From the Bard to Lessons in Fixed Income Investing from Shakespeare By Douglas Tengdin, CFA S hakespeare’s plays address issues of life and death, revenge and forgiveness, love and hate, war and peace. The word “genius” is overused today, but it is the only term that does him justice. He wrote for all times, all peoples, all cultures. Shakespeare is performed on stage, as ballet, as opera, in film, as a cartoon, and there are over a dozen Shakespeare apps. So it should be no surprise that many of Shakespeare’s insights can benefit investors. As we examine what he has to say about finance, borrowing, lending, and markets it will be highly relevant to investors. william shakespeare england’s national poet Page 26 & the “bard of avon” Understanding Investments Journal “Neither a borrower nor a lender be.” So spoke Polonius to his son Laertes in Act I of Shakespeare’s Hamlet. And that’s pretty much all that people think Shakespeare has to say on the subject of borrowing and lending. After all, Shakespeare was a dramatist. He wrote about life and death, kings and courtiers, marriage and love, and other life-issues. Some say he was the greatest writer the English-speaking world has ever known. And it’s true that his works have been continuously in production since the day he penned them. Shakespeare has a unique ability to communicate something essential to the human condition. That’s why films based on his plays are almost always enormous box-office winners. the Bond Market “To be, or not to be: that is the question.” (Hamlet III.i) So it should be no surprise that his insight regarding investment goes far beyond prudential financial advice. Polonius’s counsel is sound: Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. (Ham. I.iii) Making loans to acquaintances is hazardous: if they pay you back, you may create hardship that will be resented, and if they don’t pay you back, you’ll feel awkward collecting—and they’ll feel guilty. As a general rule, avoiding leverage in our personal financial affairs is a good thing. Avoiding debt avoids interest expense, and making loans to friends and family is relationally risky. But Shakespeare offers so much more. His insights into human nature often provide sound precepts for all of life, which includes looking at investments. And since there were no organized stock exchanges at his time, much of the investment advice he offers is especially pertinent to the bond market. Security – The Law Why do people buy bonds? Primarily for security. Bonds are a senior claim on the cash-flow of an enterprise. Sometimes they are secured by collateral. In The Merchant of Venice the character Shylock makes a loan to the businessman Antonio with an unusual kind of security: a pound of Antonio’s flesh. Typically, secured bonds are tied to more economically viable collateral—a plant, or a home—that can be sold to recover the principal. Nevertheless, Shylock secures his loan of 3000 ducats with a personal guarantee—one that will cost Antonio his life if he defaults on the loan. When Antonio does default, he is taken to jail, to secure his person before the collection of the collateral. And in a brief scene in the jail where Antonio and Shylock speak, Shylock repeats, “I will have my bond” five times. Security of principal is of prime importance to a fixed income investor. This is natural. Bonds are the ultimate loser’s game. The upside is defined from the beginning: principal plus interest, and that interest is specified in the bond indenture at the outset. A 10-year 3% bond will return a total of 30% to its owner over the course of its tenor. No more. But they can return less. If the enterprise borrowing the cash founders, bondholders have to resort to the courts to recover what they can. Sometimes a company in financial straits can rearrange its operations and make good on its obligations. But more commonly the financial structure needs to be reorganized. That’s what the bankruptcy courts are set up for. In MoneyBasicsRadio.com such a situation, secured bondholders get paid first; hence, Shylock’s insistence on his collateral. But the court is the final arbiter of contracts. That’s why the play’s action moves from the jail to the courtroom. In the next Act, Shylock’s novel security is reviewed. In reviewing the law of contracts, Shakespeare has a young judge declaim the importance of precedent: There is no power in Venice Can alter a decree established. ‘Twill be recorded for a precedent, And many an error by the same example Will rush into the state. (Merch. of Venice IV.i) The priority of the rule of law is critical to a well-functioning capital market. If securities law and contract law is not well-established, then investment risk (and the cost of capital) is higher. Later, when the judge examines Shylock’s bond, he finds no fault intrinsic to the contract itself: A pound of this same merchant’s flesh is thine, The court awards it, and the law doth give it. …. And you must cut this flesh from off his breast, The law allows it and the court awards it. (Merch. of Venice IV.i) The law can seem harsh. But that’s what the law is for: to enforce Page 27 actions that would be unacceptable if undertaken by a private individual. In this case, however, the contract is suspect. It would never pass muster today, and as an audience, we don’t want Antonio to suffer. Indeed, he had offered to pay his creditor 18,000 ducats in recompense for the late 3,000 ducat loan, which Shylock rejects, out of spite. So we are not surprised when the judge later finds a technicality which spares Antonio’s life: Tarry a little, there is something else. This bond doth give thee here no jot of blood; The words expressly are ‘a pound of flesh.’ But in the cutting, if thou does shed One drop of Christian blood, they lands and goods Are by the law of Venice confiscate Unto the state of Venice. (Merch. of Venice IV.i) It is significant that the law is not set aside simply because it seems unreasonable. Rather, the sanctity of the bond is preserved, even as the law is given a human face. This also is important. Courts—while sworn to uphold and faithfully interpret the law—are also a human institution. If they can uphold a law and reduce human suffering that the law brings about, they may well do that. Security – Credit Analysis When investors lend money, they don’t need to just worry about the legal structure of the indenture agreements underlying their bonds. They also need to look at the enterprise’s credit. Good credit follows five fundamentals: liquidity, solvency, efficiency, credibility, and growth. For years, bankers have summarized these as the “Three C’s: Character, Capital, and Cashflow.” Character is a measure of Page 28 management—how willing are they to pay their debts; capital looks at the balance sheet—how sturdy is the asset base, and how much do they owe; cashflow describes how strong the business is—how able are they to fulfill their obligations. Indeed, the personal financial advice of Polonius in Hamlet is sound counsel for creditors: Neither a borrower nor a lender be; For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. (Ham. I.iii) Polonius is urging a prudential limit to leverage, and personal controls on spending—husbandry. He goes on to give other sound counsel: Those friends thou hast, and their adoption tried, Grapple them unto thy soul with hoops of steel, But do not dull they pal with entertainment Of each new-hatch’d, unfledged courage. Beware Of entrance to a quarrel, but being in, Bear’t that th’opposed may beware of thee. (Ham. I.iii) Laertes’ father is urging temperate, self-controlled character. Credit often comes down to whether the borrower has a sound, growing business, enough money to get by when times get tough, and the integrity to make sure his investors are paid before feathering his own nest. In other words, he doesn’t run off with unclear, new-hatch’d plans. Polonius tells his son to mind his character, capital, and cashflow. Of course, when we examine a company’s credit, we look at their audited financial statements, making sure the auditors are also of good character with sound businesses. But we need also to look for the Understanding Investments Journal reality that underlies the financial statements. Sometimes accounting rules change, or the company adopts novel interpretations to obscure what is happening in its business. But the truth always comes out. Renaming something doesn’t change its underlying reality. In the famous “balcony scene” of Romeo and Juliet, Juliet makes some remarks regarding Romeo’s family: ‘Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What’s Montague? It is nor hand nor foot, Nor arm nor face, nor any other part Belonging to a man. O, be some other name! What’s in a name? That which we call a rose By any other word would smell as sweet; So Romeo would, were he not Romeo call’d, Retain that dear perfection which he owes Without that title. (Rom. and Juliet II.ii) Juliet wants to re-name her beloved, to change the underlying reality that the two lovers come from warring clans. But tragically, they aren’t able to escape the consequences of their names. As Montegue’s and Capulet’s they’re caught up in the feuds and vendettas of their families. So watch out for expenses that try to pass as investments, for leases that are really loans, for vendor-financed sales that aren’t really sales. When it comes to finance, new policies are sometimes adopted to disguise reality. But the truth eventually emerges. Security – Diversification Sometimes there are risks that come from investing that are not related to legal challenges or business credit. If bad weather or bad economic conditions or technological innovations or competitive conditions make it difficult for a company to pay back its loan, investors may suffer from losses—even if their claims are legally sound, enforced by the courts, and management wants to pay them. There just may not be enough money there. It is situations like these that keep some people out of the investment world all together. They fear the lack of control that comes with venturing out into the investment world. They don’t even want to consider the possibility of loss. In the opening scene of The Merchant of Venice, Shakespeare portrays just such a person. Antonio’s friend Salerio describes what he would think about, if he had invested in trading ships: My wind cooling to my broth Would blow me to an ague (sickness) when I thought What harm a wind too great might do at sea. I should not see the sandy hour glass run But I should think of shallows and flats. … Should I go to church And see the holy edifice of stone, And not bethink me of dangerous rocks, Which touching but my gentle vessel’s side Would scatter all her spices on the stream. (Merch. of Venice I.i) Salerio would not be able to sleep at night for worry. Everything would remind him of some treacherous risk. The investor, Antonio, explains why these risks don’t worry him: My ventures are not in one bottom (ship) trusted, Nor to one place; nor is my whole estate Upon the fortune of this present year. (Merch. of Venice I.i) Antonio lays out the fundamental truth of diversification: by spreading out our investments into diverse enterprises, various countries, and even into different time-frames, we are far less likely to see our fortunes compromised by one problem or another. Diversification reduces risks that we can’t control—that credit analysis or other due diligence doesn’t pick up ahead of time. Investment Goals – Diversification Diversification reduces risk. But it can also enhance returns. A bond portfolio that is comprised of many different types of bonds with different maturities and different credit characteristics will usually have a higher return, for a given level of risk, than a more concentrated portfolio. That’s because when you diversify, you don’t just reduce the consequences if something goes wrong. You also increase the chances of something going right. When Shakespeare writes about King Henry V venturing to France to lay claim some ancestral lands, one of Henry’s counselors suggests a division of labor to accomplish his ends: That many things, having full reference To one consent, may work contrariously, As many arrows loosed several ways Come to one mark; as many ways meet in one town; As many fresh streams meet in one salt sea; As many lines close in the dial’s centre; So may a thousand actions, once afoot, End in one purpose, and be all well borne Without defeat. (Henry 5th I.ii) Here is the positive side of diversification: many arrows fly to one mark; many streams meet in one salt sea. Having a singular goal is important. Using a collection of different investment instruments to reach this goal increases the investor’s chances of reaching that goal. MoneyBasicsRadio.com Investment Goals – Interest Rate Risk Of course, what concerns most people who invest in bonds is the risk that interest rates will rise. And certainly, interest rate movements are the most common source of bond price volatility. Since the price of a bond is determined by the present value of its contractual payments, their value rises and falls with changes in the interest rate used to discount those projected cashflows to their present value. Naturally, then, people worry that changes in interest rates will affect the value of their investments. They shouldn’t. Prices may change. But the value of an investment strategy is determined by whether or not it enables the investor to reach his financial goals. No one ever bought at the absolute bottom nor sold at the very top. But many investors have held back from investing from fear, and so handicap themselves. In Act I of Measure For Measure, Isabella is urged to visit Lord Angelo to sue for her brother’s release from prison. Angelo is described as coldblooded and strict in upholding the city’s laws, and Isabella doubts that her suit will be successful. But her friend tells her Our doubts are traitors, And makes us lose the good we oft might win, By fearing to attempt. (Meas. for Meas. I.iv) Often the most difficult investment action is to get started. Whether it’s formulating a plan, or selecting an advisor, or transferring cash, doubts assail us all the time: “Is the advisor honest? What am I leaving out of the plan? Is this a good time?” Human nature will always cause us to Page 29 question our actions. This is healthy. But once those questions have been addressed, we need to act. Investment Goals – Predictions Everyone has a forecast. That’s a good thing. We should invest with a clear view of what we expect to happen. But our predictions shouldn’t be the primary item that determines our investment strategy. That should be established based on our return requirements, risk tolerance, and other special limitations and constraints. Bond investors need to be aware of the current economic and financial climate, but we mustn’t base our policy on our predictions. In Act V of Hamlet, the main character’s friend urges him to avoid the upcoming fencing dual with Laertes. But Hamlet replies: Not a whit, we defy augury. There is a special providence in the fall of a sparrow. If it be now, ‘tis not to come; if it be not to come, it will be now ; if it be not now, yet it will come—the readiness is all. (Ham. V.ii) When we are investing, “the readiness is all.” It’s critical that we be prepared for adverse developments. But we shouldn’t delay putting our plans into effect because something unexpected might happen. Something unexpected will happen. It always does. We need to plan on the basis of the best information available, and then execute that plan to the best of our ability. Innovation Something new is always being developed in the fixed income markets. Because they are contracts, there are always innovative kinds of contracts to be had. Whether it Page 30 was floating-rate notes in the ‘70s or residential mortgage-backed bonds in the ‘80s or asset-backed bonds in the ‘90s or collateralized debt obligations in the ’00s, the types of bonds seem to be limited only by people’s imagination. While most investors are naturally conservative, these innovations shouldn’t be rejected out-of-hand. Of the examples I listed above, only the last one—collateralized debt obligations—turned out badly, for the most part. And that was more because of the conditions under which they were issued, as much as by the instruments themselves. The other innovations were developed in response to real market needs. When I look at the pace of innovation, I’m sometimes filled with a sense of wonder. The capital markets can be complex, but they also have products to help investors reach their goals. In the final Act of one of his final plays, The Tempest, Shakespeare has Miranda, the sheltered daughter of the magician Prospero, exclaim upon meeting a crowd: O wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world That has such people in’t! (Temp. V.i) Ironically, some of those people are kindly, and wish Miranda and her father well. But some of them are malevolent. In the same way, some innovations are useful for investors. But others seem designed primarily to generate fees for the folks who sell and manage them. Any investment benefit is incidental. Shakespeare urges us to be wise to the ways of the world. Things are not always as they seem. And yet, Understanding Investments Journal we should not reject an innovation out-of-hand simply because it is new. There are many ways the markets can be made more efficient, and more accessible, so that investors can acheive their goals. Conclusion Part of what makes Shakespeare so great is his vastness: he seems to encompass so much of life. It has been said that he doesn’t so much imitate nature as his plays and poetry are a force of nature. He doesn’t speak about the world; rather, the world seems to speak through him. So it should be no surprise that we can draw investment lessons from his works. Investment is a reflection on human nature, where the drama is depicted in dollars and cents. Shakespeare’s fictional characters— whole and unique as they are—can teach us how to be aware of our own strengths and weaknesses, and how to work with the resources that we have. We can strive to follow the final admonitions of old Polonius’s counsel: This above all: to thine own self be true, And it must follow, as the night the day, Thou canst not be false to any man. Farewell, my blessing season in thee! (Ham. I.iii) Douglas Tengdin, CFA Chief Investment Officer Charter Trust Company Mr. Tengdin can be reached at 603-252-6509 or via email at: [email protected]
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