View Scan BIBLIOGRAPHY Review Article THE CHINESE BRONZE AGE FROM A MARXIST PERSPECTIVE Robert Thorp Department of Art and Archaeology Princeton University, Princeton, N.J. 08544 Shang Zhou kaogu 商周考古 (Shang and Zhou Archaeology) exemplifies one aspect of the maturity of Chinese archaeology today. The important salvage work of the last thirty years and the steady flow of reports is now being matched by planned excavations, the use of sophisticated technology, critical reviews of earlier finds, and the publication of major corpora of artifacts and documents. Shang Zhou kaogu serves as a textbook for the Archaeological Specialization (Kaogu zhuanye changed to the current "Shang Zhou" rubric, and following Guo Moruo, the scope of the volume was reduced by excluding the Warring States period. Neither Guo's text nor Zou's revision was com mitted to print. Instead, each was used in the Bei Da program in mimeographed editions. Liu Shiyi 劉士莪 reviewed the text in 1959 to strengthen its "theoretical analysis," probably a necessary response to the Hundred Flowers campaign and its aftermath. In the following year, another revision was attempted, written in large part by Zou Heng but including also contributions 考古專業 ) within the History Department of Beijing University. It summarizes the fund of new knowledge that has accumulated since 1949, and organizes that data by an interpretative framework based on Marxism-Leninism as espoused in the PRC. As such, it is one of the few scholarly syntheses of archaeological knowledge yet published in China. Unlike several earlier treatments of the Bronze Age or "slave society," this volume adduces quantities of data derived from recent excavations for many major topics and supplies the references that allow the reader to work back to primary sources. While this data sometimes makes for tedious reading, it is frequently enlivened by previously unpublished findings and ideas awaiting appearance in print. from Zhang Zhongpei 張忠培 and Zhu Guangqi 祝廣 祺 . The text was improved at this time by soliciting critical suggestions from "brother organizations" such as the Institute of Archaeology and the Historical Museum. That edition devoted special attention to the archae ology of China's border regions (a reaction to the Sino-Soviet split?). Although the 1960 version was set in type, it was never properly published for reasons that are unspecified; one suspects that the Cultural Revolution made such an enterprise illadvised. By 1972, yet another revised version was responsible for nderway with Li Boqian 李伯謙 u the sections on Shang and Zou Heng once again writing those on Zhou. This text was circulated within archaeological circles but never published. Shang Zhou kaogu, in turn, is based on the 1960 and 1972 editions, and is the first text to be published for a national and international audience. Written entirely by Zou Heng from March, 1976 to May, 1977, this text incorporates data published in the various archaeological The history of this volume (pp. i-ii) mirrors the development of archaeological studies in China since 1949. The text derives ultimately from lec tures given by Guo Baojun 郭寶鈞 for training classes held in 1952 to prepare archaeological took field workers. In 1956, Zou Heng 鄒衡 under a major revision of Guo's work; the title was * Beijing Daxue Lishixi Kaogu Jiaoyanshi Shang Zhou zu. Shang Zhou kaogu. Beijing: Wenwu Press, 1979. Pp. xx + 278 + 63 plates. 97 View Scan journals by the latter date as well as some other unpublished findings supplied by local museums. Unlike most recent publications from China, footnotes cite references by specific page numbers and sometimes summarize changing views of the evidence. The volume is well illustrated with 226 text figures and 63 plates, several in color. Shang Zhou kaogu may serve as a standard introduction to the field written from the perspective of the practitioners of archaeology in China today. thought and the leadership of the Chinese Communist Party in the Chinese "revolution." Nonetheless, any critical reading of this volume must address this topic and weigh the archaeological evidence. The existence of slaves and slave masters is first asserted from evidence at the Erlitou 里頭 二 sites (pp. 21-24). Burials characterized by a proper trench and grave goods are assigned to slave masters, either elite or freemen depending on the quantity and quality of their grave goods. Those burials without regular trenches and lacking grave goods are assigned to slaves; this absence of grave goods is a key diagnostic feature in the author's view. This category includes skeletal remains that suggest unnatural death, perhaps human sacrifice. The raw data for this dichotomy are few, less than sixty burials altogether. Only three graves with relatively rich furnishings have been reported (the text's elite graves), while another twenty graves with modest furnishings are known (the text's freemen). A mere thirty skeletons comprise the slave category. The author notes that burials lacking evidence of funeral rites and grave goods are also known from late Neolithic sites and that a variety of explanations may lie behind such finds. Yet Lenin's definition of a slave as "one who labors but gives his product to another" is cited to conclude that the Erlitou society was already polarized as a slave system (p. 23). This conclusion is crucial to Marxist historiography, but not a necessary or unambiguous deduction from the archaeological data. Such burials with irregular trenches and lacking furnishings might be evidence of extreme poverty, warfare, plague, or social outcasts. I The "General Remarks" (pp. 1-13) that preface the body of the text establish a doctrinal basis by enunciating: (1) the "basic mission" (jiben renwu 基本任務 ) of Shang-Zhou archaeology, and (2) an interpretative framework for slave society. The basic mission is framed as follows (p. 3): Under the guidance of Marxism-Leninism and Mao Zedong thought and through research on sites and artifacts made known through archaeological excavations and explorations, to recreate the history of Chinese slave society, and to make clear in concrete terms the laws of history that changed ancient China first from a primitive society to a slave society and then again from a slave society to a feudal society. This fundamental commitment to history written from a Marxist perspective permeates every aspect of Shang Zhou kaogu. The Marxist-Leninist classics are given pride of place in the bibliography and cited prominently throughout. Unlike publications of a few years ago, quotations from those classics are not identified by bold type or otherwise segregated from other portions of text. Instead, topics are consistently organized so that they proceed from Marxist assumptions and lead to orthodox Marxist conclusions. Important presentations of data, often useful and stimulating in themselves, are used again and again to support a general statement on the significance of the data from a Marxist orientation. The reader must therefore be alert to the theoretical purposes of each section of Shang Zhou kaogu. How such purposes affect the data itself will be a continuing theme of this review. The author has developed an elaborate typology for Shang graves (discussed further below), but asserts that no Shang graves can be identiauthor's fied as those of slaves (p. 92). In the view, all "graves" (muzang 墓葬 ) include furnishings, and slaves, utterly lacking property, could not be buried with grave goods. Regarded, in the words of the text, as "tools that could talk," slaves were killed at any time by their masters and then buried without rites. We are thus given a portrait of a society whose most numerous social class leaves traces in the archaeo logical record only as human victims at The fundamental assumption of this "basic mission" is the view that the Xia, Shang and Zhou were slave societies (pp. 2, 6). This era of slave society is posited as a "necessary stage of development" between primitive and feudal systems of social organization. The putative demise of slave society by about the late Spring and Autumn period serves as the terminal date for the text. In spite of the pivotal role of these concepts, nowhere does the text provide a rigorous definition of slave society based on archaeological evidence. Rather, early on the author inserts these proleptical remarks (p. 8): graves (renxun One must point out that those who do not recognize that a slave society existed in ancient China and also do not recognize the ironclad historical fact that the development of Chinese history accords with the universal historical laws of Marxism-Leninism concerning the development of human society are brazenly opposing the universal truth of Marxism. To deny such tenets is also to oppose Mao Zedong 98 人殉 ) and as human sacrifices (renji 人祭 ) for the Shang cult (pp. 106-19). Yet the text notes that the nature of human victims and sacrifices varied. For example, the category of human victims included persons who themselves had accompanying victims (p. 109), presumably slaves of slaves, in addition to warriors and servitors identified as such by the presence of grave goods, weapons, chariots, or the like. The marginal differences between the smallest Shang graves of "freemen," often called warriors due to the weapons interred with the deceased, and the remarkably similar remains of "slave warriors" near large tombs occasion no doubts in the mind of the author about the status of either category. By the simple definitions of the text, anyone buried with grave goods was a freeman, but in certain circumstances, slaves were buried as victims and then accompanied by grave goods. View Scan The pervasive evidence of human victims and sacrifices suffices to make the Late Shang period the height of slave society for the author. The same system is assumed in the Western Zhou period (p. 217), in spite of the conspicuous lack of archaeological evidence for extensive human sacrifice or victims on the Shang scale during that time (obliquely noted p. 197). The supposed gradual disappearance of human victims in tombs in the middle and late Spring and Autumn period is taken as prime evidence for the demise of the slave system (p. 269). Nowhere does the text note the data for the continuing use of human victims through the Warring States period, Qin and Han. Thus, the central assumption of the text is plagued by inconsistent evidence and logic. framework embodies are characterized by a handy symmetry and simple solutions to thorny questions. The scheme ignores the tricky problems of "feudal" relationships among states and within society throughout the Shang and Zhou periods. Likewise, the terminal date posited for "slave society" poses its own problems. The archaeological data in toto shows few dramatic breaks or rapid transitions that reached a climax by the mid-5th century. On the contrary, the major features of the society described in this volume exhibited, if anything, a profound continuity into the following Warring States period. Even the key criterion of human victims and sacrifice does not show a clear-cut break in the fifth century in spite of vague statements to the contrary in the text. The periods and stages of this framework will only satisfy those who share the author's assumptions and goals. The author's interpretative framework for the slave society era consists of a progression of three periods and five developmental stages (pp. 6-8). "Early Slave Society" (the 21st through 16th centuries B.C.) already showed the use of bronze for tools, weapons, and ritual vessels, the appearance of the state, human sacrifice, divination, and probably the early stages of a writing system. II The four chapters of the text treat the Erlitou Culture (pp. 14-28), the Shang (pp. 29-143), the Western Zhou (pp. 144-233), and the Spring and Autumn period (pp. 234-74). While the organization of each chapter varies to reflect differing levels of knowledge and ranges of data, several themes unify the volume and the best evidence and strongest theoretical argumentation center on these themes. The major economic base of Shang-Zhou society is one focus of attention and is studied through discusother sions of agriculture, bronze casting and industries, the evidence for commerce, and the like. A second major theme of the text is the class structure of slave society as reflected by graves, city sites, architectural remains, and evidence for punishments. The third major theme of the work is the relation of regional and frontier cultures to the Shang and Zhou civilizations of North China. The Erlitou Culture 二里頭文化 of central North China supplies the archaeological evidence for this period. (The text adopts a neutral stand vis a vis the current, energetic debate on the historicity and identity of the Xia, but the separation of the Erlitou Culture from the Shang and the frequent association of that culture with the Xia testify to Zou's own views.) "Middle Slave Society" is divided into two stages: an early stage coeval with the author's Early Shang (the 16th through 13th centuries B.C.) and a late stage identical with the text's Late Shang and early Western Zhou (the 13th through mid10th centuries). The early stage is represented Economy. The economic foundations of the Erlitou, Shang, and Zhou cultures are given priority in each chapter, even when the information for such topics is meager. The bronze industry in particular is a major concern; the initial discussion of bronze founding incorporates a lengthy fulmination denying Soviet claims of decisive foreign influence in the development of bronze casting (p. 17). Zou Heng's argument here is only partially successful. While the author cites strong· evidence local manufacture of the earliest Chinese for the bronze objects, he fails to include a detailed comparison of Chinese casting with techniques used elsewhere. At the Erlitou Culture stage, no bronze tools used for agriculture are identified in the text, but this is explained as the result of the incapacity of the nascent industry to meet such a large demand (p. 20). By the Early Shang period, however, bronze axes and choppers, although not yet the dominant type of agriculture tool, are said to have contributed to major increases in production (p. 38), a view not widely held outside China. The primary archaeological evidence cited for this conclusion is the considerable number of molds used to 二里岡 , Zhengzhou 鄭 盤龍城 Hubei, while the by sites such as Erligang 州 and Panlongcheng late stage of Middle Shang Society, typified by the remains at Anyang/Yinxu, stands as the peak of slave society. "Late Slave Society" is also divided into early and late stages. The former covers the period from middle Western Zhou through the early Spring and Autumn period (mid-10th through mid-7th centuries). Evidence from Zhou graves along the Feng near Xi'an and from the Guo 虢 灃 River state cemetery at Shangcunling 上村嶺 , Henan, is interpreted to suggest the beginnings of the decline of the slave system. The terminal, late stage of Late Slave Society in turn witnessed the rapid decline of the slave system. This stage, the middle and late Spring and Autumn period (mid-7th through mid-5th centuries), saw the emergence of feudal society with the appearance of a new landowning class and the first widespread use of iron tools. The early graves at Zhongzhou 中州 侯馬 , at Houma last stage. cast bronze qiang Road, Luoyang, and the early strata 斨 axe-heads found at the Nan guan wai 南關外 casting site near Zhengzhou (p. 39). Such molds, it is argued, would not have been so numerous if this type of tool was used only to work wood. On the other hand, bronze tools in general are poorly represented in sites and graves, the text Shanxi, are representative of this The periodization and interpretations this 99 View Scan says, because the slave masters did not give tools to their laborers but instead distributed them only when needed (p. 39). Bronze thus is seen as integral to the economic life of the Shang, not, as most non-Marxist scholars would maintain, as a precious metal used primarily for the ritual and ceremonial needs of the elite. is offered anywhere in the text. Rather, the varieties of evidence available from archaeology are used for whatever incidental light they shed on key Marxist tenets. Many topics could be explored further using traditional texts, but in general Shang Zhou kaogu uses such sources only to confirm its interpretations of the archaeological evidence. In the sections dealing with aspects of economic life, only the discussions of bronze casting maintain a relatively uniform degree of detail, and, even so, much ground is passed over in considerable haste. The treatments of other topics, when considered individually, are too brief to inform the reader looking for a general introduction to agriculture, ceramics or the like. Throughout the discussion of the bronze and other industries, the elite is regarded as the controlling and consuming class with slaves providing labor. The pounded earth floor of the Henan Hotel foundry site near Zhengzhou is not cited as evidence for some status on the part of the bronze casters themselves (p. 43) as some western writers have suggested. Zou Heng sees virtually all workshops as engaged in specialized production with considerable internal division of labor deduced from unfinished products found at several stages of production. A feat such as casting the great Simu Class Structure. The greatest part of Shang Zhou kaogu is devoted to evidence that sheds light on the class structure of Bronze Age society. Discussions of city sites and archi tectural remains are used for this purpose, but the author's forte here is several lengthy treatments of burials. Zou subjects Shang graves to an elaborate (and overly complex) classification (pp. 86-106). He first groups graves as large, medium and small by their surface area, an arbitrary but conve- 司母戊 fangding 方鼎 found near Wuguancun 武官村 , Anyang, symbolizes for the author Marx's Wu statement that simple cooperation by laborers can achieve great results, and Mao's dictum that the people, and only the people, are the creative force in history (p. 47). Steady increases in production and more sophisticated division of labor led the Shang founders, potters and carvers to make their products more "artistic" (p. 119). The "art" of casting bronzes and of other crafts is otherwise barely alluded to by the text, a sharp contrast to the recent western approach that regards bronze ritual vessels as above all else works of high art. All artistic production is treated by this volume as symbolic of the power and status of the elite while derived from the talent of the laboring people (p. 123). A few well-worn, formulaic phrases suffice to praise this talent. nient rule of thumb. Seven types (jia through (guo 槨 ), human victims, and bronze ritual vessels. The latter criteria seem far more important to this reviewer than surface area. The presence of a ramp or burial chamber reflects a conscious and meaningful choice on the part of those responsible for the burial, and such distinguishing features are found with great consistency throughout the area of Shang civilization. These attributes were manifestations of Shang ritual norms that in turn reflect the character of Shang society. A distinction between tombs with surface areas of more and less than 100 square meters, on the other hand, has no rational basis in any known aspect of the Shang cult or society. The Zhou period is viewed as a time of the slow economic progress typical of slave societies (p. 167), although slight advances in agriculture, bronze and ceramic production are discussed. Collective agriculture under close royal supervision is argued based on texts from Shijing. Only with the development of iron working, the text says, were the strictures placed on production by slave society broken. The earliest extant iron objects, a few tools found in or near graves, are dated to the sixth-fifth centuries, and seen as the natural result of the collective knowledge and practical experience of the workers. As iron tools replaced their bronze prototypes and as a new class of landowner appeared, the inevitable changes in social relations and economic production led to the major historical shift from slave to feudal society (pp. 237-39). The development of iron must in this view both attest to the genius of the Chinese working people and serve as a key element explaining historical change. The extensive development of the Houma, Shanxi workshops and the wide distribution of ceramics and bronzes from the state of Wu Rather than the text's seven-part scheme, a smaller number of categories might be employed. For example, large tombs with ramps (Zou's jia- bing 甲丙 ) might be distinguished from tombs of medium scale lacking ramps but characterized by burial chambers and ritual vessels (Zou's ding-wu 丁戊 ). Both types, in turn, should be contrasted to small graves lacking both chambers and ritual vessels made from bronze (Zou's ji-geng 己庚 ). On the other hand, the author advisedly ties the differing numbers of ritual vessels to differing statuses within the elite, using paired gu 吳 are cited as evidence for the rise of "commercial" production (pp. 250-54). This new phase in economic development also included the appearance of a true merchant class and a metallic currency, phenomena considered consonant with Engel's writings (p. 255). 甲 geng 庚 ) are then distinguished by combining the factor of area with attributes such as the presence or absence of ramps, wooden burial chambers 觚 and jue 爵 ritual vessels as a basic analytical unit. Thus, as the author states, tombs with two or three such pairs (and an assortment of other types as well) should be distinguished from graves with only one set and from graves lacking bronze ritual vessels (pp. 88, 89, 91). From the growing size and richness of tombs in the Late Shang period, an impression enhanced by the overly complex categories No detailed analysis of economic organization 100 View Scan summarized above, Zou deduces a marked increase in the wealth of the elite and a consequent impoverishment of the lower, free classes (p. 106). The wide range of tomb types and the extremes of wealth and poverty exhibited by those at each end of the spectrum testify, in his opinion, to the peak stage of slave society. five-grade ranking system for burials, each rank distinguished by differing numbers of ritual ves- sels, notably ding 鼎 and gui 簋 (p. 204). Zou Heng proposes a similar classification with the number of ding vessels found in excavated tombs serving as his diagnostic feature (pp. 204-15 and 262-67). Examples of nine, seven, five, three, and one ding vessel respectively are adduced and related Some of the chapter on the Western Zhou period is disappointing due to gaps in our present knowledge, but the discussion of tombs merits careful consideration. The author examines the nature of Zhou cemetery sites in an analysis based in equal measure on archaeological data and traditional to social rank (tianzi 墓, 公 planned tracts centered on large, elite burials such as the Guo state tombs at Shangcunling, 衛 state tombs at Xincun 辛 浚縣 , also in Henan; and bang mu 邦 Henan, and the Wei 村, 墓, Xun Xian tracts used by a wide portion of the "free" population but without large-scale tombs, such as tun 小屯 published after this volume went to press (see Kaogu Xuebao 1979.1). Inscribed ritual vessels found in those graves suggest that the cemetery was laid out in distinct groupings by clans or other lineage groups. Without embracing the theoretical impedimenta of the text, one can nonetheless agree with the author that such data have much to tell about Shang and Zhou society, and perhaps the function of ritual vessels and even the meaning of some of the bronze decor. dafu 大 tion is offered for the Liuchengqiao 瀏城橋 tomb near Changsha. It ignores one of the major trends of the Eastern Zhou period, namely complementary sets of surrogate vessels made for burial alongside their bronze counterparts. Ritual requirements, the focus of so much of Zou's analysis up to this point, are ignored in favor of a narrow economic rationale (in this instance the economic circumstances of one indi vidual). Similarly, the widespread use of ceramic ding vessels in small graves is evidence, to Zou, of a social revolution in the making as commoners, not entitled to use ding at all according to the ritual texts, usurped that privilege (p. 268). Again, this explanation removes the data from its logical context, the evolution of ceramic grave goods, apparently because of the larger purposes to which the author is applying the data. The author's classification of Zhou tombs into four types (large, medium, small-medium, and small) suggests that the Zhou people practiced less elaborate rites than the Shang (pp. 196-203). In fact, if Zou's scheme for Shang burials were simplified as suggested above, the contrast between Shang and Zhou burial customs would appear far less dramatic. As the text notes, we lack evidence of high quality for the early Western Zhou, most notably any putative "royal Zhou" tombs that could be compared to the Xibeigang 西北岡 cemetery at Anyang. Nonetheless, one of the major developments of early Western Zhou was the virtual disappearance, given present data, of large scale tombs replete with many human victims and vast ritual precincts with evidence of extensive human sacrifice. This observation, however, tends to contradict the view of the text (p. 217) that slave society continued unreformed during Western Zhou. Regional Cultures. The third theme of Shang Zhou kaogu, regional and frontier cultures con sidered distinct from the Shang and Zhou centers of North China, is the least well served, both by the available data and by the text. Cultures contem poraneous with Erlitou are ignored in Chapter One, In classifying burials of the late Western Zhou and Spring and Autumn periods, the author employs a different organizing principle, in this 儀禮 . 卿, The author is right to organize Zhou burials by criteria derived from traditional texts to the extent those criteria are germane to the topic under investigation. Too often, however, by embracing one set of criteria, the author abandons others. Thus Zhou tombs should also, I would suggest, be viewed simultaneously as a part of cemeteries, in terms of their structures, in relation to their ritual vessels, and as reflections of local subcultures and ongoing historical trends. Because such factors are largely ignored, portions of the text are unsatisfactory. For example, the first appearance in large tombs of ceramics that mimic bronze ritual vessels is explained by Zou Heng as a sign that the deceased was in economic duress and could not afford a full complement of bronze vessels (p. 267). This explana- the Zhangjiapo 張家坡 cemetery near Xi'an (pp. 194-96). This approach to large numbers of burials and their contents deserves further consideration, especially in light of the extensive excavations of Shang period cemetery tracts to the west of Xiao- case drawn from I li qing 夫 , shi 士 ). As in earlier discussions of burials, the author sees this system as a means of enforcing sharp stratification within the elite and between the elite and the common people. In the Spring and Autumn era and especially by the end of that period, numerous examples of "violations" against the canonical prescriptions of the ritual texts are evident from excavated tombs. Such "violations" are taken as evidence of social unrest, signs that the society was in the midst of momentous social change (pp. 268-69). Yet the so-called "violations" against the texts may instead reveal other features of Zhou civilization, such as regional variety in ritual life and the limited validity and applicability of those traditional texts such as Zhou li and I li that we happen to have. texts, especially Zhou li 周禮 . The sophistication of this analysis contrasts with the half-hearted use of texts in some other portions of the volume. Zou identifies two kinds of cemeteries: gong mu 天子 , That text describes a 101 View Scan so the reader has no understanding of how the bronzeusing culture of Henan grew from its Neolithic base or interacted with cultures that did not use bronze. The very limited data now available and the fact that important work is only now in progress are responsible for this situation. After examining all of the Shang materials, the author briefly introduces typological and stratification studies are useful, their equation with supposed developmental stages in the life of slave society will not lead non-Marxist researchers to solutions or research designs for the kinds of questions they are likely to ask. It is incumbent on non-Chinese scholars now as always to develop their own interpretative structures in order to understand the wealth of archaeological data. Unprocessed, that data will be of only incidental use to students of early China. If Chinese scholars continue to apply such Marxist classifications as found in this volume, a gap will inevitably grow between "our" early China and "their" early China. Reviews such as this one may serve a useful purpose if they help to bridge that gap and to facilitate dialogue. Just as Marxist, Chinese scholars should evaluate Kwang-chih Chang's Shang Civilization or David Keightley's Sources of Shang History, so too western scholars must critically examine the assumptions and limitations of the works of our Chinese counterparts. 夏家店 Lower Strata Culture of the northeast, the Wucheng 吳城 Culture of Jiangxi, and the Hushu 湖熟 Culture of the lower Yangzi River the Xiajiadian in Chapter Two (pp. 127-43). In spite of their great number of common traits, the Shang and Wucheng sites are separated, primarily because of the prevalence of stonewares in the latter (far less common in North China at the time) and a writing system at Wucheng judged different from that of the Shang oracle bones (p. 136). Zou Heng is unwilling to view "Shang civilization" as broader than the Shang polity and its allied centers. Having identified Panlongcheng as a fangguo 方國 (border state) of Shang, the text considers sites further removed from the Shang homeland as different "cultures" (wenhua 文化 ). One result of this kind of thinking is an inevitable fragmentation of data. As more sites are reported, more "cultures" are identified and larger continuities obscured. A similar problem plagues the discussion of "pre- dynastic" Zhou (xian Zhou 先周 ) evidence (p. 144). When bronze vessels of "Shang style" that predate the fall of the Shang center at Anyang are found in the Zhou homeland, Zou Heng considers such artifacts either as booty robbed from the Shang by the Zhou or products of Shang settlements that encroached on the predynastic Zhou domains. That Zhou bronze casters could have made their vessels in a Shang style is inadmissible. Thus evidence for the Zhou before the "conquest" is meager in the view of the text, limited to a small number of poorly furnished graves. In the current debate on the Xia, mainland writers often suggest that we have had Xia sites and artifacts before us for some time but have been unable to recognize them as such. One wonders if the author's terse treatment of predynastic Zhou is not handicapped by a similar inability to view evidence already gathered with fresh eyes. III Read for the archaeological evidence it presents, Shang Zhou kaogu is a valuable reference work, summarizing important topics while providing numerous citations for further reading. By contrast, to gain an introduction to a topic not treated in detail here (the writing system, ceramics, lacquerware, etc.), one must still laboriously work through thirty-years' accumulation of archaeological journals and monohazard graphs, a venture that is likely to be hap given the current state of indexes and reference works based on the archaeological data. On the other hand, much if not most of the interpretative framework used by the text will be unpalatable to scholars who have reservations about slave society and Marxist historiography. While the general classifications established for much of the archaeological data from 102
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