Decoding Writing in the Disciplines1 Joan Middendorf Special thanks to all the fellows of the Freshman Learning Project and the History Learning Project fellows for the use of their ideas, and to the Spencer and Teagle Foundations and Indiana University for their support of this work. 1 1 “Decoding Writing in the Disciplines, ” Loyola Marymount University Joan Middendorf, Feb. 19, 2014 Handout 2: Step 1-- Student History Writing Sample A Question: What does Harriet Jacobs’s Incidents in the Life of a Slave Girl tell us about the ways in which mastery (as defined in lecture) shaped the lives of both black and white women in the Old South? Your response must briefly explain the concept of “mastery” (as defined in lecture). 400-500 words. According to lecture, mastery was a practice which meant men had complete and total control of their households, including their wives, children, slaves, and slaves families. Mastery included everything from what would be served for dinner to how slaves families would run their households. Jacob's narrative tells us that the master of the house was responsible for punishing slaves and family members in order to maintain their rule. For example, in chapter 2 Jacobs describes how Dr. Flint treats the cook poorly and forces her to eat every bite of any unsatisfactory meal, including poorly prepared dog food that results in illness. In chapter 5, Jacobs writes " My master met me at every turn, reminding me that I belonged to him, and swearing by heaven and earth that he would compel me to submit to him." In this passage and in the following paragraph, she seems to elude to being raped by her master in order for him to exert control over her. In this sense he is physically assaulting her, verbally abusing her, stalking her, and psychologically breaking her down. These practices were common by masters, who would do anything to prove their control. The dialogue in chapter 7 between Jacobs and Dr. Flint also proves that mastery was meant to convey men as the dominant gender. Jacobs is physically abused and tormented by Dr. Flint and is still unfortunately subject to his cruel treatments. I think this also had an effect on the master's wives in the sense that they knew not to trust their husbands in any sense, including physically or 2 “Decoding Writing in the Disciplines, ” Loyola Marymount University Joan Middendorf, Feb. 19, 2014 mentally. This served to shape the lives of not only the slaves that the master owned, but the entire family of the master despite his actions toward his family. Handout 3: Step 1-- Student History Writing Sample B What does Harriet Jacobs’s Incidents in the Life of a Slave Girl tell us about the ways in which mastery (as defined in lecture) shaped the lives of both black and white women in the Old South? Your response must briefly explain the concept of “mastery” (as defined in lecture). 400-500 words. In Incidents in the Life of a Slave Girl (1861), Harriet (Linda) talks about her life from the very beginning and how she would have never thought she was a slave because she had been spoiled and given what she wanted by her mother. But it wasn’t until her mother’s death at the age of six that she had realized she was a slave. And from there her life was never the same, as she described “living so many unhappy hours.” She is now under her grandmother along with her new master, who treats not like a slave but yet she does not acknowledge his kind acts. He then becomes very jealous of her for falling in love with a free-born man. He strikes her for the first time and she knows not what to do. In lecture the definition of “mastery” is master’s control over the whole household. In other words, he had the right to control every aspect of everybody’s life that he was in charge of, or related to. “Mastery” was also broken down into two dimensions, economic and psychological. Since the master was in control of everything this means he determined everything for everyone no matter race. For example, towards the end he built Linda her own cottage just a few miles away. But she refuses and as a result he strikes her again. Another example in Linda’s case is the fact that he doesn’t let anyone else punish her not even his wife even though she is his daughter’s property. As for his wife, she doesn’t like Linda because of the attention Dr. Flint shows her. Because of his actions his wife starts to show jealousy traits and even though he is being accused. It doesn’t matter because he is the head of the household so no one will step out of line. Another part of mastery of course included some aspect of sex. And this was a very big issue in the “Old South,” because the master would now a day “rape” the female slave and they would often be more fertile so they would get pregnant but they were not supposed to bring up the baby’s father whether it is a master. Unlike Graham and White and Todd, the master was the sexual aggressor. In a way this was more to make help with financial aspects of living. The more children a slave had the more money a master could bring in his household. 3 “Decoding Writing in the Disciplines, ” Loyola Marymount University Joan Middendorf, Feb. 19, 2014 Handout 4: Steps 1 and 2—Decoding Student Writing Creating the Rubric 0. Select a targeted assignment. If you have examples of student work on such an assignment, consider 3 of them--a high, medium, and low example. 1. List 5-7 main mistakes students might make. 2a. Turn them into positive attributes (nouns). See Example 1: History Shopkow Argument/evidence rubric. 2b. Callibrate each attribute (Exceeds, Meets, Does Not Meet Expectations) (Step 6-Assessment) Reviewer reflection 1. Now that you’ve evaluated another person’s assignment, what do you see as the strengths and weaknesses in your own assignment? 2. What will you do to improve your next version? 4 “Decoding Writing in the Disciplines, ” Loyola Marymount University Joan Middendorf, Feb. 19, 2014 Handout 5: Step 4--Example of Student Practice in History (David Pace-Visions of Future) 5 “Decoding Writing in the Disciplines, ” Loyola Marymount University Joan Middendorf, Feb. 19, 2014 Handout 6: Rubric from English L204: Introduction to Fiction (Intensive Writing class) Adapted from Laura Plummer, instructor, Indiana University, Essay 1 feedback Thesis Structure: organization, paragraphing, and topic sentences Really needs work Needs considerable to meet assignment attention in revision Good but with room to improve Nicely done no thesis thesis is an assertion but could be more specific to elements of the text thesis is an assertion with enough specificity; provides “road map.” disorganized; ¶s may be too long or too short no helpful topic sentences thesis may be vague or implied rather than overt; may appear later in paper thesis is unconnected to rest of the paper paragraphing may need additional attention not all paragraphs are “on topic”; some ¶s difficult to follow transitions needed Avoiding plot summary; use of evidence; development of the argument mostly plot summary; little or no discussion of evidence. may demonstrate an understanding of the text, but is descriptive rather than analytical. has an angle from which it recounts the story, but is mostly plot summary some evidence present; gives more description than analysis integrated into intro. overall structure clear; paragraphs follow main idea, for most part provides some topic sentences, but could be stronger, or added to some ¶s On the right track—but has some plot summary that is not related to a thesis about the author’s use of plot has some analysis of evidence, but could use more; evidence OK smooth, engaging intro and clear paragraphing; topic sentences for most every paragraph may have weak conclusion evidence appropriate ideas; is well integrated into paragraph; uses lead-ins; elaborates on significance of evidence references to plotting are in support of the thesis statement Mechanics Sentence-level expression Conventions of literary analysis Citations Work on circled items Grammar/spelling punctuation Introducing works with title/author Providing in-text citations Invoking the author in discussion Formatting in-text Integrating quotations Providing works cited Word choice Clarity of individual sentences Using present tense TITLE Referring to author by last name 6 Formatting works cited “Decoding Writing in the Disciplines, ” Loyola Marymount University Joan Middendorf, Feb. 19, 2014 Handout 7: References http://www.iub.edu/~hlp/ Chi, M.T.H. (2008). Three types of conceptual change: Belief revision, mental model transformation, and categorical shift. In S. Vosniadou (Ed.), Handbook of research on conceptual change, 61-82. Hillsdale, NJ: Erlbaum. Diaz, Arlene, Joan Middendorf, David Pace, and Leah Shopkow, “Making Thinking Explicit: A History Department Decodes Its Discipline,” National Teaching and Learning Forum, Vol.16, No.2 (February 2007). Díaz, Arlene, Joan Middendorf, David Pace, and Leah Shopkow (2008). The history learning project: A department "decodes" its students. Journal of American History 94(4). Glenn, David. “A Teaching Experiment Shows Students How to Grasp Big Concepts,” The Chronicle for Higher Education (Nov.15, 2009) Meyer, Jan and Land, Ray, eds. (2006) Overcoming Barriers to Student Understanding: Threshold concepts and troublesome knowledge. London: Routledge. Middendorf, J., Pace, D., Shopkow, L. & Diaz, A. (2007). Making thinking explicit: Decoding history teaching. National Teaching and Learning Forum, 16(2). 1-4. Middendorf, J. and Pace, D. (2007). Easing entry into the scholarship of teaching and learning through focused assessments: The “Decoding the Disciplines” approach. In D. Robertson & L. Nilson (Eds.), To Improve the Academy: Resources for faculty, instructional and organizational development, 26, 53-67. San Francisco: Jossey-Bass. Middendorf, Joan, and David Pace, "Using just-in-time teaching in history. In S. Simkins & M. Maier (Eds.), Just-in-Time Teaching Across the Disciplines and Across the Academy (Sterling, VA: Stylus, 2010), pp. 153-162. Pace, David “Opening history’s ‘black boxes’: Decoding the disciplinary unconscious of historians” in Carolin Kreber (Ed.), Teaching and Learning Within and Beyond disciplinary boundaries (London: Routledge, 2008). pp. 96-104. Pace, David "Assessment in history: The case for “Decoding” the discipline. Journal of the Scholarship of Teaching and Learning, 11( 3), 2011, 107 – 119. Pace, D., & Middendorf, J. (Eds.) (2004b). Decoding the disciplines: Helping students learn disciplinary ways of thinking. New Directions for Teaching and Learning, 98. San Francisco: Jossey Bass. Perkins, David (2006). Constructivism and Troublesome Knowledge. In Meyer, Jan and Land, Ray, eds. (2006) Overcoming Barriers to Student Understanding: Threshold concepts and troublesome knowledge, 33-47. London: Routledge. Savion, Leah & Middendorf, Joan (1994). Enhancing Concept Comprehension and Retention. The National Teaching & Learning Forum 3(4), 6-8. Shopkow, Leah, "What Decoding the Disciplines Has to Offer Threshold Concepts" in J.H.F. Meyer, R. Land, & C. Baille (Eds.), Threshold Concepts and Transformational Learning (Boston: Sense Publishers, 2010), pp. 317-331. Shopkow, L., Diaz, A., Middendorf, J., & Pace, D. (2013). The History Learning Project “Decodes” a Discipline: The Marriage of Research and Teaching. In Kathleen McKinney (ed.) SoTL in and Across the Disciplines. Bloomington, IN: Indiana University Press. Shopkow, L. (in press). From Bottlenecks to Epistemology in History: Changing the Conversation about the Teaching of History in Colleges and Universities. Changing the Conversation about Higher Education (Robert Thompson, Ed.). Rowman and Littlefield. 7
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