentation; Staatliches Institut für Musikforschung , Preußischer Kulturbesitz. Music
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142.
Baumgarten, Ludwig: Originalausgaben und ent-sprechendes Aufführungsmaterial.
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143.
Bazzana, Kevin [Editor]: Friends of Glenn Gould Society. GlennGould. 1 (fall 1995)
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music, bibliog., discog., charts, diagr., transcr., notes: ISSN: 1201-821X.
144.
Beaudry, Claude: Guide de rédaction de travaux de recherche en musique.: [Editing guide to
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145.
Beaudry, Claude: Guide de r‚daction de travaux de recherche en musique.: [A guide for
editing musical research.] (Qu‚bec: Bibliothèque de l'Universit‚ Laval, 1986) lv, 34 p.
Illustration, music examples, bibliography, index. In French.
146.
Beckerman, Michael [Editor]; Bauer, Glen [Editor]: Washington U.: Janácek and Czech
music: Proceedings of the international conference.: Studies in Czech music, 1, Stuyvesant,
NY: Pendragon; 1995; xi, 402 p.; Bibliog., index: ISBN: 0-945193-36-X.
147.
Beckman Michael: Jan cek's notation revisited: An interview with Jarmil Burghauser.
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148.
Beckmann, Klaus: A. Vivaldi oder J. Meck? Zum Echtheitsproblem des Concerto P 217. [A.
Vivaldi or J. Meck? The problem of authenticity of the concerto P. 217.] (See RILM 197600179) 253-56. In German.
149.
Beckmann, Klaus: Der authentische Text der Orgelwerke Buxtehudes: Ein Streitobjekt?.
[The authentic text of Buxtehude's organ works: Point of contention?.] Musik und
Gottesdienst, Vol. XL/1 (1986) 1-10. Music examples. In German.: ISSN: 0027-4763.
EDITING
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150.
Beckmann, Klaus: Zur Uberlieferung und Edition der Orgelwerke Buxtehudes.
[Transmission and editing of Buxtehude's organ works.] (Helsingor: Sct. Mariae Sogus
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151.
Beckmann, Klaus; Billeter, Bernhard; Riedel, Friedrich Wilhelm: Diskussion zum Problem
der Sextole in Dietrich Buxtehudes g-Moll -Präludium BuxWV 149. [Discussion of the
problem of the sextuplet in Dietrich Buxtehude's G-minor prelude BuxWV 149.] Ars
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ISSN: 0004-2919.
152.
Beckwith, John: Le Lucas et Cécile de Joseph Quesnel: Quelques problèmes de restauration.
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Issue 13; May 1991; pp. 10-28; Music: ISSN: 0821-817X.
153.
Beechey, Gwilym: Domenico Scarlatti and Ernst Pauer. Musical opinion , Vol. CIX/1302,
1304, 1305 (May, July, August 1986) 160-62, 251-53, 283 -85. Illustration, music
examples, bibliography, list of works.: ISSN: 0027-4623.
154.
Beechey, Gwilym: John Christian Bach (1735-1782). A bicentenary tribute.: Musical
opinion, Vol. CVI/1263 (January 1983) 106-09, 126.: ISSN: 0027-4623.
155.
Bellotto, Francesco [Editor]; Galizzi, Gian Pietro [Preface]; Di Mauro, Letterio [Preface]:
L'opera teatrale di Gaetano Donizetti: Atti del convegno internazionale di
studio/Proceedings of the international conference on the operas of Gaetano Donizetti.
Bergamo, Italy: Comune di Bergamo; 1993; 449 p.; Illus., music, bibliog., index, charts,
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156.
Belotti, Michael: Das Problem der Überbindung am Beispiel der Orgelwerke Buxtehudes.
[The problem of tied notes as exemplified in the organ works of Buxtehude.] Acta
organologica, Vol. XVII (1984) (See RILM 1984-00781 -bs) 380-85. Music. In German;
summaries in English, French.: ISSN: 0567-7874.
157.
Benda, Franz; Munclinger, Milan: Sonatas, flute, continuo, F major.; Sonata in F major for
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158.
Bendix, Nina [Editor]; Friis, Mogens [Editor]: MUSA--Årbog. [MUSA- -Yearbook.] Århus:
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159.
Benestad, Finn: Edvard Grieg og Peer Gynt-musikken: Noen problemområder ved
utgivelsen av Peer Gynt-partituret, op. 23, i Edvard Griegs samlede verker, bind 18. [Edvard
Grieg and the music for Peer Gynt: Some problems with publishing the score of Peer Gynt,
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160.
Benestad, Finn: Peer Gynt: The fruits of collaboration between two cultural giants--Henrik
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1062-7987.
161.
Bennett, R. Sterndale: Mendelssohn als Herausgeber Händelscher Werke.: [Mendelssohn as
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162.
Bennwitz, Hanspeter [Editor]; Buschmeier, Gabriele [Editor]; Feder, Georg [Editor];
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Literatur, Mainz. Opera incerta: Echtheitsfragen als Problem musikwissenschaftlicher
Gesamtausgaben. [ Opera incerta: Questions on authenticity as a problem in collected works
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11, Stuttgart, Germany: Steiner; 1991; 355 p.; Music, charts, diagr.: ISBN: 3-515-05996-2.
EDITING
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163.
Bennwitz, Hanspeter: Musikalisches Erbe und Gegenwart: Musiker -Gesamtausg. in d.
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3761805217.
164.
Bent, Margaret: (1380-1430: An international style?) A contemporary perception of early
fifteenth-century style: Bologna Q15 as a document of scribal editorial initiative. Musica
disciplina, Int, Vol. XLI (1987) 183-201. Facsimile, charts, tables.
165.
Bent, Margaret: Editing early music: The dilemma of translation. Early music, Vol. 22;
Issue 3; Aug 1994; pp. 373-392; Facs., music, bibliog .: ISSN: 0306-1078.
166.
Bent, Margaret: Fact and value in contemporary scholarship. Musical times, Vol.
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167.
Bent, Margaret; Cafiero, Rosa [Translator]: Lo stile del primo Quattrocento nella coscienza
dei contemporanei: Bologna Q 15 come documento della iniziativa editoriale del copista. [A
contemporary perception of style in the early 15th century: Bologna Q15 as a document of
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168.
Bente, Martin: Ermittlung und Vermittlung: Zum Begriff Urtext. [ Ascertaining and
mediating: On the term Urtext.] ™sterreichische Musikzeitschrift, Vol. 46; Issue 10; Oct
1991; pp. 528-531: ISSN: 0029-9316.
169.
Bentheim, Jaap van: The scoring of Josquin's secular music. Tijdschrift van der Vereniging
voor Nederlandse Muziekgeschiendenis, Vol. XXXV/1-2 (1985) 67-85. Facsim., music. See
RILM 1985-04802-bf.
170.
Berg, Alban; Apostel, Hans Erich [Editor]; Cerha, Friedrich [Editor]: Lulu: Oper nach
Frank Wedekinds Tragödien Erdgeist und Büchse der Pandora. I. und II. Akt. [Lulu: Opera
after Frank Wedekind's tragedies Erdgeist and Büchse der Pandora. Acts 1 and 2.] Wien:
Universal; 1985; viii, 695 p.
171.
Berg, Paul [Editor]: Proceedings of the International Computer Music Conference. San
Francisco, CA: Computer Music Association; 1986; 464 p. ; Illus., music, bibliog., charts,
diagr.
172.
Bergeron, Katherine: The castrato as history. Cambridge opera journal , Vol. 8; Issue 2; July
1996; pp. 167-184: ISSN: 0954-5867.
173.
Bergsagel, John: Egon Wellesz and Denmark. Kobenhavn: Engstrom & Sodring; 1996; pp.
131-138; Illus.
174.
Bericht uber den internationalen musikwissenschaftlichen Kongress Bonn 1970. [Report on
the International Musicological Congress, Bonn 1970. ] (Kassel: Barenreiter, 1971) xxii,
714 p. In German, English, French
175.
Berke, Dieter: Urtext zwischen Wissenschaftsanspruch und Praxisnähe: Die modernen
Musiker-Gesamtausgaben. [Urtext between the claims of scholarship and practice: The
modern editions of a musician's collected works.] ™sterreichische Musikzeitschrift, Vol.
46; Issue 10; Oct 1991; pp. 531-535; Bibliog.: ISSN: 0029-9316.
176.
Berke, Dietrich [ed]; Hanemann, Dorothee [ed]: Early music aesthetically relevant: Bach,
Händel, Schütz; [Stuttgart, 1985] Alte Musik als asthetische Gegenwart: Bach, Händel,
Schütz. [Early music aesthetically relevant: Bach, Händel, Schütz. ] (Kassel: Bärenreiter,
1987) 2 v. 543; 471 p. In German (125 essays) and English (15 essays).:
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177.
Berke, Dietrich [Editor]; Heckmann, Harald [Editor]: Festschrift Wolfgang Rehm zum 60.
Geburtstag am 3. September 1989. [Festschrift for Wolfgang Rehm on his 60th birthday, 3
September 1989.] Kassel, Germany: Bärenreiter; 1989; 293 p.; Facs., music, charts, diagr.
178.
Berke, Dietrich: Die Neue Mozart-Ausgabe. Rückblick und Perspektiven.: [The Neue
Mozart-Ausgabe. Achievements and prospects.] Acta mozartiana , Vol. XXIV/2 (1977) 3741. In German.: ISSN: 0001-6233.
179.
Berke, Dietrich: The Neue Mozart-Ausgabe. The musical times, Vol. 132; Issue 1786; Dec
1991; 610 p.: ISSN: 0027-4666.
180.
Berlasz, Melinda: Bartha Dénes: A folyóiratszerkesztö. [Dénes Bartha: Editor of
periodicals.] Magyar zene, Vol. XXV/2 (June 1984) 115-35. Facsimile. In Hungarian.:
ISSN: 0025-0384.
181.
Berlin, Edward: On ragtime. Black music research newsletter, Vol. IX/1 (spring 1987) 1011. Facsimile.
182.
Bernard, Philippe: Les chant propres de la Messe dans les répertoires grégorien et romain
ancien: Essai d'édition pratique des variantes textuelles. [The Proper of the Mass in
Gregorian and Old-Roman repertoires: An attempt at the practical editing of the textual
variations.] Ephemerides liturgicae, Vol. 110; 1996; pp. 210-251: ISSN: 0013-9505.
183.
Bernard, Philippe: Les variantes textuelles entre "vieux-romain" et "grégorien": Quelques
résultats. [Textual variants between "Old Roman" and "Gregorian": Some findings.] Sablésur-Sarthe: Abbaye Saint-Pierre de Solesmes; 1995; pp. 63-82; Charts, diagr.
184.
Betz, Marianne: Bearbeitung, Rekonstruktion, Ergänzung: Der erste Satz der Sonate A-Dur
BWV 1032 für Flöte und obligates Cembalo von J.S. Bach.: [Arrangement, reconstruction,
completion: The first movement of the sonata in A major BWV 1032 for flute and cembalo
obbligato by J.S. Bach. ] Tibia, Vol. XIII/3 (1988) 158-63. Music examples, charts, tables.
In German.
185.
Beveridge, David R. [Editor]: Rethinking Dvorák: Views from five countries. Oxford:
Clarendon; 1996; xi, 305 p.; Illus., port., music, charts, diagr.: ISBN: 0-19-816411-4.
186.
Bezic, Jerko [Editor]: Zavod za Etnologiju i Folkloristiku, Zagreb; Centar za Kulturu,
Cakovec. Znacenje djelatnosti Vinka Zganca na polju etnomuzikologije, etnokoreologije,
usmene knjizevnosti i glazbene umjetnosti. [The significance of Vinko Zganec's work in
ethnomusicology, ethnochoreology, oral literature, and musical art.] Narodna umjetnost:
Hrvatski casopis za etnologiju i folkloristiku, Issue 3; special issue 1991; 414 p.; Illus.,
music, bibliog., discog., transcr.: ISSN: 0547 -2504.
187.
Bianchi, Angelino: Raffaele Casimiri trascrittore di musiche rinascimentali. [Raffaele
Casimiri, transcriber of Renaissance music. ] (See RILM 1981-00168-bs) 427-38. In Italian.
188.
Bielawski, Ludwik [Editor]; Dadak-Kozicka, Katarzyna [Editor]; Lesien -Plachecka,
Krystyna: Oskar Kolberg: Prekursor antropologii kultury. [ Oskar Kolberg: Precursor of
cultural anthropology.] Warszawa: Polska Akademia Nauk; 1995; 207 p.; Music, maps:
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189.
Bielawski, Ludwik: Miedzynarodowa konferencja poswiecona dawnym zródlom muzyki
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190.
Bielawski, Ludwik; Mauerhofer, Alois; Suppan, Wolfgang [Editors]: Historische
Volksmusikforschung. Bericht uber die 4. Arbeitstagung der Studiengruppe zur
Erforschung und Edition historischer Volksmusikquellen im International Folk Music
Council vom 7. bis 12. April 1975 in Kazimierz Dolny. [Historic folk-music research.
EDITING
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Report on the 4th meeting of the study group for research and editing of historic folk -music
sources of the International Folk Music Council, 7-12 April 1975 in Kazimierz Dolny.]
(Kraków: Wyd. Muz., 1979) 228 p. Illustration, facsimile, music examples. In German.
191.
Bimberg, Guido [Editor]; Pfeiffer, Rüdiger [Editor]: Internationale Fasch-Gesellschaft
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283 p.; Music: ISBN: 3-412-10393-4.
192.
Bird, Steven Carl: A comparison of the autograph manuscript of Maurice Ravel's Daphnis et
Chlo‚ with the Durand edition of suites 1 & 2.: Journal of the Conductors' Guild, Vol. 11;
Issue 1-2; winter-spring 1990; pp. 39-58; Music, charts, diagr.: ISSN: 0734-1032.
193.
Bird, Steven Carl: A preliminary comparison of the autograph score of Maurice Ravel's
ballet Daphnis et Chlo‚ with the 1913 edition of the full score by Durand et fils. 1989; 269
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194.
Bischof, Paul: Die Figur [...] bei Mozart. [Mozart and the figure of an eighth-note followed
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195.
Björkvall, Gunilla; Jonsson, Ritva; Iversen, Gunilla: Le Corpus troporum. Une equipe de
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196.
Blackburn, Bonnie J.: On publishing the Trent Codices. Trento, Italy: Biblioteca Musicale
Laurence K.J. Feininger; 1996; pp. 13-14
197.
Blaukopf, Herta: Als Mahlers Zeit noch nicht gekommen war. Aus den frühen Dokumenten
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198.
Blaukopf, Kurt: Werktreue und Bearbeitung. Zur Sociologie der Integrität des
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199.
Bletschacher, Richard; Busenello, Giovanni Francesco; Cavalli, Pier Francesco; Klebel,
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200.
Blezzard, Judith: Editing early English: some further evidence. Musical times, Vol.
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201.
Blezzard, Judith: Reconstructing early English vocal music: History, principle and practice.
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202.
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203.
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EDITING
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204.
Bockholdt, Rudolf: Französische und niederländische Musik des 14. and 15 . Jahrhunderts.
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205.
Boehm, Gottfried [Editor]; Mosch, Ulrich [Editor]; Schmidt, Katharina [Editor]: Canto
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207.
Boetticher, Wolfgang: Die frühe Göttinger Händelrenaissance: Versuch einer Würdigung.
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208.
Boetticher, Wolfgang: Neue Schumanniana. [New Schumanniana.]: Muzikoloski zbornik,
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209.
Boetticher, Wolfgang: Probleme beim Aufbau eines Werkverzeichnisses Orlando di Lassos.
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Schneider; 1993; pp. 49-54
210.
Boetticher, Wolfgang: Zum Problem eines Urtextes bei Robert Schumann und Anton
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211.
Bolin, Norbert: Die Brockespassion von Telemann: Ein monumentales Kunstwerk.
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212.
Bolzan, Claudio: "L'idea fantastica del tutto" per una lettura dell'Undine di E.T.A.
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213.
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214.
Bonetti, Kay; Lopez, Barry Holstun: American Audio Prose Library.: Barry Lopez
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215.
Bonis, Ferenc: A magyar népzene: Adatok Kodály tanulm ny nak keletkezéstörténetéhez.
[A magyar n‚pzene: Some data concerning the genesis of Kodály's essay.] Magyar zene,
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216.
Bonis, Ferenc: Liszt- und Wagner-Briefe an Mosonyi in Kodálys wissenschaftlicher
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217.
Boorman, Stanley: A new edition of Machaut. Early music, Vol. V/4 (October 1977) 49598. Illustration, music examples.: ISSN: 0306-1078.
EDITING
17
218.
Boorman, Stanley: The 'first' edition of the Odhecaton A. Journal of the American
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219.
Bornhömft, Rüdiger: Kleine textkritische Fragen in der Bruckner-Gesamtausgabe. [Minor
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220.
Bornhömft, Rüdiger: Zu Anton Bruckners dritter Fassung der Dritten Symphonie. [Anton
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221.
Borroff, Edith; Cuyler, Louise Elvira: Notations and editions: a book in honor of Louise
Cuyler/ edited by Edith Borroff. Da Capo Press music reprint series, New York, Da Capo
Press, 1977; viii, 204 p: ISBN: 0306708671.
222.
Borroff, Edith; Cuyler, Louise Elvira: Notations and editions; a book in honor of Louise
Cuyler. Edited by Edith Borroff. Dubuque, Iowa, W. C. Brown Co, [1974]; viii, 204 p:
ISBN: 0697035433.
223.
Bose, Sisir Kumar; Bose, Subhas Chandra; Sen, Atulendu: Netaji Research Bureau. The
voice of Netaji [sound recording]: Netaji Research Bureau presents selected speeches and
radio broadcasts of Netaji Subhas Chandra Bose 1938-1944/ introduction, commentary,
Sisir K. Bose; editing, Sisir K. Bose & Atulendu Sen. Calcutta, Sursagar, 1985, (Calcutta,
Gramophone Co. of India); 1 sound disc
224.
Bowen, Jeff: Becoming a computer musician. Indianapolis, Indiana: Prentice Hall/Sams;
1994; 260 p.; Illus., music, index, computer disk: ISBN: 0-672-30513-5.
225.
Boyd, Malcolm [Editor]: Centre on Eighteenth-Century Musical Studies, University of
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226.
Bozarth, George S. [Editor]: Brahms studies: Analytical and historical perspectives. Oxford:
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227.
Bozarth, George S. [Editor]; Martin, Wiltrud [Editor]: The Brahms-Keller correspondence.
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228.
Bozarth, George S.: Brahms's organ music: A new critical edition. The American organist,
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229.
Bozarth, George S.: Editing Brahms' music. Brahms studies, Vol. 2; 1998; pp. 1-30; Facs.,
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230.
Bozarth, George S.: The Brahms-Keller correspondence. The American Brahms Society
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231.
Bozarth, George Severs, Jr: The Lieder of Johannes Brahms - 1868-1871: studies in
chronology and compositional process. (PhD diss.: Princeton U ., 1978) 254 p. Appendices.
m
232.
Bozarth, George: Brahms's posthumous compositions and arrangements: Editorial problems
and questions of authenticity. (Cambridge: Cambridge U., 1987) 59-94. Music, charts,
tables. See RILM 1987-03067-bc.
233.
Brabcová, Jitka [Editor]: Bohuslav Martinu anno 1981: Papers from an international
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EDITING
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234.
Brandao, Marcio C.P.; Nascimento, Ricardo S.R.: A geometric concordance device for
sound synthesis. Montr‚al: McGill U.; 1991; pp. 412-415; Illus.
235.
Brandenburg, Sieghard: Beethovens Skizzen: Probleme der Edition. [ Beethoven's sketches:
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236.
Brandstetter, Gabriele [Editor]: Jacques Offenbach's Les contes d'Hoffmann: Conception,
reception, documentation; Jacques Offenbachs Hoffmanns Erzählungen: Konzeption,
Rezeption, Dokumentation. [Jacques Offenbach's Les contes d'Hoffmann: Conception,
reception, documentation. ] Thurnauer Schriften zum Musiktheater, 9, Vol. 9, (Laaber:
Laaber -Verlag, 1988) 512 p. Illustration, facsimile, portrait, music examples, bibliography,
list of works, index, tables, transcr. Essays in German (15) and French (1).
237.
Brandt, Konrad: Robert Franz und das Choralbuch für die Provinz Sachsen aus dem Jahr
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Händel-Haus; 1993; pp. 248-58; Music
238.
Braun, Hartmut: Ein Zitat. Beziehungen zwischen Chopin und Brahms. [A citation;
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1972) 317-21. Music examples: ISSN: 0027-4801.
239.
Brauner, Patricia B.: The Opera omnia of Gioachino Rossini. Journal of the Conductors'
Guild, Vol. 14; Issue 2; summer-fall 1993; pp. 2-7; Charts, diagr.: ISSN: 0734-1032.
240.
Bray, Roger: Editing and performing musica speculativa. Cambridge: Cambridge U.; 1995;
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241.
Breig, Werner: Composition as arrangement and adaptation. 1997; pp. 154-170; Music
242.
Breig, Werner: Editing Wagner's letters: The problems of a complete edition. Wagner, Vol.
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243.
Breig, Werner: Schützfunde und -zuschreibungen seit 1960. Auf dem Wege zur Grossen
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(See RILM 1979-02287-bp) 63 -92. In German; summaries in English, French, Swedish.:
ISSN: 0174-2345 .
244.
Brent, Jonathan; Gena, Peter: A John Cage reader: in celebration of his 70th birthday/
compiled and edited by Peter Gena and Jonathan Brent; supplementary editing by Don
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245.
Bresch, Sigrid: Kompositorische Änderungen in der Partitur der 9. Symphonie nach den
ersten Aufführungen 1824? [Were there compositional changes to the score of the ninth
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pp. 113-143; Charts, diagr.
246.
Brett, Philip: Editing Byrd. Musical times, Vol. CXXI/1650, 1651 (August, September
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247.
Brett, Philip: Text, context, and the early music editor. Authenticity and early music,
(Oxford: Oxford U., 1988) 83-114. See RILM 1988-01067 -bs.
248.
Brinkmann, Clemens: Albert Gereon Stein (1809-1881). Kirchenmusik und
Musikerziehung. [Albert Gereon Stein (1809-1881). Church music and music education.]
Beiträge zur Rheinischen Musikgeschichte, Vol. 108, (Köln: Arno Volk, 1974) 238 p.
Music examples. In German.
EDITING
19
249.
Brizi, Bruno: Per l'edizione dei testi operistici vivaldiani. [Toward an edition of the librettos
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250.
Brodbeck, David L.: Primo Schubert, secondo Schumann: Brahms's four-hand waltzes, op.
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0277-9269.
251.
Brodbeck, David Lee: Brahms as editor and composer: His two editions of Ländlerby
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252.
Brohn, William D; Prokofiev, Sergey: Aleksandr Nevskii (Motion picture music);
Alexander Nevsky: film score/ S. Prokofiev; adapted by William D . Brohn. [New York
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253.
Brohn, William D; Prokofiev, Sergey: Aleksandr Nevskii (Motion picture music);
Alexander Nevsky: film score/ S. Prokofiev; adapted by William D . Brohn. [New York
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254.
Broido, Arnold; Sachs, Carolyn: C.F. Peters Corporation. An Introduction to music
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255.
Bronner, Simon J.: James Maidment, ballad editor. Midwestern folklore , Vol. 18; Issue 2;
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256.
Brook, Barry S.: The Pergolesi complete works edition and the general problems of using
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257.
Brook, Barry S.; Viano, Richard J.: The thematic catalogue in music: Further reflections on
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258.
Brook, Barry S: Music literature and modern communication; revolutionary potential of the
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ISSN: 0069-5696.
259.
Brook, Barry S: Remembering O.E.D. 1883-1967: an homage. Musical quarterly, Vol.
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260.
Brook, Robert Rankin: George Coles Stebbins: His life, work, and influence upon the
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charts, diagr.
261.
Brosche, Günter: Die Wiener Fassung der Ersten Symphonie von Anton Bruckner. Zur
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262.
Broude, Ronald: Arrangement, transcription, edition: some problems in terminology. Choral
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EDITING
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263.
Broude, Ronald: Editing early music: some notes on procedure and presentation. Choral
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264.
Broude, Ronald: Facsimiles and historical performances: Promises and pitfalls. Historical
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265.
Broude, Ronald: Playing from originals. Early music America, Vol. 3; Issue 2; summer
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266.
Broude, Ronald: When accidents are substantive: Applying methodologies of textual
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267.
Brown, Bruce Alan: Editions anciennes et modernes d'opéras-comiques: Problèmes et
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268.
Bruckner-Jahrbuch 1980. (Linz: Akademische Druck- und Verlagsanstalt, Graz, 1980) 190
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269.
Brzezinska, Barbara: Uwagi o publikacjach i wykonawstwie kompozycji alteracyjnych XVI
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270.
Bucchi, Valentino: Musica allo specchio: analisi di partiture, di fatti e di situazioni/
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271.
Buckley, Ann [Editor]; Nilsson, Ann-Marie [Editor]: Proceedings of the first BritishSwedish conference on musicology: Medieval studies.: Kungliga Musikaliska Akademiens
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272.
Buckley, Ann: The lyric lai: Musicological, philological and cultural questions. Stockholm:
Kungliga Musikaliska Akademien; 1992; pp. 189-234:
273.
Buckley, Paul E.J.; Lewis, Andrew: Orpheus: A graphical composition environment. San
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274.
Budde, Elmar: Bemerkungen zur Problematik praktischer Ausgaben. [Observations on
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275.
Buehler, John: George Lynn: The Westminster Connection/Choral sound and composition:
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276.
Bula, Karol: Georg Friedrich Händel in Polish editions; Georg Friedrich Händel in
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277.
Bula, Karol: Zum Problem der Edition von Werken Bachs und Händels in Polen. [Problems
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278.
Bunting, Edward: Bunting's ancient music of Ireland. (Cork: Cork U., 1983) 226 p.
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279.
Burden, Michael; Choilij, Irena [Editors]: A handbook for studies in 18th-century English
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EDITING
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280.
Buresov , Alena: Die Olmützer Zeitschrift Beethoven. [Beethoven, a journal from
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281.
Burg, Josef: Notizen zu den französischen Ausgaben der Orgelwerke von J .S. Bach und
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282.
Burghauser, Jarmil: K problematice Janáckova zápisu tónovych vysek. [ Problems
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283.
Burghauser, Jarmil: The principles of the Janácek critical edition.: Stuyvesant, NY:
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284.
Burghauser, Jarmil: Zur Entstehung der Editionsrichtlinien für die Janácek-Gesamtausgabe.
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285.
Burk, Phil; Marsanyi, Robert: Iconic programming for HMSL. San Francisco: International
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286.
Burmeister, Klaus: Editionsfragen der Frühklassik. Verlagserfahrungen aus der Arbeit an
kritisch-praktischen Ausgaben. [Questions in the editing of early Classic music. The
experiences of a publishing house in issuing critical-practical editions.] Blankenburger
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287.
Burnett, Frances Hodgson; Kosarin, Michael; Norman, Marsha; Simon, Lucy: Secret
garden. Vocal score.; The secret garden/ [book and lyrics by Marsha Norman; music by
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288.
Burns, Gary: Interdisciplinary editing in popular music studies. Music reference services
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289.
Burow, Heinz-Wilfried: Beiträge zur Theorie und Methode der Musikwissenschaft.
Historisch-kritische Untersuchungen auf der Grundlage wissenschaftstheoretischer
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290.
Burrows, Donald James: Handel's last musical autograph. Händel-Jahrbuch , Vol. 40-41;
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291.
Burton, James; Gottling, Philip: Symphony no. 9 by Gustav Mahler.: Journal of the
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292.
Busch, Hermann J. [Editor]: Zur Interpretation der französischen Orgelmusik. [Interpreting
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Bibliography. In German.
293.
Busch, Hermann J.: Die Ausgaben. [The editions.] Kassel, Germany: Merseburger; 1995;
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294.
Busch, Hermann: Neuausgaben französischer Orgelmusik des 16. bis 19. Jahrhunderts.
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EDITING
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295.
Bussi, Francesco: Altro Cavalli sacro restituito. [More sacred music by Francesco Cavalli
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296.
Butt, John: The Cambridge companion to Bach. New York: Cambridge U.; 1997; xv, 326
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297.
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298.
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299.
Buzga, Jaroslav [Editor]: Vergessene Aufsätze, Berichte und Mitteilungen aus Carl Maria
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300.
Caccini, Giulio; Dallapiccola, Luigi; Granitto, Nicholas; Lyman, Waldo: Italian songs of the
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Waldo Lyman. New York, International Music Co, 1961; High; 1 score (2 v.)
301.
Caccini, Giulio; Dallapiccola, Luigi; Granitto, Nicholas; Lyman, Waldo: Italian songs of the
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302.
Cahis, Juan I.: The Bruckner symphonies problem reconsidered. Journal of the Conductors'
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303.
Cai, Camilla: Was Brahms a reliable editor? Changes made in opuses 116, 117, 118 and
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304.
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305.
Calò, Maria Amata: L'Excelsior in pellicola: Dal cinema alla danza, dalla danza al cinema.
[Excelsior on film: From cinema to dance, from dance to cinema.] Chor‚graphie: Studi e
ricerche sulla danza, Vol. 3; Issue 5; 1995; pp. 47-78; Illus., port., bibliog., charts, diagr.,
dance notation
306.
Calabria, Pier Giorgio: Debussy's La mer: A conducting analysis. 1991; 92 p.; (DM doc.,
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307.
Caldwell, John: Editing early music/ John Caldwell. Early music series (London, England:
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308.
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EDITING
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309.
Calvet, Christopher Paul: Structure and development in the one-movement guitar sonatas of
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310.
Cameron, Jasmin Melissa: Two Gloria settings by Giovanni Maria Ruggieri: Editions and
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311.
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312.
Cardine, Eugène: La notation du chant grégorien aux XVIIe-XIXe/ siècles. [Notation of
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313.
Carissimi, Giacomo: Six solo cantatas. (London: Faber a Faber, 1969) 94 p. L4.15.0.
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314.
Carpenter, John; Howarth, Alan: Escape from New York [sound recording]: original motion
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315.
Carruthers, Glen Blaine: Bach and the piano: Editions, arrangements and transcriptions
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316.
Carruthers, Glen Blaine: Subjectivity, objectivity and authenticity in nineteenth-century
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317.
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318.
Casanoves, Narcís: Complete works. II; Obras completes. II. Mestres de l'Escolania de
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319.
Casares Rodicio, Emilio [Editor]; Villanueva Abelairas, Carlos [Editor]: Servicio de
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Estudiantís; Asociación Nacional de Profesores de Música de Universidad; Consellería de
Cultura e Deportes; Dirección Xeral de Cultura. De musica hispana et aliis: Miscel nea en
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aula aberta, música, 2v.; Santiago de Compostela: U. de Santiago de Compostela; 1990;
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320.
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321.
Cassaro, James P.: A critical edition of Lully's Ballet des saisons: Historical background,
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322.
Center for the Book.; Oxford University Press.. The Oxford English dictionary. [sound
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hr.): analog, 7 1 /2 ips, 2 track, mono.; 10 in. +, program notes (4 p.)
EDITING
24
323.
Center for the Book; Oxford University Press. The Oxford English dictionary [sound
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volume of A supplement to the Oxford English dictionary. 1986; 3 sound tape reels (ca. 3
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324.
Center for the Book; Oxford University Press. The Oxford English dictionary [sound
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volume of A supplement to the Oxford English dictionary. 1986; 3 sound tape reels (ca. 3
hr.)
325.
Cernik, Vratislav: Smetanovo dílo v notovych edicích. [Editions of Smetana's music.] (See
RILM 1985-00788-bs) 225-28.
326.
Chafe, Chris; Mont-Reynaud, Bernard; Rush, Loren: Toward an intelligent editor of digital
audio: Recognition of musical constructs.: Cambridge, MA: MIT; 1989; pp. 537-548;
Music, bibliog., charts, diagr .
327.
Chappell, Jon; Hallberg, Priscilla 4trl; Zanon, Gèrard: My first keyboard: a method for
portable keyboard/ Zanon G‚rard Zanon; [translated by Priscilla Hallberg; editing by Jon
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0895247704.
328.
Charnasso, Hélène [Editor and Introduction]: Aspects de la recherche musicologique au
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facsimile, index. In French.
329.
Chechlinska, Zofia: O wydaniu narodowym dziel Chopina. [On the National Edition of
Fr‚d‚ric Chopin's works.] Rocznik chopinowski, Vol. XV (1983) 15-28. In Polish.
330.
Chechlinska, Zofia: The national edition of Chopin's works. Chopin studies, Vol. II (1987)
7-19.: ISSN: 0176-6511.
331.
Chimenes, Myriam: Debussy: Retour aux sources. [Debussy: A return to the sources.]
(Paris: Sacem/ Papiers, 1986) 78-83. In French. See RILM 1986-00780-bc.
332.
Chlopecki, Andrzej: Wydawca. [Editor.] Kraków: Akademia Muzyczna; 1994 ; pp. 29-32
333.
Chominski, Józef Michal: Ogólne zalozenia katalogu dziel Chopina. [General principles of
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In Polish.
334.
Chung, Yiu-kwong: Hans Werner Henze's Five scenes from the snow country: An analysis.
1991; 243 p.; (DMA doc., Performance practice: City U. of New York, 1991). PA 9119621.
335.
Churgin, Bathia: A new edition of Beethoven's fourth symphony: editorial report. Israel
studies in musicology, Vol. I (1978) 11-53. Facsimile, music examples.: ISSN: 0334-2026.
336.
Churgin, Bathia: Sammartini's cantatas. Early music, Vol. 20; Issue 3 ; Aug 1992; 526 p.:
ISSN: 0306-1078.
337.
Chusid, Martin: Editing Rigoletto. Milano, Italy: Ricordi; 1987; pp. 49-56
338.
Chylinska, Teresa: Metodologiczne zalozenia wydan zródlowych dziol Szymanowskiego,
Wieniawskiego i Moniuszki. [Methodology used in editing the collected works of
Szymanowski, Wieniawski, and Moniuszko.] Muzyka , Vol. XV/4 (1971) 114-17. In Polish.
339.
Chipierke mothey Helmut: Festmesse für 53 Stimmen (Missa Salisburgensis): A modern
performance edition with a conductor's analysis and historical study. (DMA doc., Music:
Southern Baptist Theological Seminary, 1987) 437 p. DA 8722661.
EDITING
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340.
Cipolla, Frank J. [Editor and Foreword]; Hunsberger, Donald [Editor]: The wind ensemble
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Rochester: U. of Rochester; 1994; vi, 312 p.; Illus., bibliog., discog., index: ISBN: 1-87882246-2.
341.
Claire, Jean: L'art de chanter le grégorien. [The art of singing Gregorian chant.] Jaarboek
van het Vlaamse Centrum voor Oude Muziek,: Vol. II (1986) 9-16. Illustration, facsimile.
In French.
342.
Clark, Brian: Bearbeitung damals und heute: Probleme des Herausgebers von FaschWerken. [Editing then and now: Problems for the editor of Fasch's works.] Zerbst-Nord:
Fasch-Zentrum und -Archiv; 1995; pp. 225 -236; Music
343.
Clark, Stephen Lewis [Editor]: C.P.E. Bach studies. Oxford: Clarendon; 1988; xv, 346 p.:
ISBN: 0-19-316412-4.
344.
Clercq, Robert O. de: Schuberts Erlkönig in einigen bemerkenswerten Ausgaben. [Some
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Franz Schubert Institut--Mitteilungen , Issue 8; Jan 1992; pp. 39-44; Facs.
345.
Clericetti, Giuseppe: Criteri per un'edizione moderna della musica per strumenti a tastiera di
Andrea Gabrieli. [Criteria for a modern edition of Andrea Gabrieli's music for keyboard
instruments.] (Firenze: Olschki, 1987) 353-86. In Italian. See RILM 1987-00985-bs.
346.
Cohen, Albert: A study of notational and performance problems of an early air de cour: Je
voudrois bien, o Cloris (1629) by Antoine Boësset (c. 1586-1643). (See RILM 1976-08685)
55-68. Facsimile, music examples , bibliography.
347.
Cohen, H. Robert: On preparing critical studies of the original mise en scène of nineteenthcentury operas. Firenze: Olschki; 1993; pp. 215-224:
348.
Collins, Walter S: What is a good edition?. Choral journal, Vol. XII/3 (November 1971) 1518.
349.
Colloquium Leos Janácek ac tempora nostra. Brno 2.-5. 10. 1978. [ Colloquium. Leos
Janácek and our times. Brno, 2-5 October 1978.]: Colloquia on the history and theory of
music at the International Music Festival in Brno, Vol. 13, (Brno: Jan ckova spolecnost,
1983) 396 p. Music examples, bibliography. In Czech, German, Slovak, Italian, Russian .
350.
Cone, Edward T.: Editorial responsibility and Schoenberg's troublesome "misprints".
Perspectives of new music, XI/1 (fall-winter 1972) 65-75. Music examples: ISSN: 00316016.
351.
Cook, Nicholas John: Heinrich Schenker and the authority of the Urtext.: Osaka, Japan:
Mita; 1991; pp. 27-33
352.
Cook, Nicholas John: The editor and the virtuoso, or, Schenker versus Bülow. Journal of the
Royal Musical Association, Vol. 116; Issue 1; 1991; pp. 78-95; Music: ISSN: 0269-0403.
353.
Cooper, Barry [Editor]: The Beethoven compendium: A guide to Beethoven's life and
music. London: Thames & Hudson; 1991; 351 p.; Illus., port., music, bibliog., index: ISBN:
0-500-01523-6.
354.
Coover, James: Music lexicography. (3rd ed.; Carlisle, Penn.: Carlisle Books, 1971)
355.
Copeland, Robert Marshall: The life and works of Isaac Baker Woodbury, 1819-1858. (Phd
diss., Musicology: U. of Cincinnati, 1974) xiii, 287 p. (typescript, microfilm). Facsimile,
music examples, bibliography, list of works.
EDITING
26
356.
Corbett, Sidney; Josel, Seth: Arien, no. 4.; Arien IV: solo music for guitar/ Sidney Corbett.
Celle, Moeck, 1994; 24 p. of music
357.
Corelli, Arcangelo; Dragonetti, Domenico; Turetzky, Bertram: Trio sonatas, violins,
continuo, op. 4. No. 8. Allemanda; arr.; Sonata op. IV no. 8/ Arcangelo Corelli; for
contrabass in different settings by Domenico Dragonetti; editing and preface by Betram
Turetzky. New York, NY, McGinnis & Marx, 1984; 1 score (8 p.) + 3 parts
358.
Correa de Azevedo, Luiz Heitor: Arthur Napol‚on 1843-1926, a Portuguese pianist in
Brazil; Arthur Napol‚on 1843-1925 un pianiste Portugais au Br‚sil. Arquivos do Centro
Cultural Português, Vol. III (1971) 572-602. Illustration, portrait. In French.
359.
Corten, Walter: Clefs numériques dans L'art de la fugue de J. S. Bach?.: [Numerical keys to
the Kunst der Fuge of J. S. Bach?.] Belgisch tijdschrift voor muziekwetenschap / Revue
belge de musicologie, Vol. XLII (1988) 199-221. Music. In French. See RILM 1988-00873be.
360.
Cosma, Viorel: Aspecte si probleme actuale privitoare la unificarea limbajului tehnic in
muzicologie. [Aspects and current problems concerning the standardization of technical
language in musicology.]: Muzica, Vol. XXI/9 (September 1971) 27-37. In Romanian.:
ISSN: 0580 -3713.
361.
Coulter, John: The duties of the historically informed performer: Mozart's sonata in C minor
K.457, first movement. SAMUS: South African journal of musicology/Suid-Afrikaanse
tydskrif vir musiekwetenskap, Vol. 10; 1990; pp. 1-8; Music: ISSN: 0258-509X.
362.
Craddy, Peter; Sellick, Phyllis: Five-piece suite, no. 1.; Five-piece suite: for piano/ Peter
Craddy; editing and practising notes by Phyllis Sellick.; 5-piece suite. London, Oxford
University Press, 1981; 11 p. of music: ISBN: 0193725029.
363.
Craddy, Peter; Sellick, Phyllis: Five-piece suite, no. 2.; A second five-piece suite: for piano
suitable for small hands/ Peter Craddy; editing and practising notes by Phyllis Sellick.;
Second 5-piece suite.; 2nd five-piece suite.; 2nd 5-piece suite. London, Oxford University
Press, 1983; 11 p. of music: ISBN: 0193725037.
364.
Craft, Robert: [Stravinsky's sketches and revisions]. Perspectives of new music, Vol.
XXII/1-2 (1983-1984) 448-63 Music examples.: ISSN: 0031-6016.
365.
Crawford, Richard A. [Editor]; Lott, R. Allen [Editor]; Oja, Carol J. [Editor]: A celebration
of American music: Words and music in honor of H . Wiley Hitchcock. Ann Arbor: U. of
Michigan; 1990; 519 p.; Illus., port., facs., music, bibliog., index, charts, diagr.: ISBN: 0472-09400 -9.
366.
Croll, Gerhard: Ein Brief des Michael Haydn kehrt nach Salzburg zurück.: [A letter from
Michael Haydn returns to Salzburg.] Salzburger Museumsblätter, Vol. XL/2 (May 1979)
22-23. In German.
367.
Cross, Charles R; Flannigan, Erik: Led Zeppelin: heaven and hell: an illustrated history/ by
Charles R. Cross and Erik Flannigan; with photographs by Neal Preston; photo editing by
Charles R. Cross and Neal Preston; with contributions by Jimmy Guterman, Dave Schulps,
and Robert Godwin; additional photographs by Chuck Boyd... [et al.] New York, Harmony
Books, 1991; 1st ed; 207 p: ISBN: 0517583089.
368.
Cuellar, Martin: The Escenas romanticas by Enrique Granados: A revised edition. 1997; 125
p.; (DMA doc., : U. of Texas, Austin)
369.
Cyr, Louis: Writing The rite right. (Berkeley: U. California, 1986) 157 -73. Music, tables.
See RILM 1987-00973-bs.
EDITING
27
370.
Cyr, Mary: Inclina Domine: a Martin motet wrongly attributed to Rameau.: Music & letters,
Vol. LVIII/3 (July 1977) 318-25. Facsimile, music examples.: ISSN: 0027-4224.
371.
Czesla, Werner: Skizzen als Instrument der Quellenkritik. [Sketches as an instrument of
source criticism.] (RILM 1973-03019-bs) 101-04. Music examples
372.
Czyzewski, Andrzej: Cyfrowy montaz nagran. [Digital editing of recordings.] Kraków:
Akademia Górniczo-Hutnicza; 1989; pp. 59-72
373.
Döge, Klaus: Editionsarbeit. [Editing.] Darmstadt, Germany: Wissenschaftliche
Buchgesellschaft; 1996; pp. 68-83
374.
Döhring, Sieghart [Editor]; Schläder, Jürgen [Editor]: Giacomo Meyerbeer--Musik als
Welterfahrung: Heinz Becker zum 70. Geburtstag. [ Giacomo Meyerbeer--Music as
experience of the world: To Heinz Becker on his 70th birthday.] München: Ricordi; 1995;
278 p.; Music: ISBN: 3 -9803090-8-8.
375.
Dadelsen, Georg von [Editor]: Editionsrichtlinien musikalischer Denkmäler und
Gesamtausgaben... [Guidelines for the editing of musical Denkmäler and
Gesamtausgaben...] Musikwissenschaftliche Arbeiten, Vol. 22, (Kassel: Bärenreiter, 1967)
In German. See RILM 1968-04039.
376.
Dadelsen, Georg von: Die Crux der Nebensache. Editorische und praktische Bemerkungen
zu Bachs Artikulation. [The crucial significance of small matters: editorial and practical
observations on Bach's articulation.]: Bach-Jahrbuch, Vol. LXIV (1978) 95-112. In
German; summaries in English , French, Russian.: ISSN: 0084-7682.
377.
Dadelsen, Georg von: Uber den Wert musikalischer Textkritik. [On the value of musical
text criticism.] (RILM 1975-00309-be) 41-45.
378.
Dadelsen, Georg von: Von den Quellen zur Neue Bach-Ausgabe: Einige Bemerkungen zur
Editionspraxis. [From the sources to the Neue Bach -Ausgabe: Several observations on
editing practices.] (See RILM 1985 -00287-bc) 29-50. In German.
379.
Dadelsen, Georg von: Zur Geltung der Legatobögen bei Bach: Eine Studie für
Artikulationsfanatiker und Editoren. [Proper realization of Bach's legato bowings: A study
for articulation fanatics and editors.] (Kassel: Bärenreiter, 1986) 114-22. Facsim. In
German. See RILM 1987-00810-be.
380.
Dadelsen, Georg von; Romagnoli, Angela [Translator]: La "versione d'ultima mano" in
musica. [The "last authorized version" in music.]: Lucca, Italy: Libreria Musicale Italiana;
1995; pp. 47-61
381.
Dadelson, Georg von [Editor]: Editionsrichtlinien musikalischer Denkmäler und
Gesamtausgaben. [Guidelines for the editing of musical Denkmäler and Gesamtausgaben.]
Musikwissenschaftliche Arbeiten, Vol. 22 , (Kassel: Bärenreiter, 1967) In German. See
RILM 1968-04039.
382.
Dahlhaus, Carl: Die Mensurzeichen als Problem der Editionstechnik. [ Mensuration signs as
a problem in editorial technique.] (See RILM 1972 -03952-bc) 174-88. In German.
383.
Dahlhaus, Carl: Philologie und Rezeptionsgeschichte. Bemerkungen zur Theorie der
Edition. [Philology and the history of reception. Observations on the theory of editing.] (See
RILM 1978-02378-be) 45-58. In German.
384.
Dahlhaus, Carl: Zur Ideengeschichte musikalischer Editionsprinzipien.: [Changing ideas in
the history of editing principles.] Fontes artis musicae, Vol. 25; Issue 1; Jan-Mar 1978; pp.
19-27: ISSN: 0015-6191.
EDITING
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385.
Dahlhaus, Carl; Borio, Gianmario [Translator]: I principi delle edizioni musicali nel quadro
della storia delle idee. [Principles of music editing seen in the context of the history of
ideas.] Lucca, Italy : Libreria Musicale Italiana; 1995; pp. 63-73
386.
Dahlström, Fabian; Thompson, Margareta O.: Sibelius research. London, CT: Greenwood;
1996; pp. 291-315
387.
Dalton, David: I. Genesis and synthesis of the Bartók viola concerto. II . A performer's
perspective of Hindemith's Die Serenaden. (DM diss., Viola performance: Indiana U., 1970)
143 p. (typescript). Music examples, bibliography.
388.
Daniels, David: Firebird suite (1945 version) by Igor Stravinsky.: Journal of the Conductors'
Guild, Vol. 14; Issue 2; summer-fall 1993; pp. 122-126; Charts, diagr.: ISSN: 0734-1032.
389.
Dannenberg, Roger B.: A structure for representing, displaying, and editing music. San
Francisco, CA: Computer Music Association; 1986; pp. 153-160; Bibliog., charts, diagr.
390.
Danner, Peter: Some observations on recent editions of lute music.: Journal of the Lute
Society of America, Vol. II (1969) 48-55.: ISSN: 0076-1524.
391.
Darsey, Steven: John Wesley as hymn and tune editor: The evidence of Charles Wesley's
Jesu, lover of my soul and Martin Madan's Hotham. The hymn: A journal of congregational
song, Vol. 47; Issue 1; Jan 1996; pp . 17-24; Illus., facs., music: ISSN: 0018-8271.
392.
Dart, Thurston: Editing early music; notes on the preparation of printer's copy. [n.p.],
Novello, [1963]; 22 p
393.
Dauer, Alfons Michael: Afrikanische Musik und völkerkundlicher Tonfilm. Ein Beitrag zur
Methodik der Transkription. [African music and ethnological sound film. A contribution to
transcription methods.] (See RILM 1983-05752-bc) 189-201. In German.
394.
David, Hans: Litterae ab musicis [Letters from musicians]: Hans T. David writes concerning
the editing of early music. Bach. Quarterly journal of the Riemenschneider Bach Institute,
Vol. II/3 (July 1971) 17-20.
395.
Davidsson, Hans [Editor]; Jullander, Sverker [Editor]: Proceedings of the Göteborg
International Organ Academy 1994. Skrifter från Musikvetenskapliga avdelningen, 39,
Göteborg: Göteborgs U.; 1995; xxix, 514 p.; Illus., bibliog., index: ISBN: 91-85974-31-5.
ISSN: 0348-0879.
396.
DavisAVIS, Francis: The loss of Count Basie. Atlantic, Vol. CCLIV/2 (August 1984) 9597. Portrait, discography.: ISSN: 0276-9077.
397.
De Hen, Ferdinand Joseph: Het muziekleven in België. [Music and musicians in Belgium.]
Teksten en documenten, Vol. 323, (Bruxelles: Ministerie van Buitenlandse Zaken, 1979)
143 p. Illustration, index. In Dutch; summaries in French, German, English, Italian.
398.
Dean, Winton: Some aspects of Handel scholarship today. Händel-Jahrbuch , Vol. XXXI
(1985) 131-37.: ISSN: 0440-0615.
399.
Dean, Winton: The genesis and early history of Ottone. Göttinger Händel -Beiträge, Vol. II
(1986) 129-40. Thematic catalogue.
400.
Deathidge, John: Rienzi...a few of the facts. Musical times, Vol. CXXIV/1687 (September
1983) 546-49.
401.
Deaville, James: The new critical edition of Liszt's writings: A report.: JALS: The journal of
the American Liszt Society, Issue 26; July-Dec 1989; pp. 52-55: ISSN: 0147-4413.
EDITING
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402.
Dechant, Hermann: Dirigieren: Zur Theorie und Praxis der Musikinterpretation.
[Conducting: Theory and practice of the interpretation of music.] (Wien, Freiburg, and
Basel: Herder, 1985) 448 p. Illustration, music examples, bibliography, index. In German.
403.
Degrada, Francesco [ed]: [Venice, 1985] Andrea Gabrieli e il suo tempo.: [Andrea Gabrieli
and his time. ] Studi di musica veneta, Studi di musica veneta, 11, Vol. 11, (Firenze:
Olschki, 1987) 416 p. Music examples, index. Articles in English (7) and Italian (9).: ISBN:
88-222 -3534-7.
404.
Degrada, Francesco [Editor]; Finscher, Ludwig [Editor]: Atti del convegno internazionale di
studi Luigi Boccherini e la musica strumentale dei maestri italiani in Europa tra Sette e
Ottocento. [Procedings of the international congress Luigi Boccherini and the instrumental
music of Italian masters in Europe during the 18th and 19th centuries.] Chigiana: Rassegna
annuale di studi musicologici, Vol. 43; Issue 23; 1993; 384 p .; Music: ISSN: 0069-3391.
405.
Degrade, Francesco: Gian Francesco Malipiero e la tradizione musicale italiana. [Gian
Francesco Malipiero and Italian musical tradition.]: (See RILM 1977-02229-be) 412-32. In
Italian.
406.
Degrada, Francesco: Note filologiche in margine all'edizione critica delle cantate di Antonio
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407.
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408.
Del Mar, Jonathan: Strauss' oboe concerto: A re-examination of the available sources and
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409.
Del Mar, Jonathan: The nine symphonies: Preliminary remarks towards a new urtext
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410.
Del Mar, Norman: Orchestral variations: confusion and error in the orchestral repertoire.
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411.
Del Mar, Norman: Orchestral variations: confusion and error in the orchestral repertoire/
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412.
Del Monte, Bill E [ed.]: Half-grown jackrabbit. [sound recording]: actual live recorded:
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413.
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414.
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415.
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416.
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417.
Desprez, Josquin; Hudson, Barton [Editor]: Josquin des Prez: New edition of the collected
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EDITING
30
Muziekegeschiedenis; 1994-95; xiv, 80; xv, 82 p.; Music, bibliog., charts, diagr.: ISBN: 906375-060 -9.
418.
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419.
Devine, Patrick F. [Editor]; White, Harry M. [Editor]: University College, Dublin. The
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420.
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421.
Di Gregorio Casati, Marisa [Editor]; Pavarani, Marcello [Editor]: Nuove prospettive nella
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422.
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423.
Die Wechselwirkung von Instrumentenbau und Kompositionsweise sowie Editionsfragen
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424.
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425.
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426.
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427.
Dobszay, László [Editor]: International Musicological Society Study Group Cantus Planus.
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428.
Dobszay, László [Editor]; Halász, P‚ter [Editor]; Mezei, János [Editor] ; Prószéky, Gábor
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429.
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430.
Donato, Anthony: Preparing music manuscript/ Anthony Donato. Westport, Conn,
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EDITING
31
431.
Dorfmüller, Kurt: Die Edition der Lautentabulaturen. [The editing of lute tablatures.] (See
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432.
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433.
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434.
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435.
Drabkin, William; Marston, Nicholas: Beethoven literature. London: Thames & Hudson;
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436.
Dressler, Carolyn Elizabeth: Armida abbandonata by George Frideric Handel. An edition
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437.
Droysen-Reber, Dagmar [Editor]: Zur Situation der Berliner Musikwissenschaft:
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Musikforschung Preußischer Kulturbesitz, 1994; pp. 339-456: ISSN: 0572-6239.
438.
Dürr, Walther: Sieben Thesen zu Edition von Musik und musikalischer Praxis. [Seven
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439.
Dürrer, Martin: Altitalienische Laudenmelodien: Das einstimmige Repertoire der
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The monophonic repertoire from the Cortona and Florence manuscripts. I: Texts; II: Music.]
Bärenreiter Hochschulschriften, 3, 2v.; Kassel, Germany: Bärenreiter; 1993; 167, 211 p.;
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440.
Dürr, Alfred: Die Neue Bach-Ausgabe. Grundzüge und Entwicklung der zweiten kritischen
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441.
Dürr, Alfred: Die neue kritische Gesamtausgabe der Werke von J.S. Bach.: [The new
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442.
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443.
Dürr, Alfred: Zur Tätigkeit eines Herausgebers von Gesamtausgaben. [ Concerning the
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444.
Dürr, Walther: Autograph - autorisierte Abschrift - Originalausgabe. Zu Quellenlage und
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445.
Dürr, Walther: Die Lieder-Serie der Neuen Schubert-Ausgabe: Zu Schuberts Ordnung
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446.
Dürr, Walther; FEIL, Arnold: Die Neue Schubert-Ausgabe. Zum editorischen Konzept einer
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EDITING
32
critical edition of the collected works.] Musica, Vol. XXXII/2 (1978) 131-36. In German.:
ISSN: 0027 -4518.
447.
Duarte, Roberto: Revisao das obras orquestrais de Villa-Lobos. I. [A revision of the
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Music, list of works
448.
Ducasse, Henri: Un problème de saisie de l'information: le traitement des tablatures. [A
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449.
Dudek, Allan James: Listener's choice of timing or intensity information as prominent in
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450.
Dufourcq, Norbert: L'orgue et les organistes: Revue de Jean Hur‚. [ L'orgue et les
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451.
Duggan, Joseph J.: Franco-German conflict and the history of French scholarship on the
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452.
Dunaway, David: Processing oral texts. African Studies seminar series , Vol. 162, (Nairobi:
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453.
Dyer, Lounette M.: Position paper for music representation panel. San Francisco, CA:
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454.
Ebisawa, Bin: The Requiem: Mirror of Mozart performance history. Early music, Vol. 20;
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455.
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456.
Eckhardt, Mária Párkai: Liszt mint Chopin muveinek közreadója. [Liszt's editions of
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457.
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458.
Edler, Arnfried: Neue Gesichtspunkte zu Editionen norddeutscher Klavierkonzerte des
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459.
Edwards, Bradley: Pedagogical materials for the college-level trombone student: The
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460.
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461.
Eernisse, Glenn Phillip: The views of Erik Routley on inclusive language in hymnody. The
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EDITING
33
462.
Eggebrecht, Hans Heinrich [Editor]: Berliner Orgel-Colloquium. [Berlin organ colloquium.]
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463.
Ehrmann-Herfort, Sabine [Editor]: Musikwissenschaft und Berufspraxis.: [Musicology and
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464.
Eichberg, Hartwig: Johann Sebastian Bach. Einzelstehende Suiten, Sonaten, Variationen
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465.
Eiche, Jon F. [Editor]: The Bach chaconne for solo violin: A collection of views. (Athens,
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466.
Eichhorn, Andreas [Editor]: Sinfonia Inc., Tokyo; Notgemeinschaft der Deutschen Kunst,
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467.
Eichhorn, Andreas: "...als Anregung zu sinnvollem Nachdenken hierüber.. .": Anmerkungen
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468.
Einflüsse einzelner Interpreten und Komponisten des 18. Jahrhunderts auf das Musikleben
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469.
Eisen, Cliff: New light on Mozart's 'Linz' symphony K.425. Journal of the Royal Musical
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470.
Eisen, Cliff: The old and new Mozart editions. Early music, Vol. 19; Issue 4; Nov 1991; pp.
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471.
Ekier, Jan [Editor]; Nowik, Wojciech; Zimmermann, Ewald; Tomaszewski, Mieczyslaw:
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472.
Ekier, Jan [Editor]; Nowik, Wojciech; Zimmermann, Ewald; Tomaszewski, Mieczyslaw:
Ostateczny tekst czy ostateczne teksty Chopina? Zagadnienie wariantów--Dyskusja
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473.
Ekier, Jan: Wstep do Wydania Narodowego Dziel Fryderyka Chopina (WN) Cz. 1:
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474.
Elders, Willem: Short report of the Fourth Josquin Meeting, Dartmouth College, Hanover,
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475.
Elliott, Patricia: Thayer's Beethoven. Beethoven newsletter, Vol. II/1 (spring 1987) 13-14.
EDITING
34
476.
Elschek, Oskár: Reedícia Slovenskych spevov: Retrospektíva. [The new edition of
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477.
Elschek, Osk r; Michel, Andreas; Porter, James; Stockmann, Doris:
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478.
Engelhardt, Markus: Sujetkantate und Opéra imaginaire: Meyerbeers Gli amori di Teolinda.
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479.
Engelhart, Richard Eric: Domenico Mazzocchi's Dialoghi e sonetti and Madrigali a cinque
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480.
English church music. A collection of essays. (Croydon: Royal School of Church Music,
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481.
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482.
Erickson, Raymond F: Rhythmic problems and melodic structure in organum purum: a
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483.
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484.
Evidon, Richard: The new Grove: a personal view. 19th-century music,: Vol. V/2 (fall
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485.
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486.
Eyle, Wim van; Zwartenkot, Henk: The Dutch jazz & blues discography 1916-1980/
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487.
Fadini, Emilia [Editor]; Pestelli, Giorgio [Editor]; Petrobelli, Pierluigi [Editor]; Turchi,
Guido [Editor]; Ziino, Agostino [Editor]: Academia Musicale Chigiana; Societ… Italiana di
Musicologia; Universit… degli Studi di Napoli. Domenico Scarlatti e il suo tempo. [
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Issue 20; 1985; 210 p.; Illus., facs., music, list of works, index: ISSN: 0069-3391.
488.
Fadini, Emilia: La grafia dei manoscritti scarlattiani: Problemi e osservazioni. [Notation in
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489.
Fairtile, Linda B.: Giacomo Puccini's operatic revisions as manifestations of his
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490.
Fallon, Daniel M: Saint-Saëns and the Concours de composition musicale in Bordeaux.
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Music examples.: ISSN: 0003-0139.
491.
Fallows, David: Early English. Musical times, Vol. CXVIII/1617 (November 1977) 949-52.
EDITING
35
492.
Falvy, Zolt n [Editor]; Suppan, Wolfgang [Editor]: Musica pannonica. I (1991) Musica
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493.
Fanna, Antonio [Editor]; Morelli, Giovanni [Editor]: Nuovi studi vivaldiani: Edizione e
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494.
Farkas, Ferenc: Kodály magyar rondójának elso kiadásához. [On the first edition of
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facs., music
495.
Fast, Barbara Ruth: Marguerite Miller's contributions to piano pedagogy.: 1997; 352 p.;
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496.
Fechner, Manfred: Bemerkungen zu Musikedition und Aufführungspraxis. [ Observations
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497.
Feder, Georg: Bericht uber das Symposion musikwissenschaftlicher Editoren in der Herzog
August Bibliothek Wolfenbüttel vom 5.-7. Juni 1974 . [Report on the symposium of
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Wolfenbütteler Beitrage , Vol. III (1978) 337-57. Bibliography. In German.
498.
Feder, Georg: Das Autograph als Quelle wissenschaftlicher Edition. [The autograph as a
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499.
Feder, Georg: Die Echtheitskritik in ihrer Bedeutung für die Haydn -Gesamtausgabe.
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500.
Feder, Georg: From the workshop of the Haydn Edition. Musical times,: Vol. CXXIII/1669
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501.
Feder, Georg: Haydns Korrekturen zum Klavierauszug der Jahreszeiten. [ Haydn's proofcorrections in the piano-vocal score of Die Jahreszeiten. ] (See RILM 1978-02378-be) 10112. Facsimile, music examples. In German.
502.
Feder, Georg: Haydns Opern und ihre Ausgaben. [Haydn's operas and their editions.] (See
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503.
Feder, Georg: Musikphilologie: Eine Einführung in die musikalische Textkritik,
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504.
Feder, Georg: Symposion musikwissenschaftlicher Editoren in der Herzog August
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505.
Feder, Georg: Textkritische Methoden. Versuch eines Uberblicks mit Bezug auf die HaydnGesamtausgabe. Barry S. Brook zum 65. Geburts-tag gewidmet.: [Text-critical methods. An
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506.
Feder, Georg: The collected works of Joseph Haydn. (See RILM 1981-04347 -bs) 26-34.
EDITING
36
507.
Feder, Georg: Zur Textkritik von Haydns Streichquartetten. [Textual criticism and Haydn's
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508.
Feder, Georg; Di Stefano, Giovanni [trans]; Bianconi, Lorenzo [ed]: Filologia musicale:
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509.
Feder, Georg; Unverricht, Hubert; Borghetti, Vincenzo [Translator]: Urtext ed edizione
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510.
Federhofer, Hellmut: 25 Jahre Johann Joseph Fux-Forschung. [Twenty-five years of
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Bibliography. In German.
511.
Federhofer, Hellmut: Johann Joseph Fux im Wandel der Zeit. [Johann Joseph Fux in the
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512.
Federhofer, Hellmut: Zu Felix Mendelssohns Händel-Interpretation im Urteil der Mit- und
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513.
Federhofer-Königs, Renate: Die Beziehungen von Robert Schumann zur Familie Andr‚: Mit
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ISSN: 0072-9094.
514.
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515.
Feil, Arnold: Schuberts musikalischer Text in der Ubersetzung vom Autograph in den
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516.
Feil, Arnold: Wissenschaft für die Praxis. Zur Neuen Schubert-Ausgabe.: [Scholarship for
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517.
Feil, Arnold: Zur Entstehungsgeschichte der Neuen Schubert-Ausgabe. [ The genesis of the
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518.
Feiszli, James David: Performance editions from Heinrich Isaac's Choralis constantinus.
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519.
Feld, Steven: Dialogic editing: Interpreting how Kaluli read Sound and sentiment. Cultural
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520.
Felix, Werner: Erforschung und Pflege des Schaffens von Johann Sebastian Bach in der
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521.
Fellerer, Karl Gustav: Mozarts Werk nach seinem Tode. [Mozart's works after his death.]
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522.
Fellerer, Karl-Gustav: Werk-Edition-Interpretation. [Work - edition - performance.] (See
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EDITING
37
523.
Fellinger, Imogen: Autographe, Drucke und Ausgaben. [Autographs, prints , and editions
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524.
Fellinger, Imogen: Brahms' beabsichtigte Streitschrift gegen Erk-Böhmes Deutscher
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525.
Fellinger, Imogen: Neuere Brahms-Forschung in Europa. [Recent Brahms research in
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526.
Fellinger, Imogen: Unbekannte Mozart-Studien Nottebohms. [Unknown Mozart studies by
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527.
Ferenczi, Ilona: Musikalische Rechtschreibung und "Variierung" in ungarischsprachigen
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528.
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529.
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530.
Ferrard, Jean: L'oeuvre pour orgue de César Franck: Sources et éditions.: [Sources and
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531.
Ferreira, Manuel Pedro: O som de Martin Codax: Sobre a dimensao musical da lírica
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532.
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533.
Fertonani, Cesare: Edizioni e revisioni vivaldiane in Italia nella prima met… del Novecento
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534.
Ficola, Daniele; Collisani, Giuseppe: Bartolomeo Montalbano da Bologna, musicista
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535.
Filler, Susan Melanie: Editorial problems in symphonies of Gustav Mahler : a study of the
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536.
Fine, Marshall Joseph: The viola concertos of Fr. Roman Hoffstetter, O.S .B.: A new edition
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537.
Finscher, Ludwig [ed]: [Hammerstein Festschrift] Claudio Monteverdi: Festschrift Reinhold
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EDITING
38
Hammerstein on his 70th birthday.] (Laaber: Laaber-Verlag, 1986) 508 p. In German,
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538.
Finscher, Ludwig [ed]: Datierung und Filiation von Musikhandschriften der Josquin-Zeit.
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539.
Finscher, Ludwig: Gesamtausgabe - Urtext - musikalische Praxis. Zum Verhältnis von
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540.
Fischer, Johannes [Editor]: Beethoven-Gesellschaft München. Münchener BeethovenStudien. Salzburg, Austria: Katzbichler; 1992; 286 p.; Illus ., facs., music
541.
Fischer, Johannes: Textkritik und Interpretation. II: Das Staccato in Ludwig van Beethovens
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542.
Fischer, Klaus: Zur Ornamentik in frühen Kammermusikwerken Viottis und ihr Bezug zur
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543.
Fischer, Kurt von: Editions-und Aufführungspraxis im späten 18. und frühen 19.
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544.
Fittler, Katalin: A Lendvai összkiadás elé. [The plans for a Lendvai complete edition.]
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545.
Fjeldsoe, Michael: Om videnskabelig editionsteknik. [On the scholarly editing of music.]
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546.
Fleischhauer, Günter [Editor]; Siegmund-Schultze, Walther [Editor]; Thom, Eitelfriedrich
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Studien zur Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, 42 ,
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547.
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548.
Fleischhauer, Günter: Telemann-Arbeitskreis in Magdeburg: Fünfundzwanzig Jahre.
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549.
Fleming, Keith Allan: The editing of some Communion melodies in medieval chant
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550.
Fleming, Nancy Pope: Rossini's Petite messe solenelle. (DMA doc., Music : U. Illinois,
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EDITING
39
551.
Flesch, Siegfried: Die Händel-Ausgabe von J.O.H. Schaum. [The Händel edition of J.O.H.
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552.
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553.
Floros, Constantin: Historische Phasen der Bruckner-Interpretation. [ Historical phases of
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554.
Flothuis, Marius [Editor]; Gluck, Christoph Willibald; Du Roullet, Marie François Louis
Gand Leblanc: Iphig‚nie en Aulide. Tragédie. Op‚ra en trois actes von Marie François Louis
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555.
Flothuis, Marius: Die Neuedition von Glucks Oper Iphigénie en Aulide, oder Der
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556.
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557.
Flothuis, Marius: Neue Erkenntnisse in Bezug auf Mozarts Tanzmusik. [ New perceptions
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558.
Flothuis, Marius: The Neue Mozart-Ausgabe: A retrospect. Early music , Vol. 19; Issue 4;
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559.
Flotzinger, Rudolf: überlegungen zur Denkmäler-Edition. [Reflections on editing
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560.
Flurry, Henry: An introduction to the Creation Station. Computer music journal, Vol. 13;
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561.
Folena, Gianfranco [Editor]; Muraro, Maria Teresa [Editor]; Morelli, Giovanni [Editor]:
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562.
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563.
Foltmann, Niels Bo: Kildeproblemer i forbindelse med Niels W. Gades vAErker:
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564.
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EDITING
40
565.
Fortunatov, K; Khachaturian, Aram Il'ich: Sonatas, violin, piano.; Sonate für Violine und
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566.
Fortune, Nigel; Olleson, Edward; Sternfeld, Frederick William; Westrup , J. A: Essays on
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567.
Foster, Scott; Schloss, W. Andrew; Rockmore, A. Joseph: Toward an intelligent editor of
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568.
Foty, Yurko: Let's sing out in Ukrainian = Zaspivaimo sobi/ compilation and editing, Yurko
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1977-; v. of music 1
569.
Fowler, Alandra Dean: Estelle Liebling: An exploration of her pedagogical principles as an
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570.
Fragen der Aufführungspraxis und Interpretation Händelscher Werke in Vergangenheit und
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571.
Francescatti, Zino; Mozart, Wolfgang Amadeus: Concertos, violin, orchestra, K. 211, D
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572.
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573.
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574.
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575.
Freed, Adrian: Recording, mixing, and signal processing on a personal computer. New
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576.
Freie Deutsche Akademie der Wissenschaften und Künste. Georg Friedrich Händel.
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577.
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EDITING
41
578.
Freywald, Volker: Violinsonaten der Generalbassepoche in Bearbeitungen des späten 19.
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579.
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580.
Froger, Jacques: La méthode de Dom Hesbert dans le volume VI du Corpus antiphonalium
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581.
Froger, Jacques: The critical edition of the Roman Gradual by the monks of Solesmes.
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582.
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583.
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584.
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585.
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587.
Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Diener, Glendon R.: Interactive optical
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588.
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589.
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591.
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EDITING
42
592.
Göllner, Marie Louise: "Composition" in the late Middle Ages and its reflection in modern
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593.
Galko, Ladislav: O redigovaní Slovenskych spevov. [Concerning the editing of Slovenskych
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594.
Gallacher, Patrick J. [Editor]; Damico, Helen [Editor]: Hermeneutics and medieval culture.
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595.
Gallico, Claudio: Il restauro del testo di Ernani. [The restoration of the text of Ernani.]
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1987-00936-bs.
596.
Gallico, Claudio: Verso l'edizione critica di Ernani di Verdi. [Toward a critical edition of
Verdi's Ernani.] Milano, Italy: Ricordi; 1987; pp . 20-28
597.
Garnett, Guy E.: Meta-issues in music representation: Notes for a panel discussion. San
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598.
Gates, Charles Reginald: An examination of Jean Maire's edition of J.B. Arban's Grande
methode complète pour cornet … pistons et de saxhorn and its contribution to modern
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599.
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600.
Geant, Micheline; Meneau, Christophe: Des partitions musicales au langage braille:
reproduction automatique par ordinateur. [Musical scores in Braille: computerized
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601.
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602.
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603.
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604.
Georgiades, Thrasybulos G. [Editor]: Musikalische Edition im Wandel des historischen
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605.
Georgiades, Thrasybulos: Kleine Schriften. [Shorter writings.]: Münchener
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German.
606.
Gerasmova-Persidskaja, Nina: Ot formuly k figure. [Formulas to figures .] Musica antiqua,
Vol. VIII/1 (Bydgoszcz: Filharmonia Pomorska im. I. Paderewskiego, 1988) 413-26. In
Russian. See RILM 1988-00974-bs.: ISSN: 0771-7016.
607.
Gerlach, Sonja: Neues zu Haydns Baryton-Oktett Nr. 5 (Hob. X:1). [New information about
Haydn's baryton octet no. 5 (Hob. X:1).] Haydn-Studien , Vol. V/2 (November 1983) 12534. Facsimile, music examples. In German.: ISSN: 0040-5323.
608.
Giegling, Franz: überlieferungs- und Editionsprobleme. [Problems in source transmission
and editing.] Mozart-Jahrbuch, (1987-88) 115-19. In German.: ISSN: 0077-1805.
EDITING
43
609.
Gilbert, Kenneth: Riflessioni sull'edizione del tricentenario. [ Reflections on the thirdcentenary critical edition.] Chigiana: Rassegna annuale di studi musicologici, Vol. 40; Issue
20; 1985; pp. 173-181: ISSN: 0069-3391.
610.
Gillies, Malcolm G.W. [Editor]: The Bartók companion. London: Faber & Faber; 1993;
xviii, 586 p.: ISBN: 0-571-15330-5.
611.
Gillies, Malcolm G.W.: Bartók as pedagogue. Studies in music, Vol. 24; 1990; pp. 64-86:
ISSN: 0081-8267.
612.
Giuliani, Mauro: The complete works in facsimiles of the original edition. (London: Tecla,
1984) 3 v.
613.
Glazer, Frank: Mikuli's puzzling pedal marking. Clavier, Vol. 30; Issue 4; Apr 1991; pp. 2425; Port., music: ISSN: 0009-854X.
614.
Gülke, Peter: Philologie und musikalische Praxis. [Philology and performance practice.]
Österreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 535-539: ISSN: 00299316.
615.
Günther, Ursula: Don Carlos: Edizione integrale--Critical edition.: Milano, Italy: Ricordi;
1987; pp. 29-48; Facs.
616.
Goldhammer, Otto: Genügen Faksimile-Drucke und Urtext-Ausgaben zur fehlerfreien
Darstellung der kompositorisch-musikalischen Intentionen Johann Sebastian Bachs?. [Are
facsimiles und Urtext editions sufficient for an error-free representation of the
compositional and musical intentions of J.S. Bach?.] (See RILM 1977-00203-bs) 327-43. In
German.:
617.
Goldhan, Wolfgang: Carl Maria von Weber: Im Schatten von Bach, Mozart und Beethoven.
[Carl Maria von Weber, in the shadow of Bach, Mozart, and Beethoven.] Jahrbuch des
Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, 1991; pp. 303-22; Facs.,
list of works: ISSN: 0572-6239.
618.
Goldhan, Wolfgang: Erfahrungen beim Vergleich der Quellen zu den Kompositionen für ein
Blasinstrument mit Begleitung von Carl Maria von Weber: Eine Problemstudie.
[Comparing sources for Carl Maria von Weber's works for single wind instrument with
accompaniment: Solving editorial problems.] Weber-Studien, Mainz, Germany: Schott;
Vol. 1; 1993; pp. 197-217; Music
619.
Goldschmidt, Harry; Brenneis, Clemens: Aspekte der gegenwärtigen Beethovenforschung.
[Aspects of current Beethoven research.] Beiträge zur Musikwissenschaft, Vol. XVIII/1
(1976) 3-38. In German.: ISSN: 0005 -8106.
620.
Gooch, Bryan N: Catalogues and computers, or, Bibliography and the beast . Fontes artis
musicae, Int, Vol. XXXI/1 (January-March 1984) 38-41.
621.
Goretti, Laura: La sonata n. 6 per violoncello e continuo: Analisi di revisioni nel corso di
due secoli. [Sonata no. 6 for violoncello and continuo: Analysis of revisions over the course
of two centuries.]: Chigiana: Rassegna annuale di studi musicologici, Vol. 43; Issue 23;
1993; pp. 151-156: ISSN: 0069-3391.
622.
Gosebruch, Martin; Wolters, Christian; Wiora, Walter: Methoden der Kunst- und
Musikwissenschaft. [Methodology of art and music history.]: Vol. In German.
623.
Goss, Glenda Dawn [Editor]: The Sibelius companion. London, CT: Greenwood; 1996; xvi,
449 p.; Illus., port., facs., music, charts, diagr.: ISBN: 0-313-28393-1.
624.
Gossett, Philip: "The works of Giuseppe Verdi." Milano, Italy: Ricordi; 1987; pp. 3-9
EDITING
44
625.
Gossett, Philip: Censorship and self-censorship: Problems in editing the operas of Giuseppe
Verdi. Philadelphia: American Musicological Society; 1990; pp. 247-257; Music, bibliog.
626.
Gossett, Philip: L'edizione critica delle opere di Verdi. [The critical edition of Verdi's
works.] (See RILM 1982-02111-bs) 35-44. In Italian.:
627.
Gossett, Philip: New sources for Stiffelio: A preliminary report.: Cambridge opera journal,
Vol. 5; Issue 3; Nov 1993; pp. 199-222; Music, charts, diagr.: ISSN: 0954-5867.
628.
Gossett, Philip; Gotzes, Birgit [Translator]: Zensur und Selbstzensur: Probleme bei der
Edition von Giuseppe Verdis Opern. [Censorship and self -censorship: Problems in editing
Giuseppe Verdi's operas.] München: Ricordi; 1992; pp. 103-115; Music
629.
Gossett, Philip; Zedda, Alberto; Cagli, Bruno: Criteri per l'edizione critica di tutte le opere
di Gioacchino Rossini. [Criteria for a critical edition of the complete works of Gioacchino
Rossini.]: Bollettino del Centro Rossiniano di Studi, Vol. 1 (1974) 1-61. Music examples. In
Italian, English.
630.
Gottschewski, Hermann: Graphic analysis of recorded interpretations.: Computing in
musicology: An international directory of applications,: Menlo Park, Ca: Center for
Computer Assisted Research in the Humanities; Vol. 8; 1992; pp. 93-96; Charts, diagr.:
ISSN: 1057-9478.
631.
Grabowski, Krzysztof: Francuskie oryginalne wydania dziel Fryderyka Chopina. [The
original French editions of Fr‚d‚ric Chopin's music.]: Rocznik chopinowski/Annales
Chopin, Vol. 21; 1995; pp. 115-155; Music: ISSN: 0208-5992.
632.
Grabs, Manfred: Ausgabe der Gesammelten Werke von Hanns Eisler. [The edition of the
collected works of Hanns Eisler.] Musik und Gesellschaft , XXIII/7 (July 1973) 403-05.:
ISSN: 0027-4755.
633.
Grabs, Manfred: Hanns Eisler: Werk und Edition. [Hanns Eisler: work and edition.]
Arbeitshefte, Schriftenreihe des Prasidiums der Akademie der Kunste der DDR (Sektion
Musik), Vol. 28: (Berlin: Henschel, 1978) Forum Musik in der DDR, vi, 110, 60 p.
Illustration, facsimile. In German.
634.
Graham, Mark folk singer; Hiebert, Sara: The Mark Graham songbook/ words & music by
Mark Graham; transcriptions & editing by Sara Hiebert; design, collages & layout by Paul
Kotapish. Seattle, WA, M. Graham, 1991 ; 62 p. of music
635.
Grande, Tiziana: The Gazzetta musicale di Napoli, 1852-1868. Periodica musica, Vol. 5;
1987; pp. 17-23; Port., facs., index: ISSN: 0822-7594 .
636.
Grant, Parks: Mahler research and editing in Vienna. Chord and discord , Vol. III/1 (1969)
15.
637.
Gratzer, Wolfgang [Editor]; Lindmayr, Andrea [Editor]: Bundesministerium für
Wissenschaft und Forschung in Wien; Amt der Salzburger Landesregierung; Magistrat der
Landeshauptstadt Salzburg; Stiftungs- und Förderungsgesellschaft der Paris-LodronUniversität Salzburg; International Salzburg Association; Bankhaus Carl Spängler & Co..
De editione musices: Festschrift Gerhard Croll zum 65. Geburtstag.: [De editione musices:
A Festschrift for Gerhard Croll on his 65th birthday.] Laaber, Germany: Laaber-Verlag;
1992; 445 p.; Illus., facs. , music, charts, diagr.: ISBN: 3-89007-263-1.
638.
Green, Richard D. [Editor]: Foundations in music bibliography. Music reference services
quarterly, New York: Haworth; 398 p.; Vol. 2; Issue 1-2; 1993; Part 2: Vol. 2; Issue 3-4; pp.
227-395; Illus., bibliog., index: ISBN: 1-560-24512-3. ISSN: 1058-8167.
EDITING
45
639.
Gregor-Dellin, Martin: Die Tagebücher Cosima Wagners. Ihre Geschichte, ihre Bedeutung,
ihre Edition. [Cosima Wagner's diaries. Concerning their history and significance, and the
editing of the diaries.] Universitas , Vol. XXXI (1976) 627-36. In German.: ISSN: 00419079.
640.
Grieg, Edvard: Den nye Grieg-udgave. Anmeldelse af bd. 1, 7, 8, 9 og 10.: [The new Grieg
edition. Review of volumes 1, 7, 8, 9, and 10.] Edvard Grieg Samlede Verker, (Frankfurt
am Main: Peters, 1977) In Danish.
641.
Grier, James: Editing Adémar de Chabannes' liturgy for the feast of St. Martial. Plainsong
and medieval music, Vol. 6; Issue 2; Oct 1997; pp. 97-118; Facs., music, charts, diagr.:
ISSN: 0961-1371.
642.
Grier, James: Musical sources and stemmatic filiation: A tool for editing music. The journal
of musicology: A quarterly review of music history, criticism, analysis, and performance
practice, Vol. 13; Issue 1; winter 1995; pp. 73-102; Music, charts, diagr.: ISSN: 0277-9269.
643.
Grier, James: On the critical editing of music. Irish musical studies , Portland, OR: Four
Courts; Vol. 5; 1996; pp. 119-130; Music
644.
Grier, James: The critical editing of music: History, method, and practice. New York:
Cambridge U.; 1996; xiv, 267 p.; Illus., bibliog., index: ISBN: 0-521-55190-0.
645.
Grigor'eva, Alla: Najti svoe mesto v okruzajuscem mire: Beseda. [To find one's place in a
narrowing world: An interview.] Muzykal'naja akademija, Issue 4-5; 1995; pp. 66-78; Port.:
ISSN: 0869-4516.
646.
Grijp, Louis Peter [Editor]; Mook, Willem [Editor]: Proceedings of the International Lute
Symposium. Utrecht: Stichting voor Muziekhistorische Uitvoeringsprakijk; 1988; vi, 168
p.: ISBN: 90-72786-01-7.
647.
Grinds, Nils [Editor]; Karevold, Idar [Editor]; Quud, Even [Editor]: Nordisk
musikkforskerkongress. [Nordic congress of musicologists.]: Skriftserie fra Institutt for
Musikk og Teater, 2, Oslo, Norway: U. i Oslo; 1993; 453 p.: ISSN: 0804-001X.
648.
Gruber, Gernot [Editor]; Münster, Robert [Editor]; Valentin, Erich [Editor]; Weiss, Günther
[Editor]: Musikalische Aufführungspraxis und Edition: Johann Sebastian Bach, Wolfgang
Amadeus Mozart, Ludwig van Beethoven. [Musical performance practice and edition:
Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven.]
Schriftenreihe der Hochschule für Musik in München, 6, Kassel: Bosse; 1990; 171 p.:
ISBN: 3-7649-2280-X.
649.
Gülke, Peter: Bericht: Internationaler Schubert-Kongress Detroit. [ Report: the International
Schubert Congress, Detroit.] Beiträge zur Musikwissenschaft, Vol. XXI/4 (1979) 315-20. In
German.: ISSN: 0005 -8106.
650.
Gülke, Peter: Erfahrungen und Uberlegungen bei der Arbeit an einer Neuausgabe der 5.
Sinfonie. [Experiences and reflections during work on a new edition of the symphony no.
5.] (See RILM 1978-00182-bs) 231-36. In German.
651.
Gülke, Peter: überlegungen bei der Beschäftigung mit den Quellen zu einer BeethovenSymphonie. [Reflections while studying the sources for a Beethoven symphony.] (See
RILM 1978-02390-bs) 76-81. In German.
652.
Göllner, Theodor: Alte Musik als musikalische Gegenwart. [Old music as musical here and
new.] Musik in Bayern, Vol. 31 (1985) 5-13. In German .
EDITING
46
653.
Guastoni, Mimma: Il compositore Donizetti e l'editore Ricordi: Un lungo rapporto. [The
composer Donizetti and the publisher Ricordi: A long relationship.] Bergamo, Italy:
Comune di Bergamo; 1993; pp. 111-117
654.
Gudel, Joachim: Verzierungen in der Klaviermusik der Frühklassik als Editionsfragen.
[Ornamentation of early Classic keyboard music as a problem in editing.] Blankenburger
Studien, Vol. [14] (See RILM 1982 -02092-bs) 66-68. In German.
655.
Guerrero, Francisco: Missarum liber secundus. Opera omnia 5; Monumentos de música
espanola, Vol. 43, (Madrid: CSIC, 1985) 156 p. In Spanish.
656.
Gui, Vittorio: Il rispetto del testo nelle edizioni e nelle traduzioni musicali. [Respect for the
text in musical editions and translations. ] Nuova rivista musicale italiana, Vol. IV/4 (JulyAugust 1970) 678-92. In Italian.: ISSN: 0029-6228.
657.
Gupcsó, Agnes: Nemzeti Kulturális Alap; Magyar Könyv Alapítv ny. A Magyar
Zenetudom nyi és Zenekritikai Térsaség Elsö Tudom nyos Konferenci ja. Zenetudom nyi
dolgozatok, 1995-1996; pp. 1-382; Facs., music, charts, diagr.: ISSN: 0139-0732.
658.
Gurevic, Ljudmila: Problemy sovremennoy skripicnoj redaktury. [ Contemporary problems
in editing music for the violin.] (PhD diss., Music performance: Gostudarstvennaja
Konservatorija, Leningrad, 1984) 18 p. In Russian.
659.
Gustafson, Bruce: Shapes and meanings of slurs in unmeasured harpsichord preludes: An
editorial policy presented for comment. Vol. 2 (October 1984) 20-22. Facsimile, music
examples.
660.
Gut, Serge [ed]: [Paris, 1986] Actes du Colloque International Franz Liszt (1881-1886).
[Report of the international Franz Liszt colloquium (1881-1886).] La revue musicale, Vol.
405-407, (1987) In French.: ISSN: 0035-3736.
661.
Gutknecht, Dieter: Friedrich Chrysander und die Aufführungen Händelscher Oratorien.
[Friedrich Chrysander and performances of Händel's oratorios. ] Kassel, Germany:
Bärenreiter; 1995; pp. 241-259; Facs., music
662.
Gutmann, Veronika [Editor]: Basler Jahrbuch für historische Musikpraxis. Sonderband
(1992): Alte Musik--Konzert und Rezeption. [Early music: Concert performance and
reception.] Basler Jahrbuch für historische Musikpraxis, Winterthur, Switzerland: Amadeus;
390 p.; special issue 1992; Illus., port., facs., music, bibliog., charts, diagr.: ISBN: 3 905049-56-2.
663.
Hörner, Stephan [Editor]; Schmid, Bernhold [Editor]: Festschrift für Horst Leuchtmann zum
65. Geburtstag. [Tribute to Horst Leuchtmann on his 65th birthday.] Tutzing, Germany:
Schneider; 1993; 346 p.; Facs.: ISBN: 3-7952-0777-0.
664.
Händel, Georg Friedrich; Knapp, J. Merrill [Editor]; Haym, Nicola Francesco [Libretto];
Noris, Matteo [Libretto]: Flavio, re de' Longobardi: Dramma per musica in tre atti, HWV
16. Hallische Händel -Ausgabe; Kritische Gesamtausgabe. II: Opern, 13, Kassel, Germany:
Bärenreiter; 1993; l, 229 p.; Illus.
665.
Händel, Georg Friedrich; McGegan, Nicholas [Performer]: Philharmonia Baroque
Orchestra. Messiah. Harmonia Mundi(CD, cassette)
666.
Hänecke, Frank: Musikberichterstattung in der Schweizer Presse: Ergebnisse aus
Inhaltsanalysen, Redaktions- und Journalistenbefragungen.: [Reporting on music in the
Swiss press: Results of a contents analysis and surveys of editing staffs and journalists.]
Diskussionspunkt, 23,: Zürich: U. Zürich; 1992; (IV),IX,114 p.; Charts, diagr.
EDITING
47
667.
Haase, Rudolf: Leibnitzforschung am Hans-Kayser-Institut für harmonikale
Grundlagenforschung. [Leibniz research at the Hans-Kayser-Institut für harmonikale
Grundlagenforschung.] Vol. , by Rudolf Haase (Bern: Kreis der Freunde um Hans Kayser,
1984) 11-17. In German.
668.
Haberkamp, Gertraut: Neustich einer Seite: Veränderungen im Notentext? Warum werden
innerhalb der verschiedenen Abzüge eines Mozart-Erstdrucks einzelne Seiten neu
gestochen? [A newly printed page: Changes in the musical text? Why were individual pages
redone for a new run of a Mozart first edition?] Leipzig: Peters; 1993; pp. 101-21; Facs.,
music
669.
Hagen, Carlos: Intellectual freedom and some barriers to accessibility to sound recordings.
IASA [Austrian Sound Archive] / Phonographic bulletin, Vol. XXXIII (July 1982) 23-31.
670.
Haimo, Ethan: Editing Schoenberg's twelve-tone music. Journal of the Arnold Schoenberg
Institute, Vol. VIII/2 (November 1984) 141-57.: ISSN: 0146-5856.
671.
Haine, Malou: Adolphe Sax (1814-1894). Sa vie, son oeuvre et ses instruments de musique.
[Adolphe Sax (1814-94). His life, his work, and his musical instruments.] (Bruxelles: U. de
Bruxelles, 1980) 283 p. Illustration, portrait, facsimile, bibliography. In French.
672.
Hair, Greta Mary [Editor]; Smith, Robyn E. [Editor]: Songs of the dove and the nightingale:
Sacred and secular music c.900-c.1600. Australian studies in the history, philosophy and
social studies of music, 3,: Sydney, Australia: Currency; 1994; xvii, 278 p.; Illus., facs.,
music, charts, diagr.: ISBN: 0-86819-409-3.
673.
Hair, Greta Mary: Problems and solutions in editing Introit and Communion tropes and
chants for Christmas Day from MS Paris Bibliothèque nationale fonds latin 903. Musicol,
Vol. [AUS] VI (1980) 66-89. Music examples.
674.
Halbreich, Harry: Bruckners dritte Symphonie und ihre Fassungen. [The versions of
Bruckner's third symphony.] (See RILM 1981-04337-bs) 75-83. In German.
675.
Hall, Frederick Albert [Editor]: Songs I to English texts. The Canadian musical heritage,
Vol. 3, (Ottawa: Canadian Musical Heritage Society, 1985) xxx, 235 p. Illustration,
facsimile, bibliography. In English, French.: ISBN: 0919883036.
676.
Hall, Thomas: Computer implementation of stemmatics in the preparation of critical
editions of Renaissance music. (Kassel: Bärenreiter, 1981) 320-24. Charts. See RILM 198106635-as.
677.
Hall, Thomas: Some computer aids for the preparation of critical editions of Renaissance
music. Tijdschrift van der Vereniging voor Nederlandse Muziekgeschiendenis, Vol. XXV/1
(1975) 38-53. In German.
678.
Hallmark, Rufus: Textkritische und aufführungspraktische Probleme in Schumanns Liedern.
[Textual and performance problems in Schumann's lieder.] London: Schott; 1993; pp. 11021; Music
679.
Hallová, Markéta [Editor]; Petrásková, Zuzana [Editor]; Tauerová-Veverková, Jarmila
[Editor]: Musical dramatic works by Antonín Dvor k: Papers from an international
conference. Conferences on the history and theory of music at the International Music
Festival Prague Spring, 4,: Praha: Cesk Hudební Spolecnost; 1989; 212 p.; Music
680.
Hamm, Charles: Interrelationships between manuscript and printed sources of polyphonic
music in the early sixteenth century - an overview. (See RILM 1983-00204-bs) 1-13.
EDITING
48
681.
Hamm, Charles: The Theatre Guild production of Porgy and Bess. Journal of the American
Musicological Society, Vol. XL/3 (fall 1987) 495-532.: ISSN: 0003-0139.
682.
Hammar, Russell: Recommended editorial standards for choral publications . Choral
journal, Vol. XXIII/2 (October 1982) 27-28.
683.
Hammond, Frederick: The joker in the pack: On editing Andrea Gabrieli's keyboard music.
Firenze: Olschki; 1991; Vol. 1; pp. 31-46; Music
684.
Hancock, Virginia: Brahms's links with German Renaissance music: A discussion of
selected choral works. (Cambridge: Cambridge U., 1987) 95 -110. Facsim., music, charts,
tables. See RILM 1987-03067-bc.
685.
Hankeln, Roman: "Was meint der Schreiber?" überlegungen zur Notation des Offertoriums
Tui sunt celi im Graduale von St. Yrieix, Paris Bibliothèque Nationale, fonds latin 903.
["What does the writer mean?" Reflections on the notation of the Offertory Tui sunt celi in
the Gradual of St. Yrieix, Paris Bibliothèque Nationale, fonds lat.903.] Budapest: Magyar
Tudom nyos Akad‚mia; 1995; Vol. 2; pp. 539-559; Facs.
686.
Hansen, Finn Egeland: Editorial problems connected with the transcription of H 159,
Montpellier: tonary of St. B‚nigne of Dijon.: tudes gr‚goriennes, Vol. XVI (1977) 161-72.
Music examples.: ISSN: 0071-2086.
687.
Hansen, Finn Egeland: Introduktion til Gade-Udgaven. [Introduction to the Gade edition.]
Oslo, Norway: U. i Oslo; 1993; pp. 365-369
688.
Hansen, Finn Egeland; Foltmann, Niels Bo: Problemer og erfaringer i forbindelse med
udgivelsen af Niels W.Gades v‘rker. [Problems and lessons in the publication of the works
of Niels W. Gade.] Dansk årbog for musikforskning, Vol. 25; 1997; pp. 9-14: ISSN: 04166884.
689.
Hansen, Finn Egeland; Foltmann, Niels Bo: Problemer og erfaringer i forbindelse med
udgivelsen af Niels W. Gades v‘rker. [Problems and lessons of the publication of the works
of Niels W. Gade.] Dansk årbog for musikforskning, Vol. 25; 1997; pp. 9-14: ISSN: 04166884.
690.
Harden, Jean: Musica ficta in Machaut. Early music, Vol. V/4 (October 1977) 473-77.
Music examples.: ISSN: 0306-1078.
691.
Harnoncourt, Philipp: Die Liturgiebegriff bei den Frühcaecilianern und seine Anwendung
auf die Kirchenmusik. [The concept of liturgy among the early Cecilians and its use in
church music.] (Tutzing: Schneider, 1988) 75-108. Bibliog. In German. See RILM 198801001-bs.
692.
Harpner, Stefan G. [Editor]; Gotzes, Birgit [Editor]: über Musiktheater : Eine Festschrift
gewidmet Arthur Scherle anläßlich seines 65. Geburtstages. [On music theater: A
Festschrift dedicated to Arthur Scherle on the occasion of his 65th birthday.] München:
Ricordi; 1992; 207 p.; Music
693.
Harris, Charles David: Problems in editing harpsichord music: Suite in D by Ferdinand
Tobias Richter (1649-1711). (See RILM 1976-08685) 142-53. Facsimile, music examples.
694.
Harris, Ellen T.: Editing musical measure: Standardization versus flexibility. Kassel,
Germany: Bärenreiter; 1995; pp. 139-150; Music
695.
Harris, Ellen T.: Paper, performing practice, and patronage: Handel's alto cantatas in the
Bodleian Library MS Mus. d. 61-62. Stuyvesant, NY: Pendragon; 1995; pp. 53-78; Charts,
diagr.
EDITING
49
696.
Harris, Ellen: Händel in Florence; Händel in Florenz. Händel-Jahrbuch , (See RILM 198104295-bp) XXVII (1981) 41-61. Tables. m In German.: ISSN: 0440-0615.
697.
Harsh, Edward: With intent to stage: Editing Kurt Weill's music for the theater.
Performance practice review, Vol. 9; Issue 2; fall 1996; pp. 127-145; Facs., music: ISSN:
1044-1638.
698.
Hartmann, Günter: BWV 1087/10: "Evolutiones" eines Bach-Kanons. [BWV 1087, no. 10:
"Evolutiones" of a Bach canon.] Musiktheorie, Vol. 5; Issue 1; 1990; pp. 85-83; Music:
ISSN: 0177-4182.
699.
Hartmann, Günter: Jakob Bölsche: More than a minor master?; Jakob Bölsche, kein
Kleinmeister?. Ars organi, Vol. XXXIII/4 (1985) 256-59. Music examples. In German.
700.
Hasse, John: George List: a bibliography, discography, and filmography.: (See RILM 197802383-be) 289-98. Bibliography, list of works, discography.
701.
Hastings, Karen Jane: Le premier choral: Du manuscrit … l'édition princeps. [The first
chorale: From manuscript to editio princeps.]: L'orgue: Cahiers et m‚moires, Issue 44; 1990;
pp. 47-64; Facs., music: ISSN: 0030-5170.
702.
Haus, Goffredo [Editor]: Music processing. Computer music and digital audio series, 9,
Madison, WI: A-R; 1993; x, 403 p.; Index: ISBN: 0 -89579-268-0.
703.
Haus, Goffredo; Sametti, Alberto: Score analysis/resynthesis environment of the Intelligent
Music Workstation. Journal of new music research, Vol. 24; Issue 3; Sept 1995; pp. 230246; Port., music, charts, diagr.: ISSN: 0929-8215.
704.
Hauschild, Peter: Bemerkungen zu Beethovens Klaviernotation. [ Observations on
Beethoven's piano notation.] Beethoven Jahrbuch, Vol. IX (1973-77) 147-65. In German.
705.
Hawkins, Judith Adele: Formal implications of music and the revised rite of the Roman
Catholic eucharistic celebration. 1994; 174 p.; (DA diss. , : New York U.). PA 9422996.
706.
Hawkshaw, Paul: An anatomy of change: Anton Bruckner's revisions to the Mass in F
minor. 1997; pp. 1-31
707.
Hayden, William Perry: Principles of bowing and fingering for editing violin music. (DA
diss., Music: Ball State U., 1981) 116 p.
708.
Haydn, Joseph; Walter, Horst [ed]; Nakano, Hiroshi [ed]: Concertini und Divertimenti für
Klavier (Cembalo) mit Begleitung von zwei Violinen und Basso. [Concertinos and
divertimentos for keyboard (harpsichord) with accompaniment of two violins and bass.]
Joseph Haydn Werke, Vol. 16, (München: Henle, 1987) xiii, 137 p. Facsimile, music
examples. In German.
709.
Heck, Thomas F. [Editor]: The "music information explosion" and its implications for
college teachers and students. CMS reports, 9,: Missoula, MT: College Music Society;
1992; ix, 72 p.
710.
Heckmann, Harald: Computer aids to musicology: Elektronische Datenverarbeitung in der
Musikwissenschaft. [Electronic data processing in musicology.] (See RILM 1970-02902-bs)
424-27. In German.
711.
Heider, Anne Harrington: The Dodecacorde of Claude Le Jeune: performance edition and
commentary. (DMA diss.: Stanford U., 1981) 2v. 786 p.
712.
Heidlberger, Frank [Editor]; Osthoff, Wolfgang [Editor]; Wiesend, Reinhard [Editor]: Von
Isaac bis Bach--Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum
EDITING
50
60. Geburtstag. [From Isaac to Bach--Studies of earlier German music history: Festschrift
for Martin Just on his 60th birthday.] Kassel, Germany: Bärenreiter; 1991; 352 p.; Music
713.
Heidlberger, Frank: Die langsamen Sätze der Klarinettenkonzerte Carl Maria von Webers:
Werk, Edition, Interpretation. [The slow movements of the clarinet concertos of Carl Maria
von Weber: Work, edition, interpretation.] Weber-Studien, Mainz, Germany: Schott; Vol. 3;
1996; pp. 162-200; Music, charts, diagr.
714.
Heinemann, Rudolf: Anforderungsprofile an Musikredakteure. [Job requirements for music
editors.] (Baden-Baden: Nomos, 1986) 77-80. In German. See RILM 1986-00701-bs.
715.
Heinzelmann, Josef: Hoffmanns Erzählungen am Gärtnerplatz: Theaterpraxis und
Textkritik. [Hoffmanns Erzählungen on the Gärtnerplatz: Theatrical practice, text criticism.]
(Laaber: Laaber-Verlag, 1988) 363-87. Music. In German. See RILM 1988-03174-bc.
716.
Heinzelmann, Josef: Offenbach-Irrtümer. [Offenbach errors.]: österreichische
Musikzeitschrift, Vol. XXXV/7-8 (July-August 1980) 356 -70. Illustration. In German.:
ISSN: 0029-9316.
717.
Heller, Karl: Friedrich Konrad Griepenkerl: Aus unveröffentlichten Briefen des BachSammlers und Editors. [Friedrich Konrad Griepenkerl: excerpts from unpublished letters of
the Bach collector and editor.]: Veröffentlichungen der Neuen Bachgesellschaft, Vol. 1978;
BachJb LXIV (1978) 211-28. In German; summaries in English, French, Russian.
718.
Helm, E. Eugene: An honorable shortcut to the works of C.P.E. Bach.: (See RILM 198500664-be) 85-98.
719.
Helm, Everett: Der Mensch Bartók. [Bartók the man.] (Basel: Paul Sacher Stiftung, 1986)
73-84. In German. See RILM 1987-01035-bc.
720.
Helmer, Paul [Editor]: The Mass of St. James: Solemn Mass for the feast of the Passion of
St. James of Compostela according to the Codex Calixtinus. Musicological
studies/Wissenschaftliche Abhandlungen, 49,: Ottawa: Institute of Mediaeval Music; 1988;
252 p.; Illus., bibliog., maps: ISBN: 0-931902-58-4.
721.
Helmuth, Mara: Patchmix: A C++ X graphical interface to Cmix. San Francisco, CA:
Computer Music Association; 1990; pp. 273-275; Illus.
722.
Hempel, Gunter: Die Hallische Händel-Ausgabe. (See RILM 1976-08719) 35 -37. In
German.
723.
Hennenberg, Fritz: Brecht und Weill im Clinch? [Brecht and Weill in the clinch?] Berliner
Beiträge zur Musikwissenschaft: Beihefte zur Neuen Berlinischen Musikzeitung, Vol. 9;
Issue 2; 1994; pp. 3-24
724.
Henning, Ingolf: Urtext oder Bearbeitung? Unterrichtsliteratur auf neuen Wegen?. [Urtext
or reworking? Instructional literature on a new road?. ] Musica, Vol. XLII/1 (1988) 21-23.
In German.: ISSN: 0027-4518.
725.
Hepokoski, James A.: Overriding the autograph score: The problem of textual authority in
Verdi's Falstaff. Studi verdiani, Vol. 8; 1992; pp. 13-51: ISSN: 0393-2532.
726.
Herklotz, Renate [Editor]; Schaaf, Renate [Editor]; Köhler, Karl-Heinz [Editor]:
Kongreßbericht zum VII. Internationalen Gewandhaus-Symposium: Wolfgang Amadeus
Mozart--Forschung und Praxis im Dienst von Leben, Werk, Interpretation und Rezeption
anläßlich der Gewandhaus-Festtage in Leipzig vom 3. bis 6. Oktober 1991. [Congress
report on the 7th Internationales Gewandhaus-Symposium: Wolfgang Amadeus Mozart-Research and practice in the service of life, work, interpretation and reception on the
EDITING
51
occasion of the Gewandhaus-Festtage in Leipzig, 3-6 October 1991.] Dokumente zur
Gewandhausgeschichte, 9, Leipzig: Peters; 1993; 226 p.; Illus., music, facs.
727.
Hermand, Jost [Editor]; Gilbert, Michael [Editor]: German essays on music. The German
library, 43, New York: Continuum; 1994; xxi, 307 p.: ISBN: 0-8264-0720-X.
728.
Herre, Grita [Editor]: Ludwig van Beethovens Konversationshefte. IX: Hefte 104-13.
[Ludwig van Beethoven's conversation books. IX: Notebooks 104-13.] (Leipzig: Deutscher
Verlag für Musik, 1988) 692 p. In German.:
729.
Hertin-Loeser, Uta; Hinrichsen, Hans-Joachim: Die Entwicklungsstufen von Des Teufels
Lustschloß D.84: Bemerkungen anläßlich der Edition der Neuen Schubert-Ausgabe. [The
developmental stages of Des Teufels Lustschloß, D.84: Remarks in connection with the
Neue Schubert-Ausgabe edition.] Schubert durch die Brille: Internationales Franz Schubert
Institut--Mitteilungen, Issue 9; June 1992; pp. 43-64; Facs.
730.
Herttrich, Ernst: Autograph--Edition--Interpretation. [Autograph--edition--interpretation.]
Tutzing, Germany: Schneider; 1990; pp. 165 -184; Music
731.
Herttrich, Ernst: Urtext: Möglichkeiten und Probleme. [Urtext: Possibilities and problems.]
Concerto, Vol. II/6 (1985) 38-45. In German.
732.
Herttrich, Ernst; Romagnoli, Angela [Translator]: Autografo--Edizione- -Interpretazione.
[Autograph--edition--interpretation.] Lucca, Italy: Libreria Musicale Italiana; 1995; pp.
269-285; Facs., music
733.
Hewlett, Walter B. [Editor]; Selfridge-Field, Eleanor [Editor]: Computing in musicology:
An international directory of applications. VIII (1992) Computing in musicology: An
international directory of applications, Menlo Park, Ca: Center for Computer Assisted
Research in the Humanities; 217 p.; Vol. 8; 1992; Index: ISBN: 0-936943-06-6. ISSN:
1057-9478.
734.
Higbee, Dale: J.S. Bach's sonatas for recorder and harpsichord, after BWV 525-530.
American recorder, Vol. XVIII/4 (February 1978) 112-13. Portrait.: ISSN: 0003-0724.
735.
Higgins, Thomas: Whose Chopin?. 19th-century music, Vol. V/1 (summer 1981) 67-75.:
ISSN: 0148-2076.
736.
Higgins, Thomas; López Meseguer, Victoria [Translator]: Cuál Chopin?: [Whose Chopin?]
Quodlibet: Revista de especialización musical, Issue 2; June 1995; pp. 59-75: ISSN: 11348615.
737.
Hiley, David: Editing the Winchester Sequence repertory of ca. 1000.: Budapest: Magyar
Tudományos Akadémia; 1990; pp. 99-113; Music, charts, diagr.
738.
Hilfiger, John Jay: Edvard Grieg's Funeral march in memory of Rikard Nordraak for
military band. Journal of band research, Vol. 24; Issue 2 ; spring 1989; pp. 12-16: ISSN:
0021-9207.
739.
Hill, John Walter: Review of Clementi edition. Journal of the American Musicological
Society, Vol. XXXII/3 (1979) 577-86.: ISSN: 0003-0139.
740.
Hill, Robert [Editor]: Keyboard music from the Andreas Bach Book and the Möller
Manuscript. Harvard publications in music, 16, Cambridge, MA: Harvard U.; 1991; xlvii,
210 p.; Music, bibliog.: ISBN: 0-674-58894-0 .
741.
Hilmar, Ernst [Editor]: Internationales Symposium Musikerautographe. [ International
symposium on music autographs.] Publikationen des Instituts für österreichische
Musikdokumentation, 16, Tutzing, Germany: Schneider; 1990; 236 p.; Illus., music
EDITING
52
742.
Hilmar, Ernst: Anmerkungen zu Franz Schuberts Erstdrucken. [Observations on Fran
Schuberts first editions.] Schubert durch die Brille: Internationales Schubert Institut -Mitteilungen, Issue 13; June 1994; pp. 43-54
743.
Hilmar, Ernst: Das schubert-Bild bei Liszt. [Liszt’s reception of Schubert.] scubert durch
die Brille, Issue 18; 1997; pp 59-86; Port.
744.
Hilmar, Ernst: Einige der Beweggründe für die "Vollendung" Fragment gebliebener
Musikwerke. [Some of the reasons for "completing" works of music that have come down
to us as fragments.] 's-Gravenhage: Nijgh & Van Ditmar; 1991; pp. 26-35
745.
Hilscher, Elisabeth T.: Alfred Einsteins Edition der Innocenza giustificata von Christoph
Willibald Gluck: Der Briefwechsel Einstein -Adler im Archiv der DTÖ. [Alfred Einstein's
edition of Innocenza giustificata by Christoph Willibald Gluck: Correspondence between
Einstein and Adler in the archive of the Denkmäler der Tonkunst in Österreich.] Studien zur
Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich, Vol. 42; 1993; pp.
379-400: ISSN: 0930-9578.
746.
Hilscher, Elisabeth T.: Josef Mantuani und Guido Adler: Der Briefwechsel in Archiv der
Gesellschaft zur Herausgabe von Denkmälern der Tonkunst in Österreich. [Josip Mantuani
and Guido Adler: Correspondence in the Archiv der Gesellschaft on editing the Denkmäler
der Tonkunst in Österreich.] Ljubljana: Slovenska Akademija Znanosti in Umetnosti; 1994;
pp. 23-74
747.
Hilzinger, Klaus Harro: über kritische Edition literarischer und musikalischer Texte.
[Critical editions of literary and musical texts. ] Euphorion, Vol. LXVIII/2 (1974) 198-210.
In German.: ISSN: 0014-2328 .
748.
Hinson, Maurice [Editor]: The Vienna Urtext guide to piano literature.: European American
Music Corporation, Wien: Universal; 1995; 240 p.; Music: ISBN: 0-913574-97-X.
749.
Hinson, Maurice: Brahms as editor. American Liszt Society journal, Vol . XIV (December
1983) 30-42. List of works.
750.
Hinson, Maurice: Publisher revisited (G. Henle Musikverlag). Piano quarterly, Vol. 91 (fall
1975) 35-40. List of works.: ISSN: 0031-9554 .
751.
Hinson, Maurice: The sixth edition of Muzio Clementi's Six progressive sonatinas op. 36.
(See RILM 1980-00182-be) 237-43.
752.
Hirschmann, Wolfgang: Telemanns Konzertschaffen im Beziehungsfeld von
Quellenforschung: Edition--Interpretation. [Telemann's concertos in light of source studies:
Editions and interpretation.] Michaelstein /Blankenburg, Germany: Kultur- und
Forschungsstätte Michaelstein; 1990; pp. 87-96; Music
753.
Historische Volksmusikforschung. Kongress-Bericht Seggau 1977. Referate der 5. Sitzung
der Studiengruppe zur Erforschung und Edition historischer Volksmusikquellen. [Historic
folk-music research. Congress report, Seggau, 1977. Papers read at the 5th meeting of the
study group for research and editing of historic folk-music sources.] Musikethnologische
Sammelbände, Vol. 2, (Graz: Akademische Druck- und Verlagsanstalt 1978) 244 v.
Illustration, music examples, bibliography. In German (one essay in English).
754.
Hitchcock, H. Wiley: Editing Ives's 129 songs. 1997; pp. 51-76; Facs.:
755.
Hitchcock, H. Wiley: On the path to the U.S. Grove. Notes. Music Library Association, Vol.
XLI/3 (March 1985) 467-70.
756.
Hitchcock, H. Wiley: Problèmes d'edition de la musique de Marc-Antoine Charpentier pur
Le malade imaginaire. [Editing problems in Marc-Antoine Charpentier's music for Le
EDITING
53
malade imaginaire.] Revue de musicologie,: Vol. LVIII/1 (1972) 3-15. In French.: ISSN:
0035-1601.
757.
Hixon, Donald L.: The promises and pitfalls of annotated bibliographies and research guides
in music. Missoula, MT: College Music Society; 1992; pp. 21-43; Bibliog.
758.
Hoffmann, Winfried [ed]; Schneiderheinze, Armin [ed]: [Leipzig, 1985] Johann Sebastian
Bach: Weltbild, Menschenbild, Notenbild, Klangbild. [ Johann Sebastian Bach: An image
of his world, his personality, his music, and its sound.] (Leipzig: VEB Deutscher Verlag für
Musik, 1988) 531 p. In German.
759.
Hoffmann-Erbrecht, Lothar: Problems in the interdependence of Josquin sources. (See
RILM 1976-04887) 285-93.
760.
Hofmann, Klaus: Herausgeber-Erfahrungen mit handschriftlichen Quellen Telemannscher
Kirchenmusik: Anmerkungen zu einigen Lesartproblemen. [ Publishers' experiences with
manuscript sources for Telemann's church music: Observations on several problematic
variants.] Köln: Tank; 1991; pp. 15-20; Music
761.
Hofmann, Klaus; Kobayashi, Yoshitake [Collaborator]: Bach oder nicht Bach? Die Neue
Bach-Ausgabe und das Echtheitsproblem. [Bach or not? The Neue Bach-Ausgabe and the
authenticity problem.] Stuttgart, Germany: Steiner; 1991; pp. 9-48
762.
Hohlov, Jurij N.: Subert: Vcera, segodnja, zavtra. [Schubert: Yesterday --today--tomorrow.]
Muzykal'naja akademija, Issue 4; 1994; pp. 126-132 ; Illus.: ISSN: 0869-4516.
763.
Holper, Peter: Eine neue Urtextausgabe der Klaviersonaten Ludwig van Beethovens. [A
new urtext edition of the piano sonatas of Ludwig van Beethoven.] Salzburg, Austria:
Katzbichler; 1992; pp. 176-180; Facs.:
764.
Hong, Yat-Lam: Three essays on Chopin's tudes, opp. 10 and 25. 1991; 78 p.; (DMA doc.,
Music: U. of Cincinnati, 1991); Music, bibliog.
765.
Honing, Henkjan: Expresso, a strong and small editor for expression.: San Francisco:
International Computer Music Association; 1992; pp. 215 -218; Charts, diagr.
766.
Hopfgartner, Sunhild: Und sie schrieb doch: Richard Wagners Frau Cosima- -eine
heimliche Rezensentin? [And yes, she did write: Richard Wagner's wife Cosima--a secret
reviewer?] Das Orchester: Zeitschrift für Orchester und Rundfunk-Chorwesen, Vol. 43;
Issue 4; 1995; pp. 15-21; Port.: ISSN: 0030-4468.
767.
Horn, David [Editor]; Middleton, Richard [Editor]: Mellers at 80.: Popular music, Vol. 13;
Issue 2; May 1994; pp. 127-208; Illus., port. , music, bibliog.: ISSN: 0261-1430.
768.
Hortschansky, Klaus [Editor]; Musketa, Konstanze [Editor]: Georg -Friedrich-HändelGesellschaft Händel-Haus. Georg Friedrich Händel: Ein Lebensinhalt--Gedenkschrift für
Bernd Baselt (1934-1993) [Georg Friedrich Händel: The meaning of a life--In memory of
Bernd Baselt (1934 -1993)] Schriften des Händel-Hauses in Halle, 11, Kassel, Germany:
Bärenreiter; 1995; 551 p.; Port., music: ISBN: 3-910019-09-9. ISSN: 0232-3214.
769.
Howat, Roy: The new Debussy edition: Approaches and techniques. Studies in music, Vol.
XIX (1985) 94-113. Facsimile, music examples.: ISSN: 0081-8267.
770.
Howat, Roy; Ferriz, Cristina: Editar la música: El caso de Debussy. [ Editing music: The
case of Debussy.] Quodlibet: Revista de especialización musical, Issue 8; June 1997; pp.
13-35; Facs., music: ISSN: 1134-8615.
771.
Hüttel, Walter: Daniel Reinhold Finsterbusch: Leben und Werk. [Daniel Reinhold
Finsterbusch: life and work.] Sächsische Heimatblätter, Vol. XXIV/3 (1978) 114-16. In
German.
EDITING
54
772.
Hubmann, Heinrich [Editor]: Rechtsprobleme musikwissenschaftlicher Editionen. [Legal
problems of musicological editions.] Schriften zum gewerblichen Rechtsschutz, Urheberund Medienrecht, Vol. 3, (München: Schweitzer, 1982) 72 p. In German.
773.
Huffelen, Ton van: Het muziektijdschrift Amphion (1818-1822) [The music journal
Amphion (1818-1822)] Tijdschrift van de Vereniging voor Nederlandse
Muziekgeschiedenis, Vol. 42; Issue 1; 1992; pp. 37-58; Facs.: ISSN: 0042-3874.
774.
Hughes, Carol Bailey: Muzykal'naia starina (1903-1911) Periodica musica , Vol. 5; 1987;
pp. 1-8; Port., index: ISSN: 0822-7594.
775.
Huglo, Michel [ed]: [Paris, 1982] Musicologie m‚di‚vale: Notations et s‚quences. [Medieval
musicology: Notations and sequences. ] (Paris: Champion, 1987) xxxviii, 264 p. Illustration,
facsimile, music examples. Essays in French (7), German (2), English (6), Italian (2).:
ISBN: 2 -85203-032-2.
776.
Hunter, David Chalmers: Music Library Association guidelines for the preparation of music
reference works. Notes: Quarterly journal of the Music Library Association, Vol. 50; Issue
4; June 1994; pp. 1329-1338; Bibliog.: ISSN: 0027-4380.
777.
Huot, C‚cile: Evolution de la vie musicale au Qu‚bec sous l'influence de Wilfrid Pelletier.
[Evolution of musical life in Quebec under the influence of Wilfrid Pelletier.] (PhD diss.,
Musicology: U. Toulouse, F, 1973) 248 p. (xerox). Illustration, portrait, facsimile, music
examples , bibliography. In French.
778.
Huss, Manfred: Joseph Haydn: Klassiker zwischen Barock und Biedermeier.: [Joseph
Haydn: Classicist between Baroque and Biedermeier.]: (Eisenstadt: Roetzer, 1984) 408 p.
Illustration, portrait, facsimile, music examples, bibliography, list of works, index. In
German.
779.
Husson, Thérèse: La première edition critique de l'oeuvre litteraire d'Hector Berlioz. [The
first critical edition of the literary works of Hector Berlioz.] (See RILM 1985-00828-bc)
165-70. In French.
780.
Huys, Bernard: Historiek van de Brabançonne: Haar editio princeps en andere vroege
uitgaven. [History of the Brabançonne: Its first edition and other early editions.] Academiae
analecta: Mededelingen van de Koninklijke Academie voor Wetenschappen, Vol. 3: Klasse
der Schone Kunsten XLVIII/1 (1987) 119-60. Facsimile, music examples, bibliography. In
Dutch.
781.
Igrec, Srebrenka: B‚la Bartók's edition of Mozart's piano sonatas. 1993 ; 141 p.; (DMA doc.,
: Louisiana State U.). PA 9419898.
782.
Ingwerson, John Clyde: Manuel Ponce's Variations sur folia de España et fugue: A study of
compositional procedures and Ponce's use of the folia theme. 1996; 111 p.; (DMA doc., : U.
of Arizona). PA 9706159.
783.
Innis, Joy Anne: Black and white in color: The technical procedures involved in the
production of two computer multimedia projects based on music for two pianos. 1996; 118
p.; (DA diss., : Ball State U.). PA 9632825.
784.
Irving, Howard: Richard Mackenzie Bacon and the Royal Academy of Music.: International
review of the aesthetics and sociology of music, Vol. 21 ; Issue 1; June 1990; pp. 79-90:
ISSN: 0351-5796.
785.
Irwin, James S; Irwin, Linda; Mozart, Wolfgang Amadeus: Concertos, horn, orchestra, K.
447, Eb major; arr.; Concerto no. 3 in Eb major, KV 447, horn in F/ Wolfgang Amadeus
Mozart; horn editing & cadenza by Jim Irwin; piano reduction by Linda Irwin. Dallas, Tx.
(P.O. box 551442, Dallas 75355), J. Irwin, 1991; 1 score (26 p.) + 1 part (8 p.)
EDITING
55
786.
Irwin, James S; Irwin, Linda; Mozart, Wolfgang Amadeus: Concertos, horn, orchestra, K.
412, D major; arr.; Concerto no. 1 in D major, KV 412 + 514 (=KV 386b), horn in F/
Wolfgang Amadeus Mozart; horn editing & cadenza by Jim Irwin; piano reduction by
Linda Irwin. Dallas, Tx. (P.O. box 551442, Dallas 75355), J. Irwin, 1991; 1 score (21 p.) +
1 part ([4] p.)
787.
Italian vocal duets from the early eighteenth century. (New York: Schirmer, 1968) 88 p.
Music examples, list of works. In English, Italian.
788.
Ivanic'kyj, Anatolij: Ukrainskaja narodnaja muzykal'naja kul'tura. [ Ukrainian traditional
music culture.] 1991; 36 p.; (PhD diss., Ethnomusicology: Gosudarstvennaja
Konservatorija, Kyjiv, 1991); Bibliog.:
789.
Jackson, Timothy L. [ed.]; Hawkshaw, Paul [ed.]: [Bruckner studies.] p . xv, 301 (New
York: Cambridge U., 1997). Illus., facs., music, index, charts, diagr.: ISBN: 0-521-57014X.
790.
Jackson, Timothy L.: Schoenberg's op. 14 songs: Textual sources and analytical perception.
Theory and practice, Vol. 14-15; 1989-90; pp. 35-58; Illus., music, charts, diagr.: ISSN:
0741-6156.
791.
Jacobs, Charles: On editions of music in tablature and the performer.: Vol. II (Kassel:
Bärenreiter, 1987) See RILM 1987-00981-bs.
792.
Jacobsen, Jens Peter: Nyudgivelser af AEldre musik. [New publications of old music.] Oslo,
Norway: U. i Oslo; 1993; pp. 389-397
793.
Jacobson, Harry: The edition of an unpublished contrabass solo-quartet by Franz
Hoffmeister. International Society of Bassists journal, Vol. 15; Issue 1; fall 1988; pp. 58-62;
Music: ISSN: 0892-0532.
794.
Jacoby, Stephen Dunn: The Salminger anthologies. (PhD diss.: Ohio State U., 1985) 249 p.
DA 8510585.
795.
Jacquot, Jean: Le luth et sa musique - from the Neuilly colloquium to the Corpus of French
lutenists. Lute Society journal, Vol. XX (1978) 7 -17.
796.
Jacquot, Jean: Problèmes d'édition des tablatures de luth. [Problems in editing lute
tablatures.] Informatique musicale, (October 1973) 10-24. In French.
797.
Jacquot, Jean: Problèmes et méthodes d'edition: Introduction a un nouvel examen.
[Problems and methods of editing: Introduction to a new approach .] (See RILM 198400769-bs) 17-30. In French.
798.
Janower, David: Berlioz' Requiem: editions and errata. Choral journal , Vol. XX/4
(December 1979) 8-11. Music examples.
799.
Janz, Bernhard: Das editorische Werk Carl Proskes und die Anfänge der
kirchenmusikalischen Reformbewegung. [Carl Proske's editorial work and the beginnings of
the reform movement in church music.] Kassel: Bosse; 1989; pp. 149-169
800.
Jarman, Douglas: "Correcting" Berg: Some observations on analysis and editorial
responsibility. International journal of musicology, Vol. 4; 1995; pp. 155-167; Music:
ISSN: 0941-9535.
801.
Jaschinski, Andreas: Gedanken zur Neuauflage der MGG. [Thoughts on the new edition of
Die Musik in Geschichte und Gegenwart.] Kassel, Germany: Bärenreiter; 1995; pp. 782-785
EDITING
56
802.
Jensen, Niels Martin: Editionspraksis og editionsstrategi i nordisk og international
sammenhAEng. [Editorial practices and editorial strategies in Nordic and international
contexts.] Oslo, Norway: U. i Oslo; 1993; pp. 351-364
803.
Jersild, Margareta: Om utgivningsprinciperna för DgF XI. [On the editorial principles of
DgF, XI.] Sumlen, (1978) 126-32. Music examples. In Swedish.
804.
Jones, George Morton: The "first" chansonnier of the Biblioteca Riccardiana, Codex 2794: a
study in the method of editing 15th-century music. (Doctor of Philosophy dissertation,
Musicology: New York U., 1972) 2v. 677 p.(typescript, microfilm). Facsimile, music
examples, bibliography, list of works.
805.
Jonsson, Leif: Från ax till limpa: Reflexioner i backspegeln av en huvudredaktör. [From
beginning to end: Reflections in hindsight of an editor-in-chief.] Svensk tidskrift för
musikforskning, 1997; Vol. 79; Issue 2; pp. 69-73; Illus.: ISSN: 0081-9816.
806.
Jonsson, Ritva: Corpus troporum. [Repertory of tropes.] Journal of the Plainsong and
Mediaeval Music Society, Vol. I (1978) 98-115.: ISSN: 0143-4918.
807.
Josquin des Prés. Musik-Konzepte, Vol. 26/27, (München: text + kritik, 1982) 143 p.: ISSN:
0931-3311.
808.
Jourdan-Hemmerdinger, Denise: Aspects méconnus des théories et notations antiques et de
leur transmission. [Poorly understood aspects of early theories and notations and their
transmission.] (Paris: Champion, 1987) 67-99. In French. See RILM 1988-01078-bs.
809.
Julià, Benet; Codina i Giol, Daniel [Editor]: Obres completes. I. [ Complete works. I.]
Mestres de l'Escolania de Montserrat, 13, Barcelona , Spain: Abadia de Montserrat; 1989;
xxv, 186 p.
810.
Julius, Ruth: Oral history in music: a practical guide. College music symposium, Vol. XX/1
(spring 1980) 96-104. Bibliography, charts, tables .: ISSN: 0069-5696.
811.
Jung, Hermann: Ein vollendeter Torso: Zur Rezeption von Mozarts Missa in c KV 427. [A
finished torso: The reception of Mozart's Mass in C-minor, K.427.] International journal of
musicology, Vol. 2; 1993; pp. 113-152 ; Music: ISSN: 0941-9535.
812.
Kacic, Ladislav: O vydaní starej hudby na Slovensku. [Editions of early music in Slovakia.]
Slovak music, Vol. 1 (1987) 1-2. In English. Also available in German, Russian, French.
813.
Kagen, Sergius; Purcell, Henry: Songs. Selections.; 40 songs, for voice and piano/ Purcell;
realization of the figured bass and editing by Sergius Kagen. New York City, International
Music, 1959; High; 1 score (v. 4)
814.
Kagen, Sergius; Purcell, Henry: Vocal music. Selections.; 4 sacred songs: from Harmonia
sacra, for voice and piano/ Purcell; realization of the figured bass and editing by Sergius
Kagen.; Four sacred songs.; Sacred songs. New York City, International Music Co, 1959;
High; 1 score (22 p.)
815.
Kallberg, Jeffrey: Are variants a problem? "Composer's intentions" in editing Chopin.
Chopin studies, Vol. 3; 1990; pp. 257-267; Music: ISSN: 0176-6511.
816.
Kallberg, Jeffrey: Chopin at the boundaries: Sex, history, and musical genre. Convergences:
Inventories of the present, Cambridge, MA: Harvard U.; 1996; xiii, 301 p.; Illus., facs.,
music, bibliog., index, charts, diagr.: ISBN: 0-674-12790-0.
817.
Kallberg, Jeffrey: Czy warianty sa problemem? 'Intencje kompozytorskie' w edytorstwie
dziel Chopina. [Are variants a problem? 'Composer's intentions' in editing Chopin.] Rocznik
chopinowski, Vol. XIX (1987) 199-210. Music. In Polish. See RILM 1988-01147-bs.
EDITING
57
818.
Kallmann, Helmut: The making of a one-country encyclopedia: An essay after an
encyclopedia. Fontes artis musicae, Vol. 41; Issue 1; Jan-Mar 1994; pp. 3-19; Bibliog.:
ISSN: 0015-6191.
819.
Kallmann, Helmut: Toward a bibliography of Canadian folk music.: Ethnomusicology, Vol.
XVI/3 (September 1972) 499-503.
820.
Karp, Theodore C.: Editing the Cortona Laudario. The journal of musicology: A quarterly
review of music history, criticism, analysis, and performance practice, Vol. 11; Issue 1;
winter 1993; pp. 73-105; Music, bibliog.: ISSN: 0277-9269.
821.
Karp, Theodore C.: Mirabantur omnes: A case study for critical editions.: Budapest: Magyar
Tudom nyos Akad‚mia; 1995; Vol. 2; pp. 493-516; Music
822.
Karp, Theodore C.: The cataloging of chant manuscripts as an aid to critical editions and
chant history. Music reference services quarterly , New York: Haworth; Vol. 2; Issue 3-4;
1993; pp. 241-269; Music, bibliog.: ISSN: 1058-8167.
823.
Karpati, János: Wandelt sich das ungarische Liszt-Verständnis? Schwerpunkte der
ungarischen Liszt-Forschung seit 1945. [Is the Hungarian view of Liszt changing? Main
emphases in Liszt research since 1945.] (Eisenstadt: Burgenländisches Landesmuseum,
1987) 127-40. Bibliog. In German. See RILM 1988-01002-bs.
824.
Karpf, Juanita: The early years of African American music periodicals, 1886-1922: History,
ideology, context. International review of the aesthetics and sociology of music, Vol. 28;
Issue 2; July-Dec 1997; pp . 143-168: ISSN: 0351-5796.
825.
Karpinski, Gary S. [Editor]: A birthday offering for George Perle.: International journal of
musicology, Vol. 4; 1995; 365 p.; Music: ISSN: 0941-9535.
826.
Kassler, Michael: A critical-edition problem resolved. Miscellanea musicologica, Vol. V
(1979) 155-58.: ISSN: 0076-9355.
827.
Katrami, Anna I.; Kirk, Ross; Myatt, A.: A phase vocoder graphical interface for timbral
manipulation of cellular automata and fractal landscape mappings. Montr‚al: McGill U.;
1991; pp. 106-109; Illus., charts, diagr.
828.
Katz, Israel J. [Editor]: Libraries, history, diplomacy, and the performing arts: Essays in
honor of Carleton Sprague Smith. Festschrift series, 9, Stuyvesant, NY: Pendragon; 1991;
xv, 459 p.: ISBN: 0-945193 -13-0.
829.
Keil, Klaus: La redacción central del RISM (Frankfort) [The central editorial office of
RISM (Frankfurt am Main)] Anuario musical: Revista de musicología del C.S.I.C., Vol. 49;
1994; pp. 287-290: ISSN: 0211 -3538.
830.
Keillor, Elaine: Finding the sounds of Canada's musical past. Fontes artis musicae, Vol. 41;
Issue 1; Jan-Mar 1994; pp. 20-31; Facs., bibliog.: ISSN: 0015-6191.
831.
Keller, Hans [Editor]; Heur, Jean-Marie d' [Collaborator]; Mermier, Guy R. [Collaborator];
Vuijlsteke, Marc [Collaborator]: Studia Occitanica in memoriam Paul Remy. II: The
narrative--philology. 2v.; Kalamazoo: Western Michigan U.; 1986; 441 p.: ISBN: 0918720-72-9.
832.
Keller, Hans [Editor]; Heur, Jean-Marie d' [Collaborator]; Mermier, Guy R. [Collaborator];
Vuijlsteke, Marc [Collaborator]: Studia Occitanica in memoriam Paul Remy. I: The
troubadours. 2v.; Kalamazoo: Western Michigan U.; 1986; 371 p.: ISBN: 0-918720-71-0.
833.
Keller, Peter: Die Neue Mozart-Ausgabe. Voraussetzung. Aufbau und probleme der Edition.
[The Neue Mozart-Ausgabe. Premise, organization, and problems of the edition.]
Universitas, Vol. XXXIII (1978) 623-28. In German.: ISSN: 0041-9079.
EDITING
58
834.
Kempter, Peter Kyle: Beethoven's cello sonata, op. 64: A comparative study and new
edition of the sonata orignally transcribed from the string trio, op. 3. 1998; 160 p.; (DMA
doc., : U. of Houston)
835.
Kenyon, Nicholas [ed]: [Oberlin, 1986; 1987] Authenticity and early music: A symposium.
[Authenticity and early music: A symposium.]: (Oxford: Oxford U., 1988) xv, 219 p. Music
examples, index.: ISBN: 0 -19-816152-2.
836.
Kenyon, Nicholas [Editor]: Early music. XIX/4 (November 1991): Performing Mozart's
music. I. Early music, Oxford: Oxford U.; pp. 497 -688; Vol. 19; Issue 4; Nov 1991: ISSN:
0306-1078.
837.
Kerman, Joseph [Editor]: Music at the turn of the century: A 19th -century music reader.
California studies in 19th-century music, 7,: Berkeley: U. of California; 1990; 206 p.:
ISBN: 0-520-06854-8.
838.
Kettle, Jonathan: Don't believe all you hear. BBC music magazine,: special issue 1997; pp.
56-57; Illus.: ISSN: 0966-7180.
839.
King, Richard G.: The composition and reception of Handel's Alessandro (1726) 1992; 252
p.; (PhD diss., Music: Stanford U., 1992). PA 9221634 .
840.
Kipnis, Igor: Bach's Well-tempered clavier. Keyboard, Vol. XI/3 (March 1985) 71-74; 7677. Music examples.: ISSN: 0730-0158.
841.
Kippenberg, Burkhard: Die Melodien des Minnesangs. [The melodies of Minnesang.] (See
RILM 1972-03952-bc) 62-92. Facsimile, music examples. In German.
842.
Kirchner, Gerhard: Ein Schnitt und seine Folgen: Zum ersten Satz der Sonate BWV 1032.
[A dissection and its consequences: The first movement of the sonata BWV 1032.] Kassel,
Germany: Bärenreiter; 1992; pp. 117 -134; Music, charts, diagr.
843.
Kirkendale, Ursula: Bach und Quintilian: Die Institutio oratoria als Modell des
Musikalischen Opfers. [Bach and Quintilian: The Institutio oratoria as a model for the
Musikalisches Opfer.] (Frankfurt: Lang, 1987) 85-107. Music. In German. See RILM 198701004-bc.
844.
Kirkendale, Ursula: The source for Bach's Musical offering: the Institutio oratoria of
Quintilian. [The source for Bach's Musical offering: The Institutio oratoria of Quintilian.]
Journal of the American Musicological Society, Vol. XXXIII/1 (spring 1980) 88-141.
Music examples.: ISSN: 0003-0139.
845.
Kirkman, Andrew; Weller, Philip: Binchois's texts. Music & letters,: Vol. 77; Issue 4; Nov
1996; pp. 566-596: ISSN: 0027-4224.
846.
Kirkpatrick, Ralph: Scarlatti revisited in Parma and Venice. Notes. Music Library
Association, Vol. XXVIII/1 (September 1971)
847.
Kirsch, Winfried [Editor]; Jacob, Michael [Collaborator]; Janitzek, Martina [Collaborator];
Lüttig, Peter [Collaborator]: Palestrina und die Idee der klassischen Vokalpolyphonie im 19.
Jahrhundert: Zur Geschichte eines kirchenmusikalischen Stilideals. [Palestrina and the l9thcentury idea of classic vocal polyphony: The history of a style ideal in church music.]
Palestrina und die Kirchenmusik im 19. Jahrhundert, 1, Kassel: Bosse; 1989; 318 p.; Facs.,
music, bibliog., index
848.
Kirsch, Winfried: Zur Rezeption der Motetten Josquin Desprez' im 19. Jahrhundert. [The
reception of Josquin Desprez's motets in the 19th century.] London, Germany: Schott; 1991;
pp. 283-297; Music, bibliog.:
EDITING
59
849.
Kistler-Liebendörfer, Bernhard: Zweifelhafte Lesarten in Klavierwerken Beethovens.
[Doubtful versions in Beethoven's piano works.] Musica,: Vol. 47; Issue 6; Nov-Dec 1993;
pp. 333-336: ISSN: 0027-4518.
850.
Kiszely, Deborah: Editions and recordings: An analysis of Ernö Dohnányi's Ruralia
hungarica, op. 32/a, no. 4. Studia musicologica Academiae Scientiarum Hungaricae, Vol.
36; Issue 1-2; 1995; pp. 73-90; Music: ISSN: 0039-3266.
851.
Kiszely-Papp, Deborah M.: Critical edition of the unpublished one -movement version of
Ernö Dohnányi's piano concerto in E minor, op. 5.: 1996; 251 p.; (DMA doc., : City U. of
New York). PA 9707116.; Port., facs.
852.
Kite-Powell, Jeffery Thomas: The Visby (Petri) organ tablature. Investigation and critical
edition. Quellenkataloge zur Musikgeschichte , Vol. 14, (Wilhelmshaven: Heinrichshofen,
1978) 15, 2 v. 478 p. Illustration, facsimile, music examples, bibliography, index.
853.
Klakowich, Robert J.: Facsimile editions for the scholar and performer.: Crescendo: Bulletin
of the International Association of Music Libraries (New Zealand Branch), Issue 37; Apr
1994; pp. 4-15; Illus., bibliog.: ISSN: 0111-8994.
854.
Kleinen, Günter: Musikmedien zwischen offenem Angebot und musikerzieherischem
System. [The music media between public programming and the music-educational
system.] Musikpädagogische Forschung, (See RILM 1981-06256-bc) 134-63. In German;
summary in English.
855.
Klemm, Eberhardt: Zur Geschichte einer Konzertfassung. [On the history of a concert
version.] Musik und Gesellschaft, Vol. XXVIII/9 (September 1978) 549-53. In German.:
ISSN: 0027-4755.
856.
Knape, Walter: Nachträglicher Fund zur Karl-Friedrich-Abel-Gesamtausgabe . [A
supplementary discovery for the collected edition of the works of Karl Friedrich Abel.] Die
Musikforschung, Vol. XXXII/4 (1979) 419-21. In German.: ISSN: 0027-4801.
857.
Knapman, Zinnia: A reappraisal of Percy's editing. Folk music journal: The journal of
traditional song, music & dance, Vol. 5; Issue 2; 1986; pp. 202-214: ISSN: 0531-9684.
858.
Knapp, J. Merrill: Die musikalische Aufführung von Händel-Opern in der Gegenwart. [The
musical presentation of Händel's operas today.] (See RILM 1971-01964-re) 71-76. In
German.
859.
Knapp, J. Merrill: Performing problems in Handel's operas. Stuyvesant, NY: Pendragon;
1994; pp. 49-57
860.
Knapp, J. Merrill: Zum Stand der amerikanischen Händel-Forschung. [The status of
American research on Händel.] Händel-Jahrbuch, Vol. XXXI (1985) 59-60. In German.:
ISSN: 0440-0615.
861.
Knepper, Claude: Le projet d'edition intégrale de la correspondance de Franz Liszt. [The
project for a complete edition of the Franz Liszt correspondence.] Revue musicale, Vol.
405-07 (1987) 347-67. Facsim. In French. See RILM 1987-00951-bs.
862.
Knighton, Tess [Editor]: Early music. XXI/4 (November 1993): Monteverdi. I. Early music,
London: Oxford U.; pp. 514-672; Vol. 21; Issue 4; Nov 1993; Illus., port., facs., music,
bibliog.: ISSN: 0306-1078.
863.
Knighton, Tess [Editor]; Fallows, David [Editor]: Companion to medieval and Renaissance
music. New York: Schirmer; 1992; xx, 428 p.: ISBN: 0 -460-04627-6.
864.
Koch, Annerose: Zur Bedeutung der Editionen Schumannscher Klavierwerke für den
Interpreten. [On the significance to the performer of the editions of Schumann's piano
EDITING
60
works.] Schumann-Tage des Bezirkes Karl -Marx-Stadt, (See RILM 1983-04531-bs) 37-43.
In German.
865.
Koch, Eric: The brothers Hambourg. Toronto: Robin Brass Studio; 1997; 284 p.; Illus.,
discog.: ISBN: 1-89694-105-2.
866.
Kocsis, Zolt n: Az utolsó kézjegy hitele: Rachmaninov, 2. szonáta--Két verziób. [The
authenticity of the final corrections of proofs: Two versions of Rahmaninov's piano sonata
no. 2.] Muzsika, Vol. 37; Issue 4; Apr 1994; pp. 18-19; Illus., port.: ISSN: 0027-5336.
867.
Kohlhase, Thomas [Editor]: Tschaikowsky-Gesellschaft e.V./Tchaikovsky Society,
Tübingen; Dom-Muzej P.I. Cajkovskogo, Klin. Internationales Cajkovskij-Symposium.
Cajkovskij-Studien, 1, Mainz, Germany: Schott; 1995; 367 p.; Music, list of works, index:
ISBN: 3-7957-0295-X.
868.
Kohlhase, Thomas: Der gregorianische Choral in der Liturgie heute. [ Gregorian chant in
the liturgy today.] Tutzing, Germany: Schneider; 1995 ; pp. 51-63
869.
Kohlhase, Thomas: Edieren = Dokumentieren und Interpretieren: Die Erwartungen von
Wissenschaft und Praxis an historisch-kritische Musikausgaben. [Editing = documenting
and interpreting: Scholarly and practical expectations in regard to historical-critical editions
of music .] Concerto, Vol. II/6 (1985) 33-37. In German.
870.
Kohlhase, Thomas: Editionsprobleme der Neuen Cajkovskij-Gesamtausgabe am Beispiel
der 6. Sinfonie. [Editorial problems of P.I. Cajkovskij: New edition of the complete works,
as exemplified by the symphony no. 6.]: Mainz, Germany: Schott; 1995; pp. 177-186
871.
Kojima, Shin Augustinus: Probleme im Notentext der Pastoralsymphonie Op. 68 von
Beethoven. [The textual problems of Beethoven's 'Pastoral' symphony, op. 68.] Beethoven
Jahrbuch, Vol. IX (1973-77) 217-61. Facsimile, music examples. In German.
872.
Kojima, Shin: Beethoven kenkyu. [A study of Beethoven.] (Tokyo: Shunju , 1985) 311 p.
Music examples, bibliography. In Japanese.
873.
Kolneder, Walter: Die Kunst der Fuge. Mythen des 20. Jahrhunderts. [The Kunst der Fuge.
Myths of the 20th century.] Taschenbücher der Musikwissenschaft, Vol. 42-45,
(Wilhelmshaven: Heinrichshofen, 1977) 4 v . 1052 p. In German.
874.
Kolodub, Lev Nikolaevic: Bse cennoe: Segodnjasnemu slusatelju. [ Everything in the past is
valuable to today's listener.] Muzykal'naja akademija, Issue 2; 1992; 181 p.: ISSN: 08694516.
875.
Komoda, Haruko: Kyoto-daiagko-zo Heikyoku Mabushi--So no seiritsu jijo to shutten chuki
ni tsuite. [Heikyoku Mabushi in the collection of the Kyoto-daiagko: Its compilation and
source annotations.] Toyo ongaku kenkyu/Studies on Oriental music: Journal of the Society
for Research in Asiatic Music, Vol. 55; 1990; pp. 31-90; Illus., facs.: ISSN: 0039 -3851.
876.
Konrad, Ulrich: Bemerkungen zu Problemen der Edition von Mozart-Skizzen.: [Problems in
editing Mozart's sketches.] Die Musikforschung, Vol. 44; Issue 4; 1991; pp. 331-345; Facs.:
ISSN: 0027-4801.
877.
Kooiman, Ewald: Zur Interpretation der Orgelmusik Johann Sebastian Bachs . [On the
interpretation of organ music by Johann Sebastian Bach.]: Veröffentlichungen der
Gesellschaft der Orgelfreunde, 114, Kassel, Germany: Merseburger; 1995; 236 p.; Facs.,
music: ISBN: 3-87537-215-8 .
878.
Korabelnikova, Ljudmila: Denkmäler und Gesamtausgaben. [Monuments and complete
editions.] Beiträge zur Musikwissenschaft, Vol. XXX/3 (1988) 200-06. In German.: ISSN:
0005-8106.
EDITING
61
879.
Kordaczuk, Wieslawa: Korespondencja Maurycego Karasowskiego z siostra Chopina w
sprawie wydania biografii kompozytora. [Maurycy Karasowski's correspondence with
Chopin's sister about the editing of the composer's biography.] Muzyka, Vol. XVI/2 (1971)
106-20. In Polish.
880.
Koriath, Kirby Lawrence: Walter E. Buszin: Lutheran hymnologist, liturgiologist, church
musician, editor. (DMA diss., Performance [organ] and church music: Eastman School of
M., 1977) 171 p. (typescript, xerox) . Bibliography, list of works, index.
881.
Korstvedt, Benjamin Marcus: "Return to the pure sources": The ideology and text-critical
legacy of the first Bruckner Gesamtausgabe. 1997; pp. 91-109
882.
Korstvedt, Benjamin Marcus: The first edition of Anton Bruckner's fourth symphony:
Authorship, production and reception. 1995; 411 p.; (PhD diss., : U. of Pennsylvania). PA
9543102.
883.
Korsyn, Kevin: Brahms research and aesthetic ideology. Music analysis , Vol. 12; Issue 1;
Mar 1993; pp. 89-103; Music: ISSN: 0262-5245.
884.
Korth, Hans-Otto: Die Edition der deutschen Kirchenlieder: Grundlagen der Darstellung.
[The edition of German hymns: Basis of the presentation .] Fontes artis musicae, Vol. 35;
Issue 3; July-Sept 1988; pp. 155 -158: ISSN: 0015-6191.
885.
Kos, Koraljka: Dragan Plamenac: Istrazivac i objavljivac rane glazbe.: [Dragan Plamenac:
Researcher and editor of early music.] Arti musices , Vol. XVII/2 (December 1986) 159-73.
In Croatian; summaries in English , German. See RILM 1986-00619-be.
886.
Kos, Koraljka: Lik Ladislava Sabana. [The personality of Ladislav Saban .] Kaj: Casopis za
knjizevnost, umjetnost i kulturu, Vol. 29; Issue 1 -2; 1996; pp. 38-42; Port.: ISSN: 04531116.
887.
Kosciukiewicz, Kazimierz: Pomiedzy kompozytorem a wykonawca: Z problematiki
wydawniczej muzyki wspol-czesnej. Próbe spojrzenie ksiegoznawczego. [Between
composer and performer: Problems of editing contemporary music. Attempt at a
bibliographic survey.] Zeszyt naukowy: Akademia Muzyczna im. Karola Lipinskiego we
Wroclawiu, Vol. 47 (1988) 93 -110. In Polish; summary in German. See RILM 198801154-bs.
888.
Koski, Suvi-Päivi: Johann Anastasius Freylinghausenin Geist-reiches Gesang-Buch: Eräs
protestanttisen virsihistorian bestseller ja sen kansainvälinen vaikutus. [Johann Anastasius
Freylinghausen's Geistreiches Gesang-Buch: a bestselling Protestant hymnal and its
international influence.] Musiikki, Issue 1; 1996; pp. 37-59; Port., facs., music, bibliog.,
charts, diagr., notes: ISSN: 0355-1059.
889.
Kostelanetz, Richard: Glenn Gould as a radio composer. Massachusetts review, Vol. 29; fall
1988; pp. 557-570: ISSN: 0025-4878.
890.
Kovacs, Sándor: Über die Vorbereitung der Publikation von Bartóks grosser ungarischen
Volksliedausgabe. [On the preparation of the publication of Bartók's great folk-song
collection.] Studia musicologica Academiae Scientiarum Hungaricae, Vol. XXIV/1-2
(1982) 133-55. In German .: ISSN: 0039-3266.
891.
Kowalewicz, Henryk: Slaska sekwencja Presul sancte Fabiane. Opracowanie filologiczne i
tekst. [The Silesian sequence Presul sancte Fabiane: philology of the text.] Muzyka, Vol.
XXII/2 (1977) 89-96. Music examples. In Polish.
892.
Krassowski, Janusz [Editor]: Aspekty muzycznego wykonawstwa. [Aspects of music
performance.] Zeszyty naukowe, 31, Gdansk: Akademia Muzyczna im. Stanislawa
Moniuszki; 1993; 157 p.; Illus., music, bibliog., charts , diagr.
EDITING
62
893.
Kraus, Eberhard: Die Referenten des Caecilienvereins-Katalogs und der von ihnen in ihren
Beurteilungen vertretene kirchenmusikalische Standpunkt. [The experts of the CäcilienVereins-Katalog and the view of church music represented in their assessments.] (Tutzing:
Schneider, 1988) 183-202. In German. See RILM 1988-01001-bs.
894.
Krautwurst, Franz [Editor]: Neues musikwissenschaftliches Jahrbuch. II (1993) Neues
musikwissenschaftliches Jahrbuch, Augsburg: Wißner; 178 p .; Vol. 2; 1993; Facs., music:
ISBN: 3-928898-42-6.
895.
Krautwurst, Franz: Aus der Frühgeschichte der Schubert-Forschung: Briefe von Carl
Ferdinand Pohl an Max Friedlaender. [The early history of Schubert studies: Letters of Carl
Ferdinand Pohl to Max Friedlaender.]: Neues musikwissenschaftliches Jahrbuch, Augsburg:
Wißner; Vol. 2; 1993; pp. 91-111
896.
Kreitner, Kenneth: Renaissance pitch. New York: Schirmer; 1992; pp. 275-283
897.
Kriza, Ildikó: Ballada klasszifikáció-ballada müfaj (a Magyar népballadák kiakásának
néhány tanuls g ról). [Ballad classification -ballad types (concerning the editing of
Hungarian folk ballads).] N‚pi kultura-N‚pi t rsadalom, Vol. V-VI (1971) 183-97.
Bibliography. In Hungarian; summary in German.
898.
Kroó, György: Années de pèlerinage--Première ann‚e: Versions and variants. A challenge to
the thematic catalogue. Studia musicologica Academiae Scientiarum Hungaricae, Vol. 34;
Issue 3-4; 1992; pp. 405 -426; Music, charts, diagr.: ISSN: 0039-3266.
899.
Kroeger, Karl: Errors in the facsimile edition of William Billings' The continental harmony.
The Sonneck Society for American Music bulletin,: Vol. XIV/3 (fall 1988) 126-28.: ISSN:
0196-7967.
900.
Kroeger, Karl: Two unknown Billings compositions in John Norman's The Massachusetts
harmony (1784) The hymn: A journal of congregational song , Vol. 47; Issue 3; July 1996;
pp. 44-49; Music: ISSN: 0018-8271.
901.
Kross, Siegfried [Editor]; Maintz, Marie Luise [Collaborator]: Beethoven-Archiv; MaxReger-Institut; Musikwissenschaftliches Seminar der U. Bonn; Schumannhaus. Probleme
der symphonischen Tradition im 19. Jahrhundert. [Aspects of the 19th-century symphonic
tradition.] Tutzing , Germany: Schneider; 1990; 569 p.; Facs., music, charts, diagr.
902.
Krummacher, Friedhelm: Die Choralbearbeitung in der protestantischen Figuralmusik
zwischen Praetorius und Bach. [The chorale setting in Protestant figural music between
Praetorius and Bach.] Kieler Schriften zur Musikwissenschaft, Vol. 22 (Kassel: Bärenreiter,
1978) xvi, 546 p. Music examples, list of works. In German.
903.
Krummacher, Friedhelm: Mendelssohn's late chamber music: Some autograph sources
recovered. (See RILM 1984-02306-bc) 71-84. Facsimile.
904.
Krummel, Donald: Musical functions and bibliographical forms. Library , (December 1976)
327-50.
905.
Kubik, Reinhold: Artikulation und Struktur: überlegungen bei der Edition von
Kirchenkantaten Johann Sebastian Bachs. [Articulation and structure: Thoughts on the
editing of the church cantatas of Johann Sebastian Bach. ] (Neuhausen: Hänssler, 1986)
203-18. In German. See RILM 1986-00623-be .
906.
Kubik, Reinhold: Urtext und Interpretation. [The urtext and interpretation.] Das Orchester:
Zeitschrift für Orchester und Rundfunk -Chorwesen, Vol. 42; Issue 3; 1994; pp. 13-17;
Illus., facs.: ISSN: 0030-4468.
EDITING
63
907.
Kuckertz, Josef [Editor]; La Motte-Haber, Helga de [Editor]; Schmidt, Christian Martin
[Editor]; Seidel, Wilhelm [Editor]: Neue Musik und Tradition: Festschrift Rudolf Stephan
zum 65. Geburtstag. [New music and tradition: Festschrift for Rudolf Stephan on his 65th
birthday.] Laaber, Germany: Laaber-Verlag; 1990; 611 p.; Music, charts, diagr.
908.
Kuna, Milan: Neokladne k diskusi: Leos Janácek. Souborn‚ kritick‚ vydání del Leose
Janácka, Klavírní skladby, Rada Fé sv. 1. [Not urgently for discussion: complete critical
edition of the works of Leos Jan cek, Series F, vol. 1. Compositions for piano.] (Praha:
Supraphon; Kassel: Bärenreiter, 1978) In Czech.
909.
Kuna, Milan: Problems in transcribing Dvorák's correspondence; Transkripcní problematika
Dvor kovy korespondence. Hudební veda, Vol. XVIII/1 (1981) 3-25. In Czech; summary in
German.: ISSN: 0018-7003.
910.
Kuna, Milan: Zur kritischen Edition der Korrespondenz und der Urkundendokumente von
Antonín Dvorák. [On the critical edition of Antonín Dvor k's correspondence and source
documents.] Praha: Cesk Hudební Spolecnost; 1989; pp. 55-58
911.
Kunert, Wolfgang: Zur Situation der Big-Band in den ARD-Anstalten, dargestellt am
Beispiel des NDR. [Concerning the situation of the big band in the ARD broadcasts,
illustrated by the example of the NDR.]: Jazzforschung / Jazz research, Vol. XII (1980)
129-39. In German; summary in English.: ISSN: 0075-3572.
912.
Kuriyama, Tadashi: The problem of posthumous publications of Erik Satie's works (with
special reference to Gnossiennes) Ongakugaku, Vol. 39; Issue 2; 1993; pp. 97-106; Music,
bibliog.: ISSN: 0030-2597.
913.
López-Calo, Jos‚: La etapa Otaño: Un capítulo de la historia interna de Ritmo. [The Otaño
period: A chapter in Ritmo's history.] Ritmo, Issue 594; Dec 1988; pp. 193-194; Port.:
ISSN: 0035-5658.
914.
La Face Bianconi, Giuseppina: Filologia dei testi poetici nella musica vocale italiana.
[Philological issues and the poetic texts used in Italian vocal music.] Acta musicologica,
Vol. 66; Issue 1; Jan-June 1994; pp. 1-21; Part 2: Vol. 66; Issue 2; July-Dec 1994; 139 p.;
Music, bibliog.: ISSN: 0001-6241.
915.
La Gorce, Jérôme de [ed]: [Dijon, 1983] Jean-Philippe Rameau. [Jean -Philippe Rameau.]
(Paris: Champion; Genève: Slatkine, 1986) In French, English, German.
916.
La réforme alsacienne de l'orgue inspirée par Émile Rupp et Albert Schweitzer: Ses apports
jusqu'… nos jours pour la facture d'orgue, l’édition et l'interpr‚tation de l'oeuvre d'orgue de
J.S. Bach. [The Alsatian organ reform movement inspired by Émile Rupp and Albert
Schweitzer: Their contributions to contemporary organ building and the editing and
interpretation of J.S. Bach's organ music.] Cahiers hors, 3 , Saint-Di‚, France: Organa
Europae; 1991; 144 p.
917.
Laing, David: Scrutiny to subcultures: Notes on literary criticism and popular music.
Popular music, Vol. 13; Issue 2; May 1994; pp. 179-190: ISSN: 0261-1430.
918.
Laki, Péter [Editor]: Bartók and his world. Princeton: Princeton U.; 1995; ix, 314 p.;
Bibliog., index: ISBN: 0-691-00634-2.
919.
Lamb, Charlie; Trott, Walt: The country music world of Charlie Lamb/ foreword by Brenda
Lee; [annotation & text by Walt Trott; editing by Charlie Lamb & Walt Trott] Nashville,
TN (P.O. Box 24396, Nashville 37202), Infac Publications, 1986; [52] p
920.
Lambert, J. Philip: Another view of Chromâtimelôdtune. The journal of musicological
research, Vol. 11; Issue 4; Sept 1991; pp. 237-262; Music: ISSN: 0141-1896.
EDITING
64
921.
Lambert, Philip: Ives studies. New York: Cambridge U.; 1997; xi, 300 p .; Index: ISBN: 0521-58277-6.
922.
Lamm, Pavel: K podlinnomu tekstu Knjazja Igorja. [Contribution toward an authentic text
of Knjaz' Igor'.] Sovetskaja muzyka, Vol. 12 (December 1983) 104-07. In Russian.: ISSN:
0131-6818.
923.
Landgraf, Annette: Autograph--Abschrift--Ausgabe: Zu philologischen Aspekten des
Flavio-Bandes der HHA. [Autograph--Copy--Edition: Philological aspects of the Flavio
volume of the Hallische Händel-Ausgabe .] Händel-Jahrbuch, Vol. 40-41; 1994-95; pp.
121-129; Illus.: ISSN: 0440-0615.
924.
Larsen, Jens-Peter: Musikedition und Aufführungspraxis. [Editing music and performance
practice.] (See RILM 1978-00198-bs) 5-11. In German.
925.
Lasso, Orlando di: Seven penitential psalms with two laudate psalms: An edition of
München, Bayerische Staatsbibliothek Mus. MS A, I and II.: (Newark: U. Delaware, 1983)
291 p.
926.
Lateiner, Jacob: An interpreter's approach to Mozart. Early music, Vol . 20; Issue 2; May
1992; pp. 245-253; Facs.: ISSN: 0306-1078.
927.
Laubenthal, Annegrit [Editor]; Kusan-Windweh, Kara [Collaborator]: Studien zur
Musikgeschichte: Eine Festschrift für Ludwig Finscher. [ Studies in the history of music: A
festschrift for Ludwig Finscher.]: Kassel, Germany: Bärenreiter; 1995; xii, 827 p.; Illus.,
music: ISBN: 3-7618-1222-1.
928.
Lavigne, Guy: Marc-Antoine Charpentier: Une oeuvre inédite, l'histoire sacrée In honorem
sancti Ludovici Regis Galliae (H.418)--présentation et transcription. [Marc-Antoine
Charpentier: An unpublished sacred story In honorem S. Ludovici Regis Galliae (H.418)-introduction and transcription .] 1991; 121 p.; (MA thesis, Musicology: U. Laval, 1991);
Facs., music, bibliog.
929.
Lawry, Eleanor: Some observations on Goudimel's psalm settings.: Stuyvesant, NY:
Pendragon; 1991; pp. 337-347
930.
Lawton, David: Critical performers and critical editions. Milano, Italy : Ricordi; 1987; pp.
10-19; Music
931.
Lawton, David: The autograph of Aida and the new Verdi edition. Verdi newsletter, Vol.
XIV (1986) 4-14. Music examples.: ISSN: 0160-2667.
932.
Lawton, David: Why bother with the new Verdi edition?. Opera quarterly , Vol. II/4 (winter
1984-85) 43-54. Music examples.
933.
Leach, Mark Alan: The Gloria in excelsis Deo tropes of the Breme -Novalesa community
and the repertory in North and Central Italy. (PhD diss., Music: U. North Carolina, Chapel
Hill, 1986) 657 p. Transcr. DA 8628240.
934.
Leaver, Robin A: J.S. Bach and scripture: glosses from the Calov Bible commentary/
introduction, annotations, and editing by Robin A. Leaver.: St. Louis, Concordia Pub.
House, 1985; 191 p., [1] leaf of plates: ISBN: 0570013291.
935.
Lebeau, Martin Eldon: An analysis of technical problems in twentieth -century literature for
unaccompanied viola. (DMA diss.: Temple U., 1982) 174 p. DA 82-11206.
936.
Lebelt, Jochen: Robert Schumann als Redakteur der Neuen Zeitschrift für Musik 18341844. [Robert Schumann as editor of the Neue Zeitschrift für Musik, 1834-1844.] (PhD
diss., Musikwissenschaft: Pädagogische Hochschule Zwickau, 1988) 491, xxxvi p. In
German.
EDITING
65
937.
LeClaire, Andrew: Legatos, octaves, and triads for the classical guitar/ [editings, fingerings
by] Andrew LeClaire. [United States?, s.n.], 1995; [48] p. of music
938.
Leeson, Daniel N.; Whitwell, David: Concerning Mozart's serenade in B -flat for thirteen
instruments, K. 361 (370a). Mozart-Jahrbuch, (1978) 97-130.: ISSN: 0077-1805.
939.
Leg ny, Dezso: Konzeption und Editionsprinzipien einer Gesamtausgabe der Liszt-Briefe:
Eine kritische Würdigung. [Conception and principles of editing a complete edition of
Liszt's letters: A critical assessment.]: Eisenstadt, Austria: Burgenländisches
Landesmuseum; 1991; pp. 109-116; Bibliog.
940.
Legány, Dezsö: Liszt-levelek kiadásáról. [On publishing Liszt's letters .] Magyar zene, Vol.
31; Issue 1; Mar 1990; pp. 41-45: ISSN: 0025 -0384.
941.
Legany, Dezsö: New directions in Liszt research. Jals: The journal of the American Liszt
Society, Vol. 20 (December 1986) 125-36.: ISSN: 0147 -4413.
942.
Leibnitz, Thomas: Johannes Brahms als Musikphilologe. [Johannes Brahms as musical
philologist.] (Tutzing: Schneider, 1988) 351-59. Music. In German. See RILM 1988-01141bs.
943.
Leibnitz, Thomas: Zur historischen Bedeutung der Bach-Drucke um 1800.: [On the
historical significance of Bach editions ca. 1800.] Wien: Verband der Wissenschaftlichen
Gesellschaften ™sterreichs; 1992; pp. 179 -189; Bibliog.
944.
Leicher, Anneliese: Untersuchungen zu Originalausgaben Beethovenscher Klavierwerke.
[Investigations of the original editions of Beethoven's piano works.] (Doctor of Philosophy
diss, Musicology: U. Bonn, 1971) v, 435 p.(typescript). Music examples
945.
Lejman, Il'ja: Naslednik moskovskih tradicij. [Heir to the Moscow tradition.] Sovetskaja
muzyka, Vol. 3 (March 1977) 82-86. Portrait. In Russian; summaries in Russian, English.:
ISSN: 0131-6818.
946.
Lelouche, Ruddy: Un système conversationnel d'edition de musique (S.C.E .M.). [A
conversational system for editing music: S.C.E.M.]: Informatique musicale, (See RILM
1978-02401-bs) 103-56. In French.
947.
Lenaerts, Ren‚ Bernard: De componist Philippus de Monte en de nieuwe uitgave van zijn
werk. [The composer Philippe de Monte and the new edition of his works.] Academiae
analecta, Vol. LXIV/2 (1983) 25-39. In Dutch.
948.
Lenoir, Yves: R‚flexions critiques sur une edition posthume: B. Bartók, Rumanian folk
music. [Critical reflections on a posthumous edition: Bartók's Rumanian folk music.] Revue
musicale de Suisse romande, Vol. XL/2 (June 1987) 79-88. Illustration, portrait, facsimile,
bibliography. In French.: ISSN: 0035-3744.
949.
Lesure, François: Les oeuvres complètes. [The complete works.]: Silences, Vol. 4 (May
1987) 203-06. Illus. In French. See RILM 1987 -00789-bp.
950.
Leuchtmann, Horst [Editor]: Neue Bachgesellschaft; Internationale Vereinigung Sitz
Leipzig; Generalintendanz der Bayerischen Staatstheater . 65. Bachfest der Neuen
Bachgesellschaft Leipzig: Beiträge und Programme. [65th Bachfest of the Neue
Bachgesellschaft, Leipzig: Essays and program of activities.] Tutzing, Germany: Schneider;
1991; xxiii, 173 p.; Music
951.
Leuchtmann, Horst: Zum Ordnungsprinzip in Lassos Magnum opus musicum.: [The
organizational principle in Lassus's Magnum opus musicum.] Musik in Bayern:
Halbjahresschrift der Gesellschaft für Bayerische Musikgeschichte e.V., Issue 40; 1990; pp.
46-72; Charts, diagr.: ISSN: 0937-583X.
EDITING
66
952.
Levasëv, Evgenij: Problemy redaktirovanija, restavracii i rekonstrukcii muzykal'nyh
proizvedenij na materiale tvorcestva russkih kompozitorov XVII-XX vv. [Problems of
editing, restoring, and reconstructing musical compositions: Russian composers of the 17th
to 20th centuries.] 1994; 65 p.; (PhD diss., Iskusstvovedenie: Rossiskij Inst.
Iskusstvoznanija, Moskva, 1994)
953.
Levasëv, Evgenij: Zizn' tvorceskogo nasledija Musorgskogo i zadaci sovremennogo
akademiceskogo izdanija. [The life of Musorgskij's creative legacy, and the objectives of
the contemporary scholarly edition.]: Moskva, Russia: Muzyka; 1989; pp. 24-62
954.
Levasëv, Evgenij; Teterina, Nadezda: V redakcii Rimskogo-Korsakova. [ RimskijKorsakov's editing.] Muzykal'naja akademija, Issue 2; 1994; pp . 64-74: ISSN: 0869-4516.
955.
Levasëv, Evgenij; Valentin, Antipov [Collaborator]: Nasledie M.P. Musorgskogo: Sbornik
materialov. [The legacy of M.P. Musorgskij: Collection of materials.] Moskva, Russia:
Muzyka; 1989; 256 p.; Port., bibliog., list of works
956.
Levender, Paul: The organ music of Dietrich Buxtehude: Compiling an accurate edition and
looking at interrelationships between Bach and Buxtehude. 1991; (MPhil thesis, : U. of
Oxford)
957.
Levin, Robert D.: The devil's in the details: Neglected aspects of Mozart's piano concertos.
Ann Arbor: U. of Michigan; 1996; pp. 29-50; Facs., music
958.
Levy, Kenneth: Gregorian chant and the Carolingians. Princeton: Princeton U.; 1998; x, 271
p.; Illus., facs., music, bibliog., index, transcr.: ISBN: 0-691-01733-6.
959.
Levy, Mark H.: Authenticity and performing style in editions of Bach's Das wohltemperirte
Clavier. 1987; (MM thesis, : U. of London, King's College)
960.
Libbert, Jürgen: Musikwissenschaft und Gitarristik: Einige Aspekte zu Theorie und Praxis.
[Musicology and guitar literature: A few aspects of theory and practice.] ZupfmusikGitarre, Vol. 33; Issue 2; 1980; pp. 47-50
961.
Lichtenhahn, Ernst: Musikwissenschaft in der Schweiz: Entwicklungen, Erträge und
Projekte der letzten Jahre. [Musicology in Switzerland: Recent developments, projects, and
achievements.] Acta musicologica,: Vol. 61; Issue 2; May-Aug 1989; pp. 327-341: ISSN:
0001-6241.
962.
Lichtenwagner, William: When Notes was young: 1945-1960. Notes. Music Library
Association, Vol. XXXIX/1 (September 1982) 7-30.
963.
Lindemann, Eric: Animal: A rapid prototyping environment for computer music systems.
San Francisco, CA: Computer Music Association; 1990; pp. 241-244; Illus., charts, diagr.
964.
Lindley, Mark: Early fingering: Some editing problems and some new readings for J.S.
Bach and John Bull. Early music, Vol. 17; Issue 1; Feb 1989; pp. 60-69; Illus., facs., music,
charts, diagr.: ISSN: 0306 -1078.
965.
Lindmayr, Andrea: Alte Musik in neuem Kleid: Zur Edition mensural notierter Musik.
[Early music in new dress: On the edition of mensurally notated music.] Studien zur
Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in ™sterreich, Vol. 43; 1994; pp.
37-50; Music, bibliog.: ISSN: 0930-9578.
966.
Lindström, Pär: Om pålitliga och opålitliga utgåvor. [Reliable and unreliable editions.]
Tidskrift för tidig musik, Vol. 3 (1985) 6-9. In Swedish.: ISSN: 0280-6177.
967.
Link, Joachim-Dietrich: Zu einer falsch-tradierten Textstelle im II. Finale von Beethovens
Oper Fidelio (1814). [A faultily preserved passage in the text of the second finale of
EDITING
67
Beethoven's opera Fidelio (1814).]: Beiträge zur Musikwissenschaft, Vol. XXVIII/2 (1986)
143-44. Illustration, facsimile. In German.: ISSN: 0005-8106.
968.
L'interprétation de la musique classique, de Haydn a Schubert. [The interpretation of Classic
music, from Haydn to Schubert.] (Genève: Minkoff, 1980) 115 p. In French, English,
German.
969.
Lissa, Zofia: Muzykologia polska w 25-leciu PRL. [Polish musicology in the 25 years of the
Polish People's Republic.] Polska Akademia Nauk. Sprawozdania z prac naukowych
wydzialu nauk spolecznych, Vol. XIII/3-4 (1970) 274-87. In Polish.
970.
Liszt Studien, I. Kongress-Bericht Eisenstadt 1975. [Liszt studies, I. Report on the
Eisenstadt congress, 1975.]
971.
Liszt, Franz; Mezo, Imre [Editor]: Variations de bravoure pour piano sur des thèmes de
Paganini, opus postumum. Budapest: Musica; 1989; 37 p .
972.
Liszt, Franz; Rosenblatt, Jay [Editor]: Concerto for piano and orchestra in E-flat major, op.
posth.: Reduction for 2 pianos. Budapest: Musica; 1989; 58 p.
973.
Litschauer, Walburga; Deutsch, Walter: Ein Melodienregister zu Schuberts Tänzen. [An
index of melodies for Schubert's dances.]: ™sterreichische Musikzeitschrift, Vol. 47; Issue
10; Oct 1992; pp. 573 -581; Music, bibliog.: ISSN: 0029-9316.
974.
Liyong, Taban lo; Nichols, Lee: Archive of World Literature on Tape (Library of
Congress); Voice of America (Organization). Taban lo Liyong of Sudan [sound recording]
[Washington, D.C.], Voice of America, [between 1975-1979]; 1 sound tape reel (30 min.)
975.
Lockwood, Lewis [Editor]; Roesner, Edward H. [Editor]: Essays in musicology: A tribute to
Alvin Johnson. Philadelphia: American Musicological Society; 1990; vii, 306 p p.; Illus.,
port., facs., music , bibliog., list of works, them. cat., index, charts, diagr.: ISBN: 1 878528-00-9.
976.
Lomnitzer, Helmut: Zur wechselseitigen Erhellung von Text- und Melodiekritik
mittelalterlicher deutscher Lyrik. [On the elucidation of medieval German lyric poetry
through mutual text and melody criticism. ] (Berlin: E. Schmidt, 1968) 118-44. Music
examples. In German.
977.
Longyear, Rey M: Editions or facsimiles?. (See RILM 1980-00182-be) 332 -37.
978.
Lonnendonker, Hans: Deutsch-französische Beziehungen in Choralfragen. Ein Beitrag zur
Geschichte des gregorianischen Chorals in der zweiten Hälfte des 19. Jahrhunderts.
[German-French connections in matters relating to the chant. A contribution to the history
of Gregorian chant in the second half of the 19th century.] (See RILM 1980-00179-be) 28095 . In German.
979.
Loparnik, Borut: Dunaj in slovenska glasba med 1848 in 1918. [Vienna and Slovene music
between 1848 and 1918.] Ljubljana: Slovenska Akademija Znanosti in Umetnosti; 1994; pp.
167-173
980.
Lopez, Barry Holstun [1945-]; Bonetti, Kay [ed.]: American Audio Prose Library.. Barry
Lopez interview with Kay Bonetti. [sound recording]: Columbia, MO: American Audio
Prose Library, [1985?]; 1 sound cassette (67 min.): analog, mono.; Price: $12.95: ISBN:
1556441258.
981.
Lorenzen, Johannes: Max Reger als Bearbeiter Bachs. [Max Reger as an arranger of Bach.]
(Wiesbaden: Breitkopf a Härtel, 1982) 258 p. In German.
982.
Lorenzen, Johannes: Max Reger als Bearbeiter Bachs/ Johannes Lorenzen.: Wiesbaden,
Breitkopf & Härtel, 1982; 258 p., [1] p. of plates: ISBN: 3765101621.
EDITING
68
983.
Lorkovic, Radovan: Das Violinkonzert von Alban Berg: Analysen- -Textkorrekturen-Interpretationen. [The violin concerto by Alban Berg: Analyses--text corrections-interpretations.] Musikreflektionen, 3,: Winterthur, Switzerland: Amadeus; 1991; 220 p.;
Facs., music, charts, diagr.: ISBN: 3-905049-48-1.
984.
Lorkovic, Radovan: Später Versuch einer Textkorrektur im Violinkonzert von Alban Berg.
[A belated attempt to correct the text of Alban Berg's violin concerto.] ™sterreichische
Musikzeitschrift, Vol. 44; Issue 12; Dec 1989; pp. 611-619; Music, bibliog.: ISSN: 00299316.
985.
Louwenaar-Lueck, Karyl: The sequence of sarabande and air in Bach's keyboard partitas.
Bach: The journal of the Riemenschneider Bach Institute, Vol. 23; Issue 1; spring-summer
1992; pp. 38-50; Music: ISSN: 0005-3600.
986.
Lowinsky, Edward E.: Musica ficta in the Josquin edition. Chicago: U. of Chicago; 1989;
pp. 779-793; Music
987.
Lowinsky, Edward E.; Blackburn, Bonnie J. [Editor]; Brown, Howard Mayer [Foreword];
Harris, Ellen T. [Foreword]: Music in the culture of the Renaissance and other essays. 2v.;
Chicago: U. of Chicago; 1989; xxi, 993 p.; Illus., music, bibliog., index: ISBN: 0-22649478-0.
988.
Lowinsky, Edward E: Laurence Feininger (1909-1976): life, work, legacy.: Musical
quarterly, Vol. LXIII/3 (July 1977) 327-66. Illustration, portrait, facsimile, music examples.
989.
Lücker, Martin: Dietrich Buxtehudes Orgelwerke - Fragen an eine Neuausgabe. [Dietrich
Buxtehude's organ works - questions concerning a new edition.] Musik und Kirche, Vol.
XLIX/1 (1979) 20-25. In German.: ISSN: 0027-4771.
990.
Lustig, Milton: Music editing for motion pictures/ by Milton Lustig.: New York, Hastings
House, 1980; 182 p: ISBN: 0803847297.
991.
Luthar, Oto; Likar, Vojislav: Historicni seminar. II. [Historical seminar. II.] Ljubljana:
Slovenska Akademija Znanosti in Umetnosti; 1997 ; 249 p.: ISBN: 961-6182-45-5.
992.
Maas, C. J: Verslag van het symposium over de editie-techniek van de Nederlandse
polyfone muziek uit de 15e en 16e eeuw. 's-Gravenhage 29 nov. 1968. [R‚sum‚ of the
symposium on the editing of 15th and 16th century Dutch polyphonic music. The Hague, 29
Nov. 1968.] Tijdschrift van der Vereniging voor Nederlandse Muziekgeschiendenis, Vol.
XXI/2 (1969) 136 -43. In Dutch.
993.
MacDonald, Calum: Soirées de Barcelone: Towards a performing version.: Tempo: A
quarterly review of modern music, Issue 198; Oct 1996; pp. 22 -27; Music: ISSN: 00402982.
994.
MacDonald, Hugh John: Hector Berlioz 1969 (zur 100. Wiederkehr seines Todestages am 8.
Marz. [Hector Berlioz - a centenary assessment.]: Musica, Vol. XXIII/2 (1969) 112-15.
Portrait. In German.: ISSN: 0027 -4518.
995.
Maciejewski, Tadeusz: Piosenka zakowska Ad festa regis incliti (Gdzie krole wybieraja).
Próba rekonstrukcji. [The schoolboys' song Ad festa regis incliti (For the feasts of the
chosen king). Attempt at a reconstruction.] Muzyka, Vol. XXIII/3 (1978) 85-88. Music
examples. In Polish; summary in English.
996.
Macintyre, Bruce C: Haydn's doubtful and spurious Masses: an attribution update. HaydnStudien, Vol. V/1 (March 1982) 42-54. Bibliography, list of works, thematic catalogue.:
ISSN: 0040-5323.
EDITING
69
997.
Maddocks, Fiona: BBC music magazine. Special issue (1997): The piano.: BBC music
magazine, special issue 1997; Illus., port., discog., sound recording, chronology: ISSN:
0966-7180.
998.
Madorskij, Stanislav: Violoncel'noe tvorcestvo R. Sumana. [Robert Schumann's cello
works.] (Minsk: Vyseisaja skola, 1976) 50 p. R 0.21. In Russian.
999.
Magazinnik, Marina: Fortepiannaja redakcija kak problema stilja: Na materiale sonat
Bethovena v redakcii Gansa Bjulova. [The issue of style in editing piano music: The case of
Hans von Bülow's editions of Beethoven's sonatas.] (PhD diss., Music performance:
Moskovskaja Konservatorija, 1985) 22 p. List of works. In Russian.
1000. Mahler, Gustav; Stephan, Rudolf [Editor]: Totenfeier: Symphonische Dichtung für großes
Orchester. [Totenfeier: Symphonic poem for large orchestra.] Sämtliche Werke: Kritische
Gesamtausgabe. Supplement, 1,: Wien: Universal; 1988; 70 p.
1001. Mahling, Andreas: How to feed musical gestures into compositions.: Montr‚al: McGill U.;
1991; pp. 258-265; Illus., charts, diagr.
1002. Mahling, Christoph-Hellmut [ed]: [Federhofer Festschrift] Florilegium musicologicum:
Hellmut Federhofer zum 75. Geburtstag. [Florilegium musicologicum: For Hellmut
Federhofer on his 75th birthday.] Mainzer Studien zur Musikwissenschaft, 21, Vol. 21,
(Tutzing: Schneider, 1988) 521 p. Illustration, facsimile, music examples. Essays in German
(33) and English (2).: ISBN: 3-7952-0554-9.
1003. Mahling, Christoph-Hellmut [ed]; Wiesmann, Sigrid [ed]: [Bayreuth, 1981] Bericht uber
den Internationalen Musikwissenschaftlichen Kongress Bayreuth, 1981. [Report of the
International Musicological Congress, Bayreuth, 1981.: : : : ] (Kassel: Bärenreiter, 1984) In
German, English.
1004. Mahling, Christoph-Hellmut: Bemerkungen zum 'editorischen Konzept' der Neuen
Schubert-Ausgabe. [Observations on the 'editorial concept' of the Neue Schubert-Ausgabe.]
(See RILM 1979-02305-bs) 187-89. In German.
1005. Mahling, Christoph-Hellmut: Urtextausgabe - Kritische Ausgabe. Voraussetzung für
'richtige' Interpretation?. [Urtext edition - critical edition. Prerequisite for 'correct'
interpretation?.] (See RILM 1978 -00198-bs) 26-30. In German.
1006. Mahy, Daune Sharon: A performance edition of the chamber cantata Nel silentio comune
for soprano, strings, and continuo, by Alessandro Scarlatti. (DMA diss., Voice performance
and literature: Indiana U., 1978) 124 p. Facsimile, music examples, bibliography.
1007. Maillard, Jean-Christophe: A propos de deux m‚lodies de Raimon Jordan.: [Concerning two
melodies by Raimon Jordan.] Kalamazoo: Western Michigan U.; 1986; pp. 121-130; Music
1008. Mains, Ronda Miller: An investigation of the articulations found in the primary sources of
the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and
a second edition for practical performance. 1993; 281 p.; (DMA doc., : U. of Oregon). PA
9402035.
1009. Malipiero, Gian Francesco; Garrera, Giuseppe [Editor]: La pietra del bando. [The
proclamation stone.] 2nd ed.; Montebelluna: Amadeus; 1990; 111 p.; Illus., port.
1010. Malloch, William: Carl Czerny's metronome marks for Haydn and Mozart symphonies.
Early music, Vol. XVI/1 (February 1988) 72-82. Illustration, portrait, facsimile, music
examples.: ISSN: 0306-1078.
EDITING
70
1011. Malloch, William: Thoughts concerning errors of judgment in Deryck Cooke's Mahler
tenth, with particular reference to the second movement.: 's-Gravenhage: Nijgh & Van
Ditmar; 1991; pp. 74-86
1012. Mancal, Josef [Editor]; Plath, Wolfgang [Editor]: Leopold Mozart: Auf dem Weg zu einem
Verständnis. [Leopold Mozart: Towards an understanding. ] Beiträge zur Leopold-MozartForschung, 1, Augsburg: Wißner; 1994; iii, 198 p.; Illus., music, bibliog.: ISBN: 3-92889831-0.
1013. Mann, Alfred [Editor]; Smith, Carleton Sprague [Introduction]; Fog, Dan [Afterword]:
Modern music librarianship: Essays in honor of Ruth Watanabe. Festschrift series, 8,
Stuyvesant, NY: Pendragon; 1989; xiv, 252 p.: ISBN: 0-918728-93-2.
1014. Mann, Alfred: Gradus und Singfundament: Quellenstudien zur Lehrweise von Johann
Joseph Fux. [Gradus and Singfundament: Source studies on Johann Joseph Fux's
pedagogical method.] Kassel, Germany: Bärenreiter; 1989; pp. 25-30
1015. Maple, Douglas Alvin: D'Anglebert's autograph manuscript, Paris, B.N. r‚s 89ter: An
examination of compositional, editorial, and notational processes in 17th-century French
harpsichord music. (PhD diss., Musicology: U. of Chicago, 1988)
1016. Marchwica, Wojciech Maria [Editor]; Sitarz, Andrzej [Editor]: Warsztat kompozytorski,
wykonawstwo i koncepcje polityczne Ignacego Jana Paderewskiego. [Composers
workshop: Performance and political conceptions of Ignacy Jan Paderewski.] Musica
jagiellonica, Kraków: U. Jagiellonski; 1991; 241 p.; Music, index: ISBN: 83-233-0493-9.
1017. Marino, Gérard; Raczinski, Jean-Michel; Serra, Marie-Hélène: The new UPIC system. San
Francisco, CA: Computer Music Association; 1990; pp. 249-252; Illus.
1018. Markowsky, Jens: Musikwissenschaft in der Industrie: Aus der Arbeit des Musikredakteurs
in der Tonträgerbranche. [Musicology in industry: The work of the music editor in the
recording industry.] Darmstadt, Germany: Wissenschaftliche Buchgesellschaft; 1996; pp.
231-44
1019. Marosevic, Grozdana: Zganceva metoda zapisivanja i objavljivanja napjeva . [Zganec's
method of collecting and editing folk music.] Narodna umjetnost: Hrvatski casopis za
etnologiju i folkloristiku, Issue 3; special issue 1991; pp. 55-62: ISSN: 0547-2504.
1020. Marr, Peter: An 18th-century collection of Anglican chants. Soundings , Vol. IX (1979-80)
71-80. Music examples.
1021. Marrocco, W. Thomas; SANDON, Nicholas [Editors]: The Oxford anthology of music.
Medieval music. (London: Oxford, 1977)
1022. Marrocco, W. Thomas; SANDON, Nicholas [Editors]: The Oxford anthology of music:
mediaeval music. (London: Oxford U., 1977)
1023. Marschner, Bo: Die letzte Fassung (1889) von Anton Bruckners 3. Sinfonie : Ein
Problemfall in der kritischen Gesamtausgabe. [The last version (1889) of Anton Bruckner's
symphony no. 3: A problematic case in the critical collected works.] Berliner Beiträge zur
Musikwissenschaft: Beihefte zur Neuen Berlinischen Musikzeitung, Vol. 8; Issue 3:1; 1993;
pp. 22-32; Music
1024. Marshall, Robert L: Anmerkung zur späten Geschichte der alten Bach-Ausgabe: ein kleines
bibliographisches Rätsel. [An observation on the latter-day history of the old Bach edition: a
small bibliographical puzzle.] Bach-Jahrbuch, Vol. LXIV (1978) 229-31. In German;
summaries in English, French, Russian.: ISSN: 0084-7682.
EDITING
71
1025. Marshall, Robert L: Editore traditore: Ein weiterer 'Fall Rust'?. [ Editore traditore: another
Rust case?.] (See RILM 1983-02313-be) 183-91. Facsimile, music examples. In German.
1026. Martin, Eric Louis: Maurice Ravel's Gaspard de la nuit: Comparisons among the autograph
housed at the Harry Ransom Humanities Research Center at the University of Texas at
Austin and the Alfred, Schirmer, Peters, Durand, and Dover editions. 1995; 153 p.; (DMA
doc., : U. of Texas, Austin). PA 9534700.
1027. Mason, Lowell; McKay, David Phares: Madrigal/glee anthology: a collection of nineteenth
century choral editions from the Mason tradition / edited by David P. McKay. [United
States], Murbo Music Pub, New York, Distributed by Bourne, 1990; 1 score (32 p.)
1028. Massip, Catherine: Rameau et l'edition de ses oeuvres: Bref aperçu historique et
m‚thodologique. [Rameau and the editing of his works: A brief historical and
methodological outline.] Jean-Philippe Rameau,: (Paris: Champion; Genève: Slatkine,
1986) 145-57. In French. See RILM 1987-00887-bs.
1029. Mathews, M.V.; Moore, F: Groove - a program to compose, store, and edit functions of
time. Communications of the Association of Computing Machinery, Vol. XIII/12
(December 1970) 715-21. Illustration.
1030. Mathiesen, Thomas J. [Editor]; Rivera, Benito V. [Editor]: Festa musicologica: Essays in
honor of George J. Buelow. Festschrift series, 14, Stuyvesant, NY: Pendragon; 1995; 469
p.: ISBN: 0-945193-70-X.
1031. Matsushima, Toshiaki: Computerized Japanese traditional music processing system. San
Francisco: International Computer Music Association; 1992; pp. 121-124; Illus., charts,
diagr.
1032. Matsushima, Toshiaki: The recognition and editing system for Shakuhachi score. San
Francisco: International Computer Music Association; 1993; pp. 405-407; Illus., charts,
diagr.
1033. Mattern, John Henry: The Tchaikovsky Rococo variations, its versions and editions. 1994;
196 p.; (DM doc., : Indiana U.)
1034. Maunder, C. R. F: Mozart's Requiem: on preparing a new edition/ by Richard Maunder.
Oxford [England], Clarendon Press, New York, Oxford University Press, 1988; 227 p:
ISBN: 0193164132.
1035. Maunder, Richard: Mozart's Requiem: On preparing a new edition. [ Mozart's Requiem: On
preparing a new edition.] (Oxford: Clarendon, 1988) 227 p. Music examples, bibliography,
list of works, index.: ISBN: 0 -19-316413-2.
1036. Maurice, Donald: Bartok's viola concerto: New light from New Zealand.: Music in New
Zealand, Issue 21; winter 1993; pp. 26-27; Illus., port., music: ISSN: 0113-7441.
1037. Mauser, Siegfried: Brahms und die vorklassische Instrumentalmusik. [ Brahms and preClassical instrumental music.] (Tutzing: Schneider, 1988) 367-78. Music. In German. See
RILM 1988-01141-bs.
1038. May, Judith: New Zealand music as seen by Triad. Crescendo: Bulletin of the International
Association of Music Libraries (New Zealand Branch),: Issue 32; Aug 1992; pp. 3-7: ISSN:
0111-8994.
1039. McBurney, Gerard: The resurrection of Roslavets. Tempo: A quarterly review of modern
music, Issue 173; June 1990; pp. 7-9; Illus., music: ISSN: 0040-2982.
EDITING
72
1040. McCaldin, Denis: Haydn's "Nelson" Mass: Its decline and rise. SAMUS: South African
journal of musicology/Suid-Afrikaanse tydskrif vir musiekwetenskap, Vol. 15; 1995; pp.
25-32; Music: ISSN: 0258-509X.
1041. McClymonds, Marita: Preparing the critical edition: An interview with Alan Curtis. (Austin:
U. Texas, 1984) 349-57. See RILM 1986-00675-bs.:
1042. McColl, Sandra: Brahms, Schubert, and Mandyczewski. The American Brahms Society
newsletter, Vol. 15; Issue 2; Aug 1997; pp. 4-5: ISSN: 8656 -8357.
1043. McCulloch, Derek: Gensyn med Habsburgerne og Hohenzollerne: To glemte århundreder.
[The Habsburgs and the Hohenzollerns revisited: Two forgotten centuries.] rhus: MUSAPrint; 1992; pp. 210-40; Facs., music
1044. McGegan, Nicholas; Spagnoli, Gina: Singing style at the Op‚ra in the Rameau period. JeanPhilippe Rameau, (Paris: Champion; Genève: Slatkine , 1986) Music. In French. See RILM
1987-00887-bs.
1045. McGuinness, Rosamond: The British Apollo and music. Journal of newspaper and
periodical history, Vol. III/2 (spring 1987) 9-19. Illustration.: ISSN: 0265-5942.
1046. McLean, Bruce: An editing system for analysis of musical scores.: Computing in
musicology: An international directory of applications,: Menlo Park, Ca: Center for
Computer Assisted Research in the Humanities; Vol. 8; 1992; 133 p.: ISSN: 1057-9478.
1047. McPeek, Gwynn S: Medieval monophonic song: Kalenda maia by Raimbault de Vaqueiras
(c. 1155-1205). (See RILM 1976-08685) 1-7.
1048. Mead, Rita H.: A conversation with Alfred Frankenstein about Henry Cowell's New music.
Ann Arbor: U. of Michigan; 1990; pp. 319-322
1049. Meigs, James B; Stern, Jennifer A: Make your own music video/ James B. Meigs and
Jennifer A. Stern. A First book, New York, F. Watts, 1986; p . cm: ISBN: 0531102157.
1050. Meister, Hubert: Die Praxis der 'gelenkten Improvisation' und der 'Urtext'. Ein editorisches
Problem?. [The practice of controlled improvisation and the Urtext: an editorial problem?.]
(See RILM 1980 -00182-be) 355-68. In German.
1051. Melkus, Eduard: Editionsprobleme bei den Soloviolinsonaten von J.S. Bach . [Problems of
editing the solo violin sonatas of J.S. Bach.]: ™sterreichische Musikzeitschrift, Vol.
XXVII/6 (1972) 321-26. In German.: ISSN: 0029-9316.
1052. Melkus, Eduard: Einige Gedanken zur Interpretation der Violinsonaten mit Basso continuo
von J.S. Bach und G.F. Händel. [A few thoughts on the interpretation of the violin sonatas
with basso continuo by J.S. Bach and G.F. Händel.] (See RILM 1985-00746-bc) 32-44.
Music examples. In German.
1053. Menke, Werner: Quellen und Möglichkeiten der Realisierung einer Neuausgabe von
Telemanns Passionsoratorium Seliges Erwägen TVWV 5:2 und 2a. [Sources and resources
for realizing a new edition of Telemann's Passion oratorio Seliges Erwägen, TVWV 5:2 and
2a.] Köln: Tank; 1991; pp. 28-29
1054. Mercado, Mario Raymond: Mozart through his piano students. Stuyvesant, NY: Pendragon;
1994; pp. 205-226
1055. Merzyn, Hans-Christian: Nöte mit Noten. [Troubles with notes.] München : Ricordi; 1992;
pp. 163-171
1056. Meshulam Korman, Idith: An analytical study of the unpublished piano works of Stefan
Wolpe. 1993; 275 p.; (PhD diss., : New York U.). PA 9317676.
EDITING
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1057. Messinis, Mario [Editor]; Petrobelli, Pierluigi [Editor]: Tavola rotonda sul problema del
ripristino e della esecuzione filologica: Commenti al documento della commissione tecnica
per il progetto "Festival Verdi". [Round table on the problem of restoration and text-critical
performance: Comments on the evidence of the technical commission for the project
Festival Verdi.] Firenze: Olschki; 1987; pp. 319-332
1058. Mezö, Imre: A Liszt-összkiad sról. [The New Liszt edition.]: Zenetudom nyi dolgozatok,
1995-1996; pp. 177-181: ISSN: 0139-0732.
1059. Michalowski, Kornel: Bibliografia chopinowska 1849-1969. [Chopin bibliography 18491969.] Documenta chopiniana, Vol. 1, (Kraków: Wyd. Muz., 1970) 267 p. Zl 60.
Illustration, portrait, facsimile, bibliography, index. In Polish; summary in English.
1060. Michalowski, Kornel: Wprowadzenie do bibliografii muzycznej. [ Introduction to music
bibliography.] (Kraków: Panstwowa Wyzsza Szkola Muzyczna, 1975) vi, 419 p. Zl 19.
(mimeo). Bibliography, index. In Polish.
1061. Michel, Winfried: Editionskunde - ein Stückchen Verbraucheraufklärung. Zur
Bearbeitungspraxis von Instrumentalmusik des 18. Jahrhunderts. [ Editorial science - a little
piece of consumer enlightenment. Concerning the practice of arranging 18th-century
instrumental music.] Tibia, Vol. IV/2 (1979) 297-301. In German.
1062. Mihajlova, Natal'ja: Interaktivnaja sistema sinteza: Obrabotki muzykal'noj informacii
real'nogo vremeni na baze personal'nyh EVM. [An interactive synthesis system: Processing
musical information in real-time with a personal computer.] 1992; 16 p.; (PhD diss.,
Applied mathematics: Informacionno-Tehnicesckij Centr Akademii Nauk Belarusi, Minsk,
1992); Bibliog.
1063. Miller, Elzbieta: Kolbergowskie metody zbierania i wydawania tekstów ludowych w swietle
rekopisów. [Kolberg's methods of collecting and publishing folk texts in light of the
manuscripts.] Warszawa: Polska Akademia Nauk; 1995; pp. 15-36
1064. Miller, Kenneth E: Choral editing standards: a review. Choral journal , Vol. XX/6 (February
1980) 5-6. Music examples.
1065. Miller, Mina: En kritisk revideret udgave af Carl Nielsens klavervaerker : berettigelse,
raekkevidde og mål. [A revised critical edition of Carl Nielsen's piano music: legitimacy,
scope, and aims.] Dansk musiktidsskrift, Vol. LV/2 (November 1980) 55-59. Facsimile,
music examples. In Danish.: ISSN: 0106-5629.
1066. Miller, Mina: Some thoughts upon editing the music of Carl Nielsen.: Current musicology,
Vol. XXXIV (1982) 64-74. Facsimile, music examples.: ISSN: 0011-3735.
1067. Miller, Norbert: Kritische und historisch-kritische Ausgaben: Notizen für ein Plädoyer.
[Critical and historical-critical editions: Notes toward a plaidoyer.] (See RILM 1985-00774bs) 116-25. In German.
1068. Miller, Philip Lieson: Records as documents. (Detroit: Information Coordinators, 1987)
333-36. See RILM 1987-00818-be.
1069. Milsom, John: Cries of Durham. Early music, Vol. 17; Issue 2; May 1989; pp. 147-160;
Illus., music: ISSN: 0306-1078.
1070. Milsom, John: Tallis, Byrd and the "incorrected copy": Some cautionary notes for editors of
early music printed from movable type. Music & letters, Vol. 77; Issue 3; Aug 1996; pp.
348-367; Facs., music: ISSN: 0027-4224.
1071. Minamino, Hiroyuki: Sixteenth-century lute treatises with emphasis on process and
techniques of intabulation. (PhD diss., Musicology: U. of Chicago, 1988)
EDITING
74
1072. Minnick, Michael: A graphical editor for building unit generator patches . San Francisco,
CA: Computer Music Association; 1990; pp. 253-255; Illus.
1073. Mixter, Keith E.: Scholarly editions: Their character and bibliographic description. Music
reference services quarterly, New York: Haworth; Vol. 2; Issue 1-2; 1993; pp. 47-58;
Bibliog.: ISSN: 1058-8167.
1074. Modern musical scholarship. (Stocksfield: Oriel, 1980)
1075. Moeller, Hartmut: Auf dem Weg zur Rekonstruktion des Antiphonale S. Gregorii?
Kritisches zu den Klassifizierung des Corpus antiphonalium officii. [On the way to
reconstruction of the antiphonale St. Gregory? Critique of the classification of the Corpus
antiphonalium officii.] Die Musikforschung, Vol. XXXVII/3 (1984) 207-15. In German.:
ISSN: 0027 -4801.
1076. Mohr, Wilhelm: Rekonstruktionen verschollener Solokonzerte J.S. Bachs. Anmerkungen zu
einem Supplementband der Neuen Bach-Ausgabe. [ Reconstructions of missing solo
concertos by J.S. Bach. Remarks on a supplementary volume of the Neue Bach-Ausgabe.]
Neue Zürcher Zeitung,: Vol. CXCIII (July 1972) 44.: ISSN: 0376-6829.
1077. Mohrs, Rainer: Ein Freund und Förderer des Musiklebens: Zum Gedenken an Lothar
Friedrich. [A friend and promoter of music: In memoriam Lothar Friedrich.] Mitteilungen
der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte, Vol. 60; 1993; pp. 403-404
1078. Monterosso, Raffaello: L'edizione nazionale delle musiche di Paganini: Premessa alla
riscoperta di un musicista. [The national edition of Paganini's works: Preliminary to the
rediscovery of a musician.] (See RILM 1984-00706-bs) In Italian.
1079. Moog, Robert A.; Rhea, Thomas L.: Evolution of the keyboard interface: The Bösendorfer
290 SE recording piano and the Moog Multiply-Touch -Sensitive keyboard. Computer
music journal, Vol. 14; Issue 2; summer 1990; pp. 52-60: ISSN: 0148-9267.
1080. Moorefield, Arthur A.: James Bruce: ethnomusicologist or Abyssinian lyre?. Journal of the
American Musicological Society, XXVIII/3 (fall 1975) 493-514. Illustration, facsimile,
music examples: ISSN: 0003-0139 .
1081. Morehen, John [Editor]: English choral practice c.1400-c.1650: A memorial volume to Peter
Le Huray. Cambridge studies in performance practice, 5, Cambridge: Cambridge U.; 1995;
xiii, 246 p.; Facs., music , index, charts, diagr.: ISBN: 0-521-44143-9.
1082. Morehen, John: The "burden of proof": The editor as detective.: Cambridge: Cambridge U.;
1995; pp. 200-220; Music, charts, diagr.
1083. Morelli, Giovanni [Editor]: Tornando a Stiffelio: Popolarit…, rifacimenti, messinscena,
effettismo e altre "cure" nella drammaturgia del Verdi romantico. [Returning to Stiffelio:
Popularity, reconstructions, staging, effectiveness and other matters in the dramaturgy of the
Romantic Verdi.] Quaderni della Rivista italiana di musicologia, 14, Firenze: Olschki;
1987; 380 p.; Illus., index: ISBN: 88-222-3484-7. ISSN: 0394-4395.
1084. Morey, Carl: Editing Glenn Gould. GlennGould, Toronto: Glenn Gould Foundation; Issue
1; fall 1995; pp. 21-23; Facs., music: ISSN: 1201 -821X.
1085. Morrison, Paul Edward: Caspar Ett at St. Michael's in Munich: A study and analysis of his
work and influence on the origins of the Renaissance musical revival. 1997; 1092 p.; (PhD
diss., : Northwestern U.)
1086. Morton, Robert: The collected works. Masters and monuments of the Renaissance, Vol. 2,
(New York: Broude, 1981) 104 p.
EDITING
75
1087. Mosch, Ulrich: Gian Francesco Malipiero: Il finto Arlecchino, 1925.: Basel: Paul Sacher
Stiftung; 1996; pp. 128-129; Facs.
1088. Mosch, Ulrich: Gian Francesco Malipiero: Una festa a Mantova, a ballet for orchestra after
music by Claudio Monteverdi, 1935-36. Basel: Paul Sacher Stiftung; 1996; pp. 200-201;
Facs., music
1089. Moshevich, Sofia: Recordings of Shostakovich's own performances as a musicological
method of analysing and editing his published scores.: (Pretoria: Musicological Society of
South Africa/ Musiekwetenskapvereniging van Suid-Afrika, 1987) 48-67. Summary in
Afrikaans. See RILM 1988-01091-bs.
1090. Müller, Ulrich: Neidhart ('von Reuental'): Probleme der Edition und der moderner
Aufführung. [Neidhart ('von Reuental'): Problems in editing and modern interpretation.]
Studia musicologica Academiae Scientiarum Hungaricae, Vol. XXVII/1-4 (1985) 223-37.
In German.: ISSN: 0039-3266 .
1091. Münster, Robert: Neues zum Münchner Idomeneo 1781. [New data on the 1781 Munich
Idomeneo.] Acta mozartiana, Vol. XXIX/1 (1982) 10-20. Illustration. In German.: ISSN:
0001-6233.
1092. Munclinger, Milan: Alte Musik in den heutigen Ausgaben. [Old music in today's editions.]
(See RILM 1978-00198-bs) 68. In German.
1093. Munson, Paul Allen: The oratorios of Franz Liszt. 1996; 388 p.; (PhD diss., : U. of
Michigan). PA 9635577.
1094. Murray, Michael: Albert Schweitzer, musician. Aldershot, VT: Scolar; 1994; xiv, 161 p.:
ISBN: 1-85928-031-5.
1095. Murray, Robert: The editions. (See RILM 1985-00838-bc) 24-40. Music examples, charts,
tables.
1096. Musgrave, Michael Graham [Editor]: Brahms. II: Biographical, documentary and analytical
studies. [Brahms. II: Biographical, documentary and analytical studies.] (Cambridge:
Cambridge U., 1987) 252 p. Illustration, portrait, facsimile, music examples, bibliography,
list of works, index.: ISBN: 0-521-32606-0.
1097. Musgrave, Michael: Review: the critical study-score. Music analysis,: Vol. I/2 (July 1982)
218-27.: ISSN: 0262-5245.
1098. Music, David W.: An interview with Carlton R. Young. The hymn: A journal of
congregational song, Vol. 45; Issue 2; Apr 1994; pp. 5-8; Illus.: ISSN: 0018-8271.
1099. Musikalisches Erbe und Gegenwart. Musiker-Gesamtausgaben in der Bundesrepublik
Deutschland. [The musical legacy today: collected editions of composers.] (Kassel:
Bärenreiter, 1975) In German.
1100. Musketa, Konstanze [Editor]: Robert Franz 1815-1892: Bericht über die wissenschaftliche
Konferenz anläßlich seines 100. Todestages am 23. und 24. Oktober 1992 in Halle (Saale)
[Robert Franz, 1815-1892: Report on the congress held for the 100th anniversary of his
death, 23-24 October 1992 in Halle (Saale)] Schriften des Händel-Hauses in Halle, 9, Halle,
Germany: Händel-Haus; 1993; 384 p.; Illus., port., facs., music, index: ISBN: 3-910019-072. ISSN: 0232-3214.
1101. Nagy, Michael [Editor]: Hochschule für Musik und Darstellende Kunst, Vienna. "Musik
muß man machen": Eine Festgabe für Josef Mertin zum neunzigsten Geburtstag am 21.
März 1994. ["Making music is a must": Festschrift for Josef Mertin for his ninetieth
EDITING
76
birthday, 21 March 1994. ] Vom Pasqualatihaus, 9, Wien: Vom Pasqualatihaus; 1994; 389
p.; Illus., port., music, bibliog., index: ISBN: 3-901254-05-6.
1102. Naich, Hubert: Opera omnia. Corpus mensurabilis musicae, Vol. 94, (Stuttgart: Hänssler,
1983) lvii, 197 p.
1103. Nakano, Hiroshi: Gakumon-teki kôtei-gakufu no imi. [The significance of a critical edition.]
Ongaku geijutsu, Vol. XXX/4 (April 1972) 30-35. In Japanese.: ISSN: 0030-2600.
1104. Narici, Ilaria: Il campanello: Genesi e storia di una farsa napoletana.: [Il campanello di
notte: Genesis and history of a Neapolitan farce.]: Bergamo, Italy: Comune di Bergamo;
1993; pp. 93-110
1105. Nastasi, Mirjam [Editor]: Travers & controvers: Festschrift Nikolaus Delius. [Back and
forth: Festschrift for Nikolaus Delius.] Celle, Germany: Moeck; 1992; 230 p.; Illus., music,
bibliog., discog.: ISBN: 3-8754-9057-6.
1106. National Film Board of Canada. Don Messer--his land and his music. [Motion picture] 70
min
1107. National Public Radio (U.S.). Telling the story [sound recording]: Washington, D.C,
National Public Radio, 1982; 3 sound cassettes (4 hr.):
1108. National Public Radio (U.S.). Telling the story. [sound recording]: Washington, D.C.:
National Public Radio, 1982.; 3 sound cassettes (4 hr .): analog.
1109. Nattiez, Jean-Jacques [Editor]: Circuit: Revue nord-am‚ricaine de musique du XX$+e$/
siècle. II/1-2 (1991): Claude Vivier. Circuit: Revue nord-am‚ricaine de musique du
XX$+e$/ siècle, Montr‚al: U. de Montr‚al; 185 p.; Vol. 2; Issue 1-2; 1991; Illus., bibliog.,
list of works, discog.: ISSN: 1183-1693.
1110. Near, John R.: Problems of interpretation and edition in the organ works of Charles-Marie
Widor. Göteborg: Göteborgs U.; 1995; pp. 453-468
1111. Neill, Edward: Il 'primo concerto' di Paganini: Indagini e riscontri.: [Paganini's concerto no.
1: Research and verification.] Nuova rivista musicale italiana, Vol. XXI/1 (January-March
1987) 35-42. Facsimile. In Italian.: ISSN: 0029-6228.
1112. Neumann, Frederick: Improper appoggiaturas in the Neue Mozart Ausgabe.: The journal of
musicology: A quarterly review of music history, criticism, analysis, and performance
practice, Vol. 10; Issue 4; fall 1992; pp. 505-521; Music: ISSN: 0277-9269.
1113. Neumann, Werner: Grenzen und Möglichkeiten der Bachinterpretation aus historischer
Sicht. [The limits and the possibilities of Bach interpretation from the historical point of
view.] Beiträge zur Bachforschung, Vol. I (1982) 7-24. In German.
1114. Neuwirth, Gösta: Zur Geschichte der 4. Symphonie. [The history of the symphony no. 4.]
(See RILM 1985-00885-bc) 105-10. In German.
1115. Newman, William S.: Freedom of tempo in Schubert's instrumental music.: Musical
quarterly, LXI/4 (October 1975) 528-45. Music examples
1116. Newman, William S: Liszt's interpreting of Beethoven's piano sonatas.: Musical quarterly,
Vol. LVIII/2 (April 1972) 185-209. Illustration.
1117. Niemöller, Klaus Wolfgang: Aufführungspraxis und Edition von Haydns Cellokonzert Ddur. [Performance practice and the editing of Haydn's cello concerto in D major.] (See
RILM 1980-00182-be) 394-409. In German.:
1118. Niermann, Johannes: System-didaktische Perspektiven bei Verwendung akustischer Medien
im Unterricht. [Systemic didactical perspectives on the use of acoustical media in the
EDITING
77
classroom.] Musikerziehung, Vol. XXXIV (October, December 1980) 8-13, 59-64.
Illustration, bibliography. In German.
1119. Nilles, Ulrich: Die Händelaufführungen in Mainz unter Fritz Volbach. [ The Händel
performances in Mainz under Fritz Volbach.] Mitteilungen der Arbeitsgemeinschaft für
mittelrheinische Musikgeschichte, Vol. 47 (1983) 261-77. Music examples, charts, tables. m
In German.
1120. Nilsson, Ann-Marie: A hymn in "Hystorie" of Swedish saints. Budapest: Magyar
Tudom nyos Akad‚mia; 1990; pp. 165-180; Facs., music, bibliog., list of works
1121. Noblitt, Thomas L: Filiation vis-a-vis its alternatives: approaches to textual criticism. (See
RILM 1983-00204-bs) 111-27. Facsimile, music examples, charts, tables. m
1122. Noblitt, Thomas: The Sistine Chapel Magnificat repertory circa 1500: Implications of
performance practice for its selection and redaction.: Stuyvesant, NY: Pendragon; 1995; pp.
167-196; List of works, charts, diagr.
1123. Novy, Miroslav: Cypresses: An appreciation, and a summary of editorial problems on the
eve of its first publication. Oxford: Clarendon; 1996; pp. 31-36
1124. Nowak, Leopold: Die 1. und 2. Fassung von Anton Bruckners 3. Symphonie.: [The first and
second versions of Anton Bruckner's symphony no. 3.]: International BrucknerGesellschaft, Vol. 15 (June 1979) 24-29. Facsimile. In German.
1125. Nowak, Leopold: Die kleinen Kirchenmusikwerke Anton Bruckners. [Anton Bruckner's
small sacred compositions.] Singende Kirche, Vol. XXX/4 (1983) 168. In German.: ISSN:
0037-5721.
1126. Nowak, Leopold: Von der Bruckner-Gesamtausgabe. [From the Bruckner -Gesamtausgabe.]
Mitteilungsblatt der Internationalen Bruckner -Gesellschaft, Vol. 16 (December 1979) 2425. In German.
1127. Nowak, Leopold: Zur Neuen Schubert-Gesamtausgabe. [The new Schubert complete
edition.] ™sterreichische Musikzeitschrift, Vol. XXIII/2 (February 1968) 94-95. In
German.: ISSN: 0029-9316.
1128. Obers, Anna [Editor]: Muzyka, slowo, sens: Mieczyslawowi Tomaszewskiemu w 70
rocznice urodzin. [Music, word, substance: Dedicated to Mieczyslaw Tomaszewski on his
70th birthday.] Kraków: Akademia Muzyczna; 1994; 181 p.; Illus., port., music
1129. Obrecht, Jacob: Obrecht: New edition of the collected works. (Utrecht: Vereniging voor
Nederlandse Muziekgeschiedenis, 1983-)
1130. Odorannus de Sens. [Opera omnia IV, V.] (Paris: Centre National de la Recherche
Scientifique (CNRS), 1972) 321 p. Illustration, facsimile, music examples, bibliography, list
of works, index.
1131. Oelmann, Klaus Henning [Editor]: Die Gratulanten kommen: Edvard Grieg zum 150.
Geburtstag. [The well-wishers are coming: Edvard Grieg's 150th birthday.] Deutsche
Hochschulschriften, 814, Egelsbach: Hänsel -Hohenhausen; 1993; 142 p.; Facs., music,
index, charts, diagr.: ISBN: 3-89349-814-1.
1132. Oelmann, Klaus Henning: Edvard Grieg: Versuch einer Orientierung. [ Edvard Grieg, an
orientation.] 2v.; 1992; 646 p.; (PhD diss., Musicology: U. Kassel, 1992); Facs., music,
index
1133. Oelmann, Klaus Henning: Einige Bemerkungen zu der Neuausgabe von Edvard Griegs
Opus 73. [Some observations on the new edition of Edvard Grieg's op. 73.]
Musikforschung, Vol. XLI/4 (1988) 349-51. In German.
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78
1134. Oelmann, Klaus Henning: Materialien zur Grieg Gesamtausgabe. [Material for the Grieg
complete works edition.] Egelsbach: Hänsel-Hohenhausen; 1993; pp. 93-136
1135. Oesch, Hans: Weberns Plan einer Gesamtausgabe. [Webern's project of a complete edition.]
Laaber, Germany: Laaber-Verlag; 1990; pp. 501-509
1136. Ogden, Dunbar H. [Editor]; Zijlstra, A. Marcel J. [Transcription]: The Play of Daniel:
Critical essays. Early drama, art, and music monographs, 24, Kalamazoo: Western
Michigan U.; 1996; 160 p.; Facs., music, index: ISBN: 1-879288-76-1.
1137. Ohmiya, Makoto: Text and performance: the treatment of ossia variants in Haydn critical
scores. (See RILM 1981-04347-bs) 130-33. Music examples.:
1138. Ohteru, Sadamu [General Editor]: International Computer Music Association; Waseda
University. Proceedings of the 1993 International Computer Music Conference. San
Francisco: International Computer Music Association; 1993; xxi, 486 p.; Index
1139. Oldani, Robert William, Jr: New perspectives on Mussorgsky's Boris Godunov. (PhD diss.:
U. of Michigan, 1978) 391 p.
1140. Olschki, Leo S. [Editor]: Accademia Musicale Chigiana. La prima "Settimana musicale
senese" e la Vivaldi Renaissance (1939-1989) [The first Settimana Musicale Senese and the
Vivaldi Renaissance (1939-1989) ] Chigiana: Rassegna annuale di studi musicologici,
Firenze: Olschki; 269 p.; Vol. 41; Issue 21; 1989; Facs., music, index: ISSN: 0069-3391 .
1141. Oost, Gert: Improvisation in der Sonate für zwei Cembali: Bernardo Pasquini als Vorbild
für Mattheson und Händel?. [Improvisation in the sonata for two harpsichords: Bernardo
Pasquini as a model for Mattheson and Händel?.] (Michaelstein/ Blankenburg: Kultur- und
Forschungsstätte Michaelstein, 1988) 64-77. Facsim., music. In German. See RILM 1988 00956-bs.
1142. Op de Coul, Paul [Editor]; Leeuwen, Jos van [General Editor]: Fragment or completion?
Proceedings of the Mahler X Symposium. Mahler studies, 1 , 's-Gravenhage: Nijgh & Van
Ditmar; 1991; 239 p.; Facs., music, bibliog.: ISBN: 90-237-1145-9.
1143. Ophee, Matanya: Die Bedeutung von Erstausgaben in der Editionspraxis.: [The importance
of first editions in editorial practice.] Gitarre & Laute, Vol. 10; Issue 5; 1988; pp. 45-50;
Music: ISSN: 0172-9683.
1144. Oppenheim, Daniel V.: DMIX: An environment for composition. San Francisco, CA:
Computer Music Association; 1989; pp. 226-233; Bibliog., charts, diagr.
1145. Oppermann, Annette: "Wer kennt sie?"--Betrachtungen zu Händels Kammerduetten aus
editionsgeschichtlicher Sicht. ["Who knows them?"--Comments on Händel's chamber duets
from the perspective of their publication history.] Göttinger Händel-Beiträge, Vol. 5; 1993;
pp. 224 -38; Music, charts, diagr.
1146. Orton, Richard; Hunt, Andy; Kirk, Ross: Graphical control of granular synthesis using
cellular automata and the Freehand program. Montr‚al: McGill U.; 1991; pp. 416-418; Illus.
1147. Ottenberg, Hans-Günter: Neue Erkentnisse zum Musikerbe: Das Beispiel Carl Philipp
Emanuel Bach--Zur wissenschaftlichen Erschliessung eines kompositorischen Erbes. [New
findings on the musical legacy: The example of Carl Philipp Emanuel Bach--The scholarly
illumination of a compositional heritage.] Bulletin des Musikrates der DDR, Vol. 26; Issue
1; 1989; pp. 21-29
1148. Ottenberg, Hans-Günter: Positionen und Perspektiven der Carl Philipp Emanuel BachForschung. [Positions and perspectives of Carl Philipp Emanuel Bach research.] (See RILM
1985-00786-bs) 100-07. In German.
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79
1149. Ottenberg, Hans-Günter: Positionen und Perspektiven der Carl-Philipp -Emanuel-BachForschung. [Positions and perspectives of Carl Philipp Emanuel Bach research.] (Frankfurt
an der Oder: n.p., 1985) 5-16. In German. See RILM 1988-01007-bs.
1150. Ouvard, Jean-Pierre: 'Pour le rondeau en forme mettre...': Mon confesseur, a rondeau by
Clément Janequin; 'Pour le rondeau en forme mettre...': Mon confesseur, rondeau de
Clément Janequin. Revue de musicologie, Vol. LXIV/2 (1978) 203-28. Music examples. In
French.: ISSN: 0035-1601.
1151. Owens, Jessie Ann; Cummings, Anthony M.: Music in Renaissance cities and courts:
Studies in honor of Lewis Lockwood. Detroit monographs in musicology/Studies in music,
Warren, MI: Harmonie Park; 1997; xxxi, 553 p.; Bibliog.: ISBN: 0-89990-102-6.
1152. Paccagnella, Ermenegildo: La parola in Palestrina. Problem: tecnici, estetici, e storici. [Text
in Palestrina. Technical, aesthetic, and historical problems.] Vol. 4, (Florence: Olschki,
1969) In Italian.
1153. Paden, William D., Jr.: Manuscripts. Los Angeles: U. of California; 1995; pp. 307-333;
Bibliog.
1154. Paine, Gordon: The choral journal: an index to volumes 1-18. (Lawton, Okla.: American
Choral Directors Assoc., 1978) 168 p. $4.75.
1155. Palent, Andrea: Zur Erstausgabe der Motette Saeviat tellus (HWV 240) von Georg Friedrich
Händel im Rahmen der Hallischen Händel-Ausgabe, Serie III , Band 2. [The first edition of
Georg Friedrich Händel's motet Saeviat tellus (HWV 240), under the auspices of the
Hallische Händel-Ausgabe, series III, volume 2.] (Potsdam: n.p., 1986) 92-102. Them. cat.
In German. See RILM 1986-00782-bc.
1156. Palisca, Claude: Symposium. Music and higher education in the 1970's: opportunities for
intracultural and interdisciplinary study. College music symposium, Vol. XI (1971) 100-02.
See RILM 1971-03513-ap.: ISSN: 0069-5696.
1157. Palmieri, Giuliano; Sapir, Silvyane: MARS: Musical applications. San Francisco:
International Computer Music Association; 1992; pp. 352-353; Illus.
1158. Pank, Siegfried: Einige Gedanken zu Editionsfragen. [A few thoughts on editing.] (See
RILM 1985-00745-bs) 48-49. In German.
1159. Parker, Mary Ann [Editor]: Eighteenth-century music in theory and practice: Essays in
honor of Alfred Mann. Festschrift series, 13,: Stuyvesant, NY: Pendragon; 1994; x, 337 p.;
Illus., port., facs., music, bibliog., charts, diagr.: ISBN: 0-945193-11-4.
1160. Parker, Roger: A Donizetti critical edition in the postmodern world.: Bergamo, Italy:
Comune di Bergamo; 1993; pp. 57-68
1161. Parker, Roger: The critical edition of Nabucco. Opera quarterly, Vol. V/2-3 (1987) 91-98.
Music examples.
1162. Parmerud, Ake: O uso de microcomputadores na composiçao musical. [The use of
microcomputers in musical composition.] (Sao Paulo: Festival Música Nova, 1988) 7-10. In
Portuguese. See RILM 1988-01104-bs.
1163. Partsch, Erich Wolfgang [Editor]: Internationale Gustav Mahler Gesellschaft. Gustav
Mahler: Werk und Wirken--Neue Mahler-Forschung aus Anlaß des vierzigjährigen
Bestehens der Internationalen Gustav Mahler Gesellschaft. [Gustav Mahler: Work and
influence--New Mahler research presented for the fortieth anniversary of the Internationale
Gustav Mahler Gesellschaft.] Wien: Vom Pasqualatihaus; 1996; 151 p.; Illus., bibliog.:
ISBN: 3-901254-19-6.
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1164. Partsch, Erich Wolfgang: Vierzig Jahre Internationale Gustav Mahler Gesellschaft. [Forty
years of the Internationale Gustav Mahler Gesellschaft.] Nachrichten zur MahlerForschung, Issue 34; Oct 1995; pp. 3-4
1165. Pascall, Robert: The publication of Brahms's third symphony: A crisis in dissemination.
Oxford: Clarendon; 1990; pp. 283-294; Facs., charts, diagr.
1166. Pasler, Jann: [San Diego, 1982] Confronting Stravinsky: Man, musician, and modernist.
[Confronting Stravinsky: Man, musician, and modernist. ] (Berkeley: U. California, 1986)
380 p. Illustration, music examples, index, tables.
1167. Pass, Walter [Editor]: Bundesministerium für Wissenschaft und Kunst; Bundesministerium
für Unterricht und Kulturelle Angelegenheiten; Amt der Niederösterreichischen
Landesregierung; Arbeitsgemeinschaft der Musikerzieher Österreichs. Bekenntnis zur
österreichischen Musik in Lehre und Forschung: Eine Festschrift für Eberhard Würzl zum
achtzigsten Geburtstag am 1. November 1995. [Commitment to Austrian music, in teaching
and research: A Festschrift for Eberhard Würzl on his eightieth birthday (1 November
1995)] Vom Pasqualatihaus, 11, Wien: Vom Pasqualatihaus; 1996; 359 p.: ISBN: 3901254-14-5.
1168. Pass, Walter: "Das Kunstwerk nicht nur der Form nach untersuchen, sondern darüber hinaus
es auch Musik werden zu lassen": Rudolf von Ficker als Vorbild und Lehrer Josef Mertins.
["It is not enough to investigate art for its form--one must see that it becomes real music":
Rudolf von Ficker as Josef Mertin's teacher and model.] Wien: Vom Pasqualatihaus; 1994;
pp. 113-126; Music, bibliog.
1169. Pass, Walter: Eberhard Würzl und die Zeitschrift Musikerziehung. [ Eberhard Würzl and the
journal Musikerziehung.] Wien: Vom Pasqualatihaus ; 1996; pp. 161-176; Bibliog.
1170. Patiyo, Carlos: Obras musicales recopilades. I. [Collected musical works. I.] (Cuenca:
Instituto de Música Religiosa de la Diputación Provincial de Cuenca, 1985) 467 p. In
Spanish.
1171. Paulsmeier, Karin: Argumente gegen die Edition alter Musik. [Arguments against making
editions of early music.] Basler Jahrbuch für historische Musikpraxis, Winterthur,
Switzerland: Amadeus; special issue 1992; pp. 145-159; Facs.
1172. Payne, Ian: The sacred music of Thomas Ravenscroft. Early music, Vol. X/3 (July 1982)
309-15. Facsimile, music examples, list of works.: ISSN: 0306-1078.
1173. Pazdro, Wojciech: 'Rytmika deklamacyjna' czy 'logika muzyczna'. Z problemów
wspólczesnej transkrypcji muzyki XVI wieku. Mensura biala. [ 'Declamatory rhythm' or
'musical logic'. Some problems of contemporary transcription of 16th-c. music in white
mensural notation.] Muzyka, Vol . XVIII/4 (1973) 12-27. Music examples. In Polish.
1174. Pecker Berio, Talia [Editor]: Anno europeo della musica; Ministero del turismo e dello
spettacolo; Centro studi musicali Ferruccio Busoni di Empoli; International Music Council,
UNESCO; Societ… italiana di musicologia. La trascrizione: Bach e Busoni. [Transcription:
Bach and Busoni.] Quaderni della Rivista italiana di musicologia, 18, Firenze: Olschki;
1987; ix, 246 p.; Music: ISBN: 88-222-3535-5. ISSN: 0394-4395 .
1175. Pelkey, Stephen Richard: Antonin Dvorák's first cello concerto in A major: A comparison
of the original, Raphael and S dlo/Burghauser editions, and Piotr Ilych Tchaikovsky's
Rococo variations: A comparison of the original and Fitzenhagen editions. 1993; 104 p.;
(DMA doc., : U . of Houston). PA 9324196.
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81
1176. Pemberton, Carol A.: Unconventional wisdom: Observing how research, writing and editing
fly in the face of clich‚s. Bulletin of historical research in music education, Vol. 20; Issue 2;
Jan 1999; pp. 115-120: ISSN: 0739-5639.
1177. Pemberton, Carol Ann: Lowell Mason: his life and work. (PhD diss., Musicology: U. of
Minnesota, 1971) 2v. xii, 548 p. Bibliography, list of works.
1178. Penesco, Anne [Editor]: Du baroque … l'époque contemporaine: Aspects des instruments
… archet. [From the Baroque period to today: Aspects of bowed instruments.] Paris:
Champion; 1993; 192 p.; Illus., bibliog., index: ISBN: 2-85203-305-4.
1179. Pennycook, Bruce: Computer applications in music at McGill University.: San Francisco,
CA: Computer Music Association; 1989; pp. 238-241
1180. Perera, Ronald: The three part academic electronic music studio.: College music
symposium, Vol. XI (1971) 66-70. See RILM 1971-03513-ap.: ISSN: 0069-5696.
1181. Peric-Polonijo, Tanja: O tekstovima pjesama u zbirci Juzno-slovjenske narodne popievke
Franje S. Kuhaca. [On the texts of the songs in the collection Juzno-slovjenske narodne
popievke by Franjo Ks. Kuhac.] Anali Zavoda za Znanstevni Rad u Osijeku, Vol. IV (1985)
35-82. List of works . In Croatian; summary in English.
1182. Perle, George: Style and idea in the Lyric suite of Alban Berg.: Stuyvesant, NY: Pendragon;
1995; xiii, 68 p.; Illus., port., facs., music: ISBN: 0-945193-65-3.
1183. Perz, Miroslaw: Die Publikationen alterer Musik in Polen. [Publications of older music in
Poland.] Beiträge zur Musikgeschichte Osteuropas,: (Wiesbaden: Franz Steiner, 1977) 3855. In German.
1184. Perz, Miroslaw: W sprawie 'cieszynskiego' Patrem. [Concerning the Patrem in Cieszyn.]
Muzyka, Vol. XXVI/2 (1981) 104-05. In Polish.
1185. Petersen, Peter: Bartóks Sonata für Violine solo. Ein Appell an die Hüter der Autographen.
[Bartók's sonata for solo violin. A note to the holders of the autographs.] (See RILM 198101533-ap) 55-68. In German.:
1186. Petrobelli, Pierluigi [ed]; Di Gregorio Casati, Marisa [ed]; Pavarani, Marcello [ed]:
[Modena, 1984] Ernani ieri e oggi. [Ernani yesterday and today.] Verdi: Bollettino
dell'Istituto di Studi Verdiani, (1987) 327 p . Facsimile, music examples. In Italian.: ISSN:
0042-3724.
1187. Petzsch, Christoph: Das mittelalterliche Lied: Res non confecta. [The medieval song: Res
non confecta.] Zeitschrift für deutsche Philologie , Vol. XC (1971) 1-17. In German.: ISSN:
0044-2496.
1188. Pfaff, Maurus: Fürstabt Martin Gerbert und die Musikhistoriographie im 18. Jahrhundert.
[Fürstabt Martin Gerbert and 18th-century music historiography.] Erbe und Auftrag,
XLVII/2 (1971) 108-20.: ISSN: 0013 -9963.
1189. Pfeffer, Wendy: Guilhelm Molinier as literary critic. Kalamazoo: Western Michigan U.;
1986; pp. 205-212
1190. Phillips, L. Edward: Thomas Osmond Summers, Methodist liturgist of the nineteenth
century. Methodist history, Vol. 27; Issue 4; 1989; pp. 241-253: ISSN: 0026-1238.
1191. Pierre, Constant: Le Magasin de musique. A l'usage des fètes nationales et du conservatoire.
[The collection of music for the use of national festivals and the Conservatoire.] (Genève:
Minkoff, 1973) 180 p. SFr 40. In French.
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82
1192. Pile, Randal Jon: A performer's guide to the guitar works of Joaquín Rodrigo with a
complete index of revisions. 1991; (PhD diss., : U. of California, San Diego)
1193. Pinto, Aloysio de Alencar [ed.]; Travassos, Elizabeth [ed.]: Ciclo do Padre Cícero. [sound
recording] Rio de Janeiro: Funarte, 1986.; 1 sound disc: analog, 33 1/3 rpm; 12in.
1194. Pinto, Aloysio de Alencar; Travassos, Elizabeth: Ciclo do Padre Cícero [sound recording]
Rio de Janeiro, Funarte, 1986; 1 sound disc
1195. Place, Adélaïde de: Nocturnes de Chopin: Les éditions au banc d'essai.: [Chopin nocturnes:
The editions put to the test.] Piano, Issue 6; 1992-93; pp. 173-181: ISSN: 0999-5404.
1196. Plamenac, Dragan: On reading fifteenth-century chanson texts. Journal of the American
Musicological Society, Vol. XXX/2 (summer 1977) 320-24. Illustration.: ISSN: 0003-0139.
1197. Plath, Wolfgang: Echtheitsfragen bei Mozart. I: Allgemeines; II: Wenzel Trnka und die
angeblichen Mozart-Kanons KV 233 (382d) und KV 234 (382e): [Authenticity issues and
Mozart. I: General considerations; II: Wenzel Trnka and the "Mozart" canons K.233 (382d)
and K.234 (382e)] Stuttgart, Germany: Steiner; 1991; pp. 207-214;237-270; Facs., bibliog.
1198. Pletka, V clav: Vyznam odkazu Bedricha V clavka pro dalsí rozvoj marxistick‚
folkloristiky. [The significance of the literary estate of Bedrich V clavek for the further
development of Marxist folklore studies. ] Cesky lid, Vol. LVIII/6 (1971) 321-41. Music
examples. In Czech; summary in German.: ISSN: 0009-0794.
1199. Pociej, Bohdan: The art of editing. Polish perspectives, Vol. XVI/3 (March 1973) 64-69.
1200. Pogue, Samuel F: A sixteenth-century editor at work: Gardane and Moderne . Journal of
musicology, Vol. I/2 (April 1982) 217-38.
1201. Pont, Graham: A revolution in the science and practice of music.: Miscellanea
musicologica, Vol. V (1979) 1-66. Music examples, bibliography.: ISSN: 0076-9355.
1202. Poole, Herbert Edmund: The printing of William Holder's Principles of harmony.
Proceedings of the Royal Musical Association, Vol. CI (1974-75) 31-43.
1203. Pope, Stephen Travis: A tool for manipulating expressive and structural hierarchies in
music. Montr‚al: McGill U.; 1991; pp. 324-327; Illus.:
1204. Pope, Stephen Travis: Computer music journal. XVIII/2 (summer 1994): Composition and
performance in the 1990s. I. Computer music journal,: Cambridge, MA: MIT; 120 p.; Vol.
18; Issue 2; summer 1994; Illus., port., music, charts, diagr.: ISSN: 0148-9267.
1205. Pope, Stephen Travis: MODE and SMOKE. Computing in musicology: An international
directory of applications, Menlo Park, Ca: Center for Computer Assisted Research in the
Humanities; Vol. 8; 1992; pp. 130-132 ; Illus.: ISSN: 1057-9478.
1206. Pope, Stephen Travis: Music composition and editing by computer.: Madison, WI: A-R;
1993; pp. 25-72; Illus., music, bibliog.
1207. Pope, Stephen Travis: The development of an intelligent composer's assistant: Interactive
graphics tools and knowledge representation for music. San Francisco, CA: Computer
Music Association; 1986; pp. 131-144 ; Charts, diagr.
1208. Popelka, Isa: Stand und Probleme der Notenedition des Werkes von Bohuslav Martinu.
[Editions of the music of Bohuslav Martinu: Present situation and issues.] Praha: Cesk
Hudební Spolecnost; 1990; pp. 309 -311
1209. Porte, Alain: François Delsarte: Une anthologie. [François Delsarte: An anthology.] Paris,
France: Institut de P‚dagogie Musicale et Chor‚graphique; 1992; 282 p.; Facs., bibliog.
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1210. Pospísil, Milan: Dvorák's Dimitrij: A challenge to editors. Oxford: Clarendon; 1996; pp. 99105
1211. Pospisil, Milan: Dvoráks Dimitrij als Editionsproblem. [Editorial problems of Dvorák's
Dimitrij.] Jahrbuch für Opernforschung, Vol. II (1986; pub. 1987) 87-108. In German.:
ISSN: 0724-8156.
1212. Poszowski, Antoni: Der Kristallisierungsgrad des Tonsystems Dur-Moll in der 1. Hälfte des
18. Jahrhunderts und die heutige Aufführungspraxis der Werke aus dieser Zeit. [The extent
of crystallization of the major-minor tonal system in the first half of the 18th century and
present-day performance practice of the works from this era.] Musikzentren Konzertschaffen im 18. Jahrhundert, (See RILM 1984-00682-bs) 61-65. In German.
1213. Pozdeev, Pjotr: Kuzebaj Gerd i udmurtskaja narodnaja pesnja. [Kuzebaj Gerd and Udmurt
folk song.] (Izevsk: Udmurtskij Institut Istorii, Jazyka i Literatury, 1988) 97-102.
Illustration, bibliography. In Russian.
1214. Prabucka-Firlej, Anna: Akompaniament z wyciagu fortepianowego: Istota problemu w
oparciu o wybrane utwory wokalno-instrumentalne J.S. Bacha.: [Accompanying from a
piano score: The essence of the problems based on selected vocal-instrumental
compositions of J.S. Bach.] Gdansk: Akademia Muzyczna im. Stanislawa Moniuszki; 1993;
pp. 43-62; Music
1215. Praetorius, Michael; Beckmann, Klaus [Editor]: Sämtliche Orgelwerke.: [Complete works
for organ.] Edition Breitkopf, 8556, Wiesbaden, Germany : Breitkopf & Härtel; 1990; 64 p.;
Music
1216. Prassl, Franz Karl: "Entkleidet den Katholicismus nicht seiner Kunstgewänder!" Zur Praxis
katholischer Mozartrezeption vor und nach dem Zweiten Vatikanum. ["Don't deprive
Catholicism of its artistic raiment!" The Catholic reception of Mozart before and after
Vatican II.] Freiburg im Breisgau: Katholische Akademie der Erzdiözese Freiburg; 1992;
pp. 112 -142
1217. Prassl, Franz Karl: Bemerkungen zum Continuospiel bei Meßkompositionen der Wiener
Klassik. [Observations on continuo realization in the performance of Viennese Classic
Masses.] Singende Kirche, Vol. 40; Issue 3; 1993; pp. 127-131; Music, bibliog.: ISSN:
0037-5721.
1218. Pressing, Jeff: Some applications of time theory to computer music design. Montr‚al:
McGill U.; 1991; pp. 376-379; Charts, diagr.
1219. Price, Thomas Scott: An overview of the piano concerto no. 3 in E-flat major, op.
posthumous by Franz Liszt. 1996; 113 p.; (DMA doc., : U. of Oklahoma). PA 9630786.;
Bibliog.
1220. Prick van Wely, Max: De muzikale betrekkingen tussen Nederland en België . [Musical
relations between the Netherlands and Belgium.] Ons erfdeel , Vol. 35; Issue 4; 1992; pp.
522-545; Illus., port., facs., bibliog.: ISSN: 0030-2651.
1221. Prinz, Ulrich [Editor]: Internationale Bachakademie Stuttgart. Johann Sebastian Bach,
Johannes-Passion, BWV 245: Vorträge des Meisterkurses 1986 und der Sommerakademie
J.S. Bach 1990. [Johann Sebastian Bach, Johannespassion, BWV 245: Lectures from the
master class, 1986, and the summer course J.S. Bach, 1990.] Schriftenreihe der
Internationalen Bachakademie Stuttgart, 5, Kassel, Germany: Bärenreiter; 1993; 207 p.;
Illus., music: ISBN: 3-7618-1141-1.
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84
1222. Prinz, Ulrich: Zur Entstehungsgeschichte der Johannespassion und ihrer Fassungen. [On the
genesis of the Johannespassion and its different versions.] Kassel, Germany: Bärenreiter;
1993; pp. 100-11; Music
1223. Prokofiev, Sergey [1891-1953]; Brohn, William D [ed.]: Aleksandr Nevskii (Motion picture
music); Alexander Nevsky: film score. [New York City?]: P G M Productions, c1987.; 1
score (249 p.); 47 cm.
1224. Puckette, Miller: EXPLODE: A user interface for sequencing and score following. San
Francisco, CA: Computer Music Association; 1990; pp. 259 -261; Illus.
1225. Qassim Hassan, Scheherazade: Die Entwicklung und der gegenwärtige Stand der
Musikforschung im Irak. [The development and present status of music research in Iraq.]
Acta musicologica, Int, Vol. LIV/1-2 (1982) 148-62. In German.
1226. Quelques documents inédits concernant l'edition du Graduale Romanumen 1908. [Some
unpublished documents concerning the edition of the Graduale Romanum in 1908.] Vol.
LXXXVI/3 (January 1972) 290-98. In French.
1227. Querbach, Michael: Der konstruierte Ursprung: Zur Problematik musikalischer UrtextAusgaben. [The constructed origin: The problems of musical urtext editions.] Neue
Zeitschrift für Musik, Vol. CXLIX/1 (January 1988) 15-21. In German.: ISSN: 0170-8791.
1228. Querol Gavald , Miguel: Carlos Patiño, un compositor barroco. [Carlos Patiño, a Baroque
composer.] Saber leer: Revista critica de libros,: Issue 18; Oct 1988; pp. 4-5: ISSN: 02136449.
1229. Révész, Dorrit: Text, versions, and recycling in Bartók's writings: A progress report. Studia
musicologica Academiae Scientiarum Hungaricae , Vol. 37; Issue 1; 1996; pp. 5-20; Illus.,
music: ISSN: 0039-3266.
1230. Rabej, Vladimir: Zu Fragen der Redaktion des Soloparts in Telemanns Violinwerken:
Kritische übersicht gegenwärtiger Ausgaben. [Problems in editing the solo parts for
Telemann's violin works: A critical overview of present-day editions.] Köln: Tank; 1991;
pp. 29-38; Music
1231. Racek, Jan: Zur Geschichte und zur Editionspraxis der 'Musica Antiqua Bohemica'. [The
history and editorial method of Musica antiqua bohemica. ] Beiträge zur Musikgeschichte
Osteuropas, (Wiesbaden: Franz Steiner, 1977) 20-37. In German.
1232. Radice, Mark: Haydn and his publishers: a brief survey of the composer's publishing
activities. Music review, Vol. XLIV/2 (March 1983) 87-94.
1233. Rahmaninov, Sergej: Literaturnoe nasledie. I: Vospominanija, stat'i, interv'ju, pis'ma.
[Literary legacy. I: Reminiscences, articles, interviews, letters.] (Moskva: Sovetskij
kompositor, 1978) 648 p. R 2.40 . Illustration. In Russian.
1234. Rajeczky, Benjamin: Missale notatum strigoniense. Magyar zene, Vol. XXV/3 (September
1984) 223-25. In Hungarian.: ISSN: 0025-0384.
1235. Ramanathan, N.: Problems in the editing of the krti-s of Muddusvami Dikshita. The journal
of the Music Academy, Vol. 69; 1998; pp. 59-98; Bibliog.: ISSN: 0970-3101.
1236. Ramler, Karl Wilhelm; Gilbert, Michael [Translator]: In defense of the operas (1756) New
York: Continuum; 1994; pp. 10-14
1237. Rapson, Penelope: A technique for identifying textual errors and its application to the
sources of music by Thomas Tallis/ Penelope Rapson.: New York, Garland Pub, 1989-; v.
1-2: ISBN: 0824020235.
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1238. Rasch, Rudolf A.: The editors of the Livre septième. Yearbook of the Alamire Foundation,
1997; Vol. 2; pp. 279-306; Charts, diagr.
1239. Read, Lisa Karen: Robert Cavally's edition of G.F. Handel's solo "flute" sonatas: An
evaluation and historical perspective. 1994; 118 p.; (DMA doc., : Louisiana State U.). PA
9508586.
1240. Rechenschaftsbericht vor der Mitgliederversammlung der Georg-Friedrich -HändelGesellschaft (10. Juni 1979). [Report given at the assembly of members of the GeorgFriedrich-Händel-Gesellschaft (10 June 1979).]: Händel-Jahrbuch, Vol. XXVI (1980) 12936. In German.: ISSN: 0440-0615.
1241. Reed, David: The original version of the Overture for wind band of Felix MendelssohnBartholdy. Journal of band research, Vol. XVIII/1 (fall 1982) 3-10.: ISSN: 0021-9207.
1242. Reese, Gustave, et al: Problems in editing the music of Josquin des Prez: a critique of the
first edition and proposals for the second edition.: (See RILM 1976-04887) 721-54.
Facsimile, music examples.
1243. Reese, Gustave: The opening chant for a Palestrina Magnificat. (See RILM 1977-00186-be)
239-42. Illustration, facsimile, music examples, index.
1244. Rehm, Wolfgang: Aspekte der Neuen Mozart-Ausgabe: Ideal und Wirklichkeit . [Aspects of
the Neue Mozart-Ausgabe: Ideal and reality.] Mozart -Jahrbuch, 1991; pp. 47-54: ISSN:
0077-1805.
1245. Rehm, Wolfgang: Der kritische Notentext für Wissenschaft und Praxis: Einige
Bemerkungen aus der Sicht der Neuen Mozart-Ausgabe. [The critical text for scholarship
and practice: Some remarks from the perspective of the Neue Mozart-Ausgabe.]
österreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 525-526: ISSN: 00299316.
1246. Rehm, Wolfgang: Die neuen Gesamtausgaben. [The new Gesamtausgaben.]: Stuyvesant,
NY: Pendragon; 1989; pp. 33-40
1247. Rehm, Wolfgang: Don Giovanni: Nochmals 'Prager Original' - 'Uberarbeitung Wien' 'Mischfassung'. [Don Giovanni: A reconsideration of the 'Prague original', the 'Vienna
revision', the 'combined version'. ] Mozart-Jahrbuch, (1987-88) 195-203. Bibliography. In
German.: ISSN: 0077-1805.
1248. Rehm, Wolfgang: Ideal and reality: Aspects of the Neue Mozart-Ausgabe.: Notes: Quarterly
journal of the Music Library Association, Vol. 48; Issue 1; Sept 1991; pp. 11-19: ISSN:
0027-4380.
1249. Rehm, Wolfgang: Nochmals: Ritter von Köchels Verdienste um die Alte Mozart-Ausgabe.
[Once more: Ritter von Köchel's merits in the service of the Alte Mozart-Ausgabe.] Laaber,
Germany: Laaber-Verlag; 1990; pp. 171 -178; Illus., facs.
1250. Rehm, Wolfgang: Quellenforschung und Dokumentation im Verhältnis zur Editionstechnik,
aufgezeigt an einem Beispiel aus der Neuen Mozart -Ausgabe. [Original research and
documentation in relation to editing technique, shown through an example from the Neue
Mozart Ausgabe.] (See RILM 1980-00182-be) 410-16. In German.
1251. Rehm, Wolfgang: Stand und Planung der Neuen Mozart-Ausgabe im Zeichen der Krakauer
Quellen. [Status and planning of the Neue Mozart Ausgabe with reference to the Cracow
sources.] (See RILM 1984-00635-be) 267-76. In German.
1252. Rehm, Wolfgang; BERKE, Dietrich: Die Neue Mozart-Ausgabe. [The new Mozart edition.]
Universitas, Vol. XXXIV (1979) 513-21. In German.: ISSN: 0041-9079.
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1253. Reichhart, Renate: Claudio Monteverdis L'Orfeo und seine Bearbeitungen: Die Entwicklung
der. Orfeo, (PhD diss., Musikwissenschaft: U. Wien, 1986) 2v. 410; 82 p. Music examples,
bibliography. In German.
1254. Reidemeister, Peter [ed]; Gutmann, Veronika [ed]: Basler Jahrbuch für historische
Musikpraxis. Sonderband (1983): Alte Musik--Praxis und Reflexion. [Early music: practice
and reflection.] Basler Jahrbuch für historische Musikpraxis, (Winterthur: Amadeus, 1983)
411 p. Illustration, facsimile , music examples, bibliography. In German, English.
1255. Reijen, Paul van: Het eeuwfeest van de Vereniging voor Nederlandse Musiekgeschiedenis.
[Centenary of the Dutch Music History Society.]: Mens en melodie, Vol. XXIV/1 (January
1969) 20-23. Portrait. In Dutch.:
1256. Rennert, Jonathan: William Crotch, 1775-1847. Musical times, CXVI/1589 (July 1975)
622-23. Portrait, music examples
1257. Reports from the domestic corresponding editors. Current musicology,: Vol. 20 (1975) 726.: ISSN: 0011-3735.
1258. Revers, Peter: Zum Stand der Mahlerforschung. [The state of Mahler research.]
österreichische Musikzeitschrift, Vol. XXXIV/6 (June 1979) 289-93. In German.: ISSN:
0029-9316.
1259. Rhéaume, Jacques: Éducation musicale et technologie: Typologie pour la recherche. [Music
education and technology: A typology for research.]: Recherche en éducation musicale au
Québec, Vol. 12; Jan 1993; pp. 69-73 ; Bibliog.: ISSN: 0821-5456.
1260. Rich, Robert: Ensoniq EPS: A new toy in town. 1/1 Just intonation,,: Vol. IV/3 (summer
1988) 2, 14. Illustration.
1261. Richardson, Gordon: The music and record libraries of the Canadian Broadcasting
Corporation. Fontes artis musicae, Vol. 34; Issue 4; Oct -Dec 1987; pp. 211-216: ISSN:
0015-6191.
1262. Richter, Klaus Peter: Die "Missa" für den Konzertsaal: Aspekte der Werk- und
Aufführungsgeschichte von Bachs h-Moll-Messe. [The "Missa" for the concert hall: Bach's
Mass in B minor, its history as a work and in performance.] Tutzing, Germany: Schneider;
1991; pp. 71-77
1263. Richter, Matthias: Ein gut New Jar zur Seligkeit von Johann Walter (1496 -1570): Ein
Editionsvorhaben und Addendum zur Gesamtausgabe der Werke Johann Walters. [Ein gut
New Jar zur Seligkeit by Johann Walter (1496 -1570): Plan for an edition and an addendum
to Walter's collected works.] Jahrbuch für Liturgik und Hymnologie, Vol. 36; 1997; pp.
244-246: ISSN: 0075-2681.
1264. Rierson, Charles Frederick: The Collegium Musicum Salem: the development of a
catalogue of its library and the editing of selected works. (PhD diss., Music: U. of Georgia,
1973) 288 p.
1265. Riethmüller, Albrecht: Zur Geschichte eines Musikwerks: Die Interpretation von Präludium
und Fuge ("St. Anne") für Orgel Es-Dur (BWV 552) zwischen Bach und Schönberg. [On
the history of a musical work: The interpretation of the prelude and fugue for organ in E-flat
major (BWV 552, "St. Anne") from Bach to Schoenberg.] Murrhardt:
Musikwissenschaftliche Verlags-Gesellschaft; 1990; pp. 31-44
1266. Rimskij-Korsakov, Nikolaj: Complete works. (New York: Belwin-Mills, 1980) 103 v.
1267. Ring, Layton: The "missing bar" in Purcell's 3 parts upon a ground. The consort: European
journal of early music, Vol. 52; Issue 2; fall 1996; pp. 92-95; Music: ISSN: 0268-9111.
EDITING
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1268. Roads, Curtis [Editor]: The music machine. Cambridge, MA: MIT; 1989; 720 p.; Illus.,
port., music, bibliog., list of works, discog., charts, diagr.
1269. Roads, Curtis: A note on music printing by computer. Computer music journal, Vol. V/3
(fall 1981) 57-59. Music examples, bibliography.: ISSN: 0148-9267.
1270. Roads, Curtis; Strawn, John [Editors]: Foundations of computer music.: [Foundations of
computer music.] (Cambridge, Mass.: MIT, 1985) 712 p.: ISBN: 0-262-18114-2.
1271. Robert, Véronique: Prologue pour les écrits d'un compositeur. [Prologue to the writings of a
composer.] Circuit: Revue nord-amricaine de musique du XXe siècle, Vol. 2; Issue 1-2;
1991; pp. 31-38; Illus.: ISSN: 1183-1693.
1272. Robinson, Lucy: Notes on editing the Bach gamba sonatas (BWV 1027-1029).: Chelys
[Journal of the Viola de Gamba Society], Vol. XIV (1985) 25-29. Music examples.
1273. Robinson, Ray: Wilhelm Ehmann: His contribution to the choral art.: Choral journal, Vol.
XXV/3 (November 1984) 7-12. Portrait, bibliography .
1274. Rocholl, Peter: Musik im Fernsehen. Erfahrungen eines Musikredakteurs.: [Music on
television. Experiences of a music editor.] Musik und Bildung, Vol. VII/4 (1975) 174-76. In
German.
1275. Rodríguez Moreno, Antonio [Editor]: Ritmo. 594 (1988): Número especial 60 aniversario.
[60th anniversary special issue.] Ritmo, Madrid: Lira; Issue 594; Dec 1988; Illus., port.:
ISSN: 0035-5658.
1276. Roeder, John; Hamel, Keith: A general-purpose object-oriented system for musical
graphics. San Francisco, CA: Computer Music Association; 1989; pp. 260-263; Bibliog.,
charts, diagr.
1277. Roesner, Linda Correll: Brahms's editions of Schumann. Oxford: Clarendon; 1990; pp. 251282; Illus., facs., music, transcr.
1278. Rogers, Robert Mark: The Hill-songs of Percy Aldridge Grainger: An historical and analytic
study with a new performance edition. (DMA doc., Performance practice: U. of Texas,
Austin, 1987) 2 v. 306 p. DA 8728692.:
1279. Rohloff, Ernst: Anmerkungen zum Lochamer Liederbuch. [Observations on the Lochamer
Liederbuch.] Wissenschaftliche Zeitschrift der Martin -Luther-Univeristät Halle, Vol.
XXVI/2 (1977) 65-78. In German.
1280. Rohloff, Ernst: Zu den Neidhardt-Melodien: Rückerinnerung und neue Information. [On
Neidhart's melodies: retrospective and new information. ] Wissenschaftliche Zeitschrift der
Martin-Luther-Univeristät Halle,: Vol. XXVIII/1 (1979) 125-35. In German.
1281. Roman, Zoltan: A brief history of the complete critical edition. Wien: Vom Pasqualatihaus;
1996; pp. 109-116; Bibliog.
1282. Roman, Zoltan: Die autographe Partitur zu Ich atmet' einen linden Duft.: [The autograph
score for Ich atmet' einem linden Duft.] Nachrichten zur Mahler-Forschung, Issue 25; Mar
1991; pp. 5-7; Bibliog.
1283. Romano, Eustachio: Musica duorum. Monuments of Renaissance music, Vol. 6 (Chicago:
U. of Chicago, 1974)
1284. Rosand, Ellen [Editor]: Eighteenth- and nineteenth-century source studies. The Garland
library of the history of Western music, Vol. 8, (New York and London: Garland, 1985) 350
p.
EDITING
88
1285. Rosand, Ellen: Francesco Cavalli in modern edition. Current musicology , Vol. XXVII
(1979) 73-83.: ISSN: 0011-3735.
1286. Rose, Cyrille: Etudes, clarinet.; 40 studies for clarinet/ by Cyrille Rose; with editing and
master lessons by Donald E. McCathren. Miami, FL, CPP/Belwin, 1988-; v. of music 1
1287. Rosenblum, Sandra P.: Potholes in the road to critical editions.: Journal of the Conductors'
Guild, Vol. 10; Issue 3-4; summer-fall 1989; pp. 81-88; Facs., music: ISSN: 0734-1032.
1288. Rosenblum, Sandra: Zur Auffindung der spanischen Ausgabe der Klavierschule von
Clementi. [The discovery of the Spanish edition of Clementi's pianoforte tutor.] Die
Musikforschung, Vol. XXXI/1 (January 1978) 51-53. In German.: ISSN: 0027-4801.
1289. Rosenfeld, Andrew Buckley: The five spiritual madrigals from the Selva morale e spirituale
of Claudio Monteverdi: A transcription and critical analysis. 1995; 187 p.; (DMA doc.,
Choral conducting: U. of Cincinnati , Col.-Conservatory of Music, 1995). PA 9622366.;
Music
1290. Rosow, Lois Ann: Making connections: Some thoughts on Lully's entr'actes. Early music,
Vol. 21; Issue 2; May 1993; pp. 231-238; Illus., facs ., transcr.: ISSN: 0306-1078.
1291. Rosow, Lois: From Destouches to Berton: Editorial responsibility at the Paris Opera.
Journal of the American Musicological Society, Vol. XL/2 (summer 1987) 285-309.
Facsimile, music examples, bibliography.: ISSN: 0003-0139.
1292. Rossignol, Stéphane; Rodet, Xavier; Soumagne, Jœl; Collette, Jean-Luc; Depalle, Philippe:
Automatic characterisation of musical signals: Feature extraction and temporal
segmentation. Journal of new music research, Vol. 28; Issue 4; Dec 1999; pp. 281-295;
Bibliog., charts, diagr.: ISSN: 0929-8215.
1293. Rothschild, Sigmund J.: The role of solo percussion in various ensemble contexts:
Recordings, electronic realizations, and analyses. 1996; 420 p.; (PhD diss., : U. of
California, San Diego). PA 9707348.
1294. Rönnau, Klaus: Bemerkungen zum 'Urtext' der Violinsoli J.S. Bachs. [The Urtext of J.S.
Bach's violin solos.] (See RILM 1980-00182-be) 417-22. In German.
1295. Römsing, Helmut: Zur Planung und zum gegenwärtigen Stand des RISM Handschriftenprojekts. [On the planning and the present state of the RISM manuscript
inventory project.] Fontes artis musicae, Int, Vol. XXIII/1 (1976) 2-6. In German;
summaries in French, English.
1296. Rubey, Norbert: Musikalische Presse, herausgegeben von Carl Millöcker.: [The
Musikalische Presse, issued by Carl Millöcker.] Die Fledermaus: Mitteilungen des Wiener
Instituts für Strauß-Forschung, Vol. 1; Issue 2 ; Nov 1990; pp. 51-57
1297. Rudolf, Max: Ein Beitrag zur Geschichte der Temponahme bei Mozart. [ Notes concerning
the history of tempos in Mozart performance.] Mozart -Jahrbuch, (1978 204-24): ISSN:
0077-1805.
1298. Ruffcorn, Donald; Cullem, Patricia: LiveStep: Editing step quantized music from libraries
of live performances. San Francisco: International Computer Music Association; 1992; pp.
231-234
1299. Ruhnke, Martin: Bindebögen in Originaldrucken, Nachdrucken und Handschriften Georg
Philipp Telemanns. [Slurs in original prints, reprints, and manuscripts of music by Georg
Philipp Telemann.] Köln: Tank; 1991; pp. 21-25
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89
1300. Rummenhöller, Peter: Der Dichter spricht. Robert Schumann als Musikschriftsteller. [Der
Dichter spricht: Robert Schumann as a writer on music.] (Köln: Gitarre und Laute, 1980) iv,
108 p. In German.
1301. Rushton, Julian [Editor]: W.A. Mozart: Idomeneo. Cambridge opera handbooks,
Cambridge: Cambridge U.; 1993; x, 187 p.; Illus., music, bibliog., index, charts, diagr.:
ISBN: 0-521-43144-1.
1302. Rushton, Julian: "Royal Agamemnon": The two versions of Gluck's Iphig‚nie en Aulide.
Cambridge: Cambridge U.; 1992; pp. 15-36
1303. Russo, Paolo: Le "intenzioni" di Hippolyte. [The "intentions" of Hippolyte.] Il saggiatore
musicale: Rivista semestrale di musicologia , Vol. 3; Issue 2; 1996; pp. 393-409
1304. Ruzitska, Ignác [Editor]; Papp, Géza [Reviewer]; Rakos, Miklós; Gulyás , István
[Designer]: Magyar nóták Veszprém vármegyébol melyek fortepianóra alkalmaztattak.
[Hungarian tunes from the Veszpr‚m county arranged for fortepiano.] Budapest: revisor;
1994; Facs., music, bibliog.: ISBN: 963-450-882-0.
1305. Saathen, Friedrich: Was Krenek mit Mahler verbindet und was nicht: Eine hypothetische
Reflexion. [What ties Krenek to Mahler and what doesn't: A bit of speculation.] Wien: Vom
Pasqualatihaus; 1996; pp. 117-123
1306. Sabatier, François [Editor]: L'orgue: Cahiers et m‚moires. 44 (1990): César Franck (18221890) L'orgue: Cahiers et mémoires, Paris: Association des Amis de l'Orgue; 91 p.; Issue
44; 1990; Illus., music, charts, diagr.: ISSN: 0030-5170.
1307. Sachs, Klaus-Jürgen: Das Fugenkorpus des Simon Lohet in Johannes Woltz' Tabulaturbuch
von 1617. [The corpus of fugues by Simon Lohet in Johannes Woltz's tablature book of
1617.] Kassel, Germany: Bärenreiter; 1991; pp . 155-168; Music
1308. Sadie, Julie Anne [Editor]; Hogwood, Christopher [Foreword]: Companion to Baroque
music. New York: Schirmer; 1991; xviii, 549 p.; Illus., port., music, bibliog., index, maps:
ISBN: 0-460-04602-0.
1309. Sadie, Stanley: The idea of authenticity. New York: Schirmer; 1991; pp . 435-446
1310. Sadler, Graham: Vincent d'Indy and the Rameau oeuvre complètes: A case of forgery? Early
music, Vol. 21; Issue 3; Aug 1993; pp. 415-421; Facs.: ISSN: 0306-1078.
1311. Salaff, Fred: Cleveland Quartet; Copyright Collection (Library of Congress); Dokumenta
Productions. In the mainstream [motion picture]: the Cleveland Quartet/ Dokumenta
Productions, Inc.; director and producer , Fred Salaff. New York, NY, Dokumenta
Productions, 1983; 1 reel of 1 (52 min.) (1896 ft.)
1312. Salter, Lionel: In search of Scarlatti. The consort, Vol. XLI (July 1985) 47-51.
1313. Samuel, Harold E. [Editor]: Notes for Notes. Notes. Music Library Association, Vol.
XXV/3 (March 1969) 468-71.
1314. Sancho, Ignatius: Ignatius Sancho (1729-1780): An early African composer in England The collected edition of his music in facsimile. (New York: Garland, 1981) 90 p.
1315. Sanford, Sally; Braider, Jackson; Burcke, Michael; Schultze, Andrew W. ; Rosenwald,
Lawrence: More responses to On prejudice and early music.: Historical performance: The
journal of Early Music America, Vol. 6; Issue 1; spring 1993; pp. 39-41: ISSN: 0898-8587.
1316. Sano, Stephen Makoto: The Chorwalzer of Johann Strauss, Jr.: An der schönen blauen
Donau revisited. 1994; 175 p.; (DMA doc., Music: Stanford U., 1994). P4 14525.
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1317. Santa María, Tom s de; Howell, Almonte C., Jr. [Editor]; Hultberg, Warren E. [Editor]: The
art of playing the fantasia: Libro llamado el arte de tañer fantasia. 2v.; Pittsburgh: Latin
American Literary Review ; 1991; Facs., music, bibliog.: ISBN: 0-935480-52-8.
1318. Sapackaja, Ljudmila: Vlijanie radiscevskih tendencij v prosvetitel'stve na razvitie russkoj
muzykal'noj kul'tury 80-h-90-h godov XVIII veka. [ The influence of radical tendencies of
the Enlightenment on the development of Russian musical culture, 1780-1800.] (PhD diss.,
Musicology: Vsesojuznyj naucno-issledovatel'skij institut iskusstvoznanija, Moskva, 1977)
24 p. In Russian. Summary of diss.
1319. Sas, Agnes: Unisono es tasto solo jelölése Valentin Deppisch müveiben.: [Unisono and tasto
solo indications in Valentin Deppisch's works.]: Zenetudom nyi dolgozatok, (1984) 37-48.
Music examples. In Hungarian.: ISSN: 0139-0732.
1320. Sauer-Geppert, Waltraut-Ingeborg: Motivationen textlicher Varianten im Kirchenlied.
[Reasons for text variants in hymns.] Jahrbuch für Liturgik und Hymnologie, Vol. XXI
(1977) 68-82. In German.: ISSN: 0075 -2681.
1321. Saulnier, Daniel [Editor]; Albert, Micheline [Collaborator]: Requirentes modos musicos:
M‚langes offerts … Dom Jean Claire … l'occasion de son 75e anniversaire, de ses 50 ans de
profession monastique, et de ses 25 ans comme maŒtre de choeur … Solesmes. [
Requirentes modos musicos: Studies offered to Dom Jean Claire on the occasion of his 75th
birthday, the 50th anniversary of his monastic vows, and his 25 years as choirmaster at
Solesmes.] Sabl‚-sur-Sarthe: Abbaye Saint-Pierre de Solesmes; 1995; 377 p.; Music,
bibliog., discog., index , computer disk: ISBN: 2-85274-170-9.
1322. Saunders, Steven [Editor]; Root, Deane L. [Editor]; Foster, Stephen Collins: The music of
Stephen C. Foster: A critical edition. 2v.; Washington, D.C.: Smithsonian Institution; 1990;
xlvii, 497, 503 p.; Illus., port., facs., music, bibliog., list of works, index, charts, diagr.
1323. Saunier, Daniel [Editor]: Verdun, Bibliothèque Municipale 759: Missale.: Codices
gregoriani, 2, Padova: Linea; 1995
1324. Schade, Ernst: Der Wandel der Intentionen und der Methoden für die Aufzeichnungen von
Volksliedern im 19. Jahrhundert am Beispiel der Arbeiten Ludwig Erks. [The change in
intentions and methods for the collection of folk songs in the 19th century, as illustrated by
the work of Ludwig Erk.] Jahrbuch für Volksliedforschung, Vol. XVIII (1973) 42 -54. In
German.: ISSN: 0075-2789.
1325. Schade, Ernst: Volkslied-Editionen zwischen Transkription, Manipulation, Rekonstruktion
und Dokumentation. [Folksong editions between transcription, manipulation,
reconstruction, and documentation.]: Jahrbuch für Volksliedforschung, Vol. 35; 1990; pp.
44-63, 108-09; Facs., bibliog.: ISSN: 0075-2789.
1326. Schader, Luitgard: Werk und Werke bei Paul Hindemith. [Work and works in the case of
Paul Hindemith.] Hindemith-Jahrbuch/Annales Hindemith,: Vol. 24; 1995; pp. 10-24; Facs.:
ISSN: 0172-956X.
1327. Scharnagl, August: Die Kirchenmusikalische Reformsbestrebung von Johann Evangelist
Habert in Osterreich. [Johannes Evangelista Habert's effort to reform church music in
Austria.] (Tutzing: Schneider, 1988) 307-20. In German. See RILM 1988-01001-bs.
1328. Schenbeck, Lawrence: Three new editions of Mozart's "Great" C-minor Mass . The choral
journal, Vol. 32; Issue 8; Mar 1992; pp. 21-28: ISSN: 0009-5028.
1329. Schenk, Erich: Ferdinand Löwe. Mitteilungsblatt der Internationalen Bruckner-Gesellschaft,
Vol. 26 (October 1985) 5-11. In German.
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91
1330. Schenkman, Walter: Portrait of Mattheson, the editor, together with his correspondents.
Bach: The journal of the Riemenschneider Bach Institute , Berea, OH: Riemenschneider
Bach Institute; Vol. 25; Issue 2; fall -winter 1994; pp. 63-90: ISSN: 0005-3600.
1331. Schenkman, Walter: The establishment of tempo in Bach's Goldberg variations. Bach.
Quarterly journal of the Riemenschneider Bach Institute, VI/3 (July 1975) 3-10.
1332. Scherr, Suzanne: Editing Puccini's operas: The case of Manon Lescaut.: Acta musicologica,
Vol. 62; Issue 1; Jan-Apr 1990; pp. 62-81: ISSN: 0001-6241.
1333. Schestakowa, Dorothea: Zur Problematik der Bogensetzung bei Bach: Beobachtungen bei
der Edition der Brandenburgischen Konzerte. [The problem of the bowing in Bach's works:
Observations on editing the Brandenburg concertos.] (Leipzig: VEB Deutscher Verlag für
Musik, 1988) 315-22. In German. See RILM 1988-01024-bs.
1334. Schietroma, Kathleen: Charles Martin Loeffler's Ballade carnavalesque for flute, oboe,
saxophone, bassoon and piano. 1990; 179 p.; (DMA doc. , : Temple U.). PA 9100336.
1335. Schlager, Karlheinz [Editor]; Unverricht, Hubert [Editor]: Kirchenmusikalisches Erbe und
Liturgie: Internationales wissenschaftliches Symposium an der Katholischen Universität
Eichstätt am 18.-20. September 1989. [The heritage of church music and the liturgy: An
international symposium at the Katholische Universität Eichstätt, 18 -20 September 1989.]
Eichstätter Abhandlungen zur Musikwissenschaft, 10 , Tutzing, Germany: Schneider; 1995;
212 p.: ISBN: 3-7952-0818-1.
1336. Schlager, Karlheinz: Miszellaneen zur Edition und zur Aufführung eines Sanctus-Tropus.
[Miscellaneous observations on the editing and performance of a Sanctus trope.] (München:
Arbeo, 1985) 151-61. In German. See RILM 1986-00733-bs.
1337. Schlötterer, Reinhold: Edition byzantinischer Musik. [The editing of Byzantine music.] (See
RILM 1972-03952-bc) 28-49. Facsimile. In German .
1338. Schmalzriedt, Siegfried: Problemi affrontati nell'edizione delle opere per clavicembalo di
Bach. [Problems confronted in editing Bach's works for harpsichord.] Firenze: Olschki;
1987; pp. 133-144
1339. Schmid, Patric: Opera Rara and its Donizetti recordings. Bergamo, Italy : Comune di
Bergamo; 1993; pp. 419-421
1340. Schmidt, Brian L.: A natural language system for music. San Francisco, CA: Computer
Music Association; 1986; pp. 119-129; Charts, diagr.
1341. Schmidt, Brian: A natural language system for music. Computer music journal, Vol. XI/2
(summer 1987) 25-34.: ISSN: 0148-9267.
1342. Schmidt, Carl: The Apotheose de Lully, or, Toward a new Lully edition.: Current
musicology, Vol. 26 (1978) 106-11.: ISSN: 0011-3735.
1343. Schmidt, Christian Martin: Eine wissenschaftlich-kritische Edition? Quellen und
Werkausgabe von Regers Choralphantasien. [A critical edition? Sources and the edition of
Reger's chorale fantasies.] Reger -Studien, Vol. III (1988) 249-56. In German.: ISSN: 03424936.
1344. Schmidt, Christian Martin: Reihenabweichungen in Schönbergs Kompositionen als Problem
der Textkritik. [Row deviations in Schoenberg's compositions as a problem of text
criticism.] (See RILM 1984-00675-bs) 462-65. In German.
1345. Schmidt, Hans: Gregorianik - Legende oder Wahrheit?. [The Gregorian repertory - fact or
fiction?.] (See RILM 1980-02423-be) 400-11. In German.
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92
1346. Schneider, Herbert [Editor]; Winkler, Heinz-Jürgen [Collaborator]: Die Motette: Beiträge
zu ihrer Gattungsgeschichte. [The motet: Essays on its history as a genre.] London,
Germany: Schott; 1991; 314 p.; Illus., music, index
1347. Schneider, Herbert: Carl Orffs Neugestaltung von Monteverdis Orfeo und ihre
Vorgeschichte. [Carl Orff's reworking of Monteverdi's Orfeo and its prehistory.] (Laaber:
Laaber-Verlag, 1986) 387-407. Music. In German. See RILM 1986-00604-be.
1348. Schneider-Klement, Albrecht: Report from Budapest: the 1972 conference on early folksong sources. Current musicology, 16 (1973) 40.: ISSN: 0011-3735.
1349. Schnürl, Karl: Zur übertragung von Lautentabulaturen. [On the modern notation of lute
tablatures.] Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in
Österreich, Vol. 43; 1994; pp. 51-55; Music, bibliog.: ISSN: 0930-9578.
1350. Schott, Howard: Interpreting style: a tribute to Howard Ferguson. Early music, Vol. VII/1
(January 1979) 70-75. Portrait.: ISSN: 0306-1078.
1351. Schreurs, Eugeen; Vanhulst, Henri: Music printing in Antwerp and Europe in the 16th
century. Yearbook of the Alamire Foundation, Peer: Alamire; 340 p.; Vol. 2; 1995; Facs.,
music, bibliog., charts, diagr.: ISBN: 90-6853-113-1.
1352. Schützeichel, Harald: Albert Schweitzer und die Bach-rezeption in Frankreich. [Albert
Schweitzer and the reception of Bach in France.]: Musica, Vol. XLII/2 (1988) 141-48. In
German.: ISSN: 0027-4518.
1353. Schützeichel, Harald: Zur Geschichte der von Widor und Schweitzer herausgegebene
Gesamtausgabe Bachscher Orgelwerke. [The history of the complete edition of Bach organ
music issued by Widor and Schweitzer.]: Ars organi, Vol. XXXV/3 (1987) 159-67. In
German.
1354. Schützeichel, Harald [Editor]: Mozarts Kirchenmusik. [Mozart's church music.]
Tagungsberichte der Katholischen Akademie der Erzdiözese Freiburg, Freiburg im
Breisgau: Katholische Akademie der Erzdiözese Freiburg; 1992; 143 p.; Music, bibliog.:
ISBN: 3-928698-02-8.
1355. Schütz-Jahrbuch, I. (Kassel: Bärenreiter, 1979) 146 p. In German; summaries in English,
French, Swedish.
1356. Schubert, Franz: Die Zauberharfe. Neue Ausgabe sämtliche Werke,: (Kassel: Bärenreiter,
1975) xx, 384 p. DM200. Facsimile, music examples. In German.
1357. Schubert, Giselher: über die Gesamtausgabe der musikalischen Werke Paul Hindemiths.
[Concerning the complete edition of the compositions of Paul Hindemith.] Die
Musikforschung, Vol. XXX/3 (1977) 276-289. In German.: ISSN: 0027-4801.
1358. Schubert, Giselher: Zur Bedeutung der Hindemith-Gesamtausgabe. [ Concerning the
importance of the Hindemith collected edition.] Hindemith -Jahrbuch / Annales Hindemith,
Vol. VII (1980) 7-23. In German.: ISSN: 0172-956X.
1359. Schubert, Giselher: Zur Edition der Hiller-Variationen von Max Reger.: [The edition of
Max Reger's Hiller-Variationen.] Reger-Studien, Vol. III (1988) 237-48. Facsimile. In
German.: ISSN: 0342-4936.
1360. Schuberth, Dietrich: Vom Recht des Ganztons: Musica ficta-Notierungen und das
Evangelische Gesangbuch. [The law of the whole tone: Musica ficta indications and the
Evangelisches Gesangbuch.] Musik und Kirche , Vol. 65; Issue 5; Sept-Oct 1995; pp. 263266: ISSN: 0027-4771.
EDITING
93
1361. Schuhmacher, Gerhard [Editor]: Felix Mendelssohn Bartholdy. Vol. 494, (Darmstadt:
Wissenschaftliche Buchgesellschaft, 1982) x, 448 p.
1362. Schulze, Hans-Joachim: Bach im Urtext zwischen Wissenschaft und Praxis.: [Bach in the
Urtext between scholarship and practice.] (See RILM 1978 -00198-bs) 39-42. In German.
1363. Schulze, Peter: Eingangsvvoraussetzungen für Popmusikredakteure in der ARD. [Entrylevel qualifications for pop music editors at the Arbeitsgemeinschaft der Offentlichrechtlichen Rundfunkanstalten der Bundesrepublik Deutschland.] (Baden-Baden: Nomos,
1986) 81-82. In German. See RILM 1986-00701-bs.
1364. Schwandt, Erich Paul: Questions concerning the edition of the Goldberg variations in the
Neue Bach Ausgabe. Performance practice review, Vol. 3; Issue 1; spring 1990; pp. 58-69:
ISSN: 1044-1638.
1365. Scott, Douglas: Mixview: A portable graphics-based soundfile editor and processor. San
Francisco, CA: Computer Music Association; 1990; pp. 262 -266; Illus.
1366. Scott, Peter J: The life and works of William Damon, Queen's musician.: (MA thesis,
Musicology: University College, Cork, 1986) 2 v. 804 p. Illustration, facsimile, music
examples, bibliography, list of works, charts, tables, transcr.
1367. Seeger, Anthony: Creating and confronting cultures: Issues of editing and selection in
records and videotapes of musical performances.: Wilhelmshaven, Germany: Noetzel;
1991; pp. 290-301
1368. Segui Perez, Salvador: Disparidad clasificatoria en la ordenación de las recopilaciones
folklórico-musicales. [Inconsistencies of classification in the organization of music folklore
compilations.] Rivista internationale de sociología, Vol. LXII/51 (1984) 699-706. In
Spanish.:
1369. Seiffert, Max: Ausgewählte Werke von Leopold Mozart: Vorwort. [ Ausgewählte Werke
von Leopold Mozart: Foreword.] Augsburg: Wißner; 1994; pp. 1-50
1370. Seiffert, Reinhard: Zugang zu Bach: Fragen der Editions- und Interpretationspraxis der
Sonaten und Partiten für Violine allein von Johann Sebastian Bach, dargestellt anhand der
Neuausgabe von Max Rostal.: [Access to Bach: Editorial and performance-practice issues in
the sonatas and partitas for solo violin by Johann Sebastian Bach (on the example of the
new edition by Max Rostal).] Das Orchester, Vol. XXXIII /7-8 (1985) 682-87. Music
examples. In German.
1371. Sengstschmid, Walter: Die Messkompositionen von Joseph Haydn. [Mass compositions by
Joseph Haydn.] Singende Kirche, Vol. XXIX/4 (1981-82) 176-80. In German.: ISSN: 00375721.
1372. Senici, Emanuele: La clemenza di Tito di Mozart: I primi trent'anni (1791-1821) [Mozart's
La clemenza di Tito: The first thirty years (1791 -1821)] Speculum musicae, 3, Turnhout:
Brepols; 1997; xii, 341 p.; Illus., port., bibliog., index, charts, diagr.: ISBN: 2-503-50569-5.
1373. Shackelford, Rudolph Owens: Problems of editions and transcriptions in organ music of the
twentieth century. (DMA diss., Organ: U. of Illinois, Urbana-Champaign, 1971) 249 p.
(typescript, microfilm). Illustration, music examples, bibliography, list of works,
discography.
1374. Shamgar, Beth: Perceptions of stylistic change: A study of the reviews of new music in the
Harmonicon. Current musicology, Vol. 42 (1986) 20 -31.: ISSN: 0011-3735.
1375. Sharp, Cecil: Cecil Sharp's collection of English folk songs. (London: Oxford U., 1974) 2 v.
Bibliography, index.
EDITING
94
1376. Sheer, Miriam: Bergman's cinematic treatment of Mozart's overture to The magic flute.
Israel studies in musicology, Vol. 6; 1996; pp. 59-70; Music, charts, diagr.: ISSN: 03342026.
1377. Sherr, Richard: Josquin's Missa Pange lingua: A note on Agnus Dei III.: Early music, Vol.
18; Issue 2; May 1990; pp. 271-275; Facs., music, charts, diagr., transcr.: ISSN: 0306-1078.
1378. Sheveloff, Joel Leonard: The keyboard music of Domenico Scarlatti: a re -evaluation of the
present state of knowledge in the light of the sources . (PhD diss., Music history: Brandeis
U., 1970) 3v. 688 p. (typescript, microfilm). Music examples, bibliography, list of works,
thematic catalogue, index.
1379. Sheveloff, Joel: Domenico Scarlatti: Tercentenary frustrations. Musical quarterly, Vol.
LXXI/4; LXXII/1 (1985; 1986) 339-436; 90-118. Facsimile , music examples, bibliography,
list of works.
1380. Shields, Hugh: A quand une edition critique de la chanson narrative française?. [When will
there be a critical edition of French ballads?. ] (Dublin: Folk Music Society of Ireland,
1986) 241-50. In French. See RILM 1988-00998-bs.
1381. Shoaf, R. Wayne: Variant printings of the Berg guides. Journal of the Arnold Schoenberg
Institute, Los Angeles, CA: U. of Southern California; Vol. 16; Issue 1-2; June-Nov 1993;
pp. 323-331; Illus., port., facs., bibliog.: ISSN: 0146-5856.
1382. Shulman, Laurie: The Breitkopf a Härtel Oeuvres complettes de J. Haydn.: (See RILM
1981-04347-bs) 137-42. Illustration.
1383. Sichardt, Martina: Forschungsstelle der Arnold Schönberg Gesamtausgabe.: [The research
station of the Arnold Schoenberg complete works project. ] Jahrbuch des Staatlichen
Instituts für Musikforschung Preußischer Kulturbesitz, 1994; pp. 407-409: ISSN: 05726239.
1384. Sichardt, Martina: Zur Gesamtausgabe der musikalischen Werke Arnold Schönbergs. [On
the complete edition of the musical works of Arnold Schoenberg.] Mitteilungen aus der
Schönberg-Forschung, Issue 5-6; Mar 1992; pp. 10-13
1385. Siegele, Ulrich: Ein Editionskonzept und seine Folgen. [A edition concept and its
consequences.] Archiv für Musikwissenschaft, Vol. 52; Issue 4; 1995; pp. 337-46: ISSN:
0003-9292.
1386. Siegmund-Schultze, Walther: Epochenbegriffe der Musik des 18. Jahrhunderts. [Ideas
concerning the periodization of 18th-century music. ] Händel-Jahrbuch, Vol. XVII (1971)
7-23. In German.: ISSN: 0440-0615 .
1387. Siegmund-Schultze, Walther: Ornamentik und Generalbassspiel - Editionsfragen:
Einführung zu den Generalthemen der XIV. Internationalen Tagung. [Ornamentation and
continuo performance - Editing questions: Introduction to the general themes of the 14th
international conference. ] Zur vokalen und instrumentalen Ornamentik..., (Blankenburg/
Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 9-13. In German. See RILM 198700862-bs.
1388. Siegmund-Schultze, Walther: Prinzipien einer musikalischen Klassikerausgabe am Beispiel
Georg Friedrich Handels. [Principles of an edition of the music of a standard composer,
exemplified by Georg Friedrich Handel.] Händel-Jahrbuch, XVIII-XIX (1974) 103-24.:
ISSN: 0440-0615.
1389. Siegmund-Schultze, Walther: Some controversial problems in Händel research; Einige
strittige Probeme der Händel-Forschung.
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95
1390. Silagi, Gabriel [ed]: [Munich, 1983; Canterbury, 1984] Liturgische Tropen. [Liturgical
tropes. ] Münchner Beiträge zur Mediävalistik und Renaissance-Forschung, 36, (1983) and
Canterbury (1984); ed. by Gabriel SILAGI. Münchener Beiträge zur Mediävistik und
Renaissance-Forschung. 36 (München: Arbeo, 1985) x, 222 p. In German, French, English.
1391. Silbiger, Alexander: In defense of facsimiles. Historical performance: The journal of Early
Music America, Vol. 7; Issue 2; fall 1994; pp. 101-104; Facs.: ISSN: 0898-8587.
1392. Silbiger, Alexander: Tracing the contents of Froberger's lost autographs . Current
musicology, Issue 54; 1993; pp. 5-23: ISSN: 0011-3735.
1393. Silences. 4 (May 1987): Debussy. (Paris: Diff‚rence, 1987) 290 p. In French.
1394. Simms, Bryan Randolph: Alexandre Choron (1771-1834) as a historian and theorist of
music. (PhD diss., Musicology: Yale U., 1971) vi, 345 p. (typescript). Portrait, facsimile,
music examples, bibliography, list of works.
1395. Skulj, Edo [Editor]: Mantuanijev zbornik: Simpozij ob 60. obletnici smrti. [Mantuani's
anthology: A symposium on the 60th anniversary of his death.] Ljubljana: Slovenska
Akademija Znanosti in Umetnosti; 1994; 198 p.; Illus., bibliog.
1396. Skulj, Edo [Editor]; Kuret, Primoz [Preface]: Premrlov zbornik. [ Studies on Premrl.]
Knjizna zbirka, 10, Ljubljana: Druzina; 1996; 276 p.; Music, bibliog.: ISBN: 961-222-0824.
1397. Skulj, Edo: Misli ob novi izdaji Gallusovih motetov. [Observations on the new edition of
Gallus's motets.] Cerkveni glasbenik, Vol. 84; Issue 4-12; 1991; pp. 91-124; Music: ISSN:
0351-496X.
1398. Sky, Patrick: A manual for the Irish uileann pipes/ by Patrick Sky; musical calligraphy and
line drawings by Nancy Perkins; titles by Susan E . Powers; cover design by L.E.
McCullough; editing assistance by Bruce Foley and L.E. McCullough; preliminary artwork
and transcription by Joe Szarek and Emily Chatfield. Pittsburgh, Pa, Silver Spear
Publications, [1980]; 84 p: ISBN: 0934302006.
1399. Slim, H. Colin [Editor]: Ten altus parts at Oscott College Sutton Coldfield. (Santa Ana,
Calif.: author, 1978) 28 p. Illustration, facsimile, music examples.
1400. Slim, H. Colin: A royal treasure at Sutton Coldfield. Early music, Vol . VI/1 (January 1978)
57-74. Illustration, facsimile, music examples.: ISSN: 0306-1078.
1401. Smirnov, Mstislav [Editor]: Problemy vospitanija muzykantov ispolnitelej : Sbornik
naucnyh trudov Moskovskoj konservatorii. [Issues in the education of performing
musicians: A collection of articles from the Moscow Conservatory.] (Moskva:
Gosudarstvennaja Konservatorija, 1984) 103 p. Music examples. In Russian.
1402. Smith, Bennett: A universal recorder for the IRCAM musical workstation.: San Francisco,
CA: Computer Music Association; 1990; pp. 267-269
1403. Smith, Charles: Beethoven via Schenker: a review. In theory only, Vol. IV/1 (April 1978)
37-47.: ISSN: 0360-4365.
1404. Smith, Christine Dee: Andr‚ Campra's Idom‚n‚e: A study of its structural components and a
critical edition of the work. (PhD diss., Musicology: U . of Kentucky, 1988) 1023 p. DA
8822117.
1405. Smith, Douglas: Editing 18th-century lute music: The works of Silvius Leopold Weiss. (See
RILM 1984-00769-bs) 253-60.
EDITING
96
1406. Smith, Leland: Editing and printing music by computer. Journal of music theory, Vol.
XVII/2 (fall 1973) 292-309. Music examples.: ISSN: 0891 -7639.
1407. Smith, Robyn: Towards a new edition of the French double and triple motets in fascicles II,
V, and VII of the manuscript Montpellier, Bibliothèque de l'Ecole de M‚decine, H 196:
Some comments on editorial method and the motet Qui la vaudroit/ Qui d'amors velt bien
joir/ Qui longuement porroit joir/ Nostrum (F-Mo ff.23v-25r). (Henryville, Penn.: Institute
of Medieval Music, 1984) 544-54. Music. See RILM 1988-00860-be .
1408. Smith, William: The earliest editions of the Water music. (See RILM 1985-00871-ac) 23555.
1409. Smithers, Don L.: Mozart's orchestral brass. Early music, Vol. 20; Issue 2; May 1992; pp.
254-265; Illus.: ISSN: 0306-1078.
1410. Smits van Waeserghe, Joseph: Studien uber das Lesen (pronuntiare), das Zitieren und uber
die Herausgabe lateinischer musiktheoretischer Traktate (9.-16. Jahrhundert). [Studies on
how to read (pronuntiare), quote from, and edit Latin music treatises (9th-16th centuries).]
Archiv für Musikwissenschaft, Vol. XXVIII/3-4, XXIX/1 (1971, 1972) 155-200; 271-87;
64-86. In German.: ISSN: 0003-9292.
1411. Snyder, Kerala: Buxtehude's organ music: drama without words. Musical times, Vol.
CXX/1636 (June 1979) 517-21. Music examples.
1412. Sobchack, Tom: Ragtime: An improvisation on Hollywood style. Literature /film quarterly,
Vol. 13; Issue 3; 1985; pp. 148-154; Bibliog.: ISSN: 0090-4260.
1413. Sobiela-Caanitz, Mechthild: Das deutsche Kirchenlied-Plan und Anspruch.: [Das deutsche
Kirchenlied-plan and purpose.] (See RILM 1976-04814) 225 -28. In German.
1414. Societ… Italiana di Musicologia; Associazione Veneta per la Ricerca delle Fonti Musicali.
Cataloghi di fondi musicali italiani a cura della Societ… Italiana di Musicologia in
collaborazione con il RISM: Norme per la redazione. [Catalogues of Italian music sources,
in care of the Societ… Italiana di Musicologia in collaboration with RISM: Editing
guidelines.] Padova: CLEUP; 1989; 54 p.; Illus.
1415. Sohman, Gennadij: Razmysljaja o stile. [Reflections on style.]: Sovetskaja muzyka, Issue 8;
Aug 1991; pp. 8-12: ISSN: 0131-6818.
1416. Solc, Milan; Burghauser, Jarmil: Leos Jan cek. Souborn‚ kritick‚ vyd ní . Edicní z sady a
smernice. K notacní problematice klasiku 20. století.: [Leos Jan cek. A critical edition of the
collected works. Editorial principles and guidelines. Concerning the problems in notating
music of the classic 20th-century composers.] (Praha: Supraphon, 1979) 213 p. Kc 35.
Music examples, index. In Czech; summaries in German, English.
1417. Somfai, László: Arbitrary or historic reading of the Urtext?. Mozart -Jahrbuch, (1987-88)
277-84. Music examples.: ISSN: 0077-1805.
1418. Somfai, László: Béla Bartók: Composition, concepts, and autograph sources. Ernst Bloch
lectures, 9, Los Angeles: U. of California; 1996; xxii, 334 p.; Facs., music, bibliog., list of
works, index, charts, diagr., transcr.: ISBN: 0-520-08485-3.
1419. Somfai, László: Bartók's transcription of J.S. Bach. Kassel, Germany: Bärenreiter; 1995; pp.
689-696; Music
1420. Somfai, László: Diplomatic transcription versus facsimile with commentaries: Methodology
of the Bartók edition. Laaber, Germany: Laaber -Verlag; 1992; pp. 79-97; Music
1421. Somfai, László: Fragments in Bartók's oeuvre. Hungarian music quarterly , Vol. 3; Issue 34; 1992; pp. 8-13; Illus., music: ISSN: 0238-9401 .
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1422. Somfai, László: In his "compositional workshop". London: Faber & Faber; 1993; pp. 30-50
1423. Somfai, László: Kollokvium Haydn, Mozart, Beethoven vonósn‚gyeseinek k‚ziratairól. [A
colloquium on the autographs of the string quartets of Haydn, Mozart, and Beethoven.]
Muzsika, Vol. XXII/6 (June 1979) 22-27. Illustration. In Hungarian.: ISSN: 0027-5336.
1424. Somfai, L szló: Manuscript versus Urtext: the primary sources of Bartók's works. Studia
musicologica Academiae Scientiarum Hungaricae,: Vol. XXIII (1981) 17-66. Facsimile,
charts.: ISSN: 0039-3266.
1425. Somfai, L szló: Nineteenth-century ideas developed in Bartók's piano notation, 1907-14.
Berkeley: U. of California; 1990; pp. 181-200
1426. Somfai, L szló: Nineteenth-century ideas developed in Bartók's piano notation in the years
1907-14. 19th-century music, Vol. XI/1 (summer 1987) 73-91. Facsimile, music examples.:
ISSN: 0148-2076.
1427. Somfai, L szló: Why is a Bartók thematic catalog sorely needed?: Princeton: Princeton U.;
1995; pp. 64-78; Music
1428. Somfai, L szló; Gago, Luis Carlos [Translator]: El desarrollo de ideas del siglo XIX en la
notación para piano de Bartók, 1907-14. [Nineteenth -century ideas developed in Bartók's
piano notation, 1907-14.] Quodlibet : Revista de especialización musical, Issue 3; Oct 1995;
pp. 60-87; Illus., facs., music, charts, diagr.: ISSN: 1134-8615.
1429. Sommer, Susan T.: Knowing the score: Preserving collections of music.: Fontes artis
musicae, Vol. 41; Issue 3; July-Sept 1994; pp. 256-260; Bibliog., charts, diagr.: ISSN:
0015-6191.
1430. Sorensen, Soren: Die Herausgabe von Buxtehudes Werken: Geschichte - Beurteilung Pläne. [The edition of Buxtehude's works: history - assessment - plans.] (See RILM 198104320-be) 159-77. In German.
1431. Sossner, Doris Kert: Revisiting Artur Schnabel: Artur Schnabel as performer, teacher,
editor, composer, with special focus on Seven pieces for piano solo. (PhD diss., Music: U.
California, San Diego, 1986) 210 p . DA 8706266.
1432. Spechtler, Franz Viktor [Editor]: Lyrik des ausgehenden 14. und des 15. Jahrhunderts.
[Lyric poetry of the late 14th and the 15th century.]: Chloe: Beihefte zum Daphnis, 1,
Amsterdam: Rodopi; 1984; 397 p.: ISBN: 90-6203-575-2. ISSN: 0168-9878.
1433. Spechtler, Franz Viktor: Lyrik des ausgehenden 14. und des 15. Jahrhunderts: Einführung.
[Lyric poetry of the late 14th and the 15th centuries: An introduction.] Amsterdam: Rodopi;
1984; pp. 1-28
1434. Spechtler, Franz Viktor: überlieferung und kritische Edition. Bemerkungen zum
Leithandschriftenprinzip. [Transmission and the critical edition. Remarks on the
Leithandschriftenprinzip.] (See RILM 1978-02408 -bs) 187-89. In German.
1435. Spechtler, Franz Viktor: Zur Methode der Edition mittelalterlicher Texte . [Concerning the
method of editing medieval texts.] Studia musicologica Academiae Scientiarum
Hungaricae, XV/1-4 (1973) 225-43. Illustration: ISSN: 0039-3266.
1436. Spencer, Robert: 19th-century guitar music: The type of edition we should play from.
Classical guitar, Vol. 15; Issue 3; Nov 1996; pp. 20-26; Music: ISSN: 0950-429X.
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1438. Spies, Claudio: Music reviews: Lulu. Notes. Music Library Association , Vol. XXXVIII/2
(December 1981) 401-06.
1439. Staral, Susanne: Aufführungspraktische Aspekte zu W.A. Mozarts Klavierkonzerten KV
107: Einer Bearbeitung von Johann Christian Bachs Klaviersonaten op. V/2-4.
[Performance practice and Mozart's keyboard concertos K.107: Arrangements of Johann
Christian Bach's keyboard sonatas op. 5, nos. 2-4.] Michaelstein/Blankenburg, Germany:
Kultur- und Forschungsstätte Michaelstein; 1991; pp. 111-115
1440. Stegemann, Michael: Luigi Boccherini: Ein Genie im Abseits der musikalischen Klassik.
[Luigi Boccherini: Genius on the margins of musical Classicism.] Neue Zeitschrift für
Musik, Vol. CXLVI/2 (1985) 4 -9. In German.: ISSN: 0170-8791.
1441. Stein, Leonard: The Schoenberg Archive in Los Angeles: A progress report after ten years.
(Wien: Lafite, 1986) 129-33. Music. In German. See RILM 1987-00989-bs.
1442. Steinberg, Daniel; Learmont, Tim: The Multimedia File System. San Francisco, CA:
Computer Music Association; 1989; pp. 307-311; Bibliog.:
1443. Stekl, Konrad: Musik aus der Steiermark. Zur Herausgabe des 50. Heftes der Reihe 1.
[Music from Styria. The editorial policy of the 50th volume of the first series.] Mitteilungen
des steirischen Tonkünstlerbundes,: Vol. XXXIII (September-December 1967) 4-6. In
German.
1444. Stenstadvold, Erik: Faksimile oder Urtext: Eine kritische Würdigung der Ausgabe der
'Opera Omnia' von Fernando Sor. [Facsimile or Urtext: A critical appreciation of the opera
omnia edition of Fernando Sor.]: Gitarre & Laute, Vol. VII/1 (1985) 45-50. In German.:
ISSN: 0172-9683 .
1445. Stephan, Rudolf [Editor]: Mahler - Interpretation: Aspekte zum Werk und Wirken von
Gustav Mahler. [Mahler and interpretation: Aspects of the work and impact of Gustav
Mahler.] (Mainz: Schott, 1985) 190 p.
1446. Stevens, Claudia: A study of Robert Schumann's impromptus, op. 5: its sources and a
critical analysis of its revisions. (DMA diss.: Boston U., 1977) 233 p.
1447. Stevens, Denis: Monteverdian 1993. Early music, London: Oxford U.; Vol. 21; Issue 4; Nov
1993; pp. 565-574; Illus., port., music: ISSN: 0306-1078.
1448. Stevens, Denis: Performance practice in Baroque vocal music. College music symposium,
Vol. XVIII/2 (fall 1978) 9-19.: ISSN: 0069-5696.
1449. Stief, Wiegand [Editor]: Tagung einer IFMC-Studiengruppe. [Conference of an IFMC study
group.] Die Musikforschung, Vol. XXX/4 (1977) 516. In German.: ISSN: 0027-4801.
1450. Stief, Wiegand: Wie weit lässt sich der Tougenhort-Leich in der Ausgabe der Colmarer
Liederhandschrift Runges reparieren? Kritik einer halbkritischen Ausgabe. [How far can the
Tougenhort-Leich in Runge's edition of the Colmar manuscript be restored? Criticism of a
half -critical edition.] (See RILM 1978-02408-bs) 191-219. Facsimile. In German.
1451. Stockmann, Bernhard: Die Interpretationsausgabe der Klaviersonaten Beethovens. [The
interpretive editions of Beethoven's piano sonatas.]: (RILM 1973-03019-bs) 590-92.
1452. Stockmann, Bernhard: Händel research in Hamburg: Friedrich Chrysander; HändelForschung in Hamburg: Friedrich Chrysander. (See RILM 1985-00231 -bc) 153-58. In
German.
1453. Stockmann, Doris [Editor]; Erler, Annette [Editor]: Historische Volksmusikforschung.
[Historical research in traditional music.] Orbis musicarum, 10, Göttingen: Re; 1994; 338
p.; Illus., music, maps: ISBN: 3-927636-40-X.
EDITING
99
1454. Stockmann, Doris [Editor]; Michel, Andreas [Editor]: Volks- und Popularmusik in Europa.
[Folk and popular music in Europe.] Neues Handbuch der Musikwissenschaft, 12, Laaber,
Germany: Laaber-Verlag; 1992 ; x, 506 p.; Illus., music, bibliog., discog., index, charts,
diagr., videography: ISBN: 3-89007-042-6.
1455. Stockmann, Doris: Arbeitstagung der IFMC-Studiengruppe zur Erforschung und Edition
alterer Volksliedquellen. [Working conference of the IFMC study group for research and
editing of older folk-song sources.]: Musikrat der Deutschen Demokratischen Republik,
Vol. I (1968) 21-23. In German; summaries in French, English.
1456. Stolze, Wolfgang: Zur Gesamtausgabe der Werke Samuel Scheidts. [On the complete
edition of Samuel Scheidt's works.] Musikforschung, Vol. XL/2 (1987) 120-35. Music
examples. In German.
1457. Strakova, Theodora: O soucasném stavu janáckovského bádání. [The present state of
Jan cek research.] Opus musicum, Vol. X/5-6 (1978) 179 -83. In Czech; summaries in
German, English, Russian.: ISSN: 0862-8505 .
1458. Strange, Allen [General Editor]: International Computer Music Association; San Jose State
University Music Department; Center for Computer Research in Music and Acoustics;
Center for New Music and Audio Technologies. Proceedings: International Computer
Music Conference, San Jose, California, October 14-18, 1992. San Francisco: International
Computer Music Association; 1992; xxiii, 497 p.; Index
1459. Strauss, Dietmar: Eduard Hanslick: Vom Musikalisch-Schönen. Ein Beitrag zur Revision
der Ästhetik in der Tonkunst. Schott Musikwissenschaft, 2v .; Mainz, Germany: Schott;
1987; 171, 154 p.; (PhD diss., : U. Saarlandes); Music
1460. Strohm, Reinhard: Italienische Barockoper in Deutschland: Eine Forchungsaufgabe. [Italian
Baroque opera in Germany: A research task. ] (Neuhausen: Hänssler, 1986) 348-63. In
German. See RILM 1986-00623-be .
1461. Strohm, Reinhard: The critical edition of Vivaldi's Giustino (1724): Firenze: Olschki; 1988;
pp. 399-416
1462. Struck, Michael: Revisionsbedürftig: Zur gedruckten Korrespondenz von Johannes Brahms
und Clara Schumann. [In need of revision: The published correspondence between Johannes
Brahms and Clara Schumann.]: Musikforschung, Vol. XLI/3 (1988) 235-41. In German.
1463. Sturzenegger, Richard: Eine praktische Neuausgabe der Cello-Suiten von J .S. Bach/A
practical new edition of J.S. Bach's suites for violoncello.: (See RILM 1977-04269-bp) 512. Music examples. In German, English.
1464. Sulyok, Imre: Béla Bartóks Handschrift im Liszt-Material in Weimar. [ B‚la Bartók's
handwriting on a Liszt manuscript in Weimar.] Studia musicologica Academiae
Scientiarum Hungaricae, Vol. XXIX/1-4 (1987) 353 -54. In German.: ISSN: 0039-3266.
1465. Sulyok, Imre: Bartók Béla kézír sa a weimari Liszt-anyagban. [B‚la Bartók's autograph
notes in the Weimar Liszt material.] Magyar zene,: Vol. XXVII/4 (December 1986) 352-53.
In Hungarian.: ISSN: 0025-0384.
1466. Sulyok, Imre: M‚g egyszer a "371"-röl. [One more time about the "371". ] Zenetudom nyi
dolgozatok, 1995-1996; pp. 55-66; Music, charts, diagr.: ISSN: 0139-0732.
1467. Sulyok, Imre: Stand und Planung der Neuen Liszt-Ausgabe. [The current state and plans of
the Neue Liszt-Ausgabe.] Eisenstadt, Austria: Burgenländisches Landesmuseum; 1991; pp.
21-25; Music, bibliog.
EDITING
100
1468. Sulyok, Imre; NEZO, Imre: Franz Liszt. Various cyclical works, II.: American Liszt Society
journal, Vol. IX (December 1981) 118-21.
1469. Super, Kevin Christie: Guitar transcriptions for marimba: Piazzolla, Tango suite;
Bogdanovic, selected works--With an overview of marimba repertoire and a bibliography.
1994; 467 p.; (DMA doc.,: U. of Oregon). PA 9434800.
1470. Suppan, Wolfgang: Editionsprobleme des Volksliedsammlers. [Problems of editing
encountered by the collector of folk songs.] Die Musikforschung , Vol. XXVI/3 (JulySeptember 1973) 366-68. In German.: ISSN: 0027-4801 .
1471. Sutcliffe, W. Dean: Haydn studies. New York: Cambridge U.; 1998; xiii ,343 p.; Music,
bibliog.: ISBN: 0-521-58052-8 (hbk).
1472. Swift, Richard: Mahler's Ninth and Cooke's Tenth. 19th-century music , Vol. II/2
(November 1978) 165-72. Music examples.: ISSN: 0148-2076.
1473. Szczepanski, Rafal: Paderewski jako wydawca dziel Chopina: Praca redakcyjna nad
wydaniem Dziel wszystkich i The Century library of music.: [Paderewski as the editor of
Chopin's works: The editorial work on F.F. Chopin: Dziela wszystkie and The Century
library of music.] Kraków: U. Jagiellonski; 1991; pp. 96-112
1474. Szelest, Marcin: Editore traditore: Krytyczne spojrzenie na zródlowe wydanie utworu S.S.
Szarzynskiego Ad hymnos ad cantus. [Editore traditore: A critical look at the source edition
of the composition Ad hymnos ad cantus by S.S. Szarzynski.] Canor: Kwartalnik
poswiecony problemom interpretacji muzyki dawnej, Vol. 6; Issue 1:16; 1996; pp. 47-53;
Illus.: ISSN: 1230-1515.
1475. Szende, Ottó: Egy remekmü és különös utóélete: Henry Vieuxtemps--36 ‚tudes pour violon
avec accompagnement de piano, op. 48. [A masterpiece and its strange vicissitudes: Henry
Vieuxtemps's 36 ‚tudes pour violin avec accompagnement de piano, op. 48.] Magyar zene,
Vol. 32; Issue 1; Mar 1991; pp. 91-100; Facs., music, bibliog., list of works: ISSN: 00250384.
1476. Szerzö, Katalin: The most important Hungarian music periodical of the 19th century:
Zen‚szeti lapok (Musical papers) 1860-1876. Periodica musica, Vol. IV (spring 1986) 1-5.
Portrait.: ISSN: 0822-7594.
1477. Tagliaferri, Pietro: Scherzi musicali a tre voci (1607): Edizione critica. [Scherzi musicali a
tre voci (1607): Critical edition.] 1989; 203 p.; (Tesi di laurea, musicologia: Scuola di
Paleografia e Filologia Musicale, Cremona (U. di Pavia), 1989); Facs., music, bibliog.
1478. Talbot, Michael: A new area for the new critical edition of Vivaldi's works: The
introduzioni and motets for solo voice. Firenze: Olschki; 1988; pp. 387-398
1479. Talbot, Michael: Izpisati ali ne: Continuo v modernih kriticnih idajah barocne glasbe. [To
write it out or not: Continuo in modern critical editions of Baroque music.] 1997; pp. 237246
1480. Talbot, Michael: Vivaldi's conch concerto. Informazioni e studi vivaldiani, Vol. 5 (1984)
66-82. Illustration, facsimile, music examples. In Italian.: ISSN: 0393-2915.
1481. Tallian, Tibor: Bartok levelvaltasa R. St. Hoffmann-nal. [Bartok's correspondence with
Rudolf Stefan Hoffmann.] Magyar zene, XV/2 (June 1974) 134-85. In Hungarian, German:
ISSN: 0025-0384.
1482. Tarnawska-Kaczorowska, Krystyna: Frédéric Chopin's songs; Piesni Fryderyka Chopina.
Rocznik chopinowski, Vol. XIX (1987) 259-96. Music. In Polish. See RILM 1988-01147bs.
EDITING
101
1483. Taube, Heinrich: Stella: Persistent representation and score editing in Common Music.
Computer music journal, Vol. 17; Issue 4; winter 1993; pp. 38-50; Music, bibliog., charts,
diagr.: ISSN: 0148-9267.
1484. Taube, Heinrich: Stella: Persistent score representation in Common Music. San Francisco:
International Computer Music Association; 1992; pp. 101-105; Charts, diagr.
1485. Taves, Jeanette: A study of editions of Haydn's piano sonata Hob. XVI:52 (ChL. 62) in Eflat major. (See RILM 1981-04347-bs) 142-44.
1486. Tayler, David: The solo lute music of John Dowland. 1992; 347 p.; (PhD diss., Music: U. of
California, Berkeley, 1992). PA 9330755.
1487. Teel, Allen J.: Ghanaian musical style in the percussion ensemble: An examination of
Faini's Highlife and Locke's Drum Gahu with implications for Western percussion ensemble
performance. 1994; 93 p.; (DMA doc., : U. of Georgia). PA 9520852.
1488. Tegen, Martin: Franz Berwalds samlade verk. Några intryck av de hittills utgivna
volymerna. [Franz Berwald, Sämtliche Werke. Some impressions of the hitherto published
volumes.] Svensk tidskrift för musikforskning,: Vol. LIX/2 (1977) 81-84. In Swedish.:
ISSN: 0081-9816.
1489. Telemann, Georg Philipp: Die Donnerode. Das befreite Israel.: Musikalische Werke,
(Kassel: Barenreiter, 1971) 23 xxviii, 177 p.
1490. Temperley, Nicholas: Haydn, The creation. Cambridge music handbooks,: Cambridge:
Cambridge U.; 1991; vii, 135 p.; Facs., music, bibliog., index, charts, diagr.: ISBN: 0-52137255-0.
1491. Temperley, Nicholas: On editing facsimiles for performance. Notes. Music Library
Association, Vol. XLI/4 (June 1985) 683-88.
1492. Temperley, Nicholas: Scorography: the music of Chopin. Musical newsletter, Vol. IV/1
(winter 1974) 11-14.
1493. Thalheimer, Peter: Hindemith heute: Anmerkungen zur Aufführungspraxis seines Trios für
Blockflöten. [Hindemith today: Remarks on the performance practice of his trio for
recorders.] Tibia: Magazin für Holzbläser, Vol. 20; Issue 4; 1995; pp. 586-93; Music: ISSN:
0176 -6511.
1494. Theill, Gustav Adolf: Die Marcuspassion von Johann Sebastian Bach BWV 247.
Entstehung - Vergessen - Wiederentdeckung - Rekonstruktion. [The Marcuspassion of
Johann Sebastian Bach, BWV 247. Origin - oblivion - rediscovery - reconstruction.]
Beiträge zur Musikreflexion, Vol. 6, (Steinfeld: Salvator, 1978) 91 p. Facsimile, music
examples. In German.:
1495. Theiner, Lieselotte [Editor]: Musikalische Dokumentation Karl Heinz Füssl. [Musical
documentation on Karl Heinz Füssl.] Wien: Institut für ™sterreichische
Musikdokumentation; 1996; 47 p.; Illus., port., bibliog ., list of works, discog.
1496. Thelander, Kristin Pederson: The solo horn writing of Carl Oestreich (1800-1840) and
critical editions of three works for horn and orchestra.: (DMA doc., Music: U. of
Wisconsin-Madison, 1987) 437 p. DA 8711053.
1497. Thom, Eitelfriedrich [Editor]: Wolfgang Amadeus Mozart. Ein Beitrag zum 200. Todestag:
Aufführungspraxis--Interpretation--Edition. [Wolfgang Amadeus Mozart. A contribution to
the 200th anniversary of his death: Performance practice--interpretation--editions.] Studien
zur Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, 44 ,
EDITING
102
Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein; 1991; 135
p.; Illus., music
1498. Thom, Eitelfriedrich: Gedanken zur Interpretation und Aufführungspraxis der
Instrumentalwerke Georg Friedrich Händels am Beispiel von drei Kompositionen.
[Thoughts on the interpretation and performance of the instrumental works of Georg
Friedrich Händel, on the example of three compositions.] Fragen der
Aufführungspraxis...Händelscher Werke, (See RILM 1980-02434-bs) 124-30. In German.
1499. Thomas, Günter: Eine Notiz zu Haydns Acide. [A note on Haydn's Acide. ] Haydn-Studien,
Vol. 6; Issue 4; 1994; pp. 304-08; Facs.: ISSN: 0040-5323.
1500. Thomson, John M: Kaleidoscope of the past: the world of music books.: Canzona, Vol. III/8
(June 1981) 14-20.
1501. Thomson, John Mansfield [Editor]; Rowland-Jones, Anthony [Editor]: The Cambridge
companion to the recorder. Cambridge companions to music,: Cambridge: Cambridge U.;
1995; xxiii, 238 p.; Illus., bibliog., index: ISBN: 0-521-35269-X.
1502. Thornburg, John D.: Saved by singing: Hymns as a means of grace. The hymn: A journal of
congregational song, Vol. 47; Issue 2; Apr 1996; pp . 5-10: ISSN: 0018-8271.
1503. Tichota, Jirí: Problèmes d'edition des tablatures de rédaction défectueuse. [Problems in
editing tablatures that are inadequately written.] (See RILM 1984-00769-bs) 43-58. In
French.
1504. Tihonov, Stanislav: Fortepiannye koncerty Bethovena: Stilevye osobennosti i interpretacija.
[Beethoven's piano concertos: Stylistic characteristics and interpretation.] 1990; 22 p.; (PhD
diss., Performance practice: Gosudarstvennaja konservatorija, Moskva, 1990); Bibliog.
1505. Timbrell, Charles: Notes on the sources of Beethoven's opus 111. Music & letters, Vol.
LVIII/2 (April 1977) 204-15. Music examples.: ISSN: 0027-4224.
1506. Tischler, Hans [ed]: The Parisian two-part organa: The complete comparative edition. [The
Parisian two-part organa: The complete comparative edition.] (Stuyvesant, N.Y.:
Pendragon, 1988) 2 v. lxviii, 1605 p.: ISBN: 0-918728-89-4.
1507. Tischler, Hans: A comparison of two manuscripts: Fole acoustumance (c. 1250). (See RILM
1976-08685) 8-16. Facsimile, music examples.
1508. Tischler, Hans: Metrum und Rhythmus in der franzosischen Poesie und Musik des 13.
Jahrhunderts. [Meter and rhythm in French poetry and music of the 13th century.] Archiv
für Musikwissenschaft, XXXII/1 (1975) 72 -80. Music examples: ISSN: 0003-9292.
1509. Tischler, Hans: Mode, modulation, and transposition in medieval songs.: The journal of
musicology: A quarterly review of music history, criticism, analysis, and performance
practice, Vol. 13; Issue 2; spring 1995; pp. 277-283; Music, transcr.: ISSN: 0277-9269.
1510. Tischler, Hans: On editing medieval songs. Musica antiqua, Vol. VIII/1 (Bydgoszcz:
Filharmonia Pomorska im. I. Paderewskiego, 1988) 1005-28. See RILM 1988-00974-bs.:
ISSN: 0771-7016.
1511. Tischler, Hans: On the need of new editions of early polyphonic music.: Orbis musicae,
Vol. I/1 (1971) 67-71. Music examples.
1512. Tischler, Hans: The Montpellier Codex. Recent researches in the music of the Middle Ages
and early Renaissance, Vol. 2-7, (8) (Madison, Wis.: A-R Editions, 1978) 3 v. 590 p.
$95.70. Facsimile, music examples, bibliography, index.
EDITING
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1513. Tischler, Hans: The performance of medieval songs. Revue belge de musicologie/Belgisch
tijdschrift voor muziekwetenschap, Vol. 43; 1989; pp. 225-242: ISSN: 0771-6788.
1514. Tischler, Hans; Rosenberg, Samuel N.: The monophonic songs in the Roman de Fauvel.
Lincoln: U. of Nebraska; 1991; 171 p.; Illus., music, bibliog., list of works, index: ISBN: 08032-3898-3.
1515. Tokumaru, Yoshihiko [Editor]; Ohmiya, Makoto [Editor]; Kanazawa, Masakata [Editor];
Tukitani, Tuneko [Editor]; Takamatsu, Akiko [Editor] ; Shimosako, Mari [Editor]: Nippon
Ongaku Gakkai. Tradition and its future in music. Osaka, Japan: Mita; 1991; 695 p.; Illus.,
facs., music, bibliog., list of works, index, charts, diagr.: ISBN: 4-89583-083 -7.
1516. Tomasic, Duro [Editor]: Katolicki Bogoslovni Fakultet, Institut za Crkvenu Glazbu Albe
Vidakovic, Zagreb. I. znanstveni skup u povodu 900. obljetnice Zagrebacke (nad)biskupije,
30. obljetnice Instituta za Crkvenu Glazbu, 30. obljetnice smrti Albe Vidakovica, 25.
obljetnice glasila Instituta Sv. Cecilija. [The first scholarly meeting organized on the
occasion of the 900th anniversary of the Zagreb (arch)bishopric, 30th anniversary of the
Institut za Crkvenu Glazbu, 30th anniversary of Albe Vidakovic's death, and 25th
anniversary of Sv. Cecilija.] Sveta Cecilija : Casopis za duhovnu glazbu, Vol. 65; Issue 1-2;
Jan-June 1995; pp. 1 -48; Illus., port., music: ISSN: 1330-2531.
1517. Tomaszewski, Mieczyslaw [Editor]: The international musicological symposium "Chopin
and Romanticism". Chopin studies, Vol. 3; 1990; 371 p.; Port., facs., music, list of works:
ISSN: 0176-6511.
1518. Tomita, Yo: Bach reception in pre-Classical Vienna: Baron von Swieten's circle edits the
Well-tempered clavier II. Music & letters, Vol. 81; Issue 3; Aug 2000; pp. 364-391; Music,
charts, diagr.: ISSN: 0027-4224 .
1519. Toppan, Marina: Le edizioni e revisioni chopiniane di Raoul Pugno. [ Chopin editions and
revisions by Raoul Pugno.] 1989-90; (Tesi di laurea , Stor. del' mus.: U. degli Studi di
Venezia, 1989-90)
1520. Traupman-Carr, Carol: Hangin' in the archives: Editing Moravian music.: Moravian music
journal, Vol. 43; Issue 2; fall 1998; pp. 6-10: ISSN: 0278-0763.
1521. Trovato, Paolo: Note sulla fissazione dei testi poetici nelle edizioni critiche dei
melodrammi. [Notes on establishing the libretto text in critical editions of operas.] Rivista
italiana di musicologia, Vol. 25; Issue 2; 1990; pp. 333-352; Music: ISSN: 0035-6867.
1522. Trötzmüller, Karl: Editionsprobleme bei Franz Schmidt. [Problems of editing the music of
Franz Schmidt.] ™sterreichische Musikzeitschrift , Vol. XXIX/11 (1974) 544-48. Music
examples. In German.: ISSN: 0029 -9316.
1523. Tsao, You Whai: Beethoven's tempo in his thirty-two piano sonatas. 1996 ; 110 p.; (DMA
doc., : Claremont Graduate School)
1524. Tuksar, Stanislav [Editor]: Okrugli stol povodom 10. obljetnice smrti Ladislava Sabana
(1918.-1985.) [A round table on the tenth anniversary of the death of Ladislav Saban (19181985)] Kaj: Casopis za knjizevnost, umjetnost i kulturu, Vol. 29; Issue 1-2; 1996; pp. 37-85;
Port.: ISSN: 0453-1116.
1525. Turner, Bruno: Renaissance der Renaissance. [Renaissance of the Renaissance.] Musica,
XXIX/6 (1975) 480-84.: ISSN: 0027-4518.
1526. Turner, Bruno: The editor: Diplomat or dictator? New York: Schirmer; 1992; pp. 249-254
EDITING
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1527. Tyllner, Lubomír: Hudební skladatel‚ na str nk ch Zíbrtova Cesk‚ho lidu.: [Composers in
the pages of Zíbrt's periodical Cesky lid.] Cesky lid , Vol. 78; Issue 3; 1991; pp. 185-191;
Port.: ISSN: 0009-0794.
1528. Tyson, Alan: 'Authentic' editions of Beethoven published in Great Britain,. Beiträge zur
Beethoven-Bibliographie, (München: Henle, 1978) 196-203. Charts, tables. m
1529. Tyson, Alan; Massimo Grassi, Andrea [Translator]; Grassi, Adriano [Translator]: I problemi
testuali del concerto per violino di Beethoven.: [The textual problems of Beethoven's violin
concerto.] Lucca, Italy: Libreria Musicale Italiana; 1995; pp. 247-268; Facs., music
1530. Önnerfors, Alf: Die Tropen des frühen Mittelalters. Ein Stockholmer Editionsvorhaben.
[Tropes of the early Middle Ages. Plan for a new Stockholm edition.] Zeitschrift für
Kirchengeschichte, Vol. XC (1979) 63-80. In German.: ISSN: 0044-2925.
1531. Ujfalussy, József [Editor]: Proceedings of the International Bartók Colloquium,
Szombathely, July 3-5, 1995. II. Studia musicologica Academiae Scientiarum Hungaricae,
Vol. 37; Issue 1; 1996; 133 p.; Music: ISSN: 0039-3266.
1532. Underwood, Kent D.: Archival guidelines for the music publishing industry. Notes:
Quarterly journal of the Music Library Association,: Vol. 52; Issue 4; June 1996; pp. 11121118: ISSN: 0027-4380.
1533. Univerzita Palackého v Olomouci. Musicologica. I. Acta universitatis palackianae
olomucensis: Philosophica-aesthetica, 12: 1993, Olomouc: Vydavatelství U. Palackého;
1993; Illus., port., music
1534. Unruh, Gary Lee: The performance of selected secular works by Josquin Des Prez. (Doctor
of Musical Arts dissertation, Music: U. of Illinois at Urbana-Champaign, 1973) 227 p.
Music examples
1535. Unverricht, Hubert [ed]: [Eichstätt, 1985] Der Caecilianismus: Anfänge - Grundlagen Wirkungen. [Cecilianism: Beginnings - Principles - Impact.: ] Eichstätter Abhandlungen
zur Musikwissenschaft, 5, Vol. 5, (Tutzing: Schneider, 1988) 368 p. Illustration, music
examples. In German.
1536. Unverricht, Hubert: Die Choralreformbemühungen unter den Caecilanern.: [Efforts at chant
reform among the Cecilians.] (Tutzing: Schneider, 1988) 109-23. In German. See RILM
1988-01001-bs.
1537. Urban, Timothy P.: Giovanni Battista Riccio's Terzo libro delle divino lodi musicali
(Venice, 1620): A list of errata. Historic Brass Society journal, Vol. 6; 1994; pp. 343-347;
Charts, diagr.: ISSN: 1045-4616.
1538. Urquhart, Peter Whitney: Cross-relations by Franco-Flemish composers after Josquin.
Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, Vol. 43; Issue 1;
1993; pp. 3-41; Music, bibliog., charts, diagr., transcr.: ISSN: 0042-3874.
1539. Urquhart, Peter Whitney: Three sample problems of editorial accidentals in chansons by
Busnoys and Ockeghem. 1997; pp. 465-481; Facs.
1540. Valder-Knechtges, Claudia: Meister im Verborgenen: Zum 300. Geburtstag von Johann
Friedrich Fasch. [Master in hiding: On the 300th anniversary of the birth of Johann
Friedrich Fasch.] Concerto, Vol. V/9 (1988) 12 -16. In German.
1541. Valentin, Erich: Eine Mozart-Initiative Franz Liszts. [A Mozart initiative by Franz Liszt.]
Acta mozartiana, Vol. XXXIII/2 (1986) 17-19 . In German.: ISSN: 0001-6233.
1542. Van Dreel, Katrina Marie: Settings of Emily Dickinson by American composers. 1997; 58
p.; (DMA doc., : U. of California, Santa Barbara):
EDITING
105
1543. Varunc, Viktor: Publicistika Igorja Federovica Stravinskogo i Sergeja Sergeevica
Prokof'eva kak problema istocnikovedenija i muzykovedenija.: [Journalism by Igor
Stravinskij and Sergej Prokof'ev as a topic in source studies and musicology.] 1994; 80 p.;
(PhD diss., Iskusstvovedenie: Gosudarstvennaja Konservatorija, Moskva, 1994)
1544. Vaughan, Denis: The inner language of Verdi's manuscripts. Miscellanea musicologica,
Vol. V (1979) 67-153. Music examples.: ISSN: 0076-9355 .
1545. Vecchi, Orazio: L'Amfiparnaso. Early musical masterworks - critical editions and
commentaries, (Chapel Hill: U. of North Carolina, 1977) 109 p. $16.95. Illustration,
facsimile, music examples, bibliography, discography, index.
1546. Veit, Joachim [Editor]; Ziegler, Frank [Editor]: Gerhard Allroggen zum 60. Geburtstag am
19. Mai 1996. [For Gerhard Allroggen in honor of his 60th birthday on 19 May 1996.]
Weber-Studien, Mainz, Germany: Schott; x, 475 p.; Vol. 3; 1996: ISBN: 3-7957-0325-5.
1547. Veit, Joachim: Zur Frage der Partituranordnung bei Weber. [Concerning the arrangement of
the parts in Weber scores.] Weber-Studien, Mainz, Germany: Schott; Vol. 3; 1996; pp. 201221; Music, charts, diagr.
1548. Vendrix, Philippe Pierre [Editor]: Grétry et l'Europe de l'opéra-comique . [Grétry and the
Europe of the opéra comique.] Musique-musicologie,: Liège: Mardaga; 1992; 389 p.; Illus.,
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1549. Vendrix, Philippe Pierre [Editor]; Mathy, Anne-Marie [Introduction]: C‚sar Franck et son
temps. [C‚sar Franck and his times.] Revue belge de musicologie/Belgisch tijdschrift voor
muziekwetenschap, Vol. 45; 1991; 236 p.; Illus., port., music: ISSN: 0771-6788.
1550. Vernooij, Anton: Honderd jaar Paléographie musicale. [The centenary of Paléographie
musicale.] Gregoriusblad: Tijdschrift tot bevordering van liturgische muziek, Vol. 113;
1989; pp. 131-138; Illus., music: ISSN: 0017-4122.
1551. Vertegaal, Roel; Bonis, Ernst: ISEE: An intuitive sound editing environment. Computer
music journal, Cambridge, MA: MIT; Vol. 18; Issue 2; summer 1994; pp. 21-29; Illus.,
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1552. Veszpremi, Lili: Edited by Béla Bartók; Közreadta: Bartók Béla. Magyar zene, Vol.
XVIII/1 (March 1977) 75-81. Music examples. In Hungarian.: ISSN: 0025-0384.
1553. Veszpremi, Lili: Liszt - Bartók - Weiner Beethoven két legkönnyebb szon t j ról. [Liszt,
Bartók, and Weiner on Beethoven's two leichte Sonaten.] Parlando, Vol. XXI/9 (September
1979) 1-7. Music examples. In Hungarian.: ISSN: 0133-2767.
1554. Vettori, Romano [Editor]; Contino, Giovanni: Madrigali a quattro e cinque voci in antologie
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antichi musicisti bresciani, 5, Milano, Italy: Zerboni; 1994; xl, viii, 187 p.; Facs., bibliog.
1555. Vikár, László: Liszt és a "régi zene": Egy romantikus megközelítésmód.: [Liszt and "early
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0025-0384.
1556. Vikis-Freibergs, Vaira: Text variants in the Latvian folk song corpus: Theoretical and
practical problems. Montr‚al, Canada: McGill U.; 1989; pp. 49-72
1557. Vilker, Sophie; Warren, B: Jonah: solo cantata for baritone and string quartet/ B. Warren;
[editing for strings by Sophie Vilker] London, Wiscasset [Me.], Wiscasset Music Pub,
1983; 1 score (24 p.) + 5 parts
1558. Villaverde, Enrique; Quintanal Sánchez, Inmaculada [Editor]: Enrique Villaverde: Obra
musical. [Enrique Villaverde: Musical works.] Estudios y documentos. Serie Villaverde:
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106
Música y musicología, Zaragoza: Real Academia de Nobles y Bellas Artes de San Luis;
1986; 360 p.; Transcr.:
1559. Viret, Jacques: Le chant grégorien, art traditionnel: Dix années de recherche grégorienne,
1975-1985. [The traditional art of Gregorian chant: Ten years of Gregorian research, 19751985.] Revue musicale, Vol . 379-380 (1985) 159-69. In French.
1560. Vivaldi, Antonio; Talbot, Michael [Editor]; Everett, Paul Joseph [Editor]; Degrada,
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critical edition of the works.]: Milano, Italy: Ricordi; 1982; Music
1561. Vogel-Beckmann, G.: La sonate française pour violon et basse continue: Deux approches du
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1562. Volk, Konrad: Die Balag-Komposition Uru Am-ma-ir-ra-bi: Rekonstruktion und
Bearbeitung der Tafeln 18 (19'ff.), 19, 20 und 21 der späten, kanonischen Version. [The
balag composition Uru Am-ma-ir-ra-bi: Reconstruction and editing of the tablets 18 (19'ff.),
19, 20, and 21 of the late, canonical version.] Freiburger altorientalische Studien, 18 ,
Stuttgart, Germany: Steiner; 1986; xiv, 282 p.; (PhD diss., : U. Freiburg im Breisgau)
1563. Voois, Jacques [Editor]: Curtis Institute of Music. Symposium on authenticity. Journal of
the Conductors' Guild, Vol. 10; Issue 3-4; summer-fall 1989; 53 p.; Music: ISSN: 07341032.
1564. Voss, Egon: Ergebnisse und Aufgaben der Wagnerforschung. [Issues and tasks of Wagner
research.] (See RILM 1984-00675-bs) 437-39. In German.:
1565. Voss, Egon: Les contes d'Hoffmann nach 1881: Ein Beitrag zur Aufführungs -,
Publikations- und Rezeptionsgeschichte. [Les contes d'Hoffmann after 1881: A contribution
to the history of its performance, publication, and reception.] (Laaber: Laaber-Verlag, 1988)
341-61. In German. See RILM 1988-03174-bc.
1566. Voss, Egon: 'Uberall die andaurende Trommete von Händels Ruhm': Eine Betrachtung uber
des Erfolg des Messias. ['Everywhere the enduring trumpet of Händel's fame': A reflection
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German.: ISSN: 0170-8791.
1567. Votta, Michael, Jr.: Richard Wagner's Trauermusik, WWW 73 (Trauersinfonie) Rochester:
U. of Rochester; 1994; pp. 168-186; Music:
1568. Wade, Rachel W.: Filiation and the editing of revised and alternate versions: Implications
for the C.P.E. Bach edition. Oxford: Clarendon; 1988; pp. 277-294; Facs., music
1569. Waidelich, Till Gerrit: Einige Korrekturen zu Alfonso und Estrella. [ Some corrections to
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1570. Waldvogel, Simon: Konzertstück für zwei Altsaxophone (1933) von Paul Hindemith:
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[Konzertstück for two alto saxophones (1933) by Paul Hindemith: The history of its genesis
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ISSN: 0035-8029.
1571. Wallnig, Josef: "Produkt im Kopf" contra "Produkt im Ohr." [Results in the head vs. results
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Bibliog.: ISSN: 0029-9316.
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1572. Walter, Horst: Haydns Klavierkonzerte aus textkritischer Sicht. [ Haydn's piano concertos in
a text-critical perspective.] (München: Henle , 1986) 444-51. Music, bibliog. In German.
See RILM 1986-00762-bs.
1573. Walters, Lillet: Persuasive platform presentations [sound recording]/ by Lilly Walters.
Glendora, CA, Walters Speakers Services, 1989; 4 sound cassettes
1574. Walters, Mark Alan: A metrical study of Ralph Vaughan Williams' British wind band work
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1575. Walton, Chris: The performing version by Richard Strauss and Lothar Wallerstein.
Cambridge: Cambridge U.; 1993; pp. 89-94
1576. Wang, Hong: A collector of narrative song reports on the big anthology.: CHIME:
Newsletter of the European Foundation for Chinese Music Research , Issue 2; fall 1990; pp.
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1577. Wanske, Helene: Georg Friedrich Händels Klaviersuiten in historischen und modernen
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1578. Warburton, Thomas Andrew, Jr: A German organ tablature: Dies est laetitiae (c. 1500). (See
RILM 1976-08685) 43-47. Illustration, facsimile, music examples.
1579. Warner, Robert Austin: English consort music: Fancy and ayre in G minor (c. 1660) by
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1580. Wasson, Jeffrey: Gregorian graduals of the first mode: An analytical study and critical
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1581. Waterhouse, William: Webers Fagottkonzert op. 75: Ein Vergleich von handschriftlichen
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1582. Weaver, Robert Lee: Waelrant's working relationship with Jan de Laet, as given in the
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1583. Webster, James: Scorography: the music of Haydn. Musical newsletter,: III/2 (April 1973)
24-26. List of works.
1584. Weiner, Howard: Giovanni Martino Cesare and his editors. Historic Brass Society journal,
Vol. 3; 1991; pp. 56-64; Bibliog., list of works: ISSN: 1045-4616.
1585. Weiss, Günther: Gustav Mahlers Briefe an Alma. [Gustav Mahler's letters to Alma.]
Musica, Vol. 45; Issue 4; July-Aug 1991; pp. 230-233; Facs .: ISSN: 0027-4518.
1586. Wendt, Matthias [Editor]: Schumann und seine Dichter: Bericht über das 4 . International
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Schumann-Symposion.] Schumann Forschungen, 4,: London: Schott; 1993; 180 p.; Illus.,
music: ISBN: 3-7957-0238-0.
1587. Werfel, Alma Mahler: Sämtliche Lieder. [Collected songs.] (Wien: Universal, 1987) 136 p.
In German.
1588. Werner, Edwin: G.F. Händels Trauer-Anthem HWV 264. Eine Studie mit kritischer
Ausgabe der Partitur im Rahmen der Hallischen Händel-Ausgabe.: [G.F. Händel's FuneralAnthem, HWV 264. A study, together with a critical edition of the score within the
EDITING
108
framework of the Hallische Händel-Ausgabe.] (PhD diss., Musicology: Martin-Luther-U.,
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1589. Wessely, Othmar: Albert Schweitzer - Musiker und Musikgelehrter. [ Albert Schweitzer musician and a man learned in music.] Organa austriaca, Vol. II (1979) 168-81. In German.
1590. Wessely, Othmar: Zur Vorgeschichte des musikalischen Denkmalschutzes/ Othmar
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1591. Wetzel, Richard D.: Catholic church music in the Midwest before the Civil War: The firm
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1592. Whiting, Steven Moore: Computer and scholarly editions. Stuyvesant, NY: Pendragon;
1989; pp. 133-136
1593. Widgery, Claudia Joan: The kinetic and temporal interaction of music and film: Three
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1594. Wiesend, Reinhard: Regieanweisung, Werk, Edition: Am Beispiel der Zauberflöte. [Stage
direction, work, edition: The example of Die Zauberflöte.] Mozart Studien, Vol. 3; 1993;
pp. 115-136; Music: ISSN: 0942-5217.
1595. Wilheim, F. Andr s: Az utolsó k‚zjegy mítosza. [The myth of the final autograph version.]
Muzsika, Vol. 37; Issue 8; Aug 1994; pp. 18-21: ISSN: 0027-5336.
1596. Wilkens, Sander: Editionspraxis und allgemeine Korrektursystematik zu den Werken
Gustav Mahlers: Kritischer Bericht und Revisionsbericht zum Autograph der Ersten
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Critical report and report on the revision for the autograph of the symphony no. 1.] Berliner
musikwissenschaftliche Arbeiten, 41, München: Katzbichler; 1996; 1182 p .; Bibliog.:
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1597. Wilkens, Sander: Zur Editionspraxis und Form der Revisionsberichte der Werke Gustav
Mahlers. [On editorial practice and the form of the revision reports of Werke Gustav
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1598. Williams, Nyal; Daub, Peggy: Coover's Music lexicography-two supplements. Notes. Music
Library Association, Vol. XXX/3 (March 1974) 492-500. List of works.
1599. Wind, Thiemo: Chain variations in van Eyck's Der Fluyten Lust-hof.: American recorder,
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0003-0724.
1600. Wingfield, Paul: Jan cek, Glagolitic Mass. Cambridge music handbooks , New York:
Cambridge U.; 1992; x, 135 p.; Music, bibliog., index, charts, diagr.: ISBN: 0-521-38013-8.
1601. Wingfield, Paul: The performer as co-editor: Proposal for a new complete edition of
Jan cek's works. Stuyvesant, NY: Pendragon; 1995; pp. 243 -252
1602. Wingfield, Paul: Unauthorised recomposition in Leos Jan cek's music: Guidelines for a new
approach to a complex problem. Journal of musicological research, Vol. VII/2-3 (1987)
187-214. Music examples.
1603. Winkelhofer, Sharon: Editorial censorship in Liszt's letters to Agnès Street-Klindworth.
American Liszt Society journal, Vol. IX (June 1981) 42-49.
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1604. Winter, Robert S.: Of realizations, completions, restorations and reconstructions: From
Bach's The art of fugue to Beethoven's tenth symphony. Journal of the Royal Musical
Association, Vol. 116; Issue 1; 1991; pp. 96-126; Music, charts, diagr.: ISSN: 0269-0403.
1605. Winter, Robert: Performing Beethoven's early piano concertos. Early music, Vol. XVI/2
(May 1988) 214-30. Facsimile, music examples, charts, tables.: ISSN: 0306-1078.
1606. Wiora, Walter: Methodik der Musikwissenschaft. [The methodology of musicology.]
(München: Oldenbourg, 1970) 93-139. Bibliography. In German.
1607. Wolff, Christoph: The many faces of authenticity: Problems of a critical edition of Mozart's
piano concertos. Ann Arbor: U. of Michigan; 1996; pp. 19-28; Facs., music, charts, diagr.
1608. Wollenberg, Susan: Changing views of C.P.E. Bach. Music & letters, Vol . LXIX/4
(October 1988) 461-64.: ISSN: 0027-4224.
1609. Wollny, Peter: Heinrich Ignaz Franz Bibers Harmonia artificioso-ariosa: Zu
Druckgeschichte und Werkgestalt. [Heinrich Ignaz Franz Biber's Harmonia artificiosoariosa: A view of its publication history and form. ] Schütz-Jahrbuch, Vol. X (1988) 126-32.
Music examples. In German; summaries in English, French, Italian, Swedish.: ISSN: 01742345.
1610. Wooldridge, David: Conductor's world. (London: Barrie a Rockliff; New York: Praeger,
1970) Illustration, portrait, facsimile, music examples, discography, index.
1611. Wray, Ronnie Everett: A survey of discrepancies among solo parts of editions and
manuscripts of Carl Maria von Weber's concerto no. 1 in F minor, op. 73. 1991; 137 p.;
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1612. Wright, Barbara David: Johann Sebastian Bach's Matthäus-Passion: a performance history
1829-1854. (PhD diss.: U. of Michigan, 1983) 470 p. DA 84-02407.
1613. Wright, Peter [Editor]; Andreotti, Carlo [Preface]; Cattin, Giulio [Introduction]: I codici
musicali trentini: Nuove scoperte e nuovi orientamenti della ricerca. [The Trent Codices:
New findings and new directions in research.] Trento, Italy: Biblioteca Musicale Laurence
K.J . Feininger; 1996; 183 p.; Illus., port., facs., music, bibliog., index , charts, diagr.: ISBN:
88-86602-06-5.
1614. Wronski, Tadeusz: Sonaty i partity J.S. Bachs na skrzypce solo. Studium edytorskie i
wykonawcze. [J.S. Bach's sonatas and partitas for solo violin. Problems of editing and
interpretation.] (Kraków: Wyd. Muz., 1970) 123 p. Zl 20. In Polish.
1615. Wu, Wei: The Debussy edition of the four ballades of Chopin. 1995; 84 p.; (DMA doc., :
Ohio State U.). PA 9544509.
1616. Wunsch, Walther: Beitrage zur ™sterreichischen Volksliedkunde. [ Contributions to the
study of Austrian folk songs.] (Graz: Steiermarkische Landesdruckerei, 1967) 124 p. Music
examples
1617. Wynn, Ronald L: The French and German works in Trium vocum cantiones centum: a
performing edition and commentary. (PhD diss., Music education : U. of Colorado, 1969)
2v. 389 p. (typescript, microfilm, multilith). Illustration, facsimile, music examples,
bibliography, list of works.
1618. Yavelow, Christopher: Music software for the Apple Macintosh. Computer music journal,
Vol. IX/3 (fall 1985) 52-67. Illustration.: ISSN: 0148 -9267.
1619. Zabolotnaja, Natalija: Problema individual'nogo hudozestvennogo celogo v tvorcestve
kompozitorov Ukrainy i Rossii, vtoroj lodoviny XVII - pervoj poloviny XVIII vekov. [The
problem of the individual artistic whole in the work of Ukrainian and Russian composers
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from the second half of the 17th century to the first half of the 18th century.] (PhD diss.,
Music theory: Inst. Iskusstvovedenija Fol'klora i Etnografii, AN, Kiev, 1984) 24 p. In
Russian.
1620. Zalewski, Teodor: Pól wieku wsród muzyków. 1920-1970. Przyczynki do dziejów polskiej
kultury muzycznej. 1. Do roku 1945. [A half-century among musicians. 1920-70.
Contributions to the history of Polish musical culture. I: To 1945.] (Kraków: Wyd. Muz.,
1977) 268 p. Illustration, portrait, index. In Polish.
1621. Zamazal, Franz: Im Dienste Anton Bruckners. Von der Bruckner -Gesamtausgabe liegen
bereits 25 Bände vor. [In the service of Anton Bruckner: 25 volumes of the Bruckner
Gesamtausgabe have already appeared. ] Oberösterreichischer Kulturbericht, Vol.
XXXVI/7 (April 1982) 9-10. Portrait. In German.
1622. Zaslaw, Neal [Editor]: University of Michigan. Mozart's piano concertos : Text, context,
interpretation. Ann Arbor: U. of Michigan; 1996; xii, 479 p.; Facs., music, index, charts,
diagr., transcr.: ISBN: 0-472 -10314-8.
1623. Zauft, Karin [Editor]: Von der Quelle zur Aufführung: Quellenkundliche und
Aufführungspraktische Fragen in Verbindung mit der Flavio -Inszenierung. [From the
source to the performance: Issues in source studies and performance practice in connection
with the production of Flavio.] Händel-Jahrbuch, Vol. 40-41; 1994-95; pp. 113-131: ISSN:
0440-0615.
1624. Zecca Laterza, Agostina; Salvetti, Guido [Editors]: Il Conservatorio di Musica per la cultura
milanese dal 1808 al 1860: nascita di una biblioteca musicale pubblica. [The Conservatory
of Music in relation to Milanese culture, from 1808 to 1860: birth of a public music library.
] (Milano: Conservatorio di Musica G. Verdi, 1980) 91 p. Illustration, bibliography. In
Italian.
1625. Zeileis, Friedrich Georg: Bemerkungen zur Quellenlage von Mozarts Klavierkonzert B-Dur
KV 456. [Observations about the source materials for Mozart's piano concerto in B-flat
major, K.456.] (See RILM 1984 -00661-be) 307-16. In German.
1626. Zemp, Hugo: Ethical issues in ethnomusicological filmmaking. Visual anthropology, Vol. 3;
1990; pp. 49-64; Port., bibliog.: ISSN: 0894 -9468.
1627. Zemp, Hugo: Filming music and looking at music film. Ethnomusicology , Vol. XXXII/3
(fall 1988) 393-428. Illustration.
1628. Zemp, Hugo: Filming voice technique: The making of The song of harmonics . The world
of music/Die Welt der Musik/Le monde de la musique, Vol. 31 ; Issue 3; 1989; pp. 56-85;
Port., bibliog.: ISSN: 0043-8774.
1629. Ziino, Agostino [Editor]: Societ… Italiana di Musicologia. Musica senza aggettivi: Studi
per Fedele D'Amico. [Music without adjectives: Studies for Fedele D'Amico.] Quaderni
della Rivista italiana di musicologia, 25 , 2v.; Firenze: Olschki; 1991; v, 827 p.; Illus., port.,
facs., music , bibliog., index: ISBN: 88-222-3903-2. ISSN: 0394-4395.
1630. Zijlstra, A. Marcel J. [Editor]: The play of Daniel (Ludus Danielis): Kalamazoo: Western
Michigan U.; 1996; pp. 87-116; Facs., music
1631. Zimmermann, Ewald: Chopin i jego orkiestra: Zagadnienia stanu zródel i autentycznosci
instrumentacji w koncertach fortepianowych. [Chopin and his orchestra: The issue of
sources and authenticity of instrumentation in the piano concertos.] Rocznik chopinowski,
Vol. XIX (1987) 125-33. In Polish. See RILM 1988-01147-bs.
1632. Zimmermann, Ewald: L'édition moderne des oeuvres de Chopin chez Henle-Verlag:
Problématique, réalisations et projects. [The modern edition of Chopin's works by Henle-
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Verlag: Treatment of problems, realizations, and future directions.] (See RILM 198400745-bs) 105-12. In French.
1633. Zimmermann, Ewald: Textvarianten und harmonische Ambivalenz bei Chopin.: [Text
variants and harmonic ambivalence in Chopin's music.] (See RILM 1980-00182-be) 463-71.
In German.
1634. Zimmermann, Reiner: Aus den Wurzeln der mährischen Folklore: zur neuen JanácekWerkausgabe bei Edition Peters. [Sprung from Moravian folklore: the new Peters edition of
Janácek's works.] Musik und Gesellschaft, Vol . XXX/4 (1980) 224-28. In German.: ISSN:
0027-4755.
1635. Zimmermann, Reiner: Debussy-Werkausgabe in der Edition Peters Leipzig.: [Edition of
Debussy's works, Edition Peters, Leipzig.] Musik und Gesellschaft, Vol. XXII/4 (1972)
241-45. Facsimile, list of works.: ISSN: 0027-4755.
1636. Zoltai, D‚nes: Nemzetközi Beethoven-Kongresszus az NDK-ban. Berlin, 1977 . M rcius 2023. [International Beethoven Congress in the DDR. Berlin, 20-23 March 1977.] Muzsika,
Vol. XX (July 1977) 31-33. In Hungarian.: ISSN: 0027-5336.
1637. Zomerdijk, Hendrikus Jacobus: Het muziekleven in Noord-Brabant 1850-1914 . [Musical
life in North Brabant, 1850-1914.] Bijdragen tot de geschiedenis van het Zuiden van
Nederland, Vol. 55, (Tilburg: Stichting Zuidelijk Historisch Contact, 1982) 401 p.
Bibliography, list of works, index. In Dutch.
1638. Zschoch, Frieder: Abenteuer der Edition. [The adventure of an edition. ] Blankenburger
Studien, Vol. [14] (See RILM 1982-02092-bs) 58-61. In German.
1639. Zschoch, Frieder: Kritisch-praktische Editionen aus Verlagssicht. [ Critical-practical
editions from the point of view of the publishing house.] (See RILM 1978-00198-bs) 21-25.
In German.
1640. Zschoch, Frieder: Zum gegenwartigen Stand der Beethoven-Edition. [The present state of
the Beethoven edition.] (RILM 1973-00136-bs) 507-14. Music examples
1641. Zürcher, Johann: Alte und neue Ergänzungen zu den fragmentarischen Sonatensätzen
Schuberts. Notizen zum 3. Band der im Verlag Henle erschienenen neuen Urtextausgabe.
[Old and new completions of Schubert's fragmentary sonata movements. Observations on
the third volume of the new Urtext edition issued by Henle Verlag.] Die Musikforschung,
Vol. XXXI/4 (1978) 467-74. In German.: ISSN: 0027-4801.
1642. Zukofsky, Paul [Editor]: Journal of the Arnold Schoenberg Institute. XVI /1-2 (JuneNovember 1993): The Berg guides. Journal of the Arnold Schoenberg Institute, Los
Angeles, CA: U. of Southern California; 333 p .; Vol. 16; Issue 1-2; June-Nov 1993: ISSN:
0146-5856.
1643. Zupanovic, Lovro: Cithara octochorda (CO) u svjetlu nekih novih spoznaja o njoj. [Cithara
octochorda (CO) in the light of some new insights.]: Sveta Cecilija: Casopis za duhovnu
glazbu, Vol. 65; Issue 1-2; Jan-June 1995; pp. 5-12; Port.: ISSN: 1330-2531.
1644. Zupanovic, Lovro: Lescanov prinos priredivanju IV. izdanja Citharae octochordae (CO)
[Lescan's editorial contributions to the fourth edition of Cithara octochorda.] Sveta Cecilija:
Casopis za duhovnu glazbu, Vol. 66; Issue 4; Oct-Dec 1996; pp. 99-100: ISSN: 1330-2531.
1645. Zvara, Vladimír [Editor]: Fünf Briefe Fritz Oesers zur Entstehung von Cikkers
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