0-4 nth Roots and Real Exponents Evaluate. 1. SOLUTION: 3. SOLUTION: 5. SOLUTION: Because there is no real number that can be raised to the fourth power to produce –81, is not a real number. 7. SOLUTION: Simplify. 9. SOLUTION: Because the index is odd, it is not necessary to use absolute value. 11. SOLUTION: You are taking an even root of an even power, but the result is an even power, so you do not need to use the eSolutions Manual - Powered 2by Cognero absolute value of y . Page 1 0-4 Because nth Roots andisReal the index odd, it Exponents is not necessary to use absolute value. 11. SOLUTION: You are taking an even root of an even power, but the result is an even power, so you do not need to use the 2 absolute value of y . 13. SOLUTION: While you are taking an even root of an even power, the result is an even power, so you do not need to use the 2 absolute value of y . 15. SOLUTION: Because you are taking an even root of an even power and the result is an odd power, you must use the absolute 3 value of a . Simplify. 17. SOLUTION: Because you are taking an even root of an odd power, it is not necessary to use absolute value. Therefore, eSolutions Manual - Powered by Cognero simplifies to or . Page 2 Because you are taking an even root of an even power and the result is an odd power, you must use the absolute 0-4 nth Roots and Real Exponents 3 value of a . Simplify. 17. SOLUTION: Because you are taking an even root of an odd power, it is not necessary to use absolute value. Therefore, simplifies to or . 19. SOLUTION: 21. SOLUTION: eSolutions Manual - Powered by Cognero Page 3 0-4 nth Roots and Real Exponents 21. SOLUTION: Evaluate. 25. SOLUTION: 27. SOLUTION: 29. MUSIC The note progression of the twelve tone scale is comprised of a series of half tones. In order for an instrument to be “in tune,” the frequency of each note has an optimum ratio with the frequency of middle C, called the perfect 1st. eSolutions Manual - Powered by Cognero Page 4 0-4 nth Roots and Real Exponents 29. MUSIC The note progression of the twelve tone scale is comprised of a series of half tones. In order for an instrument to be “in tune,” the frequency of each note has an optimum ratio with the frequency of middle C, called the perfect 1st. The optimum frequency ratio r, expressed as a decimal, can be calculated using , where n is the number of half tones the note is above the perfect 1st, including the note itself. a. Approximate the optimum frequency ratio of the middle 3rd with the perfect 1st. b. Without the use of a calculator, approximate the optimum frequency ratio of the perfect 8th and the perfect 1st. Justify your answer. SOLUTION: a. The middle 3rd is 4 half tones above the perfect 1st, so evaluate for n = 4. The optimum frequency ratio of the middle 3rd with the perfect 1st is 1.26. b. The perfect 8th is 12 half tones above the perfect 1st. Evaluating for n = 12, yields 1 , which simplifies to 2 or 2. Simplify. 31. SOLUTION: eSolutions Manual - Powered by Cognero Page 5 The optimum frequency ratio of the middle 3rd with the perfect 1st is 1.26. b. The perfect 8th is 12 half tones above the perfect 1st. Evaluating for n = 12, yields 0-4 nth Roots and Real Exponents 1 , which simplifies to 2 or 2. Simplify. 31. SOLUTION: Because the index is odd, it is not necessary to use absolute value. 33. SOLUTION: Because you are taking an even root of an even power and the result is an odd power, you must use the absolute 3 value of y and z . It is not necessary to use absolute value on x because is an even root of an odd power. 35. SOLUTION: Because the index is odd, it is not necessary to use absolute value. eSolutions Manual - Powered by Cognero Page 6
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