Im Ima What’re You Lookin’ At? Christopher Wool spells it out C PAIN PAIN T T II NGSPITS NGSPITS O ON N YOU YOU RGRAVE RGRAVE Images ©Christopher Wool villagevoice.com | MUSIC | FILM | EATS & DRINKS | ARTS | VOICE CHOICES | FEATURE | NEWS | CONTENTS | Art THE VILLAGE VOICE PROMOTIONS ENTER ENTER TO TO WIN WIN TICKETS TICKETS TO TO SEE SEE JOHNNY JOHNNY MARR! MARR! ENTER ENTER TO TO WIN WIN A A BROOKLYN BROOKLYN NIGHT NIGHT BAZAAR BAZAAR SUPERPASS! SUPERPASS! ENTER ENTER TO TO WIN WIN A A NIGHT NIGHT OUT AT FRAMES! OUT AT FRAMES! ENTER ENTER TO TO WIN WIN TICKETS TICKETS TO TO SEE CLUTCH! SEE CLUTCH! PAIN T I NGSPITS O N YOU FOR MORE DETAILS AND TO ENTER TO WIN, VISIT US AT: VILLAGEVOICE.COM/PROMOTIONS RGRAVE see official rules available at www.villagevoice.com/promotions/freestuff/. VOID WHERE PROHIBITED OR RESTRICTED BY LAW. see official rules available at www.villagevoice.com/promotions/freestuff/. VOID WHERE PROHIBITED OR RESTRICTED BY LAW. VILLAGE VOICE THE VILLAGE VOICE PROMOTIONS NOVEMBERR 6 – NOVEMBERR 12, 2013 MUSIC | | FILM FILM | | EATS EATS && DRINKS DRINKS | | ARTS ARTS | | VOICE VOICE CHOICES CHOICES | | FEA FEA | | MUSIC VILLAGEVOICE VOICE VILLAGE OVEMBER NOVEMBER OVEMBER 12,2013 2013 NNOVEMBER RR66––N RR12, 22 22 Greenberg DIY Greenberg could could have have been been talking talking about about DIY films, films, and and cranking cranking out out zines. zines. In In Left: w Left: Apocalypse Apocalypse Now, Now, w 1988; 1988; these nuanced images of words 1981, curator Douglas Crimp published these nuanced images of words when when he he 1981, curator Douglas Crimp published above: Untitled, d 2001 above: Untitled, d 2001 said, “The said, about about Barnett Barnett Newman’s Newman’s stripes stripes in in an essay essay asserting asserting “The End End of of Painting,” Painting,” an 1958, “All pictures of quality ask to be that the medium had been on life support 1958, “All pictures of quality ask to be that the medium had been on life support he looked throughout he used used rich rich red red ink, ink, which which he he hacked hacked at at looked at at rather rather than than read.” read.” the modern modern era. era. 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Maybe Maybe the the little” of Neo-Expressionist next little” — — and, and, like like Chandler’s Chandler’s tales tales of of hardof language. language. The The abstract abstract black black snarls snarls in in the the searched Neo-Expressionist painting painting and and searched next time time aa critic critic pontificates pontificates on on the the death death hardBY own R.C. work BAKER nine-foot-tall dd (2001) for of boiled nine-foot-tall He He Said Said She She Said Said (2001) actu actu-for strategies strategies that that might might give give the the medium medium of Wool’s Wool’s obviously obviously beloved beloved medium, medium, the the boiled dicks, dicks, Wool’s Wool’s own work is is laced laced ally new riposte with ally comprise comprise four four different, different, sloppily sloppily new vitality; vitality; by by the the late late ’80s, ’80s, he he found found riposte will will come come in in aa 10-foot-tall 10-foot-tall slab slab of of with sardonic sardonic wit. wit. A A 1988 1988 panel panel reads reads — — or or derived from an himself in chasm misreads — appropriated from //pop aligned onsilkscreens a refrigerator in their blood, letters hristopher hadbethe rather, silkscreens derived fromvictims’ an earlier earlier aligned himself dumpster-diving dumpster-diving in the theWool chasm beletters spelling spelling out out something something like: like: / TER TER // HEL HEL rather,Wool misreads — “HEL “HEL /phrases orange spray formal ruptween avoided the the label that the reaches, gotpainting. it wrongThese as well: “HEALTER good He fortune to begin orangethey spray painting. These formal ruptween art art and and language. language. He avoided the paint-TER,” TER,”culture’s the wall wall darker label noting noting thatincluding the paintpaintat trouble matter SKELTER.” ingsubject at a time whenby paintinging tures get get at the the heart heart of of the the title title phrase, phrase, trouble of of originating originating subject matter by ing refers refers to to both both the the Beatles Beatles raver raver “Helter “Helter tures fraught it intimations of painting of block herky-jerky spacing — like type was dead. Again. fraught as asWool’s it is is with with intimations of misunmisunpainting words words in in stacks stacks of black black block letlet- Skelter” Skelter” and and its its appropriation appropriation by by Charles Charles derstanding and emotion. ters, or defaulting in a printer — and overpainted In“LOVE,” the mid-1970s, Wool Manson derstanding and flayed flayed emotion. ters, such such as as “SEX” “SEX” atop atop “LOVE,” or for an an apocaapocaManson as as the the theme theme song song for In untitled work same Similar to “PLEASE” letters interrupt quickthat readings and force had arepeated studio atfive the times. butt-end of the In an an untitled work from from that same year, year, five times. Similar toBow-lyptic “PLEASE” repeated lyptic race race war. war. What What the the museum’s museum’s explaexplaWool screenprinted pictures of Warhol’s of nation the brain to slow down to absorb ery.cribbing During that rowdy andphotos raggedof Wool again again screenprinted pictures of an anthe often Warhol’s cribbing of newspaper newspaper photos ofepoch, nation leaves leaves out out is is that that when when Manson’s Manson’s earlier spray painting onto This time paintings, car his “Disaster” murderous subtleties hislinen. surfaces. artistsfor were punk bands, making earlierlush spray paintingof onto linen. ThisClement time paintings, car crashes crashes for his forming “Disaster” murderous minions minions scrawled scrawled the the phrase phrase Greenberg could have been talking about DIY films, and cranking out zines. In Left: Apocalypse Now, w 1988; these nuanced images of words when he 1981, curator Douglas Crimp published above: Untitled, d 2001 said, about Barnett Newman’s stripes in “The End of Painting,” an essay asserting 1958, “All pictures of quality ask to be that the medium had been on life support he used rich red ink, which he hacked at looked at rather than read.” throughout the modern era. Crimp, a with a palette knife as it dried, leavening In fact, Wool goes hammer and tongs champion of photography, wrote that energetic gestures into the mechanically not just at Pop Art but also at Abstract painting’s claim to timeless universality Expressionism; his more recent work — stretching seamlessly from Paleolithic rendered dots — themselves representaWin an and friends! dispenses with text altogether and instead cave murals to Pollock’s passionate drips tionsout offor theyou body’s movements Win an ultimate ultimate night night out for you and your your friends! — and Enjoy aa reserved section the fabulous Frames With Meredith Enjoy reserved landing section in inthe theimage fabulous Frames Dance Dance With of Meredith Sheldon Sheldon on on Saturday, Saturday, November November 16th 16th filters abstraction through various mechan— was a grandiose illusion. Look, part somewhere between de Lounge at Webster Hall, 125 East 11th St., NYC. Lounge for for up up to to 15 15 guests guests complete complete with with 4 4 bottles bottles of of at Webster Hall, 125 East 11th St., NYC. champagne on a Friday or Saturday night! In a city ical printing processes. But unlikechampagne Roy Lich-on a Friday his argument went, at how canvases first Kooning–like grace and or Saturday night! In agraffiti city of of aggression. speakeasy and under-the-radar NYC speakeasy entertainment entertainment and under-the-radar NYCnarrative senfrom Apocalypse Now. tenstein, who simultaneously enlarged executed as altarpieces or royal portraits Along with tactile beauty, gems, gems, Frames Frames is is aa true true find. find. Bowling Bowling meets meets He once read a Raymond Chandler sophistication that grand Ab-Ex brushstrokes while diminishing were wrenched out of historical context anthropomorphic presence sophistication in in asation, a space space and that is is grand and and entertaining. 550 NYC. entertaining. Frames, 550 9th Ave, NYC. attributes that Crimp excerpt at an art opening — “It is not funny them through inert compositions, Wool exx Frames, and entombed in museums. (some of9th theAve, painting that a man should be killed, but it is somepands on the grave abandon of postwar abWool, for his part, eschewed the found “reactionary” in 1981), these works times funny that he should be killed for so straction while continuing to roil concepts market-driven slatherings of the era’s emit a belligerent buoyancy. Maybe the little” — and, like Chandler’s tales of hardof language. The abstract black snarls in the Neo-Expressionist painting and searched next time a critic pontificates on the death The Night is aa combination night The Brooklyn Brooklyn boiled Night Bazaar Bazaar combination night is laced nine-foot-tall He Said She Said d (2001) actufor strategies that might give the medium of Wool’s obviously beloved medium, the dicks,isWool’s own work market, market, art art fair fair and and concert concert venue. venue. Win Win aa pair pair of of ally comprise four different, sloppily SuperPass tickets to any night of the Bazaar’s new vitality; by the late ’80s, he found riposte will come in a 10-foot-tall slab of with sardonic wit. 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Brooklyn. trouble of originating subject matter by or miniature ing refers to both the Beatles raver “Helter tures get at the heart of the title phrase, tennis tennis or miniature golf. golf. fraught as it is with intimations of misunpainting words in stacks of black block let- Skelter” and its appropriation by Charles derstanding and flayed emotion. ters, such as “SEX” atop “LOVE,” or Manson as the theme song for an apocaIn an untitled work from that same year, “PLEASE” repeated five times. Similar to lyptic race war. What the museum’s explaWool again screenprinted pictures of an Warhol’s cribbing of newspaper photos of nation leaves out is that when Manson’s earlier spray painting linen. time car crashes for his “Disaster”NO paintings, minions phrase PURCHASE NECESSARY. murderous Must be a legal resident of U.S.,scrawled 18 years of agethe or older at the time of entry. For alternative entry method,onto complete details,This and start and end dates, NO PURCHASE NECESSARY. 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