Loyola Marymount University Course Syllabus Women in East Asia Dr. Yanjie Wang ([email protected]) Class time & location: TBA Office Hours: TBA University Hall 3416, Ext. 81678 Course Description: This course provides a survey on the experience and representations of East Asian (Chinese, Japanese, and North and South Korean) women, from ancient times to the contemporary era. We will investigate how East Asian womanhood is constructed, institutionalized, appropriated, reinvented, and re-interpreted in different socio-historical discourses. We will start with tracing the initial social and ideological construction of womanhood/femininity in traditional East Asian contexts, and will then delve into critically examining the past and continuing shifts and transformations concerning women’s gender roles in family and society starting from the later eras of pre-modern East Asian history all the way into modern times. This course will endeavor to interrogate the underlying mechanisms that tend to perpetuate, explicitly or implicitly, East Asian women’s marginality and subordination and, at the same time, will look into women’s negotiation with their gender roles and their struggles for self-identity and agency. Situating East Asian women in both regional and global contexts, this course will explore their intricate intersections with sexuality and gender, family and patriarchy, class and race, social justice, nation-building, modernity, (post)colonialism, consumerism, and globalization. Required Readings: 1) E-reserves: http://eres.lmu.edu/eres/default.aspx Note: the password to the E-reserves is “lmu” 2) MYLMU Connect Recommended Textbooks: 1) Jung Chang, Wild Swans: Three Daughters of China. Anchor Press, 1993. ISBN: 0385425473 2) Pang-mei Natasha Chang, Bound Feet and Western Dress. New York, Doubleday, 1996. ISBN: 0385479646 3) Sayo Masuda, Autobiography of a Geisha. Translated by G.G. Rowley. New York: Columbia University Press, 2003. ISBN: 0231129505 4) Fumiko Kaneko, The Prison Memoirs of a Japanese Woman. Translated by Jean Inglis. Armonk, N.Y. : M.E. Sharpe, 1991. ISBN: 0873328019. 5) Kazuko Kuramoto, Manchurian Legacy: Memoirs of a Japanese Colonist. East Lansing: Michigan State University Press, 1999. ISBN: 0870135104 6) Wei Hui, Shanghai baby. translated from the Chinese by Bruce Humes. New York :Pocket Books, 2001. ISBN: 0743421566 7) Eyes of the Tailless Animals: Prison Memoirs of a North Korean Woman. Living Sacrifice Book Co., 1999. ISBN-10: 0882643355 8) Wan-so Pak, My very last possession and other stories; translated by Chun Kyung-Ja et al. Armonk, N.Y. : M.E. Sharpe, 1999. ISBN: 0765604299 1 Loyola Marymount University Course Syllabus 9) Emily Honig & Gail Hershatter Eds. Personal Voices: Chinese Women in the 1980s. Stanford: Stanford University Press, 1988. 10) Li, A tower for the summer heat. New York : Columbia University Press, 1998. ISBN: 0231113854 11) Ba Jin, The Family. Translated by Sidney Shapiro. Learning Outcomes: Upon successful completion of this course students will: Know the chronological sequence and geographical framework of China, Japan, and Korea, as well as the changes of East Asian women’s gender roles from antiquity to the contemporary era. Be able to analyze a variety of primary and secondary sources on East Asian women. Be able to examine and interpret competing points of view in the secondary literature on different aspects of East Asian women and gain a deeper understanding of the contested nature of historical interpretation. Be able to construct arguments and convincingly advance arguments with supporting materials on the interlocking relationships East Asian women have with gender, history, identity, institution, nation, race, and cross-cultural representation. Do away with stereotypical thinking of East Asian women, and value the complex connections between the past and the present. Course Requirements: Attendance and Participation: Class attendance is mandatory and will be taken at each section. Absences without a valid reason will result in a grade penalty. Valid reasons include interviews and sick-leaves (with a note from a doctor or the Dean’s office) and other justifiable reasons. Common unexcused absences include oversleeping, busy work with other courses and problems with an alarm clock, transportation, or parking. If any attendance problems arise, consult with the instructor as soon as possible. The first absence will be excused automatically. Students who have more than 6 unexcused absences will not pass the course. Lateness interrupts the entire class, so please come to class on time. Class participation is strictly required. You are expected to complete all the assigned readings before coming to class, be prepared to ask questions and actively participate. An excellent participation grade indicates substantive contributions to class discussion – questions, opinions, disagreements, arguments, interpretations, and collaborations with your classmates are all examples. In-class Writing: There will sometimes be short in-class written work, either by individuals or groups, which will contribute to the course participation grade. Response Papers: There will be six response papers (2-3 pages, double spaced) due on the days of your choice before class. Your papers should analyze critically the source in light of the questions asked. Note: These papers should not be evaluations (discussing whether you think it is good or bad) or statements of taste (whether you liked it or not) but thoughtfully articulated observations about the source and the meaning it produces, or fails to produce. If 2 Loyola Marymount University Course Syllabus a secondary source, please identify its argument, examine the premises of the argument, analyze how the argument is advanced, and offer your critique of it if any. Midterm exam: Essay questions Conferences: There will be two individual conferences during the semester. 1) One is on your group project. 2) The other is on your final paper. Please bring your ideas on your projects. I will brainstorm with you and will help sharpen your ideas. Come to these conferences prepared. Showing up unprepared will negatively affect your grade. In class presentations: Each student is required to do two presentations. Presentation #1: Students will sign up for a 3-4 person group presentation project. The project will be certain aspects of East Asian women. Specifically, each group will select a topic from “Group Project Topics” that I will be distributing in due time. While you start with a general topic chosen, you are required to narrow it down to a more specific topic through research, discussion with your group members, and in consultation with the instructor. Research for every project needs to be based on course materials, including at least 2 recommended textbooks, and several required articles. Presentation #2: Students will present their final project in the formal conference presentation format at the end of the semester. Final paper: 10-12 pages. Your final paper should be on a topic related to the experience and representation of East Asian women. The paper requires in-depth analysis of primary sources as well as scholarship relating to your topic. The subject of the research paper should be worked out in advance with the instructor. Grading: Attendance & Participation: 15% Response papers: 30% (6 total, 5% each ) Midterm exam: 15% Conferences: 5% Presentations: 10% (2 total, 5% each) Final paper: 25% Final grades in this course will be granted based on a general scale listed below. Please note that there will be no curving of the grade distribution. A+ 97% and above A 93%-96.99% A90%-92.99% B+ 87%-89.99% B 84%-86.99% B80%-83.99% C+ 77%-79.99% C 74%-76.99% C70%-73.99% D+ 66%-69.99% D 63%-65.99% D60%-62.99% F Anything less than 59% 3 Loyola Marymount University Course Syllabus *Extensions on assignments, makeup or conflict exams will be allowed only if complete official documentation of the reason is provided in advance. Papers turned in late will be marked down one notch (an A becomes an A-, an A- becomes a B+) for every calendar day it is late. Papers more than one week late will not be accepted. Policies: Laptops: Your laptop may be used to take notes. Should you be found using the laptop for browsing websites, facebooking, email etc during class time, that day will be counted as an absence. Cell phones: Use of cell phone for any purpose is strictly prohibited. Use of cell phone for any purpose will result in a recorded absence for that day. Cellphones should be put on silence if brought into the classroom. Email Communication: At times I will communicate with students using campus email systems, so it is essential that you are available for e-mail communication via lion.lmu.edu address. Academic Honesty: Academic dishonesty will be treated as an extremely serious matter with serious consequences. It is your responsibility to make sure that your work meets the standards of academic honesty set forth in the “LMU Honor Code and Process” which appears in the LMU Bulletin (see http://www.lmu.edu/about/services/registrar/Bulletin/Bulletins_in_PDF_Format.htm). Please pay particular attention to plagiarism. It is never permissible to turn in any work that has been copied from another student or copied from a source (including Internet) without properly acknowledging the source. Please note that there is a zero tolerance policy for any kind of academic dishonesty: Students will receive the grade of “F” for the entire course. Special Accommodations: Students with special needs who need reasonable modifications, special assistance, or accommodations in this course should promptly direct their request to the Disability Support Services Office. Any student who currently has a documented disability (physical, learning, or psychological) needing academic accommodations should contact the Disability Services Office (Daum Hall # 224, x84535) and the instructor as early in the semester as possible. All discussions will remain confidential. Please visit <http://www.lmu.edu/dss> for additional information. Class Schedule: Week 1. Introduction I T. Orientation Th. Chronological Introduction to Chinese history Week 2. Introduction II T Traditional Philosophy Th. Chronological Introduction to Japanese and Korean History Section I: Women in Confucian Societies Week 3. Gender Studies and Women’s History 4 Loyola Marymount University Course Syllabus T. Gender and Asian Womanhood Scott, Joan W. 1986. “Gender: A Useful Category of Historical Analysis.,” The American Historical Review, 91.5 (Dec., 1986): 1053-1075. Optional: Susan Mann 2000. “Presidential Address: Myths of Asian Womanhood,” The Journal of Asian Studies, Vol. 59, No. 4. (Nov., 2000), 835-862. Th. Women and Confucian Tradition Ban Zhao, “A lesson for women” Enoki, Kazuo. “Confucian women in theory and in reality”. *Sign up for group project *Discussion 1: Confucianism and Women Week 4. Bound Feet: Beautiful or barbarian T. Bound Feet and Chinese Women Ko, Dorothy. 1997. “The Written Word and the Bound Foot: A history of the courtesan’s aura”, in Ellen Widmer, Kang-I Sun Chang, eds. Writing Women in Late Imperial China.74100. Th. Studying the Bound Feet Ebray, Patricia 1999. “Gender and Sinology: Shifting Western Interpretation of Footbinding, 1300-1890,” Late Imperial China, 20.2 (December 1999):1-34. *Discussion 2: Bound Feet, Beauty, and Gender Week 5. Women and Confucian Cultures Readings: Zang’s, Deuchler’s, and Sugano’s articles in Ko, Dorothy, Haboush, JaHyun Kim, and Joan R. Piggott eds. Women and Confucian Cultures in Premodern China, Korea, and Japan. T Women, family and the state *Discussion 3 Womanhood in Confucian Societies Th. The past in the present Women’s Virtues in a 2000 Korean Film: Chunhyang Week 6. Women’s Place Readings: Francesca Bray. 2005. “The inner quarters: oppression or freedom?” From Ronald G. Knapp and Kai-yin Lo (eds), House Home Family: Living and Being Chinese, Honolulu, University of Hawai’I Press, 2005 Optional: Dorothy Ko 1992. “Pursuing Talent and Virtue: Education and Women’s Culture in Seventeenth- and Eighteenth-century China”, Late Imperial China, 13.1 (June 1992): 9-39. 5 Loyola Marymount University Course Syllabus T. Inner Chamber and Gendered Space *Discussion 4 Women’s Place and Space Th. Group Project 1: Women in Pre-Modern East Asian Societies Section II: Women in Modern East Asia Week 7. Westernized or/and Modernized Women Readings: Carroll, Peter. “Refashioning Suzhou: Dress, Commodification, and Modernity,” Positions: East Asia Cultures Critique, 11.2 (Fall 2003): 443-478. Miriam Silverberg. “The Modern Girl as Militant,” in Bernstein, Gail Lee. ed. Recreating Japanese Women. (University of California Press, 1991), 239-266. Optional: Eileen Otis, “Virtual personalism in Beijing: Learning deference and femininity at a global luxury hotel,” Worlds of Chinese Labor: Ethnographies of Class, Gender, and Spatial Inequalities in Post-socialist China, edited by Ching Kwan Lee. New York: Routledge. T. Fashion, Body and Modernity *Discussion 5 Fashion and East Asian Women Th. Group Project 2: Women and East Asian Modernization Week 8. Women in Revolution Readings: Qiu Jin on releasing bound feet Selected chapter from Gilmartin, Christina Kelley. 1993. Engendering the Chinese Revolution: Radical Women, Communist Politics and Mass Movements in the 1920s. Optional: Selected chapter from Kaneko Fumiko. 1991. The Prison Memoirs of a Japanese woman. T En-gendering Revolution *Discussion 6 Women Revolutionaries in East Asia Th Group Project 3: Women revolutionaries Week 9 Women in War Readings: Selected chapters from Comfort Women Speak Hye Seung Chung. 2001. Korean Comfort Women Trilogy as Subaltern Autobiography T. Documentary: Habitual Sadness 6 Loyola Marymount University Course Syllabus Th. Chinese “Revolutionary” Ballet: The Red Detachment of Women (1970) *Discussion 7 Women in War Week 10. Women and Colonization Readings: Selected chapter from Kuramoto, Kazuko. Manchurian Legacy: Memoirs of a Japanese Colonist. Shao Dan 2005. “Princess, traitor, Soldier, Spy: Aisin Gioro Xianyu and the Dilemma of Manchu Identity,” in Mariko Asano Tamanoi, ed. Crossed histories: Manchuria in the age of empire. T. Women and Colonization *Discussion 8 Women Colonizers Th. Group Project 4: Women, Identity, and Colonial empire Week 11. Gender performed Reading: Robertson, Jennifer, 1998. Takarazuka. William B. Hauser. “Women and War: The Japanese Film Image,” in Bernstein, Gail Lee. ed. Recreating Japanese Women. University of California Press, 1991, 296-314. Selected chapter from Autobiography of a Geisha T. Th. Documentary: Dream Girl *Discussion 9 Takarazuka Group Project 5: Gender performed Section III: Women after WWII Week 12. Generational gaps and changes Readings: Selected chapters from Personal Voices Selected chapters from Jung Chang. Wild Swans: Three Daughters of China T. Th. Documentary: Wild swans *Discussion 10 Generational Changes Group Project 6: Generational Changes/Differences in East Asian Women (Interviews are recommended) 7 Loyola Marymount University Course Syllabus Week 13. Presenting and Representing East Asian Women Readings: Cai, Rong. 2005.”Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World,” Positions: East Asia Cultures Critique, 13.2 (Fall 2005): 441-471. T. Film: Crouching Tiger, Hidden Dragon *Discussion 11 East Asian Women in Westerners’ Eyes Th. Group Project 7: East Asian Women in Films Week 14. Dating, Wedding, and Love Readings: Selected pages from Emily Honig, Personal voices, pp.31-40 Nemoto, Kumiko 2006. “Intimacy, Desire, and the Construction of Self between Asian American Women and White American Men,” JAAS, 27-54. Optional: My Sassy Girl Friend T Gendered Passages and Processes in Life *Discussion 12 Gender Relationships in dating and marriage Th Group Project 8: Dating and Wedding in East Asia (Interviews are recommended) Week 15 Final Paper Presentation *This syllabus is subject to change based on the needs of the class. Students are responsible for keep yourselves informed of any changes or modifications announced in class or posted on MYLMU Connect. 8
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