YSDN
YORK SHERIDAN
BACHELOR OF DESIGN
T he Yor k U ni v e r s i t y / She r i d a n Col l e ge
Ba c he l or of De s i gn i s a f our - y e a r uni v e r s i t y
d e gr e e d e l i v e r e d joi nt l y b y t he t wo l e a d i ng
e d uc a t i ona l i ns t i t ut i ons of d e s i gn i n Ca na d a
a nd r e c ogni z e d t hr oughout Nor t h A me r i c a
f or ma i nt a i ni ng t he hi ghe s t a c a d e mi c a nd
p r of e s s i ona l s t a nd a r d s . T hi s uni q ue p r ogr a m
i s p r e s e nt e d i n t he c ont e x t of a r i c h mul t i d i s c i p l i ne d e x p e r i e nc e wi t hi n b ot h t he c ol l e ge
a nd uni v e r s i t y e nv i r onme nt s .
T hi s s e l e c t i on of s t ud e nt wor k i s a t e s t a me nt
t o t he t a l e nt , d e d i c a t i on a nd p a s s i on e a c h
YSDN s t ud e nt b r i ngs t o our p r ogr a m. M a ny
of our a l umni ha v e c ont i nue d t hi s l e v e l of
e x c e l l e nc e t hr oughout t he i r d e s i gn c a r e e r s
a nd c ont i nue t o gi v e b a c k i n s i gni f i c a nt wa y s .
TYPOGRAPHY
COMMUNICATION
INTERACTION
INFORMATION
3D
M OT I O N
TYPOGRAPHY
TYPOGRAPHY 1
e
s
in ert
Insert: To place, fit or thrust (a thing) into another. Introduce into a piece of text
ject
Winter 2013
Summer 2012
$5.95 CAN
$5.95 CAN
Magazineofofthe
theRoyal
RoyalOntario
OntarioMuseum
Museum
Magazine
MAYAN HIEROGLYPHICS: Going into depth about how the ancient Mayan Civilization and the way they developed their
hieroglyphics
typography.
LESSON/ in
How
the ancient
Mayan
read
theirwORld:
hieroglyphs
and how
is itin
different
DINO-EGG into
HUNTERS:
Succeeding
thedid
clutch
/ FROM
THE
lOsT
A remote
river
Guyanathan
Roman
letterforms?
RESEARCH/
How
did
the
researchers
depict
what
was
being
said
in
their
hieroglyphs?
PLUS, for
we
reveals a strange new kettle of fish / Ancestry.DNA: The surprising find of an archaeologist’s search
establish
how
the
Ancient
Mayan’s
had
delicately
applied
their
hieroglyphs
were
used
on
stone,
pottery
and
codices.
ancestral roots / Plus: JaMEs CHaTTO on piscatorial platters and MARK KINGWELL on living forward
Eject: send or drive out precipitately or by force. Compel to leave.
Cause to be propelled from an aircraft or spacecraft in an emergency.
Cause to be removed or drop out
JOHN MACDONALD
Symmetry: the quality of being made up of
exactly similar parts facing each other or around an axis
Asymmetry: Lack of equality or
equivalence between parts or aspects of something
STEPHANIE HOEKSTRA
Display until September 15, 2012
r
013
CECILIA UHR
AZIZ JAVID
TYPOGRAPHY
TYPOGRAPHY 2 & 3
RYAN KLAFURIC
SHIRLEY LIANG
Born in Berlin, Germany (May 30th, 1947)
and often working in England and San
Francisco, Erik Spiekermann is a world
famous typographer and designer with
numerous awards under his belt. Spiekermann first dipped into the industry via a
gifted miniature printing press at the age
of 12. He then went on to work at a type
foundry where he met one of his largest
influences, Gunter Gerhard Lange, his
type teacher. In recent days, he has
worked for massively successful companies - Apple, Ferrari etc. - while creating
one of the largest font distrubution sites
- FontShop International. One of his very
notable achievements is the creation of
the very typeface you’re reading.
ITC Officina Sans Std
TYPOGRAPHY
TYPE DESIGN
EVE REGULAR
UPPERCASE
LOWERCASE
DESIGN FEATURES
SIZE
ABCDEFGHI
JKLMNOPQR
STUVWXYZ
abcdefghi
jklmnopqr
stuvwxyz
Terminals: All terminals contain one rounded and one sharp corner.
The placement of the rounded corner is dependant upon the
direction of the stem, arm, leg, etc. This terminal system takes
inspiration from the directional movement in hand rendered
PUNCTUATION
glyphs. The curves aid in softening the letterforms.
As a generalist typeface, Eve has proven to be friendly and soft as
it’s letterforms are accentuated by round generous curves on an
elegant slim frame. The inviting display face is complemented by
subtle detailing. Compared to the other members of the Source Sans
Pro family, Eve has an increased stroke contrast, rounded shoulders
and curves, an overall narrower form, and smooth line quality. The
addition of Eve to the type family has resulted in the elevation of
Source Sans as a whole, thanks to a charming subtly embellished
display face that is sure to benefit the print and web worlds. The
natural simplicity and ordered forms of this slim sans serif typeface
channel themes of elegance, ideal for display use in lifestyle magazines.
As a generalist type, Eve will prove to be friendly and soft, accentuated by round
generous curves on an elegant slim frame. Using the light weight of the Source Sans
Pro family as the basis, the letter forms will be tailored to create an inviting display
face complemented by subtle detailing. With an increase in stroke contrast, rounded
shoulders and curves, overall narrower form, and smooth line quality, the evolution
from a light weight text type to a charming subtly embellished display typeface is
12pt/14.4pt
As a generalist type, Eve will prove to be friendly and soft, accentuated
by round generous curves on an elegant slim frame. Using the light
weight of the Source Sans Pro family as the basis, the letter forms will
be tailored to create an inviting display face complemented by subtle
detailing. With an increase in stroke contrast, rounded shoulders and
14pt/16.8pt
As a generalist type, Eve will prove to be friendly and soft,
accentuated by round generous curves on an elegant slim
frame. Using the light weight of the Source Sans Pro family
as the basis, the letter forms will be tailored to create an
18pt/21.6pt
1234567890
24pt/28.8pt
NUMBERS
Stroke Contrast: Most evident in stroke intersections. Thinner strokes have
been created to meet stems in lowercase letters a, b, d, g, h, m,
n, p, q, r, and u. The uppercase letters also contain differences
in stroke width according to the direction of the stroke, i.e.
horizontal, vertical and diagonal.
36pt/43.2pt
Size: 150pt
kanp RCZ
sjyd EQK
4
Aojar sanz
ckkr
]2ar
As a generalist type,
As a generalist type, Eve will prove
to be friendly and soft, accentuated
T H E T E A C H I N G TO O L
cap height
x-height
5
descender
Baseline
Gujarati has many
characters that go
above and below
other characters. They
needed to be taken in
to consideration when
designing this typeface.
Capline
x-height
Baseline
4
91 pt
K{
yT
Vj
dya
shapes in GujaAs a generalist type, Similar
Evehavewill
rati
to beprove
designedto be
as new characters.
friendly and soft, accentuated
by round
generous curves on an elegant slim frame.
ascender
Capline
7
MICHELLE KENNY
10pt/12pt
are tilted, creating minor oblique stress. This feature references
Transitional typefaces as the angle is nearly upright.
Size: 40pt
6
As a generalist type, Eve will prove to be friendly and soft, accentuated by round generous curves on an
elegant slim frame. Using the light weight of the Source Sans Pro family as the basis, the letter forms will
be tailored to create an inviting display face complemented by subtle detailing. With an increase in stroke
contrast, rounded shoulders and curves, overall narrower form, and smooth line quality, the evolution from
a light weight text type to a charming subtly embellished display typeface is sure to benefit the print
world. The natural simplicity and ordered forms of this slim sans serif typeface will channel themes of
elegance, ideal for display use in lifestyle and home and garden magazines.
.,:;’"-/()?!&
Counters: The axis of the inner form of letters O, o, Q, and the number 0
OJARA SANS
8pt/9.6pt
Aek
ij9I
0okDo
KEYA VADGAMA
2
COMMUNICATION
VISUAL LANGUAGE
YSDN1001 Visual Language Fall 2013 Project 2
Poya Alborzi 1
POYA ALBORZI
YSDN1001 Visual Language Fall 2013 Project 2 Dev Maharaj
EMILY McDONALD
DEV MAHARAJA
4
COMMUNICATION
DRAWING FOR DESIGN
MATERIALS AND METHODS
DANIELLE ROCHE
ERICA SOKOL
ANDRES PLANA
FINAL bookmarks / fold into one bookmark
COMMUNICATION
COMMUNICATION DESIGN 1
abuse
ANDREW COOPER
YSABEL ENVERGA
COMMUNICATION
COMMUNICATION DESIGN 2
ALAA ABUAMRA
JULIA TROUBETSKAIA
LILY KAO
C O M MHelén
U NMarton
IC—
A York/Sheridan
T I O N Bachelor of Design
BRAND DESIGN
CORPORATE IDENTITY
Skin
&
← ENTRANCE
Visit the Textile Museum
and the Gift Shop today!
Bone
HELEN MARTON
T
MC
ENTRANCE →
Visit the Textile Museum
and the Gift Shop today!
COMMUNICATION
BOOK DESIGN
EDITORIAL
Spring 2013
A Canadian Magazine Dedicated to Biomimicry
SPECBOARD
nontoxic
insect
repellent
pg32
editorial specifications
LOGO/MASTHEAD:
Borghs-Condensed / Italic
Width: 13p6
0p4
At two lines
Used on the cover, the
masthead page, and
whereable practicable
SUBHEADS:
BigNoodleTitling / 29pt
BODY COPY:
Apex Serif / Book / 8pt
DROP CAPS:
Borghs Normal
0p7
0p7
Width: 13p6
Arrangement may vary
1
2
reports he is set to retire, insisting it is
“too early to think about it”.
CAPTIONS:
DIN / Regular / 9pt
3
4
5
Flush left or right as
needed
6
7
playing over 500 matches for the Serie A
giants and becoming their all-time leading
goalscorer in the process.
Width: 7p6
8
9
10
Born and bred in the
Eternal City, Totti supported Roma as a boy
and joined the club’s
youth team in 1989,
making his Serie A
debut at the age of 16
in a 2-0 win at Brescia
Calcio on 28 March
1993; scored his first
goal 18 months later
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
PULLQUOTES:
Boton / Regular / 15pt
Leading: 18pt
Arrangement may vary
29
30
The 36-year-old has two years remaining
on his contract, but reports in Italy continue to suggest the former Azzurri striker
32
33
34
35
36
has ever played for until 2014, with the
“For me, it’s just football,” he told TV Sorrisie Canzoni. “I always think about the
next game.
“Maybe when I retire, I will figure something out to warmly greet everyone for
their support, but now it is too early to
think about it.”
atore’, says one of the highlights of his life
came away
from the football pitch and it
helped he and
his team-mates
to embody the
Roma spirit.
“The most real
and intense
encounter of
my life? Meeting Pope John Paul II. I cannot
forget his gentle eyes and the feeling of
37
38
39
40
A One-Club Man
peace that he seemed to exert.
“It’s true, I have been called Gladiator in
Rome, but I think our courage is not linked
to our roles or fame. Rather, we work for
the things we believe in and do our best for
ourselves and our loved ones every day,” he
said.
says retirement is not something that has
entered his mind yet.
“Rather, we work for the
things we believe in and do
our best for ourselves and
our loved ones every day,”
31
32-year-old retires.
Francesco Totti determined to
spend his last seasons at Roma
“I’ve always dreamed I would wear this
shirt for my entire career,” the Giallorossi
captain said. “This dream is now a reality.”
guaranteed a job on the club’s technierstwhile Italian international made his
Roma debut in 1992 and has since scored
187 goals in 430 league games for the club,
making him the eighth highest scorer in
the 2006 FIFA World Cup with Italy and has
scored nine times in eleven league games
this season, as well as ten in six UEFA Europa League fixtures – including qualifiers.
Roma sealed progress to the round of 32
as Group E winners by beating PFC CSKA
Sofia 3-0 on Wednesday.
41
42
43
TOMORROW’S IDEAS TODAY
issue#00
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
03
MATCHDAY ONE | HALF-TIME INTERVIEW
HEADLINES:
Borghs Normal / 60pt
MATCHDAY ONE | HALF-TIME INTERVIEW 04
MARGINS:
Zig-zag patterns are
added for visual interest.
Size and arrangement
may vary
BLEED:
1p0 / 0.125”
HEAD:
5p4
GUTTER:
4p6
FOOT:
3p8
MARGIN:
3p0
PESTS
FOLIO:
BigNoodleTitling / 13pt
FOOTER:
DIN / 9pt
Centered within a size
1p5 ellipse
Name of magazine in
Bold, section in Regular
Other typefaces may be
used for visual impact
mosquito nose
micro-needle
pg9
Width: 2p5
THREE COLUMNS:
13p6
SIX COLUMNS:
6p0
MAGAZINE WIDTH:
51p0 / 8.5”
MAGAZINE HEIGHT:
66p0 / 11”
exoskeleton
remake
pg17
ALLEY:
1p6
why webs work
pg43
86063
72006
7
STEPHANIE STRAWBRIDGE
5
JANE KIM
$8.25
COMMUNICATION
DESIGN WORKSHOP
KAREN VERTIERRA
ANASTASIA KORNEEVA
SAARAH SAGHIR
COMMUNICATION // FEATURED PROJECT
TIFFANY CHAN
Thinkbox
THINKBOX
RGD Ontario
Tamm + Kitt Award for
Greater Toronto Area, 2014
RATIONALE
Thinkbox makes play matter in the creative process by
facilitating playful experiences that embrace novel methods
of generating and developing ideas. The kit provides young
designers with effective strategies and analog tools that help
shape their ideas, concepts, and craft. Thinkbox educates
young designers on how to utilize play effectively, facilitates
playful experiences, and enables the harnessing of new
creative channels.
Tiffany Chan | York University / Sheridan College | Brand design
Tiffany Chan | York University / Sher
Tiffany Chan
| York
University
/ Sherida
Tiffany
Chan
| York University
Tiffany Chan | York University / S
INTERACTION
INTERACTIVITY 2
KEVIN NG
INTERACTION
INTERACTIVITY 3
AARON THADATHIL
ANGELINA TJHUNG
CONZ ZAMMITTI
INTERACTION // FEATURED PROJECT
ANN LU
ALAA ABUAMRA
TALA EL HALLAK
AMIR CHABOK
INFORMATION
INFORMATION DESIGN 1
Theistareykjarbunga
Krafla
VEI-4
THE GEOGRAPHY OF THE
V OL C A NOE S OF IC E L A ND
INTERPLATE
VOLCANIC
ZONE
Lýsuhóll
Ljósufjöll
Snæfellsjökull
VEI-2
VEI-3
200 AD
Hverfjall
Kollóttadyngja
Herðubreið
MID-A
TL AN
Hofsjökull
960 AD
Fremrinámur
NORTHERN
VOLCANIC
ZONE
WESTERN
VOLCANIC
ZONE
1984 AD
Askja
VEI-5
TIC R
1961 AD
ID GE
Kerlingarfjöll
Tungnafellsjökull
Prestahnúkur
Kverkfjöll
VEI-1
Bárðarbunga
Loki-Fögrufjöll
Hengill
VEI-2
Hekla
90 AD
VEI-5 2000 AD
Hrómundartindur
Grensdalur
VEI-3
1960
1970
1980
1990
2000
2010
1340 AD
Esjufjöll
3500 BC
EASTERN
VOLCANIC
ZONE
Tindfjallajökull
Vatnafjöll
Brennisteinsfjöll
VEI-2
2011 AD
VEI-6 1783 AD
Krýsuvík
VEI-2
Laki
1477 AD
Grímsnes
VEI-3
Grímsvötn
VEI-4
Torfajökull
1968 AD
Thórólfsfell
1341 AD
VEI-5
1918 AD
Katla
Eyjafjallajökull
VEI-4
Öræfajökull
VEI-5
2010 AD
1918 AD
Eldfell
VEI-3
1973 AD
Surtsey
Stratovolcano
Caldera
Fissure System
Tuya
Tephra Cone
Shield Volcano
ROSS ZUROWSKI
CECILIA UHR
YORK UNIVERSITY/SHERIDAN COLLEGE
INFORMATION DESIGN
INFORMATION
BOOKLET
PRINT - SPREAD 2 & 3
INFORMATION DESIGN 2
CECILIA UHR
DIGITAL PUBLICATION
IPAD
YORK UNIVERSITY/SHERIDAN COLLEGE
INFORMATION DESIGN
CECILIA UHR
ROSS ZUROWSKI
INFORMATION
INFORMATION DESIGN 3
5 mins
Transfer point
i.hear
Transfer point
(5-10 mins wait)
I’ve noted whilst going to work and taking public transportation, most of the encountered sound
gets transfered into white noise, while I am with my own thoughts. Data, collected six separate
times over the span of January 9-29, displays a combination of noises I pick up that are essential
to my route, and sounds I do not usually regard but are still nonetheless, there.
CH*
*CRUN*CRUNC
of snow
*vroom vroom*
of the car
tru
Cons
Buses
Stalling
keele &
Murray Ross
faint
•••
*vroom*
Next stop is, Dufferin & Finch
music
•
•• Air
••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• • •••
•
•
•
••
••
people
•••••••
•
•••
Dufferin/
finch
n
ctio
*whoosh*
••
Start
*vroom vroom*
H*
Blowing
*Giggle* *chitchat*
Next stop is,
Downsview Station
*sniffle*
•••
••
•
• • ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
•••
Foot
*tap tap tapping*
The next station is
Wilson,Wilson Station
Arriving at Wilson,
Wilson Station
*Crinkle*
lato
*
*chitchat
subway bz
*beep beep!*
Esca
lat
Mall music
or
Escalator
origin
Foot
route information
40 minutes
8.1 km
Arriving at Yorkdale,
Yorkdale Station
*vroom*
VIVIAN ONG
Mode of transportation
zzzz
Yorkdale
station
Turnstiles
longevity
Size: Sound intensity
r
The next station is
Yorkdale,Yorkdale Station
people
Subway Doors
END
Esca
Newspaper
Downsview
station
•••
••
*sniffle*
Winter 2014
3D
3D DESIGN
DAVID NIGHBOR
BROCK DONALDSON
SHIRLEY LIANG
3D // FEATURED PROJECT
CECILIA UHR
YORK UNIVERSITY/SHERIDAN COLLEGE
PACKAGING DESIGN
WHITEBITES
CECILIA UHR
Whitebites
PACKAGING DESIGN
Adobe Design Achievement
Award, 2014
CECILIA UHR
RGD Ontario
Shikitani Lacroix Award for
Packaging Design, 2014
YORK UNIVERSITY/SHERIDAN COLLEGE
PACKAGING DESIGN
FUNCTION - EAR FLAP
CECILIA UHR
YORK UNIVERSITY/SHERIDAN COLLEGE
FRONT
BACK
CLOSE-UP LABEL
CLOSE-UP LABEL
PACKAGING DESIGN
MOTION
TYPE IN MOTION
LUCAS YOUNG
See the video HERE
MOTION
TIME BASED COMMUNICATION
MAN WAI WONG
See the video HERE
Adobe Design Achievement Awards,
Semi-finalist, 2011
ADCC National Student Competition, 2011
Applied Arts Student Awards, 2011
Coupe Magazine, 2011
YSDN
YORK SHERIDAN
BACHELOR OF DESIGN
Fo r mo re i nfo rmati o n, p lea s e c o nta c t:
SHERIDAN COLLEGE
Att: Nanc y Go nc a lves
Fac ulty o f Ani ma ti o n, Arts a nd Des i gn
Sheri da n Co llege
1 4 30 Trafa lga r Rd
Oa kvi lle, ON L6 H 2 L1
(9 0 5) 84 5- 9 4 30 Ext. 2 57 7
na nc y. go nc a lves @s heri da nc o llege. c a
o r vi s i t o ur w ebs i te here.
YORK U NIVERSITY
Dep artment o f Des i gn
Yo rk U ni vers i ty
4 7 0 0 Keele Street, 4 0 0 8 TEL Bui ldi ng
To ro nto , Ontari o M3J IP 3
(4 1 6 ) 7 36 -5885
y s d n@yo rku. c a
o r vi s i t o ur w ebs i te here.