University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Spanish Language and Literature Modern Languages and Literatures, Department of 1-1-2011 Generation of 1914 in Spain Iker Gonzalez-Allende University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/modlangspanish Part of the Modern Languages Commons Gonzalez-Allende, Iker, "Generation of 1914 in Spain" (2011). Spanish Language and Literature. Paper 85. http://digitalcommons.unl.edu/modlangspanish/85 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Spanish Language and Literature by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. World Literature in Spanish A N ENCYCLOPEDIA Volume 2: G-Q Maureen lhrie and Salvador A. Oropesa, Editors L h ABC-CLIO Santa Barbara, California Denver, Colorado Oxford, England Generation of 19 14 in Spain The novel La voluntad (1902; The Will) links to this early Baroja; its protagonist returns to his rural roots after charting a path from a decadent Madrid and an obsolete Toledo, reflecting well the crisis of turn-of-the-century youth who cannot find their place between the old Spain and the challenges of modernity. Antonio *Machado (1875-1939) started writing rnodernista poetry but soon eliminated it from his first books. earnpos de Castilla (1912; Fields of Castile 2007) presents an eclectic poem collection that includes the noted Alvargonz6lez ballad, a reworking of the Cain and Abel story; coplas (songs) in which the poet employs a symbolist tone in an attempt to find Spain's soul; and an extraordinary selfportrait that incarnates Spanish liberalism as he searches in a timeless Castile for the quintessence of Spain. In prose, the eponymous Juan de Mairena (1936; Eng. trans., 1963) stands as Machado's alter ego-a civic intellectual who tries to dissect Spain. This final incarnation of Machado's evolving thought was a mythic defender of Spain's Popular Republic (193 1-1936); Machado's closeness to the revolution within the Republican side and his extraordinary erotic poems to "Guiomar" made him a champion of liberal Spain against fascism. The death of Unamunofollowing Fascist harassment-at the beginning of the Spanish Civil War (1936-1939), Machado's death in exile at the civil war's conclusion, and the sterility of literary production by Baroja and Azorin in Francoist Spain document the end of the so-called Silver Age of Spanish letters. Salvador A. Oropesa 1 See also Madrid in Literature; Spain and SelfIdentity in the Nation. Work About: J ~ h n ~Ebberta. ~ n , Crossfire: and the Novel in Spain, 1900-1934. Press Kentucky ,2009. Johnson, Roberta. Gender and Nation in the Spanish Modernist Novel. Nashville, TN: Vanderbilt University Press, 2003. Lima, The World of Valle-Inclbn. Rochester, NY: Tamesis, 2003. Generation of 19 14 in Spain This group of Spanish writers wrote in the period between modernism and the Generation of 1898 and the 1920s avant-garde tendencies. It has also been called novecentismo (in Catalan noucentisme) to refer to these authors' different, innovative understanding of literature and art. "1914" was chosen to label this generation because it marked the outbreak of World War I and because JosC "Ortega y Gasset, the movement's main figure, delivered a talk that year on old and new politics. These writers, generally universityeducated members of the bourgeoisie, proposed to examine reality from a rational, intellectual, and objective point of view. Thus, they rejected 19th-century *romanticism and the emphasis on feelings and subscribed to an aesthetic based on Greek and Roman classicism. In some works a preoccupation for Spain arises, but unlike their 439 440 1 > Generation of 1927 in Spain "Generation of 1898 predecessors, they sustain a more positive attitude, relying on Europeanism and cosmopolitism as solutions to national problems. These writers searched for "pure art," that is, a dehumanized art intended to produce aesthetic pleasure. At the same time, they paid special attention to form and literary style in writings. Consequently, their works addressed cultured readers, not the popular audience, believing that a select intellectual minority should lead the nation's masses. The essay, the Generation of 1914's preferred genre, was cultivated by Ortega y Gasset, Eugenio d'*Ors, AmCrico *Castro Quesada, Claudio Sinchez Albornoz, Gregor-0 Marafibn, and Manuel "Azaiia, president of Spanish Second Republic. The primary journals and newspapers used to propagate their ideas include Espafia (1915-1924), El So1 (1917-1936) and Revista de Occidente (1923-present). Foremost novelists of this generation were Gabriel *Mir6, known for detailed descriptions and lyrical prose, and Ram6n *PCrez de Ayala, whose characters tend to embody ideas or attitudes. Wenceslao Fernindez F16rez wrote mainly humoristic novels; Ram6n *Gbmez de la Serna displayed a critical, sarcastic stance in his prose; while Benjamin *JarnCs focused more on philosophical and psychological issues. All these authors renovated the novel as a genre, overcoming realism through intellectualism, lyricism, irony, and humor. Jacinto Grau also included forma1 innovations in his plays. In poetry, Juan Ram6n "JimCnez searched for transcendence through simplification of the form. In conclusion, the Generation of 1914 writers showed in their works an interest both in rational concepts and in cultivation of the language. Iker Gonzalez-Allende By: Ortega y Gasset, JosC. The Revolt of the Masses. Trans. anon. New York: Norton, 1994. PQez de Ayala, Ram6n. Prometheus: The Fall of the House of Limdn; Sunday Sunlight. Poetic Novels of Spanish Life. Trans. Alice Hubbard. Whitefish, NY: Kessinger, 2007. Work About: Fuentes, Juan Francisco. "La generaci6n de 1914: La rebeli6n de las elites." !nsula: Revista de Letras y Ciencias Humanas 48.563 (1993): 7-8. Rebollo Sinchez, Fhlix. "El periodismo literario de 10s ensayistas y narradores novecentistas." Espe'culo: Revista de Estudios Literarios 18 (2001). http:// www.ucm.es/info/especulo/numero 181 rebollo.htm1. ! f Generation of 1927 in Spain A group of youngsters from all over Spain converged in Madrid in the early 1920s, especially at the "Residencia d e Estudiantes, a progressive and liberal cultural institution linked to the University of Madrid and the Instituci6n Libre de Enseiianza. The ideal of the Residencia minored that of liberal intelligentsia like philosopher and editor JosC *Ortega y Gasset. They shared a strong conviction 1
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