University of Toronto University College Fall 2013 UNI307 Asian Cultures in Canada Class: Mondays, 2-4pm Location: UC67 Instructor: Serene TAN [email protected] Office Hours and Location: Mondays, 11-1pm; UC B304 This course is an exploration of the cultural histories and creative productions of a wide range of Asian communities in Canada. It is interdisciplinary in nature and content, and a highly participatory course that combines theoretical knowledge with practical material. We will engage in issues that the material and readings highlight and those that we encounter in our lives everyday in Canada – diasporic Asian identity, cross-cultural challenges and rewards, home, belonging, exile, multiculturalism and its many faces, and hyphenation The core objective of this course is to familiarize students with the key concepts involved in migrant and diasporic cultures in Canada, with particular focus on Asia. It also engages students in analyzing the relationships between theoretical and practical materials. The course encourages students to think critically about culture and cultural values, as well as concepts of nation and region. REQUIRED READING Refer to course schedule for required readings. Please arrive in class prepared by having read the readings and reviewed the material beforehand. Readings are accessible via electronic resources through the UToronto library website (links will be provided). The following texts will be used extensively in the course, and it is recommended that you purchase them. They are available at the campus bookstore. There is also a limited number of texts available at the Laidlaw Library (and various other university libraries), where a copy of each is on reserve. The Jade Peony, Wayson Choy, 2005 Hungry Ghosts, Shyam Selvadurai, 2013 Obasan, Joy Kogawa, 1981 1 COURSE FORMAT AND ASSESSMENT This is a practical course that combines theoretical readings with practical material, and requires preparation and participation on the part of the student. Participation and dialogue make this course a lived experience. Reading the assigned texts before the class and active discussion during the class is a requirement. Additionally, the course includes minor fieldwork elements. Students are encouraged to explore course concepts in their everyday life and physical environments. Artist and author visits offer added value to the course, and a rare and excellent opportunity to engage with the course material in innovative ways. There is no final exam in this course. Hence, regular attendance and participation are required and carry 20% of the evaluation. PARTICIPATION – 20% Every class. Your participation mark in this course is worth 20%. You will be evaluated on your active participation in and thoughtful contribution to class discussions. You are encouraged to develop creative and critical thinking skills through the discussions, which will focus on the theme and assigned reading for the week. The participation grading and assessment rubric can be found at the end of this document (pages 8-9). WRITTEN ASSIGNMENTS – 80% Reflection piece (10%) - 2 pages/500 words: FOOD DUE Monday September 23, 2013 This reflection piece requires your consumption of an “Asian” cuisine of your choosing. In the piece, you should describe the food, as well as the experience of consuming the food. You should reflect critically and creatively on how the food reflects or represents the culture, particularly in the context of Canada. Short essay 1 (15%) - 3 pages/750 words: LANDSCAPE DUE Monday October 7, 2013 This short essay requires you to explore an “Asian” neighbourhood or landscape of your choosing. In the essay, you should describe the place and your experience within the space. Reflect critically and creatively on how the place reflects or represents the culture, paying particular attention to themes and topics discussed within the course. Your descriptions and reflections should consider the context of the space within Canada. Secondary sources are not a requirement in the short essay, but you should reference them if you find them useful in explaining or clarifying your analysis of the space. Short essay 2 (15%) - 3 pages/750 words: FILM DUE Monday October 28, 2013 For this short essay, you are to select and watch an “Asian-Canadian” film of your choosing (NOT Breakaway by Robert Lieberman). In the essay, provide a brief synopsis of the film. Reflect critically and creatively on how the film reflects and represents the Asian culture in Canada. Describe the issues raised and how they are illustrated in the film. Secondary sources are not a requirement in the short essay, but you may reference them if you find them useful in explaining or clarifying your analysis of the film. I will provide a short list of films you may use, but you are encouraged to source your own. 2 Short essay 3 (15%) - 3 pages/750 words: TEXT DUE Monday November 18, 2013 This short essay requires you to select and read an “Asian-Canadian” text of your choosing. It may be fictional prose, a play, or a poem that is NOT being used in the course (i.e. NOT The Jade Peony, Hungry Ghosts, nor Obasan). Provide a brief summary of the text. Reflect critically and creatively on how the text reflects and represents the Asian culture in Canada. Describe the issues raised and how they are illustrated in the film. Secondary sources are not a requirement in the short essay, but you may reference them if you find them useful in explaining or clarifying your analysis of the text. I will provide a short list of texts you may use, but feel free to use your own. Final paper (25%) - 8 pages/2000 words: THEME DUE WEDNESDAY December 4, 2013 This final essay will require independent research and thoughtful preparation. You are to address a theme or concept that we have studied in the course in relation to Asian Canadian Culture. The essay will be a thorough examination of the theme or concept, illustrated and analyzed using any combination of food, landscape, film, and text. You may use the foods, landscapes, films, and texts that you have already written about in the previous 4 assignments, in addition to the texts and films we have used in the course. You should also draw on material from the class (discussions, guest lectures, etc.) to discuss your theme or concept. You will be evaluated on your use of secondary sources, your essay's argumentation and organization, the originality and creativity of your critical analysis, and the clarity of your writing. Detailed guidelines will be provided in class. Students should arrange a consultation with the instructor well in advance of the submission deadline (December 4) to discuss the scope and theme of their final papers. All written assignments are due at the beginning of class on their respective dates, and must be handed in to the course instructor. It is your responsibility to ensure that the instructor receives your assignment. Late Policy Please note: There is a penalty of 5% per day (including weekends) for late assignments and essays. Assignments submitted on the due date, but not at the beginning of the class period, will be penalized by 2%. Late assignments will not be accepted after one week without a valid medical certificate. Late assignments should be submitted and date-stamped in the Program Office in UC173. The course instructor will not be held responsible for any late course assignments or essays that go missing. Be sure to retain a copy of your paper and keep all your notes and drafts. Turnitin Policy regarding Turnitin is on the following page (4). Students must upload all assignments to Turnitin on the day they are submitted to the instructor. Assignments will not be marked unless they are successfully uploaded. 3 COURSE POLICIES Blackboard This course uses Blackboard. All course materials, including course syllabus, assignments, course readings and other supplementary materials will be made available on Blackboard. The course instructor will frequently post materials on Blackboard, so students should check the course site regularly. Emails will also be sent out through Blackboard; students must regularly check their utoronto email accounts. Email Policy Communication with students will be through their utoronto.ca email address. Students should check their utoronto email regularly for communications through Blackboard. All email communications should be brief and courteous. Please do not expect an immediate reply to your email, but every effort will be made to get back to you within 48 hours (weekends not included). ALL EMAIL CORRESPONDENCE SHOULD HAVE UNI307 CLEARLY IDENTIFIED IN THE SUBJECT HEADING OR THE EMAIL WILL NOT BE READ. Assignments will not be accepted by email. Turnitin Normally, students will be required to submit their course essays to Turnitin.com for a review of textual similarity and detection of possible plagiarism. In doing so, students will allow their essays to be included as source documents in the Turnitin.com reference database, where they will be used solely for the purpose of detecting plagiarism. The terms that apply to the University’s use of the Turnitin.com service are described on the Turnitin.com web site. Concerns about Grading Questions about assignment marking and course grades cannot be addressed effectively via email. Individual attention is available during office hours or by appointment. The Faculty of Arts and Science only permits the re-marking of assignments within ONE MONTH of the date of the assignment’s return to you. A Warning about Plagiarism The code of academic conduct disallows the following: to represent as one’s own any idea or expression of an idea or work of another in any academic examination or term test or in connection with any other form of academic work, i.e. to commit plagiarism; to submit, without the knowledge and approval of the instructor to whom it is submitted, any academic work for which credit has previously been obtained or is being sought in another course or program of study in the University or elsewhere The University of Toronto takes academic honesty very seriously. Any suspected cases of plagiarism will be investigated. “How not to plagiarize” can be located on the university’s writing web site, at http://www.writing.utoronto.ca/advice/using-sources/how-not-to-plagiarize. Writing Resources University College has an excellent Writing Centre (http://www.utoronto.ca/ucwriting/) that is open to all UC students and students enrolled in UNI courses. They provide individual instruction in intensive 50-minute consultations. Appointments can be made online. The UC Writing Centre also provides a range of other resources; see their website for more information. 4 Accessibility Needs Students with diverse learning styles and needs are welcome in this course. If you have a disability/health consideration that may require course format accommodation, please feel free to approach the course instructor to discuss your needs. If you require accommodations for a disability, or have accessibility concerns about the course, the classroom or course materials, please contact Accessibility Services as soon as possible: [email protected] or http://studentlife.utoronto.ca/accessibility. Illness and Absences Please obtain lecture notes from a classmate if you miss one or more classes and see your course instructor if you have questions about the material that was covered during your absence. Notify your course instructor as soon as possible if a serious illness or other concern is affecting your ability to keep up with the course. It is also wise to contact your college registrar if you are experiencing academic and/or personal difficulties. Drop Date The last date to drop courses with an F section code from your academic record without penalty is Monday, November 4, 2013. 5 COURSE SCHEDULE September 9, 2013 1. Introduction, Course Structure, Key terms September 16, 2013 2. Seeing & Placing Culture Readings: Bonnett, A., and Nayak, A. (2003), “Cultural Geographies of Racialization – the Territory of Race”, in Anderson, K., M. Domosh, S. Pile, and N. Thrift (eds.), Handbook of Cultural Geography, Sage Anderson, Kay, (1987), “The idea of Chinatown: The Power of Place and Institutional Practice in the Making of a Racial Category”, in Annals of the Association of American Geographers, 77(4): 580-598 September 23, 2013 3. Transnationalism and Identity Reflection piece (Food) due in class Reading: Walton-Roberts, M., and Pratt, Geraldine, (2005), “Mobile Modernities: A South Asian family negotiates immigration, gender and class in Canada”, in Gender, Place and Culture, 12(2): 173-195 September 30, 2013 4. Belonging FILM SCREENING: Breakaway (2011) Robert Lieberman Media Commons Theatre, 3-025, Third Floor, Robarts Library October 7, 2013 5. Representation, Conflict Short essay 1 (Landscape) due in class Reading: The Jade Peony, Wayson Choy, 2005, Part 3 October 14, 2013 – THANKSGIVING – NO CLASS October 21, 2013 6. Belonging, Home – Author visit Shyam Selvadurai, Author, Hungry Ghosts Reading: Hungry Ghosts, Shyam Selvadurai, 2013, part 2 October 28, 2013 7. Returning Home Short essay 2 (Film) due in class Reading: Hungry Ghosts, Shyam Selvadurai, 2013, part 2 November 4, 2013 8. Multiculturalism; Guest visit Last day to drop F courses without academic penalty David Yee, Artistic Director, fu-GEN Asian Canadian Theatre Reading: Mitchell, Katharyne, (2004), “Geographies of identity: multiculturalism unplugged”, in Progress in Human Geography, 28(5): 641-651 November 11, 2013 – STUDY BREAK – NO CLASS November 18, 2013 9. Power Short essay 3 (Text) due in class Reading: Obasan, Joy Kogawa, 1981 6 November 25, 2013 10. Diaspora Reading: Obasan, Joy Kogawa, 1981 December 2, 2013 11. Course wrap-up, conclusions. December 4, 2013 – WEDNESDAY – NO OFFICIAL CLASS – Final paper DUE 2pm 7 Participation Grading and Assessment Rubric A+ Participates in every class exercise, provides multiple insightful comments during discussion that shows consistent thoughtful, reflective analysis of course content. Demonstrates exceptional knowledge and understanding of course material through spoken participation. Encourages peers to participate in group work (if any) and discussions, and provides engagement with ideas put forth by each of class materials, peers, and the instructor. Always pays attention in class, no matter who is speaking or what is being done. A Participates in every class exercise, provides some insightful comments during discussion that shows consistent thoughtful, reflective analysis of course content. Demonstrates exceptional knowledge and understanding of course material through spoken participation. Encourages peers to participate in group work (if any) and discussions, and provides engagement with ideas put forth by each of class materials, peers, and the instructor. Always pays attention in class, no matter who is speaking or what is being done. AParticipates in every class exercise or misses one lecture exercise, provides some insightful comments during discussion that shows consistent thoughtful, reflective analysis of course content. Demonstrates solid knowledge and understanding of course material through spoken participation. Encourages peers to participate in group work (if any) and discussions, and provides engagement with ideas put forth by some of class materials, peers, and the instructor. Always pays attention in class, no matter who is speaking or what is being done. B+ Misses one or two class exercises, provides the occasional insightful comment during discussion that shows some thoughtful, reflective analysis of course content. Demonstrates solid knowledge and understanding of course material through spoken participation. Provides engagement with ideas put forth by some of class materials, peers, and the instructor. Almost always pays attention in class, no matter who is speaking or what is being done. B Misses one or two lecture exercises, provides the occasional insightful comment during discussion that shows analysis of course content. Demonstrates some knowledge and understanding of course material through spoken participation. Provides engagement with ideas put forth by some of class materials, peers, and the instructor. Almost always pays attention in class, no matter who is speaking or what is being done, with the rare episode of texting or checking twitter or Facebook on phones or laptops. BMisses one, two or three class exercises, provides a rare insightful comment during discussion that shows analysis of course content. Demonstrates some knowledge and understanding of course material through spoken participation. Provides engagement with ideas put forth by some of class materials, peers, and the instructor. Almost always pays attention in class, no matter who is speaking or what is being done, with the occasional episode of texting or checking twitter or Facebook on phones or laptops. 8 C+ Misses two or three class exercises, provides a rare comment during discussion that occasionally shows analysis of course content. Sometimes demonstrates knowledge or understanding of course material through spoken participation. Provides engagement with ideas put forth by some of class materials, peers, and the instructor, but seems to focus on anecdotes with little connection to course materials. Sometimes is distracted in class and is not paying attention, with the occasional episode of texting or checking twitter or Facebook on phones or laptops. C Misses two, three or four class exercises, rarely speaks during discussion and demonstrates minimal analysis of course content. Very rarely demonstrates knowledge or understanding of course material through spoken participation. Does not provide engagement with ideas put forth by class materials, peers, and the instructor, but instead seems to focus on anecdotes with little connection to course materials. Sometimes is distracted in class and is not paying attention, with the occasional episode of texting or checking twitter or Facebook on phones or laptops. CMisses two, three, four, or five class exercises, rarely speaks during discussion and shows minimal analysis of course content. Does not demonstrate much knowledge or understanding of course material through spoken participation. Does not provide engagement with ideas put forth by class materials, peers, and the instructor, but instead seems to focus on anecdotes with little connection to course materials. Often is distracted in class and is not paying attention, with lots of texting or checking twitter or Facebook on phones or laptops, or offtopic talking. D Misses three, four, or five class exercises, rarely speaks during discussion and shows minimal analysis of course content. Does not demonstrate much knowledge or understanding of course material through spoken participation. Engages only with personal ideas and anecdotes that only relate incidentally to course materials. Very often is distracted in class, is not paying attention and is actively disrupting other students with texting, surfing or talking. F Missed six or more class exercises. 9
© Copyright 2026 Paperzz