Chloe Cooley - Graphic History Collective

“She screamed violently and made resistance:”
Chloe Cooley and Slavery in Canada
Poster by Naomi Moyer
Introduction by Funké Aladejebi
While little is known about Chloe Cooley, she is often remembered as the reason behind Lieutenant-Governor John Graves Simcoe’s push towards the abolition of slavery in Upper Canada. Vehemently resisting her
treatment and impending sale, Cooley represented a loud and unabashed articulation of black womanhood
that served to disrupt conceptions of freedom and equality in Canada.
Within the historical narrative, Canada is often constructed as “Canaan land,” a place where enslaved African
Americans found freedom and escaped the brutality of slavery in the United States. However, Canada had
its own history of slavery and racial separation that highlighted the long historical presence of African descended peoples within the nation. Beginning with the earliest recorded enslaved person in Canada in 1628,
an estimated 4,000 Panis (Indigenous) and Black slaves were bought, sold, and exploited in colonial Canada.
Their experiences exposed the complex and tenuous nature of freedom and enslavement in Canada.
Chloe Cooley’s treatment at the hands of her owner, William Vrooman reflected the unjust and brutal nature
of slavery in Canada. Residing near Queenston, Niagara Falls, William Vrooman was a Loyalist from New
York who wanted to sell Cooley across the Niagara River to the United States on the eve of 14 March 1793.
Resisting her transport, Chloe Cooley caused so much disruption that it took three men to restrain her. Witnesses testified that “she screamed violently, and made resistance, but was tied...” (William Renwick Riddell,
1924). Despite her defiance, Cooley was later delivered to a man down the river bank never to be seen again.
The seizure and sale of Chloe Cooley created much controversy among Upper Canadians, many of whom
were appalled by Vrooman’s conduct. Despite attempts to prevent the abolition of slavery by several white
colonial administrators, Lieutenant-Governor John Graves Simcoe would use Cooley’s story to agitate and
mobilize Upper Canada’s growing abolitionist community. The result was The 1793 Act to Limit Slavery in
Upper Canada which led to the gradual abolition of slavery in Canada. Although the Act itself did not immediately free any slaves, it did restrict the importation of any new slaves into Upper Canada and ensured the
freedom of any persons born into slavery at the age of twenty-five. Furthermore, any children born into this
cohort would subsequently be free. The Act became an important legislative gain in the fight against slavery
in Upper Canada until 1833 when slavery was abolished across the British Empire.
Because Black women’s bodies were intertwined in the labour, domestic work, and childbearing practices
of enslavement in Canada, Chloe Cooley’s refusal to yield to her bondage signalled the racial and gendered
strategies utilized by Black women within the restrictive and violent confines of enslavement. Contesting the
patriarchal nature of slavery in Canada, Chloe Cooley’s life and loud protest stood as a reminder of the resistance and presence of African descended peoples on the Canadian landscape.
Biographies
Naomi Michelle Moyer is a self taught, multidisciplinary artist and writer who often finds herself delving into
African diasporic (her)histories, perceptions of Blackness, community and how they connect to Black experiences. Naomi is known for her zine, Black Women and Self Care: Thoughts on Mental Health, Oppression & Healing; and more recently her print series: Black Women in Canada, which pays tribute to some of Canada’s most
radical Black feminists from 1793 to 2006. Naomi’s work stems from collaborating with grassroots organizations
and publishers and designing posters, t-shirts, and illustrations with themes of resistance and empowerment.
Funké Aladejebi teaches African-Canadian history at York University. Her dissertation, “‘Girl You Better Apply
to Teachers’ College:’ The History of Black Women Educators in Ontario, 1940s-1980s,” explores the importance of African Canadian women in sustaining their communities and preserving a distinct black identity within
restrictive gender and racial barriers. She has published articles in Ontario History, Southern Journal of Canadian Studies, and Education Matters. Her research interests are in oral history, the history of education in Canada,
black feminist thought, and transnationalism.
Further Reading
Cooper, Afua. “Acts of Resistance: Black Men and Women Engage Slavery in Upper Canada, 1793-1803.” Ontario History 99, no. 1
(Spring 2007): 5-17.
Cooper, Afua. The Hanging of Angélique: The Untold Story of Canadian Slavery and the Burning of Old Montréal. Toronto: HarperCollins Publishers, 2006.
Elgersman, Maureen. Unyielding Spirits: Black Women in Slavery in Early Canada
and Jamaica. New York: Garland, 1999.
Riddell, W.R. “The Slave in Upper Canada.” The Journal of Negro History 4, no. 4
(October 1919): 372-395.
Shadd, Adrienne. The Journey from Tollgate to Parkway: African Canadians in
Hamilton.Toronto: Dundurn Press, 2010.
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