FAMILYGUIDE FRANK STELLA IRREGULAR POLYGONS1965–66 A guide to use in the exhibition and at home. Does a painting have to be a rectangle? Contemporary artist Frank Stella didn’t think his paintings had to be. In this gallery you’ll notice all of the works of art are painted on canvases that have been cut and stretched to make other shapes. Using the Family Guide, learn more about the artist Frank Stella and discover how he uses the elements of shape, line, and color in his abstract works of art. Words to know Shape is a flat area, like a square or circle, that has clear borders Line is a path made by a point moving in space, like a long mark made with a pencil. Color is what we see because of light reflecting off of things. Close your eyes and imagine you are standing in a dark room. Do you see color? Abstract art is art that does not show objects as they appear in the world around us. Sometimes abstract art doesn’t show objects at all—but shapes, lines, and colors placed together. Thank you for helping us protect the art! ● Feel free to sit on the floor as you talk, write, or d ● Please remember not to touch works of art. do The not moisture lean on display cases, pedestals, or walls. and oils from our hands damage the art over time. ● For the safety of the art, only pencils (not pens) may be used in the museum. Please ask a member of the security and visitor services staff if you need a pencil to do the drawing a painting have to be a rectangle? Contempora and writing activities in this familyDoes guide. Frank Stella didn’t think his paintings had to be. This Fam ● Please do not point at works of art with pencils or this lead you through an exploration of eleven of his shaped family guide. paintings stretched onto irregularly shaped frames to cr ● Feel free to sit on the floor as you forms talk, write, or draw on the wall. but do not lean on display cases, pedestals, or walls. If you were to t you drew I Rthat R have E Gthree U LorAmore R shape P O LYG O Polygons are closed shapes straight t below. Can you r sides. Triangles,Srectangles, and squares are some polygons ta s ’ t The paintings by Frank Stella in this e ! e you might L recognize. ing called his Irregular Polygon series. A po k o Lo Does a painting have to be a rectangle? Contemporary artist shape bounded by straight lines. in the exhibition Frank Stella didn’t think his paintingsLook hadattothe be.paintings This Family Guide will to find the polygons shown below. Do you recognize any other polygons in the lead you through an exploration of eleven of you his shaped canvases— Can find these polygons in the paintings in the larg paintings? paintings stretched onto irregularly shaped to create interesting topframes of the stairs? forms on the wall. Shape: What is a Polygon? t Star s ’ t Le king! Loo I R R E G U L A R P O LYG O N S The paintings by Frank Stella in this exhibition are Square Rectangle called his Irregular Polygon series. A polygon is a flat shape bounded by straight lines. Choose anothe Pa Can you find these polygons in the paintings in the large gallery at the top of the stairs? Trapezoid Triangle An irregular polygon is made up of uneven sides and an find some of these irregular polygons in the works? Square Rectangle Parallelogram g us protect the art! ot to touch works of art. The moisture ands damage the art over time. e art, only pencils (not pens) may be used ase ask a member of the security and f if you need a pencil to do the drawing es in this family guide. t at works of art with pencils or this he floor as you talk, write, or draw but play cases, pedestals, or walls. Shape: What is an Irregular Polygon? An irregular polygon is a closed shape that has unequal sides and angles. A square is not an irregular polygon because Bands of color run along the edge of many of it has four equal sides. these shapes. Sometimes the band goes all the way around and sometimes it leaves a side open.Stella Can you find an exampleare of each? The paintings by Frank in this exhibition calledWhat the effect do continuous and partial bands have on Irregular Polygon series. works oflooks? art combine both the wayThese a colored shape regular and irregular polygons. You’ll notice the shapes look like they are layered, connected, or even pushing each other out of the way. Wolfeboro IV, 1966, fluorescent alkyd and epoxy paints on canvas. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution: Gift of Joseph H. Hirshhorn, 1972. © 2010 Frank Stella/Artist Rights Society (ARS), New York. Photo by Steven Sloman Trace the outside edge of each of these irregular polygons. Findthethe shapes ineach theofpaintings in this If you were to trace outside edge of these paintings, the shape you drew would form an irregular polygon. Trace the outlines gallery. below. Can you match them to paintings in the gallery? be a rectangle? Contemporary artist s paintings had to be. This Family Guide will oration of eleven of his shaped canvases— rregularly shaped frames to create interesting E G U L A R P O LYG O N S ntings by Frank Stella in this exhibition are is Irregular Polygon series. A polygon is a flat ounded by straight lines. Choose another work in this gallery and draw its outside edge below. Line Frank Stella uses thick lines, or bands, of color to help us see the shapes in his paintings. Sometimes these bands go all the way around a shape, giving it an outline. Sometimes a side is left open without a band. Bands may be zig-zags or look almost like letters. Look at the paintings to find an example of: • an outline • a line that doesn’t go all the way around a shape • a zig-zag • line that looks like a letter Add your own lines to the irregular polygon on this page. Color Color has three parts: hue, intensity, and value. • Hue is the name of the color—like blue or red. • Are the colors bright or dull? This is called the intensity of the color. • Are the colors light or dark? This is the value of the color. Frank Stella used colors of different hues, intensities, and values in his Irregular Polygon paintings. How he combined the colors makes our eyes see the shapes in certain ways— do some of them seem to pop out? Do others seem to shrink back? Look closely at a work of art in this gallery. Pick one of the colors in the painting and fill in the blanks in the sentence below to make your own colorful statement about a Frank Stella painting! The _________in the painting is so _________________ hue (color) the color’s intensity that it reminds me of ___________________________! Example: The red in the painting is so bright that it reminds me of Rudolph’s nose! Make Your Own Stellainspired Irregular Polygon An activity to do at home: Cut along the lines of the shapes below and on the next page. Then put the four shapes together to create your own irregular polygon—or mix and match them to make two! More Shapes to Make Your Own Irregular Polygon An activity to do at home: Cut along the lines of the shapes below. Fit the shapes together or overlap them to create new shapes. You can also color them in or add lines like Frank Stella did with his paintings. ...Then Name It! The works of art in this exhibition were named after small towns in New Hampshire where Frank Stella fished and camped with his father when he was a young boy. Does your Irregular Polygon remind you of somewhere you like to go or something you like to do? Does it remind you of a favorite toy? A building? Glue or tape the Irregular Polygon you made on this page, and give it a title. Title: Who is Frank Stella? Frank Stella is an American painter and sculptor who was born in 1936. He has been creating works of art for over 50 years! He is one of the most famous abstract artists alive. In 2010 he was given the National Medal of the Arts by President Barack Obama. Frank Stella in his studio, April 2009. Photo by Brian Kennedy. “The whole idea of making art is to be open, to be generous, and absorb the viewer and absorb yourself, to let them go into it.” – Frank Stella BOMB Magazine, Spring 2000 Cover: Wolfeboro IV, 1966, fluorescent alkyd and epoxy paints on canvas. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution: Gift of Joseph H. Hirshhorn, 1972; p. 6: Conway I, 1966, fluorescent alkyd and epoxy paints on canvas. Collection of the artist. Photo by Steven Sloman; p. 8: Sanbornville III, 1966, fluorescent alkyd and epoxy paints on canvas. Whitney Museum of American Art, New York: Gift of Joseph A. Helman, New York. Photo by Geoffrey Clements; All works ©2011 Frank Stella / Artist Rights Society (ARS), New York. Thanks to Vivian Ladd, Museum Educator, Hood Museum of Art, Dartmouth College, for portions of this guide. © 2011 Toledo Museum of Art This exhibition was organized by the Hood Museum of Art, Dartmouth College. Special exhibitions supported in part by the generous members of the Toledo Museum of Art and the Ohio Arts Council.
© Copyright 2026 Paperzz