BIBLIOGRAPHY
LANGSTON HUGHES
PRIMARY SOURCES
(i) BOOKS
Hughes, Langston. The Weary Blues. New York: Knopf, 1926.
Fine Clothes to the Jew. New York: Knopf, 1927.
Not Without Laughter. New York: Knopf, 1930.
193 . Dear Lovely Death. Armenia, New York: Troutbeck Press,
_______
The Dream Keeper. New York: Knopf, 1932.
Ways gf White Folks. New York: Knopf, 1934.
The Big Sea. New York: Knopf, 1940.
Shakespeare in Harlem. New York: Knopf, 1942.
and Mercer Cook, trans. Masters of the Dew, by Jacques
öiiinain. New York: Reynal and Hitchcock, 1947.
Hughes, Langston. Fields of Wonder. New York: Knopf,1949.
Hughes, Langston and Ama Bontemps, eds. The Poetry of the Negro, 17461949. Garden City: Doubleday, 1949.
Hughes, Langston. Simple Speaks His Mind. New York: Simon and Schuster,
Montage afa Dream Deferred. New York: Henry Holt, 1951.
trans. Romancero Gitano, by Ferderico Garcia Lorca.
---PiilIished by Beloit Poetry Journal, 1951.
The First Book of Negroes. Franklin Watts, 1952.
Laughing Lo Keep from Crying. New York: Henry bit, 1952.
Simple Takes a Wife. New York: Simon and Schuster, 1953.
Famous American Negroes. New York: Dodd, Mead, 1954.
First Book .of Rhythms. New York: Franklin Watts, 1954.
Famous Negro Music Makers. New York: Dodd, Mead, 1955.
The First Book of Jazz. New York: Franklin Watts, 1955.
1955.
The Sweet Flypaper of Life. New York: Simon and Schuster,
I Wonder As 1 Wander. New York: Rinehart, 1956.
The First Book of the West Indies. New York: Franklin
Watts, 1956.
and Milton Meltzer. A Pictorial Histor y f ffi Negro In
America. New York: Crown Publishers, 1956.
Hughes, Langston, tr.ns. Selected Poems f Gabriel a Mistral. Bloomington:
Indiana University Press, 1957.
Simple Stakes a Claim. New York: Rinehart, 1957.
Hughes, Langston an4 Ama Bontemps, eds. The Book of Negro Folklore. New
York: Dodd, Mead, 1958.
Hughes, Langston. Famous Negro Heroes of America. New York: Dodd, Mead,
- . The Langston Hughes Reader. New York: George
1*aiiller, 1958.
1359.
Selected Poems of Langston Hughes. New York: Knopf,
Tambourines to Glory. New York: John Day, 1959.
ed. An African Treasury. New York: Crown Publishers, 1960.
The First Book of Africa. New York: Franklin Watts, 1960.
Ask Your Mama. New York: Knopf, 1961.
ne Best fSiniple. New York: Hall and Wang, 1961.
Fight for Freedom: —
The Story f the NAACP. New York:
Berkley, 1962.
Smalley, Webster, ed. Five Plays by Langston Hughes. Bloomington: Indiana
University Press, 1963.
Hughes, Langston, ed. Poems from Black Africa. Bloomington: Indiana
University Press, 1963.
Something in Common and Other Stories. New York: Hill
and Wang, 1963.
ed. New Negro Poets: 1J..A. Bloomington: Indiana
TJni'ersity Press, 1964.
Simple's Uncle Sam. New York: Hill and Wang, 1965.
ed. The Book of Negro Humor. New York: Dodd, Mead,
1966.
La Poésie Negro - Américaine. Paris: Editions Seghers, 1966.
Best Short Stories y Negro Writers. Boston: Little,
____
ed.
__wn, 1967.
Bro
_____ and Milton Meltzer. Black Magic: A Pictorial History f
Neg
__ro j American Entertainment. Englewood Cliffs, New Jersey:
Prentice-Hall, 1967.
• Don't You Turn Back. Ed. Lee B.Hopkins. New York: Alfred
A.Knopf, .1969.
Berry, Faith, ed. Good Morning Revolution: Uncollected Social Protest Writings
by Langston Hughes. New York: Lawrence Hill, 1973.
Charles H.Nicholas. Ama Bontemps-Langston Hughes Letters, 1925- 1967.
New York: Dodd, Mead, 1980.
(ii) OTHER PUBLICATIONS
Hughes, Langston. "Letter to the Editor." Crisis, 35, No.9 (September 1928),
p.302.
• "Don't You Want to Be Free?" One ActPlay Magazine.
(Oüober 1938), pp.359-393.
145 "Songs Called the Blues." Phylon, II (Summer 1941), pp. 141-
______________• "The 'Simple' Columns." Chicago Defender, 1943- 1965.
_ "My Adventures as a Social Poet." Phylon, VIII (Fall 1947),
pp.205-212.
"When I Worked for Dr. Woodson." NHB, (May 1950), p.188.
"Some Practical Observations: A Colloquy." Ph ylon, XI
(Winter 1950), pp.307-311.
• "Ten Ways to Use Poetry in Teaching." CLA Bulletin, (Spring
1951), pp. 6-7.
"Writers: Black and White." The American Negro Writers
and His Roots, New York: American Society of African Culture
(1960), pp.41-45.
p.38. "Langston Hughes On Writing." Overview, II (July 1961),
"The Simple Columns." New York Post, 1962-1965.
20. "Bread and Butter Side," SatR, XLVI (April 20, 1963), pp. 19-
"Langston Hughes' Acceptance of the Spingarn Medal,
NACCP Convention, St. Paul Minnesota, June 26, 1960." New
York: Schomburg Collection, Hughes Archive.
"Hold Fast to Dreams," LUB, LXVII (July 1964), pp. 1-8.
"Tribute to W.E.B. DuBois." Freedomways, (Winter 1965),
p.'!.
"The Twenties: Harlem and its Negritude." African Forum,
(Spring 1966), pp. 11-20.
(iii) PHONOGRAPHIC RECORDINGS
Simply Heavenl y. Columbia, OL 5240.
Street Scene. Columbia, OL 4139.
Jericho Jim Crow. Folkways, FL 9671.
The Weary Blues. Verve, VSP 36.
The Dream Keeper. Folkways, FP 104.
The Glory af Negro History. Folkways, FP 752.
The Wear y Blues and Other Poems. MGM Record LPs E 3697.
The
of Jazz. Folkways, FP 712.
Rhythms ofç World. Folkways, FP 740.
The Best of Simple. Folkways, FL 9789.
Did you Ever Hear the Blues? United Artists, UAL 3047.
SECONDARY SOURCES
(i) STANDARD BIBLIOGRAPHIES
Arata, Esther Spring. Black American Playwright, 1800 Bibliography. New Jersey: Scarecrow Press, 1976.
Present: A
More Black American Playwrights: A Bibliography. New
Jersey: Scarecrow Press, 1978.
Babb, Inez Johnson. Bibliography of Langston Hughes, Negro Poet, Unpublished
Masters Thesis, Pratt Institute Library School, 1947.
Chapman, Dorothy H. index to Black Poetr y . Boston: G.K. Hall, 1974.
Dickinson, Donald C. A Bjo-Biblio g raphy of Langston Hughes. Hamden:
Archon Books, 1964.
on Hughes, 1902-1967. Pref.
______ A fflQ-Bibliography f Langst
Ama Bontemps. Hamden, CN: Archon Books, 1967.
ffl-Bibliography f Langston Hughes. Hamden: Archon
_
BOoks, 1972.
Jackson, Blyden. "Langston Huhes.' in Black American Writers: Bibliographical
Essa y s: The Beginnings Through the Harlem Renaissance and
Langston Hughes. Ed. M.Thomas Inge et al. New York: St.
Martin's Press, 1978.
Kaiser, Ernest. "Selected Bibliography of the Published Writings of Langston
Hughes." Freedomways, 8 (Spring 1968), pp.185-191.
McPherson, James M., et al. Blacks in America: Bibliographical Essays. New
York: Doubleday, 1971.
Mikolyzk, Thomas A. Langston Hughes: A Bibliography. New York: Greenwood
Press, 1990.
Miller, R. Baxter. Langston Hughes and, Gwendol yn Brooks: A Reference Guide.
Boston: Hall, 1978.
The MLA Annual International Bibliography of Books and Articles on
Modem Languages and Literatures. New York: Modem Languages
Association of America, 1921-1980.
O'Daniel, Therman B. "A Langston Hughes Bibliography." CLA Bulletin, 7
(Spring 1951), pp.12-13.
"Langston Hughes: A Selected Classified Bibliography.
---CTTAJ, 11(4) (June 1968), pp.349-366.
Langston Hughes: "A Selected Classified Bibliography," in
Langston Hughes: Black Genius. New York: William Morrow,
1971.
"Langston Hughes: An U p dated Selected Bibliography."
BALF, 15(3) (Fall 1981), pp.104-107.
Olsson, Martin. A Selected Bibliography of Black Literature: The Harlem
Renaissance. England: University of Exeter, 1973.
Rose, Vattel T., et al., comp. "An Annual Bibliography of Afro-American
Literature, 1975. With Selected Bibliographies of African and
Caribbean Literature." CLAJ, 20 (September 1976), pp.94-131.
"An Annual Bibliography of Afro-American, African and
Caribbean Literature for the Year 1976." CLAJ, 20 (September
1977), pp. 100-157.
Rowell, Charles H. "Studies in Afro-American Literature: An Annual Annotated
Bibliography 1974-1975." Obsidian, 1 (Winter 1975), pp. 100-127;
(Winter 1976), pp.96-123.
Rush, Theressa Gunnels. Black American Writers Past and Present: A
Biographical and Bibliographical Dictionary. 2 Volumes. New
Jersey: Scarecrow Press, 1975.
Spiller, Robert E., et al. Literary History of the United States: Bibliography.
New York: Macmillan, 1974.
Turner, Darwin T. Afro-American Writers, Goldentree Bibliographies. New
York: Appleton-Century-Crofts, 1970 pp.58-61.
Vassilowitch, John Jr. "An Addendum tothe Hughes Secondary Bibliography."
LHR y., 1(2) (Fall 1982), p.33.
(ii) BIOGRAPHIES
Cowl, Carol. Preface to Harlem Glory: A Fragment of Afro-American Life.
Chicago: Charles H.Kerr Publishing Company, 19907
1-laskin, James. Alwa ys Movin'
Franklin Watts, 1976.
: The Life
f Langston Hughes. New York:
Meltzer, Milton. Langston Hughes: A Biography. New York: Crowell, 1968.
Rampersad, Arnold. The Life f Langston Hughes Volume 1:
1902- 1941. 1,
S
T, ing America. New York: Oxford University Press, 1986.
_____ The Life of Langston Hughes Volume II: 1941-1967. I Dream
A World. New York: Oxford University Press, 1988.
Toppin, Edgar A. A Bio g raphical History of Blacks Since 1528. New York:
David Mckay, 1969.
(iii) FULL LENGTH CRITICAL STUDIES
Bajaj, Nirmal. Search for Identit y in Black Poetry. New Delhi: Atlantic
Publishers and Distributors, 1990.
Baker, Houston A. Jr. Modernism and the Harlem Renaissance. Chicago:
University of Chicago Press, 1987.
_______ Singers f Daybreak Studies in Black American Literature.
Washington, D.C: Howard University Press, 1983.
Barksdale, Richard K.. Black American Literature and Humanism. Ed. Baxter R.
Miller. Lexington: University Press of Kentucky, 1981.
--- -iiëi . Langston Hughes: T Poet and
Xrican Library Association, 1977.
ffl
Critics. Chicago:
Barton, Rebecca Charimer. Witnesses for Freedom. New York: Harper and
Brothers, passim, 1948.
Berry, Faith. Langston Hughes: Before and Beyond Harlem. Westport, Conn.
Lawrence Hill, 1983.
Bigsby, C.W.E., ed. The Black American Writer YQI.I1 Poetry and Drama.
Baltimore Maryland: Penguin Books Inc., 1969.
Bloom, Harold, ed. Langston Hughes. New York: Chelsea, 1989.
Bone, Robert A. NegroNovel j j America. New Haven: Yale Univ. Press, 1958.
Bontemps, Ama, ed. Harlem Renaissance Remembered. New York: Dodd,Mead,
1972.
Brawley, Benjamin. The Negro Genius. New York: Biblo and Tanker, 1969.
Brooks, Charlotte K., ed. Tapping Potential: English
Language Arts for
an IL: Black Caucus of National Council of
Black Learner. Urba,
Teachers of English, 1985.
Brown, Demin. Soviet Attitudes Towards American Writing. Princeton:
University Press, 1962.
Brown Sterling. The Negro in American Fiction. Washington: Associates in
Negro Folk Education, Passim, 1937.
-
. Negro Poetry and Drama. Washington: The Associates in
Negro Folk Education, 1937.
Brown, Sterling and Arthur P.Davis. The Negro Caravan. New York: Dryden
Press, Passim, 1941.
Butcher, Margaret Just. The Negro in American Culture. New York: Alfred
A.Knopf, 1972.
Calverton, V.F. The Liberation of American Literature. New York: Charles
Scribners Sons, 1932.
Cargill, Oscar, Intellectual America: Ideas on the March. New York: Macmillan,
1941.
Christian, Barbara. Black Feminist Criticism Perspectives on Black Women
Writers. Oxford, U.K: Pergamon Press, 1985.
f
Cobb, Martha K. Harlem, Haiti, and Havana: A Comparative Critical Study
Langston Hughes, Jacques Roumain, .anci Nicolas Quillen.
Washington DC: Three Continents Press, 1979.
Cook, Mercer, and Stephen E.Henderson. The Militant Writer. Madison: The
University of Wisconsin Press, 1969.
Ii
Cuban, Larry.
Negro
Company, 1964.
America. Glenview: Scott, Foresman, and
Cunard, Nancy, ed. Negro. New York: Frederick Unger Publishing, 1970.
Davis, Arthur P. From the Dark Tower: Afro-American Writers (1900- 1960).
Washington: Howard University Press, 1974.
Davis, Charles T., and Daniel Walter, eds. On Being Black. Greenwich: Fawcett,
1970.
Dodat, Francois. Langston Hughes. Paris: Postes Twayne, 1967.
Emanuel, James A. Langston Hughes. New York: Twayne Publishers, 1967.
Embree, Edwin R. 13. Against the Odds. New York: Viking Press, 1944.
fty About Black Americans in
Gayle, Addison Jr. Black Expression: Essa ys and
the Creative Arts. New York: Weybright and Talley, 1969.
______ The Wa y of the World: The Black Novel in America. Garden
City,NY: Anchor Press / Doubleday, 1975.
Gibson, Donald B., ed. Five Black Writers. New York: New York University
Press, 1970.
______ ed. Modern Black Poets: A Collection f Essa ys. Englewood
Chiffs, NJ: Prentice Hall, 1973.
Gloster, Hugh M. Negro Voices in American Fiction. New York: Russell and
Russell, 1965.
I-lernton, Calvin C. The Sexual Mountain and Black Women Writers: Adventures
in Sex Literature and Real Life. New York: Anchor Press, 1987.
Huggins, Nathan I. Harlem Renaissance. New York: Oxford, 1971.
Jahn, Janheinz. Muntu: The
Dusseldorf, 1958.
-
African Culture. Germany: Eugene Diedrichs
Neo-African Literature: A History pf Black Writing. New
--York: Grove Press, 1968.
Jackson, Blyden. The Twenties: Fiction, Poetry, Drama. Ed. Warren French.
Deland F L: Everett / Edwards, 1975.
The Waiting Years: Essays on American Negro Literature.
Baton Rouge: Louisiana State University Press, 1976.
Jackson, Blyden, and Louis D. Rubin. Black Poetry in America: Two Essays in
Historical Interpretation. Baton Rouge: Louisiana State University
Press, 1974.
Jemie, Onwuchekwa. Langston Hushes: An Introduction to the Poetry. New
York: Columbia University Press, 1976.
Johnson, James Weldon. Black Manhattan. New York: Alfred A.Knopf, 1930.
Johnson, Lemuel A. The Devil, The Gargo y le, and The Buffoon. Post
Washington: Kennikat Press, 1969.
j Buffoon: [i Negro
Gargoyle,
-. jj Devil,
MtaphQr in Western Literature. Post Washington: New York:
Kenmkat Press, 1971.
Kent, George E. Blackness andtheAdventure of Western Culture. Chicago:
Third World Press, 1972.
Littlejohn, David. Black on White: A Critical Survey gf Writing By American
Negroes. New york: Viking Press, 1965.
Locke, Alain. The New Negro. New York: Charles Boni, 1925.
The Pamphlet Poets. New York: Simon and Schuster, n.d.
Mandelik, Peter, and Stanley Schatt, comp. Concordance to Langston Hughes.
Detroit: Gale Research Company, 1975.
Margolies, Edward. Native Sons: A Critical Survey gf Twentieth Century
American Authors. Philadelphia and New York: J.P. Lippincott,
1968.
McLaron, Joseph. The Harlem Renaissance: Revaluations. Eds. Amritjit Singh,
et al. New York: Garland, 1989.
McPherson, James M.,et al. Blacks in America. Garden City: Doubleday, 1971.
Miller, R. Baxter. [h fl, and Imagination of Langston Hughes. Lexington, KY:
University Press of Kentucky, 1989.
• Writing About Black Literature. Ed. Chester J. Fontenot.
incoln: Nebraska Curriculum Development Centre, 1976.
Mitchell, Loften. Black Drama. New York: Hawthorn Book, 1967.
Mullen, Edward J., ed. Critical Essays on Langston Hughes. Boston: Hall, 1986.
--
., ed. Langston Hughes n ffi. Hispanic World and Haiti.
Wamden, Conn: Archon Books, 1977.
Myers, Elizabeth P. Langston Hughes: Poet of flj People. Champaign, Illinois:
Garrard Publishing Company, 1970.
Neal, Larry. American Writing Today. Ed. Richard Kostelanetz. Washington DC:
US International Communication Agency, 1982.
Newquist, Roy. Conversation. Chicago: Rand McNally, 1967.
O'Daniel, Therman B., ed. Langston Hughes: Black Genius. A, Critical
Evaluation. New York: William Morrow, 1971.
O'Sheel, Thomas Yoseloff. Seven poets in Search of an Answer. New York:
Bernard Ackerman, n.d.
Ovington, Mary White. Portraits in Color. Freeport: Books for Libraries, 1927.
Perry, Margaret. Silence to the Drums: A Survey of the Literature of the Harlem
Renaian. Westport CT: Greenwood Press, 1976.
Piccinato, Stefania. Testo g Contesto Della çj Langston Hughes. Roma: Buizoni
editors, 1979.
Piquion, Rend. Langston Hughes: Un Chant Nouveau. Port au Prince, Haiti:
Imprimerie de 1 'Etat, n.d.
Popkin, Michael, ed. Modern Black Writers. New York: Frederick Unger
Publishing Company, 1978.
Poulakis, Peter, ed. American Folklore. New York: Scribner's, 1969.
Quinot, Raymond. Langston Hughes. Bruxelles: Editions CELF, 1964.
Randall, Dudley. The Black Aesthetic. Ed. Addison Gayle Jr. New York:
Anchor Books, 1972.
Redding, J.Saunders. To
a Poet Black. Chapel Hill: University of North
Carolina Press, 1930.
Redmond, B.Eugene. Drumvoices: The Mission of Afro-American Poetr y. New
York: Doubleday, 1976.
Rollins, Charlemae Hill. Black Troubador: Langston Hughes. New York: Rand
McNally, 1970.
Famous American Negroes. New York: Dodd, Mead, 1965.
Rosenblatt, Roger. Black Fiction. Cambridge: Harvard University Press, 1974.
Russell, Mariann. Melvin .Tolson's "Harlem Galler y ": A Literary Analysis.
Columbia: University of Missouri Press, 1980.
Smith Raymond. The Harlem Renai ss ance ReExamined. Ed. Victor A. Kramer.
New York: AMS, 1987.
Starke, Catherine J. Black Portraiture in American Fiction. New York: Basic
Books, 1971.
Stept, Fisher, ed. Afro-American Literature. New York: Modern Language
Association of America, 1979.
Sylvander, Carolyn W. Jesse Redmon Fauset, Black American Writer. Troy,
NY: Whitston, 1981.
Tracy, Steven C. Langston Hu ghes and the Blues. Chicago: University of Illinois
Press, 1988.
Wagner, Jean. Black Poets offli United States. Urbana:University of Illinois
Press, 1973.
Les Poètes Nères des Etats-Unis. Paris: Librairie istra, 1963.
Waldron, Edward E. Walter White and the Harlem Renaissance. Post
Washington. NY: Kennikat Press, 1978.
Walker, Alice. Langston Hughes. New York: Thomas Crowell, 1974.
- -
. Langston Hughes: American Poet. New York: Thomas
— rCiPowell, 1974.
Whitlow, Roger. Black American Literature. Chicago: Nelson Hall, 1973.
Black American Literature: A. Critical History. Totowa NJ:
Littlefield, 1974.
Williams, J.Kenny. They Also Spoke: An Essay On Negro Literature in
America, 1787-1930. Nashville: Townsend Press, 1970.
Williams, Sherley A. Afro-American Literature: The Reconstruction of
Instruction. Ed. Dexter Fisher and Robert B. Stepto. New York:
Modern Language Association, 1979.
. Give Birth to Brightness: A Thematic Study In Neo- Black
Literature. New York: Dial Press, 1972.
Young, James 0. Black Writers of the Thirties. Baton Rouge: Louisiana State
University Press, 1973.
(iv) ANTHOLOGIES
Adoff, Arnold. Brothers and Sisters: Modern Stories by Black Americans. New
York: Macmillan, 1970.
i am the Darker Brother: An
of Modem Poems by
Negro Americans. New York: Macmillan, 1968.
The Poetry f Black America: Anthology f the 20th Century.
New York: Harper and Row, 1973.
Brasmer, William and Dominik Gonsolo. Black Drama: An Anthology.
Columbus, Ohio: Merrill, 1970.
Crossland, Dawn M., et al., "Langston Hughes: Griot and Troubadour." LII
R., 7(1) (Spring 1988), pp .9-21.
Davis, Arthur Paul. Cavalcade: Negro American Writing from 1760 to the
Present. Boston: Houghton Mifflin, 1971.
Emanuel, James A. Dark Symphony: Negro Literature America. New York:
Free Press, 1968.
Harper, M. Charl S., ed. Chant of Saints: A Gathering of Afro- American.
Literature, Art, and Scholarship. Urbana: University of Illinois
Press, 1979.
Hatch, James V. Black Theatre, Forty Five Plays by Black Americans.
New York: Free Press, 1974.
Hill, Herbert. Soon, One Morning: New Writing by American Negroes. New
York: Knopf, 1963.
Hughes, Langston. An African Treasury. New York: Crown, 1960.
The Best Short Stories by Negro Writers: An Anthology from
1899 to the Present. Boston: Litfie, Brown
rown,—
1967.
,196T-
The Book of Negro Folklore. New York: Dodd, Mead, 1956.
The Book of Negro Humor. New York: Dodd, Mead, 1966.
New Negro Poets: U.S.A. Bloomington: Indiana University
iés, 1964.
Poems from Black Africa. Bloomington: Indiana University
Press, 1964.
The Poetry sf the Negro, 1746-1970, An Anthology. New
York: Doubleday, 1970.
and Ama Bontemps, ed. The Poetry offt Negro 1746-1949.
Garden City, New York: Doubleday, 1949.
Kearns, Francis Edward. The Black Experience: Au Anthology f American
Literature for
1970s. New York: Viking Press, 1970.
Lomax, Alan, ed. 3000 Years of Black Poetry. New York: Dodd, Mead &
Company, 1970.
Miller, Ruth, ed. Black American Literature 1760-PFesent California: Glencoe
Press, 1971.
Mitchell, Loften. Black Drama. New York: Hawthorn Books, 1967.
Turner, Darvin T., and Jean M.Bright. "Images of the Negro in America. Boston:
D.C. Heath and Company, 1965.
(v) JOURNAL ARTICLES
Ako, Edward 0. "Langston Hughes and the Negritude Movement: A Study in
Literary Influences." CLAJ, 28(1) (September 1984), pp.46-56.
Allen, Samuel. "Remembering Langston Hughes." LH Rev., 4(2) (Fall 1985),
pp.39-40.
Allen William. "The Barrier: A Critique." Phylon, 11 (Second Quarter 1950),
pp. 134-136.
Alridge, June M. "Langston Hughes and Margaret Danner." LH Rev., 3(2)
(Fall 1984), pp.7-9.
Anon. "The Anisfield-Wolf Awards." SatR, (April 1953), p.20.
__
of
and Memoirs." Book Week, (October 27, 1963),
p.4.
"Birth of a Poet." MJ, 36 (February 5, 1945), pp. 12-16.
"Birth of a Poet." N, 36 (April 1945), pp.41-42.
"The Browsing Reader." Crisis, 37 (September 1929), p.321.
"The Death of Simple." Newsweek, (June 5, 1967), p.104.
____ "Farewell to Langston Hughes." Crisis, 74 (June 1967),
pp.252-254.
______ "Five Silhouttes on the Slopes of Mount Parnassus." NYTBR,
(Marëh 21, 1926), pp.6,16.
"Hughes at Columbia." New Yorker, 43 (December 30,
-T967j P.21.
"Langston Hughes Dies at 65: Noted Poet and Playwright."
NHB30 (October 1967), p.16.
ISpingarn Medalist." Crisis, 67
"Langston Hughes - 45
-------- ugust - September 1960), pp.422-423.
"Langston Hughes Manuscripts." Ban, 56 (1973), pp.6-7.
"Langston Hughes: Poet Laureate Graces Los Angeles."
Sepiä16 (June 1967), pp.55-59.
"NAACP Mourns Hughes." NYAN, (27 May 1967), p.29.
"Obituary Notes." i. 191, No.24. (June 1967), p.37.
"What to read?" Crisis, (March 1927), p.20.
Anderson, Sherwood. "Paying for Old Sins." The Nation, 139 (July 11, 1934),
pp.49-50.
Apthekar, Herbert. "Afro-American Superiority as Literary Theme." Ph ylon, 31
(4) (Winter 1970), pp.340-343.
62 63.
"Negro Panorama." Mainstream, 10 (February 1957),
Arvey, Verna." Langston Hughes: Crusador." Opportunity, (December 1940),
pp.363-364.
B., E.L. "Seventeen Leaders." NYTBR, (May 2, 1954), p.26.
Baldwin, James. "Sermons and Blues." NYTBR, (March 29, 1959), p.6.
Ball, John. "Hughes on Jazz." MidJ, 7-8 (Summer 1955), pp. 195- 196.
Baraka, Amiri. "Afro-American Literature & Class Struggle." BALF. 14 (Spring
1980), pp.5-14.
Barksdale, Richard K. "A Chat with Langston Hughes: Spring 1960." LJj Rev., 2
(2) (Fall 1983), pp.25-26.
"Comic Relief in Langston Hughes' Poetry." BALE. 15(3)
(1-gall 1981), pp. 108-111.
"White Triangles, Black Circles." CLAJ, 18 (June 1975),
pp. 465-476
Barisonzi, Judith Anne. "Black Identity in the Poetry of Langston Hughes." DA,
32 (1971), 3291 A.
Bass, George Houston. "Five Stories About a Man Named Hughes: A Critical
Reflection." jjj Rev., 1(1) (Spring 1982), pp. 1-12.
Bell, Bernard. "New Black Poetry: A Double-Edged Sword." CLAJ, 15 (1)
(September 1971), pp.37-43.
Belschel, Louise S. "For Boys and Girls." NYHTBR, February 27, 1955), p.10.
Benét, William Rose, "Round About Parnassus." SatR, 9 (November 12, 1932),
p.24!.
Berry, Abner. "Not So Simple." MaM, 6 (September 1953), pp.55-58.
Berry, Faith. "Did Van Vechten Make or Take Hughes' Blues?" BlackW,
(February 1976), pp.22-28.
"In Memoriam: Tribute to Henry Lee Moon, a Lifelong Friend
of Langston Hughes." LH Rev., 4(2) (Fall 1985), pp.41-42.
/
_____ "Saunders Redding as Literary Critic of Langston Hughes."
LH Rev., 5(2) (Fall 1986), pp.24-28.
"The Universality of Langston Hughes." 1k! Rev., 1(2) (Fall
1982), pp. 1-10.
"Voice for the Jazz Age, Great Migration or Black
1ourgedisie." BlackW. 20 (November 1971), pp.10-16.
Betschel, L.S. "Thinking Toward a Better World." NYHTBR, (November 16,
1952), p.32.
Blain, Derrel R. "A Mathematical Model for Alliteration." Style, 21(4) (Winter
1987), pp.607-625.
Blake, Susan L. "Modern Black Writers and The Folk Tradition." DAI, 38
(1977), 260A.
"Old John in Harlem: The Urban Folktales of Langston
Hughes " BALE. 14 (Fall 1980), pp. 100-104.
Blesh, Rudi. "Jazz as a Marching Jubilee." NYHTB, (Sunday, November 26,
1961), p.4.
Bonner, Patricia E. "Crying the Jazzy Blues and Livin' Blue Jazz: Analyzing the
Blues and Jazz Poetry of Langston Hughes." WGCR, 20 (May 1990),
pp. 15-28.
"Sassy Jazz and Sb' Draggin' Blues as Sung by Langston
ITiihes." DAI, 51(4) (October 1990), 1227A.
Bonosky, Phillip. "Humor and Hope." Mainstream, 11, (January 1958),
pp. 3-56.
Bontemps, Ara. "Black and Bubbling." SatR, 35 (April 5, 1952), p.17.
"The Black Renaissance of the Twenties." BlackW. 20 (Nov.
1970), pp.5-9.
"How the Money Rolled In." NYI-IT, (December 17, 1958),
p.'L
_ "Langston Hughes: He Spoke of Rivers." Freedomways, 8
(May 1968), pp.140-143.
"Memories of Langston Hughes, 1902-1967." NALF, 1
Win téi 1967), pp.12-13.
"That Not So Simple Sage, Mr.Simple." NYHTBR, (June 14,
1953).
Breaux, Elvryn Ellison. "Comic Elements in Selected Prose Works by James
Baldwin, Ralph Ellison, and Langston Hughes." DA (Oklahoma
State University), 33 (July 1972), 747A.
Brickell, Herschel. "The Literary Landscape." NAR, 238 (September 1934),
p.286.
"A Poet's Debut as Novelist." SatR, 7 (August 1930), p.69.
Britt, David Dobbs. "The Image of the White Man in the Fiction of Langston
Hughes, Richard Wright, James Baldwin, and Ralph Ellison." PA
(Emory University), 29 (October 1968), 1532A.
Brooks, Gwendolyn. "He Knew the Street." CDN, (June 3, 1967).
"Langston Hughes." The Nation, 205 (1967), p.7.
Brooks, Hallie Beachem, "For Young Readers." Phylon, 14 (Fall 1953),
pp.343-344.
Brown, Llyod W. "The American Dream and the Legacy of Revolution in the
Poetry of Langston Hughes." SBL, 7 (Spring 1976), pp. 16-18.
the
"Lorraine Hansberry as Ironist: A Reappraisal of A Raisin in
j." Journal of Black Studies, 4 (March 1974), pp.237-247.
"The Portrait of the Artist as a Black American in the Poetry of
Langston Hughes." SBL, 5 (Winter 1974), pp.24-27.
Brown, Michael Robert. "Five Afro-American Poets: a History of the Major
Poets and Their Poetry in the Harlem Renaissance." JA (University
of Michigan), 32 (January 1972), 3990A.
Brown, Soi Daniel. " 'Black Orpheus': Langston Hughes' Reception in German
4(2) (Fall 1985), pp.30-38.
Translation (An Overview)."
Brace, McM. Wright. "The Negritude Tradition in Literature." Studies in Black
Literature, V61.3. No.1 (Spring 1972), pp. 1-3.
Bruning, Eberhard. "The Black Liberation Movement' und das amerikanische
Drama." Zeitschrift for Anglistik ici Amerikanistik, 20 (1976),
pp.46-58.
Bryant, James David. "Satire in the Work of Langston Hughes." DA (Texas
Christian University), 33 (September 1972), 2362A.
Burger, Mary W. "I, Too, Sing America': The Black Autobiographer's Response
to Life in the Midwest and Mid-Plains." KanQ, 7 (Summer 1975),
pp.43-57.
Burroughs, Margaret. "Langston Hughes Lives."
pp.59-60.
NJ, 16 (September 1967),
Bush, Roland C. "Negritude: A Sense of Reality." BlackW. 22 (November 1972),
pp.36-47.
Cardona-Hine, Alvaro. "Open Handshake." Mainstream, 12 (July 1959),
pp.55-56.
Carolyn, P. Walker. "Liberating Christ: Sargeants' Metamorphoses in Langston
Hughes's 'On the Road'." BALE 25(4) (Winter 1991), pp.745-752.
Carey, Julian C. "Jesse B.Semple Revisited and Revised." Ph ylon, 32 (December
1971), pp. 158-163.
Carmen, Y. "Langston Hughes: Poet of the People." InL, No.! (1939), pp. 192-
Carmon, Walt. "From Harlem." NM, 6 (October 1930), pp.17-18.
Chandler, G. Lewis. "For Your Recreation and Reflection." Ph ylon, 12 (Spring
1951), pp. 91-95.
_ "Selfsameness and a Promise." Phylon, 10 (Summer 1949),
189-19!;
pp.
Clark, VeVe. "The Neglected Dimensions of the Harlem Renaissance." BlackW.
20 (November 1970), pp. 118-129.
. "Restaging Langston Hughes' Scottsboro Limited: An
i:Ve_w with Amiri Baraka." Black Scholar, 10 (1979), pp.62-69.
Clotman, Phillis R. "Langston Hughes's Jesse B. Semple and the Blues." Phylon,
36(1) (March 1975), pp.73-77.
Cobb, Martha K. "The Black Experience in the Poetry of Nicholas Guillen,
Jacques Roumain, Langston Hughes." J (Catholic University of
America), 35 (February 1975), 5392A-5393A.
."Concepts of Blackness in the Poetry of Nicolas Guillen,
-------- TèjÜ Roumain and Langston Hughes." CLAJ, 18 (December 1974),
pp.262-272.
_______ "Langston Hughes: The Writer, His Poetics and the Artistic
Process." LH R e v.. 2(2) (Fall 1983), pp. 1-5.
Coleman, Leon, "Carl Van Vechtan Presents the New Negro." Studies in th e
Literary Imagination, 7 (Fall 1974), pp.85-104.
Collier, Eugenia W. "Heritage from Harlem." BlackW , 20 (November 1970),
pp.52-59.
Column, Mary M. "The New Books of Poetry." NYTBR, (March 22, 1942),
p.9.
Creekmore, Hubert. "Poems by Langston Hughes." NYTBR, (May 4, 1947),
p.10.
Cullen, Countee. "Poet on Poet." Opportunity, 4 (March 4, 1926), pp.73-74.
Culp, Mary Beth. "Religion in the Poetry of Langston Hughes." Phylon, 48(3)
(Fall 1987), pp.240-245.
Daiches, David. "Poetry of Negro Moods." NYHTBR, (January 9, 1949), p.4.
Dandridge, Rita B. "The Black Woman as a Freedom Fighter in Langston
Hughes' Simple's Uncle Sam." CLAJ, 18 (December 1974), pp.273-
Daniel, Walter C. "Langston Hughes' Introduction to Esquire Magazine." J1C,
12 (Spring 1979), pp.620-623.
Davis, Arthur P. "Growing up in the New Negro Renaissance 1920- 1935."
NALF, 2 (Fall 1968), pp.53-59.
"The Harlem of Langston Hughes's Poetry." Ph ylon, 13
(FourtliQuarter 1952), pp.276-283.
"Jesse B. Simple: Negro American." Phylon, 15 (1954),
pp.21-28.
_ ." Langston Hughes: Cool Poet." CLAJ, 11(4) (June 1968),
pp. 280-296.
"The Tragic Mulatto Theme in Six Works of Langston
-WujE" Phylon, 16 (Winter 1955), pp.195-204.
Deutsch, Babette. "Four Poets." Bookman, 65 (April 1927), p.220.
"Waste Land of Harlem." NYTBR, (May 6, 1951), p.23.
Diakhaté Lamine. "Langston Hughes, conquérant de l'espoir." PA, 64 (1967),
pp.38-42.
Diaz-Diocaretz, Myriam. "Society (Pro)poses and Madam (Dis)poses."
6(1) (Spring 1987), pp.30-36.
UI
Dickinson Donald C. "Langston Hughes and the Brownie's Book." NUB, 31
(December 1968), pp.8-10.
"Rernemberin Langston Hughes: 'Langston Hughes-A
-------- Bi Firaphical Reminiscences'." kil Rev., 6(1) (Spring 1987),
pp .44-46.
"Working With Langston Hughes." NALF. 1 (Winter 1967),
PP. 13, 15.
Dillard, Irving. "A Poet Asks: How Long Is a While?" SatR, 45 (September
29, 1962), pp.32-33.
Dodat, Francois. "Situation de Langston Hughes." PA, 64 (1967), pp.47-50.
Dodson, Owen. "Shakespeare in Harlem." Phylon, 11 (Fall 1942), pp.337-338.
. "Who Has Seen the Wind? Playwrights and the Black
---- E -prience." BALE 11 (Fall 1977), pp.108-116.
Drew Fraser. "Langston Hughes and My Students." Trace, 32 (1959), pp.22-24.
Du Bois, W.E.B. "The Younger Literary Movement." Crisis, 27 (February
1924), pp. 161-169.
Eaton, Anne T. "The New Books for Children." NYTBR, (July 17, 1932),
p.13.
Edward, Sister Ann. "Three Views on Blacks: The Black Woman in American
Literature." CEA, 37 (May 1975), pp. 14-16.
Edwards, Michael Le Roy. "The Rhetoric of Afro-American Poetry: A
Rhetorical Analysis of the Black Poetry and the Selected Poetry of
Margaret Walker and Langston Hughes." DAI, (41), 1835A.
Emanuel, James A. "A Critical Analysis." B , 7, (5) (1968), pp.38-39.
"Langston Hughes's First Short Story: Mary Winosky."
____
Ph'Ton, 22 (Fall 1961J, pp.267-272.
"The Literary Experiments of Langston Hughes." CLAJ, 11
(1968), pp.335-344.
"Renaissance Sonneteers." BlackW. 24 (September 1975),
pp.32-45, 92-97.
"The Short Fiction of Langston Hughes." Freedomways, 8
(1968), pp. 170-178.
"The Short Stories of Langston Hughes." DA (Columbia
University), 27 (July 1965), 474-475A.
"Soul in the Works of Langston Hughes." NP, 16 (September
1967), pp.25-30, 74-92.
Embree, Edwin R. "A Poet's Story." SG, 30 (March 1941), p.96.
Etonde, G. "Langston Hughes." J1, 37 (1977), 3189 C.
Evans, Man. "I Remember Langston." NP. 16 (September 1967), p.36.
Fabre Michel. "Rene Maran, The New Negro and Negritude." Phylon, 36 (Fall
1975), pp.340-351.
"Hughes' Literary Reputation in France." LB (SF'mg 1987), pp.20-27.
6(1)
Farrel, Walter C., Patricia A. Johnson. "Poetic Interpretations of Urband Black
Folk Culture: Langston Hughes and the Bebop' Era." Melus, 8(3)
(Fall 1981), pp.57-72.
Farrison, W.Edward. "Langston Hughes: Poet of the Negro Renaissance."
CLAJ, 15, (4) (June 1972), pp.401-410.
Fauset, Jessie. "Our Book Shelf." Crisis, 30-31 (March 1926), pp.239.
Fearing, Kenneth. "Limiting Devices." NM, 3 (September, 1927), p.29.
Filatova, Lydia. "Langston Hughes: American Writer." IiuJ. No.! (1933),
pp. 103-105.
Fitts, Dudley. "A Trio of Singers." NYTBR, (October 29, 1961), p.16.
Fontaine, William T. "The Negro Continuum from Dominant Wish to Collective
Act." African Forum, 3-4 (1968), pp.38-46.
Ford, Nick Aaron, "Battle of the Books: A Critical Survey of Significant Books
By and About Negroes Published in 1960." Ph y lon, 22 (Summer
1961), pp. 126-127.
"I Teach Negro Literature." CE, 2 (March 1941), pp.530-541.
"Odyssey of a Literary Man." Phylon, 18 (Spring 1957),
pp. 8B-89.
"Search for Identity: A Critical Survey of Significant Belles
Lettres By and About Negroes Published in 1961." Phylon, 23, (2)
(Summer 1962), p.138.
Freeman, Gordon Query. "Climbing the Racial Mountains: The Folk Element in
the Work of Three Black Writers." DAI, 38 (1977), 3641A-3642A.
Garber, Earlene. "Form as a Complement To Content in Three of Langston
Hughes' Poems." NALF. 5 (Winter 1971), pp. 137- 139.
Gates, Henry Louis Jr. "The Hungry Icon: Langston Hughes Rides A Blue
Note." Village Voice Lit. Supp., 76 (July 1989), pp. 8-13.
Gayle,Addison. "The Harlem Renaissance: Towards a Black Aesthetic."
Midcontinent American Studies Journal, (Fall 1970), pp.78-87.
"Langston Hughes: A Simple Commentary." N, 16
(September 1967), pp.53-57.
Gehman, Richard. "Fee, Free, Enterprise." SatR, 41 (November 22, 1957),
pp. 19-20.
Gilenson, Boris. "Afro-American Literature in the Soviet Union." NALF, 9
(Spring 1975), pp.25, 28-29.
Gorman, Herbert S. "Tradition and Experiment in Modern Poetry." NYTBR,
(March 27, 1927), p.2.
Graham, Mary Emma. "Aesthetic and Ideological Radicalism in the 1930's: The
Fiction of Richard Wright and Langston Hughes." DAI, (38)
4167A.
Graves, Elizebeth Minot. "A Selected List of Children's Books." cw,
(November 21, 1969), p.259.
Greene, Gita. "Remembering LangstOn Hughes: 'Langston Hughes Understood'."
kHR y., 5(1) (Spring 1986), pp.41-43.
Gregory, Horace. "Genius of Langston Hughes." NYHTB, (Sunday, July 1,
1934), p.4.
Gresson, Aaron D. "Beyond Selves Deferred: Langston Hughes' Style and the
Psychology of Black Selfhood." LU Rev., 4(1) (Spring 1985),
pp.47-54.
Gruening, Martha. "White Folks are Silly." N, 80 (September 5, 1934), pp.
Guillen, Nickolas. "Le Souvenir de Langston Hughes." PA, (1967), pp.34-37.
I-I., V. "Langston Hughes: The First Book of Jazz." Hor, 31 (June 1955),
p.175.
Hansell, William Harold. "Black Music in the Poetry of Langston Hughes:
Roots, Race, Release." Obsidian, 4 (iii) (Winter 1978), pp. 16'18.
"Positive Themes in the Poetry of Four Negroes." PA
UT 7ersity of Wisconsin Madison), 33 (July 1972), 754A.
Harold, R. Isaacs. "Five Writers and TheirAfrican Ancestors." Phylon, Vol.XXI
(3) (Fall 1960), pp.247-254.
Harper, Donna Akiba Sullivan. "The Apple of His Eye': Du Bois on Hughes."
LI-I Rev., 5(2) (Fall 1986), pp.29-33.
"The Complex Process of Crafting Langston Hughes." DAI,
49(6) (December 1988), 1456A.
• "Langston Hughes As Cultural Conservator: Women in the Life
of 'Negroveryman'." LH Rev., 7 (2) (Fall 1988), pp. 15-21.
Hauke, Kathleen Armstrong. "A Self Portrait of Langston Hughes." DAI,
43(11) (May 1983), 3596A.
Hays, H. R. "To Be Sung or Shouted." Poetry, 60 (April- September 1942),
pp.223-234.
1-ledden, Worth Tuttle. "Laughter and Tears Across the Barriers of Race."
NYHTBR, (Sunday, March 30, 1952), p.32.
Hentoff, Nat, "Langston Hughes: He Found Poetry in the Blues." Mayfair,
(August 1958), pp.26-29.
Herod, Henrietta L. "The Big Sea." Ph ylon, 2 (Spring 1941), pp.94-96.
Heyword, Du Bose, "The Jazz Band's Sob." NYHT, (Sunday, August 1926),
pA..
• "Sing a Soothin' Song." NYHTB, (Sunday, February 20,
1927), p.5.
Hill, Mildred. "Common Folklore Features in African and African-American
Literature." Southern Folklore Quarterly, 39 (March 1975),
pp.111-133.
Hill-Lubin, Mildred A. "And the Best Goes On. A Continuation of the African
Heritage in African-American Literature." CLAJ, 23 (December
1979), pp. 172-187.
Hill, Roy L. "The Significant Influence of Langston Hughes on the Thinking and
the Inner Lives of Nine Contemporary Black Poets." J, (Rutgers
University), 33 (March 1973), 3124A.
I-Ioagwood, Kimberly. "Two States of Mind in 'Dream Variations'." j
2(2) (Fall 1983), pp.16-18.
Hodger, Carolyn E. "Introduction: Reflection on the Art of Literary Translation
and the Legacy of Langston Hughes." JJj Rev., 4(2) (Fall 1985),
pp. iv-ix.
• "Langston Hughes and the African Diaspora in German." LII
Rev., 5(1) (Spring 1986), pp. 18-22.
Hodges, John 0. "Wondering About the Art of a Wanderer': Langston Hughes
and His Critics.' LII Rev., 5(2) (Fall 1986), pp. 19-23.
Holmes, Eugene C. "Langston Hughes: Philosopher Poet." Freedomways, 8
(Spring 1968), pp. 144-15!.
Hubbard, Dolan. "Call and Response: Intertexuality in the Poetry of Langston
Hus hes and Margaret Walker." LII B y., 7 (1) (Spring 1988), pp.
0.
Hudson, Theodore R. "Langston Hughes' Last Volume of Verse." CLAJ, 11
(June 1968), pp.345-348.
Hull, Gloria T. "Notes on a Marxist Interpretation of Black American Literature."
BALE, 12 (Winter 1978),pp. 148-153.
Humphries, Roiphe. • "Verse Chronicle." jii Nation, 168 (January 15, 1949),
p.80.
"Verse Chronicle." The Nation, 72 (March 17, 1951), p.256.
Isaac, Harold. "Five Writers and Their African Ancestors." Phy lon, 21 (Third
Quarter 1960), pp.247-254.
Jackson, BI den. "Claude McKay and Langston Hughes: The Harlem
Renaissance and More." Pembroke Magazine, 6 (1975), pp.4348.
• "A Garden Mean for the Negro Novel." CLAJ, 3, No.2
(December 1959), pp.81-87.
• "A Word About Simple." CLAJ, 11, No.2 (June 1968),
pp338-343.
Jackson, Booker T. "Langston's Letter to Me." South West, Nos. 2-3 (197879), pp 32-53.
Jackson, Irma Wertz. "Profile: Langston Hughes." NHB, 27 (March 1964)
pp.146-I47.
Jackson, Richard. Langston Hughes and the African Diaspora in South
America." Lii R., 5(1) (Spring 1986), pp.23-37.
"The Shared Vision of Langston Hughes and Black Hispanic
Writers." BALE 15(3), (Fall 1981), pp.89-92.
Jacobs, Leland. "Langston Hughes." Instructor, (March 1965), pp. 116-117.
James, Charles L. "On the Legacy of the Harlem Renaissance: A Conversation
with Ama Bontemps and Aaron Douglas." Obsidian, 4 (Spring
1978), 32-53.
Jeffers, Lance. "Afro-American Literature. The Conscience of Man." Black
Scholar, 2 (January, 1971), pp.47-53.
Jemie Onwuchekwa. "Dream Deferred: A Comment on Langston Hughes's
Poetry." 1A (Columbia University), 34 (July 1973),319A.
Joans, Ted. "The Langston Hughes I Knew." BlackW, 21 (September 1972),
pp. 14-18.
Johnson, Abby Arthur, "Literary Midwife: Jessie Redmon Fauset and the Harlem
Renaissance." Ph y lon, 39 (Summer 1978), pp.143-153.
Johnson, Eloise McKinney."Langston Hughes and Mary McLeod Bethune." LII
R., 2(1) (Spring 1983), pp.1-12.
Johnson, Patricia A., and Walter C. Farrel. "How Langston Hughes Used the
Blues." Melus, 6 (1) (Spring 1979), pp.55-63.
"The Jazz Poetry of Langston Hughes: A Reflection." MV,
4(1(Spring 1980), pp.11-21.
"Poetic Interpretations of Urban Black Folk Culture: Langston
Hughes and the 'Bebop' Era." Melu, Vol. 8 (3) (Fall 1981), pp.57-
Jones, Eldred. "Laughing to Keep from Crying." PA, 64 (1967), pp.51-55.
Jones, Harrey L. "A Danish Tribute to Langston Hughes." CLAJ, 11 (June
1968), pp.331-334.
"Simple Speaks Danish." UI Rev., 4(2) (Fall 1985),
pp.24-26.
Jones, Kirkland. "Hughes's View of the Common Man in Little Ham." LJHUM,
10(1) (Spring 1984), pp.53-57.
Jones, Norma Ramsay. "Africa, As Imagined by Cullen & Co." NALF, 8
(Winter 1974), pp.263-267.
Jordon, Millicent Dobbs. "Personal Reminiscence of Langston Hughes." LII
Rev., 1(2) (Fall 1982), p.12.
Kaiser, Ernest. "H.Q.Scope." Harlem Quarterl y. 1 (Spring 1950), p.55.
Kamp, Stella. "Langston Hughes Speaks to Young Writers." Opportunit y, 24
(April 1946), p.73.
Kearney, Reginald. "Langston Hughes in Japanese Translation." LII Rev., 4(2)
(Fall 1985), pp.27-29.
Keller, Frances Richardson. "The Harlem Literary Renaissance." NAR, 5 (MayJune 1968), pp.29-34.
Kerlin, Robert T. "A Pair of Youthful Negro Poets." SW. (April 1924), pp. 178Kent, George E. "Patterns of the Harlem Renaissance." BlackW, 21 (June
1972), pp.13-24, 76-80.
Kesteloot, Lilyan. "Negritude and Its American Sources." Boston University
Journal, 22 (Spring 1974), pp.54-67.
Kihss, Peter. "Justice Comes High." NYTBR, (September 2, 1962), p.12.
Kinnamon, Kenneth. "The Man Who Created Simple." The Nation, 205
(December 4, 1967), pp.599-601.
"Political Dimension of Afro-American Literature."
—SöiüTdms, 58 (Spring 1975), pp. 130-144.
Kitamura, Takao. "Langston Hughes and Japan." IJI Rev., 6(1) (Spring 1987),
pp. 8-12.
Kiotman, Phyllis R. "Jesse B. Semple and the Narrative Art of Langston
Hughes." JNT. 3 (January 1973), pp.66-75.
"Langston Hughes's Jesse B.Semple and the Blues." Ph ylon, 36
(Fall 1975), pp.68-77.
Koprince, Susan. "Moon Imagery in The Ways f White Folks." LII Rev., 1(1)
(Spring 1982), pp. 14-17.
Kramer, Aaron. "Robert Burns and Langston Hughes." Freedomways, 8 (Spring
1968), pp. 159-166.
Kreymborg, Alfred. "Seven American Poets." SatR, 25 (April), p.9.
Kukola, Bozo. "Uz Poeziju Jamesa Langstona Hughesa" Forum (Zagreb), 29:
219-22.
Lechlinter, Ruth. "Stevens Cullen, Hughes, Greenberg." NYHTBR, (August 31,
1947), p.4.
Lewis, Ida. "Conversation: Gwen Brooks and Ida Lewis." Essence, 1 (April
1971), pp.26-31.
Lewis Theophilus, "Adventurous Life." Crisis, 47 (December 1940), pp.395-
Liddell, Janice Lee. "The Whip's Corrollo: Myth and Politics in the Literature
of the Black Diaspora: Annie Cesaire, Nicolas Guillen, Langston
Hughes." DAI (39), 3581A-82A.
Locke, Alain. "Common Clay and Poetry." SatR, 3 (April 9, 1927), p.712.
"Negro Angle." SQ, (November 1934), p.565.
"The Weary Blues." Palms, 1 (1) (1926), pp.25-27.
Loggins, Vernon. "Jazz Consciousness." SatR, 10 (July 14, 1934), p.805.
Lomax, Michael L. "Fantasies of Affirmation: The 1920's Novel of Negro Life."
CLAJ, 16 (December 1972), pp.232-246.
Lowery, Delitta Martin. "Selected Poems of Nicholas Guillén and Lanston
Hushes: Their Use of Afro-Western Folk Music Genres. DA
(Ohio State University), 36 (September 1975), 1487A-1488A.
Lubin, Maurice A., and Faith Berry. "Langston Hughes and Haiti." LII Rev.,
6(1) (Spring 1987), pp.4-7.
Lucas, Bob. "The Poet Who Invented Soul." Los Angeles Sentinel (June 8,
1967), p.D-1.
M[ac Donald], E[dger] [Edeworth]. "The Reception of Two Black Artists in
Mid-1920's Richmond." Ellen Gargow Newsletter, 7 (1977),
pp. 16-20.
Mac Leod, Norman. "The Poetry and Argument of Langston Hughes." Crisis,
45 (November 1938), pp.358-359.
Martin, Dellita L. "Langston Hughes's Use of the Blues." CLAJ, 22 (December
1978), pp. 151-159.
• "The 'Madam Poems' as Dramatic Monologue." BALE 15(3)
(Fall 1981), pp.97-99.
Martin, Dellita L., and Ogunsola. "Ambivalence As Allegory in Langston
Hushes's 'Simple' Stories." LFI R., Vol. VII (1) (Spring 1988),
pp.1-8.
-. "Langston Hughes and the Musico-Poetry of African
----Diiipora." LFiR., 5(1) (Spring 1986), pp.1-17.
Matheus, John F. "Langston Hughes as Translator." CLAJ 11, (July 1968),
pp.3 19-330.
Mayfield, Julian. "Langston." ND. 16 (September 1967), pp.34-35.
McBrown, Gertrude Parthenia. "First Book of Negroes." NHB, 16 (Fall 1953),
pp.94-95.
McDowel, Robert E. "Mothers and Sons." Prairie Schooner, 43 (Winter
1969/70), pp.356-368.
Meier, August. "Poignancy." Crisis, 59 (June-July 1952), pp.398- 399.
Meltzer, Milton. "Four Who Locked Horns With the Censors: [Hughes, Twain,
Child and Sanger]." WLB, 44 (November 1969), pp. 279-280.
Miller, R. Baxter. "Done Made Us Leave Our Home': Langston Hughes's Not
Without Laughter -- Unifying Image and Three Dimensions."
Phylon, 37, (4) (Winter 1976), pp.362-369.
"Even After I Was Dead: 'The Big Sea'-- Paradox,
éérvation, and Holistic Time." BALF, 11 (Summer 1977),
pp.39-45.
"For a Moment I Wondered: Theory and Symbolic Form in the
Autobiographies of Langston Hughes." LJ1 Rev., 3 (2) (Fall 1984),
pp. 1-6.
"Langston Hughes and the 1980s: Rehumanization of
Thdry." BALE. 15(3) (Fall 1981), pp.83-88.
"'A Mere Poem': 'Daybreak in Alabama' a Resolution to
___
Eãiigston Hughes's Theme of Music and Art." Obsidian, 2 (2)
(Summer 1976), pp.30-37.
"No Crystal Stair': Unity Archetype and Symbol in Langston
Hiihes's Poems on Women." NALF. 9 (4) (Winter 1975), pp. 109114.
Miller, Johnine Brown. "The Major Theme in Langston Hughes's Not Without
Laughter." CEA, 32, (6) (March 1970), pp. 8-10.
Milistein Gilbert. "Laura and Essie Bella." NYTBR, (November 23, 1958),
p.51.
"Negro Everyman." NYTBR, (September 1957), p.41.
"While Sister Mary Sticks Around." NYTBR, (November
27, 1955), p.S.
Mintz, Lawrence E. "Langston Hughes' Jesse B.Semple: The Urban Negro as
Wise Fool." N, 7 (Fall 1969), pp.1 1-21.
Mitchell, Loften. "For Langston Hughes and Stella bit." N, 17 (April 1968),
ppA1-43, 74-77.
"In Memoriam to a Beloved Friend." NYAN, (27 May 1967),
pp. 1,29.
"That Other Man." Crisis, 77-78 (February 1969), pp.75-77.
Moon, Bucklin. "Laughter, Tears and the Blues." NYTBR, (March 23, 1952),
p.4.
Moran, Mary Jo. "m Without Laughter." English Journal, 66 (March 1977),
p.58.
Morejon, Nancy and Victor Carrabino. "A Cuban Perspective: The America of
Langston Hughes." LH Rev., 6(1) (Spring 1987), pp. 1-3.
Morse, Carl. "All Have Something to Say." NYTBR, (October 6, 1963), p.8.
Moses, Wilson Jeremiah. "More Stately Mansions: New Negro Movements and
Langston Hughes' Literary Theory." LHRev., 4 (1) (Spring 1985),
pp.40-46.
Mullen, Edward J., trans. "A Conversation with Langston Hughes By Nicholas
Guillen." Caliban: A, Journal of New World Writing, 2 (Fall-Winter
1976), pp. 123-126.
____ "Langston Hughes Y la Critica literaria hispano- americana."
In XVII Congresso del Instituto Internacional de literatura
Iberoameicana..." 3 Vols. Madrid: Cultura Hispanica cii Centre
Iberoamericana de Cooperacion, (1978). pp. 1 395-1401.
__ "The Literary Reputation of Langston Hughes in the Hispanic
World. '! Comparative Literature Studies, 13 (1976), pp.254-269.
Mullen, Edward J., Chris Salmon, and Margaret Seyers Peden. "Lan gston
Hughes Remembered: A Document and A Commentary." LII y.,
3(2) (Fall 1984), pp. 10-17.
Mutima, Niamani. "Hatch-Billops Archives: Interviews With Playwrights."
NALF, 3 (Spring 1969), pp.5-12.
Nicholas, Lewis. "Poems to Play: Langston Hughes Describes the Genius of His
Tambourines to Glory." NYT, (Sunday, October 3, 1963), Sec.II.
Drama, p.3.
Nifong, David Michael. "Narrative Technique and Theory in The Ways Qf White
Folks." BALE. 15 (3) (Fall 191), pp.93-96.
Niles, Abbe. "Real and Artificial Folk Song." NR, 51 (June 8, 1927), p.77.
Nower, Joyce. "Foolin' Master." SN, 7 (Fall 1969), pp. 11-21.
O'Daniel, l'herman B. "Lincoln's Man of Letters." LUB, Langston Hughes
Issue (1964), pp.9-12.
Ottley, Roi. "Politics, Poetry, and Piccadillos." SatR, 39 (November 17, 1956),
p.35.
Parker, John W. "American Jazz: Composite of Many Influences." Ph ylon, (Fall
1955), pp.318-319.
"Another Revealing Facet of the Harlem Scene." Ph ylon, 20
(Spring 1959), pp.100-101.
"The Bright, Right Side." CC, 73 (August 1956), p.905.
Literature of the Negro Ghetto." Ph ylon, 13 (Fall 1952),
pp.257-258.
_____ "Negro Folklore Segment of American Culture." CLAJ, 1-2
(Nov.-Mar. 1957), pp.185-186.
"Parcels of Humanity." Crisis, 63 (February 1956),
----------P—TZ4- 125.
"The Poetic Faith of a Social Poet." Ph ylon, (Summer 1959),
pp.
"Poetry of Harlem in Transition." Ph y lon, 12 (Summer
1951), pp. 195-197.
"The Remarkable Mr.Simple Again." Phylon, 18 (Winter
1957), pp.435-436.
"Tomorrow in the Writings of Langston Hughes." CE, 10
(Mã3' 1949), pp.438-441.
Patterson, Lindsay. "Langston Hughes - An Inspirer of Young Writers."
Freedomways, 8 (1968), pp.179-181.
Peden, William. "The Black Explosion." Studies in Short Fiction, 7 (Summer
1975), pp.231-241.
Perkins, Eugene. "The Changing Status of Black Writers." BlackW. 19 (June
1970), pp.18-23, 95-98.
Petesch, Donald. "The Role of Folklore in the Modern Black Novel." KanQ, 7
(Summer 1975), pp. 99-110.
Peterkin, Julia. "Negro Blue and Gold." Poetr y. 31(1927-1928), pp.44-47.
Petrie, Phil W. "In Remembrance of Langston Hughes." LII Rev., 3(1) (Spring
1984), p.23.
Poore Charles. "Books of the Times." NYT, (Thursday, November 11, 1965),
p.45.
Potamkin, Harry Alan. "Old Clothes." The
pp.403-404.
124 (April 13, 1927),
Presley, James. "The American Dream of Langston Hughes." SWR, 48
(Autumn 1963) pp.380-386.
"The Birth of Jesse B.Semple." SWR, 58 (Summer 1973),
pp.219-225.
"Langston Hughes: A Personal Farewell." SWR, 54 (Winter
1969), pp.79-84.
_ "Langston Hughes: War Correspondent." JKL, 5 (1976),
pp. 481-491.
Primeau, Ronald. "Blake's Chimney Sweeper as Afro-American Minstrel."
Bulletin of the New York Public Library, 76 (Summer 1975),
pp.41 8-430.
Rampersad, Arnold. "Langston Hughes and His Critics on the Left."
5(2) (Fall 1986), pp.34-40.
______ "Langston Hughes's Fine Clothes (Winter 1986), pp.144-157.
LII
ç" Callaloo, 9(1)
___ "The Origins of Poetry in Langston Hughes." SoR, 21(3)
() ummer 1985), pp.695-705.
Randall, Dudley. "Three Giants Gone." N1, 16 (November 1967), p.87.
Redding, J.Saunders. "The American Negro's Role in History." NYHTBR,
(November 18, 1956), p.7.
"Langston Hughes in an Old Vein With New Rhythm."
NYFITBR, (March 11, 1951), p.S.
______ "Travels of Langston Hughes's Events as Seen in Passing."
NYHTBR, (December 23, 1956), p.6.
_."What it Means to be Coloured." NYHTBR, (June 1950),
p.13.
Redmond, Eugene B. "The Black American Epic: Its Roots. Its Writers." Black
Scholar, 2 (8 January 1971), pp. 15-22.
Reid, Margaret A. "Langston Hughes: Rhetoric and Protest." LJI Rev., 3(1)
(Spring 1984), pp.13-20.
Richards, Robert F. "Literature and Politics." Colorado Quarterl y . 19 (Summer
1970), pp.97-106.
Ricks, Sybil Ray. "A Textual Comparison of Langston Hughes' Mulatto, 'Father
and Son' and 'The Barrier'." BALF. 15(3) (Fall 1981), pp. 101-103.
Ross, Mary. "A Little Colored Boy Grows Up." NYHTBR, (Sunday July 27,
1930), p.S.
Rubeo, Ugo. "Langston Hughes' Critical Recognition in Italy." Lii R y., 6(1)
(Spring 1987), pp.13-19.
Rugoff, Milton "Negro Writer's Heap of Living." NYHTB, (Sunday August 25,
1940), p. 5.
Russell, Mariann. "Langston Hughes as Source for Gwendolyn Brooks." LII
7 (1) (Spring 1988), pp.31-34.
R.,
Scarnhost, Gary F. "Theme for English B." Explicator, 32 (December 1973),
item 27.
Schatt, Stanley..1"Langston Hughes: The Minstrel as Artificer." JML, 4 (1975),
pp 15-120.
Schleifer, Marc. "Sepia Deb Ball." The Nation, 198 (June 1964), pp.665-666.
Schoell, F.L. "Un Poète Negro." Rblp, 67 (July 20, 1927), pp.436-438.
Schuyler, George S. "The Negro Art Hokum." Nation, 122, (June 1926),
pp. 662-63
Scott, Mark: "Langston Hughes of Kansas." JNH, 66 (Spring 1981) pp. 1-9.
Scruggs, Charles W. "Alain Locke and Walter White: Their Struggle for Control
of the Harlem Renaissance." BALE 14 (Fall 1980), pp.91-99.
Sergeant, Elizabeth. "The New Negro." NR, 46 (May 12, 1926), pp.371-372.
Shagaloff, June. "First Book of Negroes." Crisis, 60 (January 1953), pp.62-63.
Singh, Amritjit. "Beyond the Mountain: Langston Hughes on Race / Class and
Art." LH R., 6(1) (Spring 1987), pp.37-43.
"Self-Definition as a Moral Concern in the Twentieth Century
Afro-American Novel." Indian Journal f American Studies, 8 (2)
(July 1978), pp.23-38.
Hughes: Evolution of the Poetic Persona." Studies
Smith, Raymond.
in theof Literary Imagination, 7 (Fall 1974), pp.49-64.
Smith Robert P. "Memorable Encounter with Langston Hughes." LH Rey., 2(1),
(Spring 1983), pp. 14-15.
Smith, William Gardner. "Simple's Dialogue." NR, 123 (September 1950),
p.20.
Smythe, Hugh M. "Hughesesque Insight." Crisis, 57 (June 1950), pp.377-378.
Skinner, Daniel T. "Langston Hughes at Harvard College." LH Rev., 1(2) (Fall
1982), p.82.
Souffrant, Claude. "Ideologies afro-americaines du developpement: Langston
Hughes et le cas d'Haiti." PA, 103 (1977), pp. 129-144.
Spences, T.J., and Clarence J. Rivers. "Langston Hughes: His Style and
Optimism." DC, 7 (Spring 1964), pp.99-103.
Spicer, Eloise Y. "The Blues and the Son: Reflections of Black Self-Assertion in
the Poetry of Langston Hughes and Nicolas Guillen." IJI
3(1) (Spring 1984), pp.1-12.
Staples, Elizebeth. "Langston Hughes: Malevolent Force." AM, 88 (January
1959), pp.46-50.
Story, Ralph D. "Patronage and the Harlem Renaissance: You Get What You
Pay For." CLAJ, 32(3) (March 1989), pp.284- 295.
Streator, George. "A Nigger Did It." Crisis, 41 (July 1934), p.216.
Sutherland, Zena. "Reviewing Stand." SatR, 52 (August 16, 1969), p.27.
Sweet, Donald. "Langston Hughes' Hope." LH R., 2(2) (Fall 1983), pp. 19-21.
Thompson, Eva! Bell. "Belles Lettres." NP, 8-9 (July 1950), pp.40- 41.
Tolson, M. B. "Books and Authors: Let My People Go." SJ, 4 (Fall- Winter
1948), pp.41-43.
Tracy, Steven Carl. "The Influence of the Blues Tradition on Langston Hughes's
Blues Poems." DAI, 47(1) (July 1986), 183 A.
"Midnight Ruffles of a Cat-gut lace': the Boogie Poems of
Langston Hughes." CLAJ, 32 (1) (September 1988), pp.55-68.
"Simple's Great African-American Joke." CLAJ, 27 (3)
' 9B4 ), pp.239-253.
J
"To the Tune of Those Weary Blues: The Influence of the
Blues Tradition in Langston Hughes's Blues Poems." Melus, 8(3)
(Fall 1981), pp.73-98.
Turner, Darwin T. "Introductory Remarks About the Black Literary Tradition in
the United States of America." BALE, 12 (Winter 1978), pp. 140147.
"Langston Hughes as Playwright." CLAJ, 11 (June 1968), pp.
297-309.
"Past and Present in Negro American Drama." NALF, 2
(Summer 1968), pp.26-27.
Turpin, Waters E. "Four Short Fiction Writers of the Harlem Renaissance - Their
Legacy of Achievement." CLAJ, (September 1967), pp.64-67.
Velenti, Suzanne. "The Black Diaspora: Negritude in the Poetry of West Africans
and Black Americans." Phylon, 34 (December 1973), pp.390-398.
Van Vechten, Carl. "Dialogues But Barbed." NYTBR, (May 7, 1950), p.10.
Vidal, David. "What appens to a Dream: This One Lives." NYT., (March 24,
1977),p . B
Vilard, Oswald Garrison. "The Negro Intellectual." SatR, 22 (August 31, 1940),
p.12.
Waldron, Edward E. "The Blues Poetry of Langston Hughes." NALF, 5- 6
(Winter 1971), pp.140-149.
Walter White and the Harlem Renaissance: Letters from 19241927." CLAJ, 16 (June 1973), pp.438-457.
Walker, AlIce, "Turning into Love: Some Thoughts on Surviving and Meeting
Langston Hughes." Callaloo, 12 (4) (Fall 1989), pp.663-666.
Walker, Carolyn P. "Liberating Christ: Sargeants' Metamorphosis in Langston
Hughes's 'On the Road'." BALE, 25 (3), (Winter 1991), pp.745-
Ward, Jerry W. "Folklore and the Study of Black Literature." MFR, 6 (1972),
pp.83-90.
_____
rth "Legitimate Resources of the Soul: An Interview with the
Aenia Bates Mihicon." Obsidian, 3 (Spring 1977), pp. 14-34.
Walton, Edna Lou. "Nothing New Under the Sun." NM, 43 (June 1942), p.23.
Waterhouse, Keith. "New Novels." NS, 58 (July 1959), p.366.
Watkins, Charles A. "Simple: The Alter Ego of Langston Hughes." Black
Scholar, 2 (September 1970), pp.18-26.
Webster, Harvey Curtis. "One Way Poetry." Poetry. 75 (October 1949 - March
1950), pp.300-302.
Wilkins, Roy. "Langston Hughes: A Tribute." Crisis, 74(June 1967), p.246.
Williams, John A. "The Harlem Renaissance: Its Artists. Its Impact. Its
Meaning." BlackW. 20 (November 1970), pp. 17- 18.
Williams, Melvin G. "The Gospel According to Simple." BALE, 11 (Summer
1977), pp.46-48.
______ "Langston Hughes's Jesse B. Semple: A Black Walter Mitty."
NALE 10 (Summer 1976), pp.66-69.
"Snow White." Christianity and Literature, 22 (Winter 1973),
pp.29-34.
Williams, Sherlay Anne. "Langston Hughes and the Negro Renaissance: 'Harlem
Literati in the Twenties' (1940) 'The Twenties: Harlem and Its
Negritude,' (1966)." LH Rev., 4 (1) (Spring 1985), pp.37-39.
Winslow, Henry F. "Two Black Poets and Their Legacy." Crisis, 87 (November
1980), pp.365-372.
Winz, Cary D. "Langston Hughes: A Kansas Poet in the Harlem Renaissance."
KanQ, 7 (Summer 1975), pp.58-69.
Woodruff, Bertram L. "Of Myth and Symbol." Ph y lon, 8 (Summer 1947), pp.
198-200.
Woods, Catherine. 'A Negro Intellectual Tells His Life Story." NYTBR,
(August 5, 1940), p.S.
Wright, Bruce McM. "The Negritude Tradition in Literature." Studies in Black
Literature, 3 (1) (Spring 1972),pp. 1-4.
Wright, Richard. "Forerunner and Ambassador." NR, 103 (July - December
1940), pp.600-601.
Yestadt, Sister Marie. "Two American Poets: Their Influence on the
Contemporary Art-Song." XVS, 10 (Spring 1971), iii pp.33-43.
(vi) REVIEWS
Alexander, Lewis. Review of Fine Clothes
(May 1927), pp.41-44.
IQ
the Jew. The Caroline Magazine,
Anon. Review of Black Magic. At1M, 224 (August 1969), p.103.
Review of Poemas. Crisis, 59 (November 1952), p.606.
Review of Shakespeare in Harlem. The Nation, 155 (August 8,
1942), p.119.
Review of Simple Takes a Wife. Crisis, 60 (October 1953),
B., A. Review of The First Book of Jazz. SatR, 38 (January-June 1955), p.55.
Baldwin, James. •Review of Selected Poems. NY], (March 29, 1959), p.6.
Barksdale, Richard K. Review of "Langston Hughes in the Hispanic World," by
Edward J.MuIIen. BALE. 13 (Spring 1979), p.32.
I
Bontemps, Ara. Review of Countee Cullen's On These Stand and Hughes's
Fields of Wonder. SatR, (March 22, 1947), pp. 12, 13, 44.
Brisbane, Robert H. Review of Walter White and the Harlem Renaissance, by
Edward E.Waldron. CLAJ, 22 (March 1979), pp.288-289.
Calverton, V.F. Review of Not Without Laughter. The Nation, 31 (August 6,
1930), pp. 157-158.
Campbell, Francis D.Review of Simple's Uncle Sam.
1964), p.4806.
Li, 90 (November 1,
Carroll, Richard A. Review of Langston Hughes: The Poet and His critics, by
Richard K. Barksdale. CLAJ, 22 (December 1978), pp. 173-181.
Cullen, Countee. Review of The Weary Blues. Opportunity. (February 1926),
pp.73-74.
Deutsch, Babette. "Waste Land of Harlem." Review of Montage of the Dream
Deferred. NYT, (May 6, 1951), p.23.
Dodson, Owen. "Love and Race." Review of Simple Speaks His Mind by
Langston Hughes. Harlem Quarterly, 1 (Fall-Winter 1950),
pp.56-58.
Dunbar-Nelson, Alice. Review of Fine Clothes to the Jew, by Langston Hughes.
In "As in a Looking Glass." The Washington Eagle, 11 (March
1927).
Farrison, W.Edward. Review of 'Me Best Short Stories of Negro Writers. CLAJ,
10, (4) (June 1967), p.358.
Review of Black Magic. CLAJ, 13 (September 1969),
-p87-88.
Review of Black Mis ery. CLAJ, 13 (1) (September 1969),
pp87-88.
____• Review of The Book
June 1967), pp.72-74.
f Negro Humor. CLAJ, 10 (September -
_______________• Review of Langston Hughes in the Hispanic World Haiti,
Ed. Edward J.Mullen. CLAJ, 21 (September 1977), pp.158-160.
• Review of Sim p les Uncle Sam. CLAJ, 9 (September 1965 March 1966), pp.296-300.
Review of Sweet Flypaper of Life. CLAJ, 11, (2) (March
1968), pp.261-263.
Review of The Panther and the Lash. CLAJ, 3 (March 1968),
pp259-26l.
Fauset, Jesse. Review of The Weary Blues. Crisis, (March 1926), p.239.
George, P.Cunningham. Book Review: Lanston Hughes and the Blues by
Steven C.Tracy. Melus, 16 (1) (Spring 1989-1990), pp.1 19-122.
Harper, Donna Akiba Sullivan. Book Review: Arnold Rampersad, The Life if
Langston Hughes.Vol 11902-1941: "I I, Sing America," Vol
1941-1967: '1 Dream a World." Obsidian 11,5 (2) (Summer 1990),
pp.
148-15
2.
II
Hatch, Robert R. Review of Sweet Flypaper of Life. 'Me Nation, 181 (December
1955) p.538.
Ivy, James. Review of The Book of Negro Humor. Crisis, 66 (March 1959),
pp. 181-182.
Review of Pictorial History Qf the Negro in America. Crisis,
64 (February 1955), p.132.
Jackson, Luther. Review of
pp. 119-120.
1 Wonder as 1 Wander. Crisis, 64 (February 1957),
• Review of Simple Stakes a Claim. Crisis, 64 (May 1957), pp.
576-577.
Katz, Bill. Review of The Panther and the Lash: Poems of Our Times. U, 92
(June 1967), p.2164.
Lee, Ulysses. Review of Ask Your Mama. CLAJ, 6, (3) (March 1963),
pp.225-226.
Lloyd, Hortense D. Review of Tambourines Lo Glor y. NER, 10 (1952),
pp.100-101.
Long, Richard. Review of Poems from Black Africa. CLAJ, 7, (2) (December
1963), p.177.
• Review of Something in Commonand Other Stories. CLAJ, 7,
(2) (December 1963), p.177.
• Review of Tambourines to Glory. CLAJ, 2 (March 1959),
pp. f92-l93
Miller, R.Baxter. Review of Ama Bontemps-Langston Hughes Letters. Ed.
Charles H.Nichols. BALF. 15 (3) (Fall 1981), pp.113- 116.
______ Review of Langs ton Hughes: M Introduction the Poetry, by
Onwuchekwa Jemie. The Journal of Ethnic Studies, 6 (Summer
1978), pp. 111-114.
_______ Review of Langston Hughes: I Poet and Fll Critics, by
Richard K. Barksdale. BALE 12 (Summer 1978), pp.76-77.
Hansell, William H. Review of Langston Hushes and Gwendol yn Brooks: A
Reference Guide by R. Baxter Miller. BALF, 13 (Summer 1979),
pp.74-75.
Flemenway, Robert E. Review of Langston Hughes: An Introduction to the Poetry
by Onwuchekwa Jemie. BALF. 11 (Winter 1977), pp. 156-157.
Parker, John W. Review of The Best of Simple. CLAJ, 5 (December 1961),
pp. 155-157.
Scharnhorst, Gary F. Review of Hughes' "Theme iE English
XXXII (4) (December 1973), n.p.
fl." Explicator,
Smythe, Marcel M. Review of Famous American Negroes. Crisis, 62 (Spring
1955), p.58.
Turpin, Walter. Reiew of Five Plays by Langston Hughes. CLAJ, 7 (2)
(December 1963), pp.180-181.
Walker, Alice. Review of Good Morning Revolution. Ed. Faith Berry Black
Scholar, 7(July - August 1976), pp.53-55.
Winslow, Harry F. Review of Selected Poems. Crisis, 66(October 1959), pp.
512-513.
(vii) DISSERTATIONS
Aruna Devi. "Search for Identity in Langston Hughes' Poetry." Madras, 1989.
Bajaj, Nirmal. "Narcissism in Black Poetry Between the Wars." Diss. Punjabi
Univ. 1989.
Barisonzi, Judith Anne. "Black Identity in the Poetry of Langston Hughes."
Diss. Univ. of Wisconsin 1971.
Blake, Susan Louise. "Modern Black Writers and the Folk Tradition." Diss.
Univ, of Connecticut 1976.
Breaux, Elwyn Ellison. "Comic Elements in Selected Prose Works by James
Baldwin, Ralph Ellison, and Langston Hughes." Diss. Oklahoma
State Univ. 1971.
Britt, David Dobbs. "The Image of the White Man in the Fiction of Langston
Hughes, Richard Wright, James Baldwin, and Ralph Ellison," Diss.
1968.
Brown, Michael Robert. "Five Afro-American Poets: A History of the Major
Poets and Their Poetry in the Harlem Renaissance." Diss. Univ. of
Michigan 1971.
Bryant, James David. "Satire in the Work of Langston Hughes." Diss. Texas
Christian Univ. 1972.
Cobb, Martha K. "The Black Experience in the Poetry of Nicolas Guilen Jacques
Roumain, Langston Hughes," Diss. Catholic Univ. of America
1974.
Curb, Rosemary Keefe. "The Idea of the American Dream in Afro- American
Plays of the Nineteen Sixties." Diss. 1977.
Emanuel, James Andrew. "the Short Stories of Langston Hughes." Diss.
Columbia Univ. 1962.
Etonde, Grace. "Langston Hughes et l'esthetique de la simplicite." Diss. 1977.
Freeman, Gordon Query. "Climbing the Racial Mountain: The Folk Element in
the Works of Three Black Writers." Diss. Univ. of New Mexico
1977.
Graham, Mary Emma. "Aesthetic and Ideological Radicalism in the 1930's: The
Fiction of Richard Wright and Langston Hughes." Diss. Cornell
Univ. 1978.
Hall, George Earlen Franklin. "Recurrent Themes in the Novels and Short Fiction
of Langston Hughes." Diss. Univ. of Utah 1975.
Hansell, William Harold. "Positive Themes in the Poetry of Four Negroes:
Claude McKay, Countee Cullen, Langston Hughes, and Gwendolyn
Brooks." Diss. Univ. of Wisconsin 1972.
Hawthorne, Lucia Shelia. "A Rhetoric of Human Rights as Expressed in the
'Simple Columns' by Langston Hughes." Diss. Pennsylvania State
Univ. 1971.
Hill, Roy L. "The Significant Influence of Langston Hughes on the Thinking and
Inner Lives of Nine Contemporary Black Poets." Diss. Rutgers
Univ. 1972.
Jemie, Onwuchekwa. "Dream Deferred: A Comment of Langston Hughes'
Poetry." Diss. Columbia Univ. 1972.
Liddell. Janice Lee. "The Whip's Corolla: Myth and Politics in the Literature of
the Black Diaspora: Aime Cesaire, Nicolas Guillen, Langston
Hughes." Diss. Univ. of Michigan 1978.
Lowery, Dellita Martin. "Selected Poems of Nicolas Guillen and Langston
Hushes: Their Use of Afro-Western Folk Music Genres." Diss.
Ohio State Univ. 1975.
Mudbhatkal, Maya K. "Black Identity in the Poems of Paul Lawrence Dunbar and
Langston Hughes." Madras, 1985.
Royster, Philtiss.
Maurice. "The Poetic Theory and Practice of Langston Hughes."
Loyola Univ. 1974.
GWENDOLYN BROOKS
PRIMARY SOURCES
(i) BOOKS
Brooks, Gwendolyn. A Street in Bronzeville New York: Harper and Brothers,
1945.
______________• Annie Allen. New York: Harper and Brothers, 1949.
_____________• Maud Martha A Novel. New York: Harper and Brothers, 1953.
1963.
Bronzeville Boys and Girls. New York: Harper and Brothers,
The Bean Eaters. New York: Harper Row, 1960.
Selected Poems. New York: Harper Row, 1963.
_____ A Portion of That Field: The Centennial f
Urbana: Illinois Press, 1967.
Burial f Lincoln.
In the Mecca Poems. New York: Harper Row, 1968.
Riot. Detroit: Broadside Press, 1969.
Aloneness. Detroit: Broadside Press, 1971.
A Broadside Treasur y. Detroit: Broadside Press, 1971.
Family Pictures. Detroit: Broadside, 1971.
1971. Jump BadA New Chicago Anthology. Detroit: Broadside Press,
The World of Gwendolyn Brooks. New York: Harper Row, 1971.
----
-. Report from Part One: A Anthology. Detroit: Broadside
--
- PFss, 1972.
___P__
Broadside Press Poetry Collection No. 1. Detroit: Broadside
ës, 1973.
The Tiger Who Wore White Glows, or What You Reall y
Are Chicago: Third World Press, 1974.
A, You
______ A Capsule Course in Black Poetry Writings. Detroit: Broadside
Press, 1975.
Beckonings. Detroit: Broadside Press, 1975.
(ii) OTHER PUBLICATIONS
Brooks, Gwendolyn. "Two Poems." Poetr y, 65 (November 1944), pp.76-77.
"Death of the Dinosaur," "One Wants a Teller in a Time Like
Tffi," "Memorial to Ed Bland." Cross-Section, 1945: A Collection
of New American Writing, Ed. Edwin Seaver. New York: L.B.
Fischer, 1945.
-. "Negro Hero (To Suggest Done Miller)." Common Ground, 5
(Siimmer 1945), pp.44-45.
"Truth." Common Ground, 5 (Spring 1945), p.37.
"We're the Only Colored People Here." Portfolio, no.!
(Süiiimer 1945), leaf 13.
"The Birth in a Narrow Room." The Poetry fffi Negro,
---- T74-1949, Ed. Langston Hughes and Ama Bontemps. Garden City,
N.Y. Doubleday, 1949.
"Four Poems" Poetr y. 73 (March 1949), pp.318-320.
"My Happiest Christmas." CDN, 14 (December 1950).
"Poets Who Are Negroes." Phylon, 11 (December 1950), p.312.
______ "They Call It Bronzeville." Holiday, (October 1951), pp.60-67,
Passim.
"Why Negro Women Leave Home." ND, (March 1951),
W.26-28.
-
"You Made Me and Shall Keep Me, Chicago!" Chicago
Tfibiine, 6 (December 1953).
. "What Prayer Did For Me." J j Chicago American, 26
-
(Febiüary 1958).
"The Bean Eaters." Poetry, 94 (September 1959), pp.373-375.
"The Explorer." Harper's Magazine, 209 (December 1959), p.35.
"For Clarice." Harper's Magazine, 209 (December 1959), p.69.
"Writers Fini to Nothing." Chicago Tribune Magazine, 4
---(Aiiüst 1963).
_____ "I Don't Like to Think of Myself as a Poet." Panorama, CDN,
- 28 (September 1963).
T963).
The Assassination of John F.Kennedy." CST, 19 (December
"The Life of Lincoln West." Soon, One Morning, Ed. Herbert
Hill. New York: Random House, 1963, pp.316-317.
"A Time for Courage." CST, (12 April 1964).
"Children Are Writing Poetry." CDN, (11 July 1964).
"A Concert of Poetry for an American Institution." Panorama,
CDN, (7 November 1964), p.3.
- I3l. "Foreword." New Negro Poets U.S.A., ed. Langston Hughes.
oomington, Indiana: Indiana University Press, 1964.
"I See Chicago." Commissioned by Illinois Bell Telephone, 1964.
"Poetry With Shiver of Winter." CSN, (31 January 1965).
• "The Truth and Beauty Expected from Engle." CST, (14 March
1965).
• "The Indivisible Man." Book Week, The Chicago Sunday Herald
Tribune, (18 April 1965), p.3, Passim.
"Perspectives." Negro Digest, 15 (July 1966), pp.49-50.
"We Real Cool." Detroit: Broadside Press, 1966.
______ "In the Time of Detachment / in the Time of Cold /1965." A
P ortion of That Field. Urban, Illinois: University of Illinois Press,
1967.
"Langston Hughes." Nation, (3 July 1967), p.7.
"The Wall." Detroit: Broadside Press, 1967.
______ "We're the Only Colored People Here." The Best Short Stories
Negro Writers. An Anthology from 1899 to the Present, Ed. Langston
Hughes. Boston: Little, Brown, 1967.
"The Life of Lincoln West." New Writings by American
---Nfôes, 1940-1962. Ed. Herbert Hill. New York: Knopf, 1968.
"Henry Rago. "Poetry, 115 (November 1969), pp.95-96.
______ "Rockie Taylor Sharpens, / Clarifies the blur-." Preface to Drum
Song, by Rockie Taylor (Tejumola Ologboni). Milwaukee: Ologboni,
1969.
"In Montgomery." Ebon y, August 1971, pp.42-48.
Letter to the Editor of Time. Time, (18 October 1971), p.6.
"Thank You; (A love note to all the components of 12 Gwen
With Love)." Blackw, (November 1971),p.42.
"Dreams of a Black Christmas." McCall's Magazine,
(Dëémber 1971), pp.136-139.
_____ "Walter Bradford" and "Speech to the Young Progress-Toward."
Journal of Black Poetr y. (Fall-winter 1971), p.13.
"Boys. Black a preachment." Ebony, August 1972, p.45.
"Autobiographical Excerpt: Report From Part One." BlackW,
7September 1972), pp.4-12.
"Introduction." The Poetry of Black America: Anthology of th e
20th Century, Ed. Arnold Adoff. New York: Harper Row, 1973.
"A Report From: Report From Pa rt Q." Ebony, (March 1973),
pp.1 16-120.
"Of Flowers and Fire and Flowers." Black Books Bulletin, 3 (Fall
1975), pp. 16-18.
"For Dudley Randall." BlackW, 25 (January 1976), p.91.
"Primer for Blacks." Chicago: Black Position Press, 1980.
"Young Poet's Primer Chicago: Brooks Press, 1980.
"Black Love." Ebony. 36 (August 1981).
To Disembark. Chicago: Third World Press, 1981.
Very Young Poets. Chicago: Brooks Press, 1983.
"Blacks." Chicago: The David Company, 1987.
(iii) RECORDS AND TAPES
Brooks, Gwendolyn: "Gwendolyn Brooks Reading Her Poetry." New York:
Caedmon Records, 1968.
Brooks Reads Family Pictures
-- ---BBroadside
roadside Press, 1971.
Riot." Detroit:
(iv) INTERVIEWS
Angle, Paul M. We Asked Gwendol yn Brooks. Chicago: Illinois Bell, Telephone,
n.d.
Garland, Phyl. "Gwendolyn Brooks: Poet Laureate." Eby, July 1968, pp.48-49.
passim.
Hull, Gloria T., and Posey Gallagher. "Update on 'Part one': An Interview with
Gwendolyn Brooks." CLAJ, 21(1) September (1977).
Lewis, Ida. "Conversation" Gwen Brooks and Ida Lewis." Essence, April 1971,
pp.27-31.
Stavros, George. "An Interview with Gwendolyn Brooks." Contemporary Literature,
2 (Winter 1970), pp.1-20.
SECONDARY SOURCES
(i) STANDARD BIBLIOGRAPHIES
Anon. The in American Literature and Bibliography By and About Negro
Americans. Oshkosh, Winconsin: Winconsin Council of Teachers of
English, 1966.
Glikin, Ronda. Black American Women in Literature: A Bibliography, 1976 through
1987.McFarland & Co., 1989.
Loff, Jon N. "Gwendolyn Brooks: A Bibliography." CLAJ, XVII(l) September 1973,
pp.21-32.
McPherson, James M., et al. Blacks
in America. Garden City: Doubleday, 1971.
Miller, Elizabeth. The Negro in America: A Bibliography. Cambridge: Harvard
University Press, 1966.
Miller, R.Baxter. Langston Hughes and Gwendolyn Brooks: A Reference Guide.
Boston: Hall, 1978.
The MLA Annual International Bibliography of Books and Articles on the Modern
Languages and Literatures. New York: Modern Languages Association
of America, 1921-1980.
Ray, David, ed. "Gwendolyn Brooks," in Contemporary Poets of the English
Language. New York: St.Martins press, 1970.
(ii) BIOGRAPHIES
Cherry, Gwendolyn, Ruby Thomas and Pauline Willis. Portraits in Color. New
York: Pageant Press, 1962.
Dreer, Herman. "Gwendolyn Brooks," in American Literature by Negro Authors.
New York: Macmillan, 1950.
Droting, Phillips T, and Wesley W. Smith, eds. iJp From the Ghetto. New York:
Cowles, 1970, pp. 172-176.
Etheridge, James M. Contemporary Authors. Detroit: Gale Research Co., The Book
Tower, 1962.
Kent, George E. A Life of Gwendol yn Brooks. Lexington: University Press of
Kentucky, 1990.
Roethe Anna, ed. Current Biography Vol. 89. New York: H.W.Wilson, 1950.
Toppin, Edgar A. A Biographical Histor y of Blacks in America Since 1528. New
York: David Mckay, 1969.
Who's Who of American Woman. Chicago: Kingsport Press, 1971.
Who's Who in the Midwest (and Central Canada). Vol. 9. Chicago: MarquisWho's Who.
Who's Who in Chicago and Illinois. Chicago: A.N.Marquis, 1950.
(iii) FULL LENGTH CRITICAL STUDIES
Abel, Marianne Hirsch, et al., Fictions of Female Development. Hanover, NH:
University Press of New England for Dartmouth Coil., 1983.
Adams, Russell L. Great Negroes Past and Present. Chicago: Afro-American
Publishing Co., 1963.
Baker, Houston A., JR. Singers of Da ybreak. Washington DC: Howard University
Press, 1974.
Baraka, Imamu Amiri. Home in New Black Voices. New York: New American
Library, 1972.
Bardoiph Richard. The Negro Vanguard. New York: Holt Rinehart & Winston,
1959.
Bigsby C.W.E., ed. The Black American Writers, Vol II. Poetry and Dramas.
Deland, Florida: Everett / Edwards, 1969.
Bowlers, Juliette, ed. in the Memory
Spirit f Frances, Zorn and Lorraine:
Essays and Interviews
Black Women and Writings. Washington DC:
Institute1r the Arts and the Humanities, Howard University, 1979.
Bloom, Harold, ed. Modem Critical Views: Contemporary Poets. New York: New
Haven, Philadelphia, 1986.
Brown, Patricia L., et al., eds. To Gwen With Love. Chicago: Johnson Publishing
Company, 1971.
Davis, Arthur P. From the Dark Tower. Washington: Howard University Press
1974.
Davis, Charles T., and Daniel Walden, ed. On Being Black. Greenwich: Fawcett,
1970.
Droning, Phillip T., and Wesley W. South. !2p From the Ghetto. New York:
Cowles Book, Inc., 1970.
Gayle Jr., Addison, ed. The Black Aesthetic. Garden City, New York: Doubleday,
1972.
Black Expression. New York: Weybright and Tally, 1969.
Gustavo, Perez Firmat, ed. Do the Americans Have a Common Literature? Durham:
Duke University Press, 1990.
Henderson, Steven, ed. Understanding the New Black Poetry. New York: William
Morrow, 1973.
Herzberg, Max J., ed. The Reader's Encyclopedia
York: Thomas Y. Crowell, 1955.
f American Literature. New
Jackson, Blyden and Louis D. Rubin, JR. Black Poetry In America. Baton Rouge:
Louisiana State University Press, 1974.
Juhasz, Suzanne. Naked and Fiery Forms Modern American Poetr
byy Women: A
New Tradition. New York: Octagon, 1978.
Kent, George E. Blackness and the Adventure of Western Culture. Chicago: Third
World Press, 1955.
Kurnlz, Stanley J. Twentieth Century Authors. New York: H.W. Wilson, 1955.
Littlejohn David, Black On White: A Critical Survey Qf Writings by American
Negroes. New York: Viking, 1966.
Malkoff, Karl. Crowell's Handbook of Contemporary American Poetry. New
York: Thomas Y. Crowell Company, 1973.
Miller, R. Baxter, ed. Black American Literature and Humanism. Lexington:
University Press of Kentucky, 1981.
Black American Poets Between Worlds. 1940-1960. Knoxville,
University of Tennesse Press, 1986.
Maria, K. Mootry and Gary Smith, eds. A Life Distilled: Gwendol y n Brooks
Her Poetry and Fiction. Urbana: University of Illinois Press, 1987.
Melhem, D.H. Gwendol y n Brooks: Poetry and the Heroic Voice. Lexington:
University Press of Kentucky, 1987.
Robinson, Donald, ed. The 1120 Most Important People in the World Today.
New York: G.P. Patnam's Son's, 1970.
Shaw, Harry B. Gwendolyn Brooks. Boston: Twayne, 1980.
Tate, Claudia, ed., Black Women Writers at Work. New York: Continuum,
1983.
(iv) ANTHOLOGIES
Adoff, Arnold. The Poetry -Qf Black America: Anthology of the 20th Century.
Introduction by Gwendolyn Brooks. New York: Harper, 1973.
Brown, Patricia L., Don L. Lee, and Francis Ward, eds. To Gwen with Love: An
Anthology Dedicated to Gwendolyn Brooks. Chicago: Johnson
Publishing Company, 1971.
Davis Arthur Paul. Cavalcade: Negro American Writings from 1760 to the Present.
Boston: Houghton Mifflin, 1971.
Emanuel, James A., and Theodore L. Gross. Dark Symphony. New York: Free
Press, 1968,
Hayden, Robert Earl. Kaleidoscope: Poems by American Negro Poets. New York:
Brace and World, 1967.
Hughes, Langston. New Negro Poets U .S. A. Bloomington: Indiana University Press,
Hill, Herbert. Soon, One Morning: New Writing y American Negroes. New York:
Knopf, 1963.
___ The Poetry f the Negro, 1946-1970: An Antholog y. Ed. Langston
Hughes and Ama I3ontemps. New York: Doubleday, 1970.
Lomax, Alan. 3000 Years of Black Poetry: An Anthology. New York: Dodd,
Mead, 1970.
Seaver, Edwin, ed. Cross Section 1945: A Collection of New American Writing.
New York: L.B Fischer, 1945.
(v) JOURNAL ARTICLES
Anon. "An Evening With the Poets." CST, (November 12, 1964).
"Announcement: The 1949 Awards." Poetr y. 75 (October-March
1950), pp.93-97.
"Artists, Friends, Admirers Gather in Tribute to Poetess
Gëñdolyn Brooks." Jet, 39 (February 25, 1971), pp. 16-17.
_____________• "Autograph Party for Miss Brooks." CDN, (August 31, 1949).
"Blue Songs and Funeral Chants." CDN, (22 August 1943).
___ "Books for Young Adults." Booklist, 67-68 (December 1971),
P .327 .
"Chicago." CST, (2 November 1952).
"Chicago Poet Wins Pulitzer Prize." NYAN, (May 6, 1950),
pp. F, 6.
"Chicago Poet Wins $1000 Arts Prize." CS, (May 6, 1946).
____-. "City Has Faith of Nation's Most Influential Negroes." CST,
(August 20, 1963), p.14.
"Depres to Talk Here at College Commencement." CST, (June
-1964).
-. Ebony Magazine Report - City Had Fifth of Nation's Most
Inifuential Negroes." CST, (20 August 1963).
"55 Good Citizen Awards Given Out by Local Unit." CST, (April
--T,-T964), p.34.
"Front Row Center." CST, (April 2, 1964).
Garlands from Morningside Heights." SatR, 33 (May 13, 1950),
p.'8.
"Guest at Tea." CDN, (June 9, 1950).
"Guggenheim Fellowships Won by 4 Educators, Authors Here."
CS , (April 14, 1947).
"Gwendolyn Brooks." CST, (July 3, 1964).
"Gwendolyn Brooks to Be Honored." CDN, (May 31, 1950),
FIJ
"Gwendolyn Brooks's Tribute." BlackW. (July 1973), p.86.
"Honor 31 Leaders as Good Americans." CDN, (April 2, 1964).
"Jesuits' 100 Outstanding Chicagoans." CST, (December 3,
-- T9157), p.18.
"Joins Faculty." CDN, (October 21, 1963), Sec.2, p.15.
__'" Language Arts Judges in Act in Difficult Field." CDN, (May
20, 1958).
"Literary Notes." CST. (October 29, 1963), p.31.
- . "Miss Brooks and Depres Honored by College Here." CST,
Jimne 17, 1964).
"Miss Brooks to Teach at Last." CDN, (October 26, 1963).
"Name Scientist, Poet to Student Grants Agency." CST, (October
13, 1964).
T%4) . "Negro Author Gets Degree at Columbia." CDN, (July 17,
"New Books for the Younger Reader's Library." NYHTBR,
(December 1956).
"Notes." CDN, (May 5, 1964).
"Notes and Chatter." CDN, (October 17, 1961).
"Notes on a Poet." IL.!, 11 (August 1962), pp. 50, 76.
"Notçs on People and Occurrences." CST., (May 27, 1964).
"Note to Negro Hero." Common Ground, 5 (1944), p.45.
"Poetry." CDN, (May 20, 1950), p.3.
"Poetry's Impact on Public Stressed." CDN, (November 13,
"Poetry Winners Named." KCI, (April 17, 1964).
"Poets Tells of Life in Bronzeville." CST. (June 19, 1960).
"Poet to Talk." CDN, (December, 1962).
"Prices." CDN, (August 3, 1944).
_______
," Prize Winning Poet Will Get College Honor." CT, (June 14,
i%4) ec.!, p.27.
"Proclaim Saturday as Poetry Day." CST. (November 1963).
p.34.
"Pulitzer Poetess at Library Nov.2." CDN, (November 1, 1950),
"Pulitzer Poet to Lecture at Northwestern University on MidCentury American Poets." CDD. 27 (June, 1964), p.16.
___ Pulitzer Prize Announced by Columbia University." W, 157
(May 1950), p.1972.
Pulitzer Winner Appointed Poet Laureate in Illinois." NYT, (9
anuary 1968), p.14.
-
"Sketches of the Pulitzer Prize Winners in Journalism, Letters
aiñMusic for 1950." NYT, (2 May 1950).
"Society of Midland Authors Makes 1963 Book Awards." CST,
(May 23, 1964).
"Song and Funeral Chants." CDN, (August 22, 1945).
-. "S-Side Center to Honor Author." CDN, (June 13, 1946).
-. "S-Siders Honor Pulitzer Poet." CST, (May 22, 1950).
"S-Side Wife Wins Pulitzer Poetry Award." CST, (May 2,
950).
"Symposium." CDN, (18 July 1964).
_ "Tell It Like It Is." Newsweek, 64 (July - September 1964),
pp.84-85.
"The Pulitzer." CDN, (May 2, 1950).
."The Sun Salutes Gwendolyn Brooks." QS, (January 1, 1946),
P. 1-2:.
"12 Arts Advisers Named by Kerner." CDN, (August 24,
---T63).
Chicago Poets to Appear February 12 in Loyola Series."
— CS1, (March 2, 1958).
of
"'Women of the Year' List Names Two Chicagoans." CS,
---Dmber 25, 1945), Sec.2, p.21.
Austin, Dorothy Witte. "Poetry Enriches Life, Woman Finds." Mi, (Mar. 24, 1964),
Part 6, p.2.
Baker, Houston A., JR. "The Achievement of Gwendolyn Brooks." CLAJ, 16
(Fall 1972), pp.23-31.
Banwick, Mary Beth, "Pulitzer Prize Winner Joins Lecture Staff." Interim, 2
(February 24, 1965), p.1.
Barrow, Williams. "On Black Women." N1, 12 (July 1963), pp.78-83.
Baur, Lois. "Literary Agents' Party Talks of Town." CA, (June 1964), Sec.2,
p.9.
Beja, Morris. "It Must Be Important." Antioch Review, 24 (Fall 1964), 323-36.
Berquist, Ronald. "Expect 1200 to Attend England Book-Author Luncheon."
CST, (September 26, 1963), p.6.
Bird, G. Leonard. "Gwendolyn Brooks: Educator Extraordinaire." Discourse, 12
(Spring 1969), pp. 158-166.
Bishop, Claire Huchet. "A Selected List of Children's Books." Commonweal, (16
November 1956), p.181.
Bock, Frederick. "A Prize-Winning Poet Fails to Measure Up." CST (Sunday
Magazine), (June 5, 1960), Sec. 1V, p.12.
B[radley], V[an] A[llen]. "Miss Brooks' Sensitive and Sure Verse." CDN, (August
24, 1949), p.32.
• "Negro's Life Here Effectively Portrayed in First Novel." CDN,
étember 30, 1953), p.26.
T(J5-6). "Poetry Prize Winner Got an Early Start." CDN, (2 May
"Poetry Contest Judges Selected." CDN, (July 23, 1962).
"On Recognizing Our Writers." CDN, (April 6, 1963).
"Chicago Poem' Jury at Work." CDN, (June 8, 1963), p.11.
Brown, Frank London. "Chicago's Great Lady of Poetry." NJ, 10 (December
1961), pp.53-57.
Brown, Martha H. "GLR Interview: Gwendolyn Brooks." GLR, 6(i) (1979),
pp.48-55.
Butcher, Fanny. "The Literary Spotlight." CT, 11(June 1950).
"Swift, Sharp Prose By a Poet." CMBST, (October 14, 1953),
Sec. IV, p.11.
Clark, Norris Berkeley, III "The Black Aesthetic Reviewed: A Critical
Examination of the Writings of Imamu Amiri Baraka, Gwendolyn
Brooks and Toni Morrison." DAI, (41) 1592A-93 A.
Creekmore, Herbert, "Daydreams in Flight." NYTBR, (4 October 1953), p.4.
Crockett, Jaqueline. "An Essay on Gwendolyn Brooks." NHB, 19 (November
1955), pp.37-39.
Cromie, Robert. "Looks at Authors and Books." CT, (June 9, 1964).
Culter, Bruce. "A Long Reach, Strong Speech." Poetry, 103 (Oct. - Mar. 1963),
pp.387-393.
Dana, Robert Patrick, "Double Martini and Broken Crank Shaft." Prairie
Schooner, 35 (Winter 1961), pp.357-362.
Darletti, August. "Btonzeville Boys and Girls." Voices. (September-December
1957), pp.41-46.
Davis, Arthur P. "The Black and Tan Motif in the Poetry of Gwendolyn
Brooks." CLAJ, 6 (December 1962), pp.90-97.
"Gwendolyn Brooks: Poet of the Unheroic." CLAJ, 7(2)
(Dèmber 1963), pp. 114-125.
Davison, Peter. "Now Poetry Prizewinners and Apprentices." Atlantic, (2 July
1966), p.93.
Dawson, Emma Waters. "Vanishing Point: The Rejected Black Woman in the
Poetry of Gwendolyn Brooks." Obsidian II, 4(1) (Spring 1989), pp. 1-11.
Derleth, August. "A Varied Quartette." Voices, (September-December 1957),
pp.44-46.
Deutsch, Babette. "Six Poets." Yale Review, 39 (Winter 1950), pp.362-363.
Duffy, John. "Style and Exasperation." Spirit, 30-31 (1963-1965), pp.47-48.
"Ebony Magazine Reports - City Has Fifth of Nation's More Influential Negroes."
CST, (20 August 1963).
Edwards, Thyra. "She'll Write Novel of Normal Negro Family." Now. (July 1946).
Engle, Paul. "Miss Brooks: City's Laureate." CT, (September 22, 1963), p.2.
Faherdt, Robert. "Literature in Chicago." CDN, (May 23, 1964).
Ford, Nick Aaron. "Better of the Books: A Critical Survey of Significant Books by
and about Negroes Published in 1960." Ph y lon, 22 (Summer 1961),
pp.128-129.
______ "The Fire Next Time? A Critical Survey of Belles Lettres by and
about Negroes." Ph ylon, 25 (Summer 1964), p.132.
Fuller, Hoyt W. "The Negro Writer in the United States." Ebony, (November,
1964), pp. 126-128, 134.
Furman, Marva Riley. "The 'Unconditioned Poet'." CLAJ, 17 (September 1973),
pp.1 -10.
Garland, Phyl. "Gwendolyn Brooks: Poet Laureate." Ebony, (July 1968), pp.48-49.
Gayle, Addison, JR. "Making Beauty from Racial Anxiety." NYTBR, (January 2,
1972), p.420.
Giovanni, Nikki. "For Gwen Brooks." Essence, (April 1971), p.26.
Glauber, Robert H. "Our Miss Brooks: Lyricist." CST, (September 22, 1963).
"Poet Tells of Life in Bronzeville." CST, (19 June 1960).
Greasley, Philip A. "Gwendolyn Brooks: The Emerging Poetic Voice." GrLR,
10(2) (Fall 1984), pp.14-23.
Groutt, Kathleen Eleanor McKenna. "A Metahealth Analysis of the Lives of
Gwendolyn Brooks, Dorothy Day, Ruth Gordon, Anais Nm, Georgia
O'Keefe.' PAl, 48(1) (July 1987), 52A.
Hansell, William H. "Aestheticism Versus Political Militancy in Gwendolyn Brooks's
'The Chicago Picasso' and 'The Wall'." CLAJ, 17 (September 1973),
pp. 11-iS.
"The Roll of Violence in Recent Poems of Gwendolyn Brooks."
SBL, 5 (Summer 1974), pp.21-27.
______ Gwendolyn Brooks's in ffi Mecca: A Rebirth into Blackness."
NALF. 8 (Summer 1974), pp. 199-217.
____ "Essences, Unifyings and Black Militancy: Major Themes in
Gwendolyn Brooks's Family Pictures and Beckonings." BALF, 11
(Summer 1977), pp.63-66.
• "The Uncommon Commonplace in the Early Poems of Gwendolyn
Brooks." CLAJ, 30(3), (March 1987), pp.261-277.
Harriott, Frank. "The Life of a Pulitzer Poet." NP, (August 1950), pp. 14-16.
Hartman, Geoffrey H. "Les Belles Dames Sans Merci." KeR, 22 (Autumn 1960),
pp. 691-700.
Hazard, Eloise Perry. "A Habit of Firsts." SatR, (May 20, 1950), p.23.
Hedlund, Marilou. "1-low Noted Poets Spin Verses." CT, (November 1964).
1-lerguth, Robert. "Distinguished Panel to Select Top Youths." CDN, (March 23,
1959), p.9.
Hoilman, Dona. "A Red Southwestern House for a Black Midwestern Poet."
f, 13(u), pp.55-61.
Horvath, Brooke Kenton. "The Satisfactions of What's Difficult in Gwendolyn
Brooks." AL, 62(4) (December 1990), pp.600- 616.
Hudson, Clenora F. "Racial Themes in the Poetry of Gwendolyn Brooks."
CLAJ, 17 (September 1973), pp.16-20.
Hughes, Langston. "Name, Race and Gift in Common." Voices, no. 140 (Winter
1950), pp.54-56.
"Annie Allen". Voices, No.140, p.31.
Hull, Gloria T. "Update on 'Part One': An Interview with Gwendolyn Brooks."
CLAJ,Vol. XXI (1) (September 1977), pp. 19-40.
--
- . "A Note on the Poetic Technique of Gwendolyn Brooks."
- CLAJ, 19, (2) (December 1975), pp.280-285.
Humphries Roiphe, "Bronzeville." NYTBR, (November 4, 1945), p.14.
--- —
p 3U6.
"Verse Chronicle." The Nation, 169 (September 24, 1949),
Ignatow, David. "Engagements." Poetry, 99 (January 1962), pp.247- 253.
Jaffe, Dorothea Kahn. "A Poem, No Propaganda." CSM, (March 25, 1964).
"Her Poetry Speaks Across Barriers Separating People." KCS,
April 1964).
Janssen, Ronald R. "Brook's 'A Song in the Front Yard." Explicator, 43(3) (Spring
1985), pp.42-43.
Johnson, Thomas A. "Yale Conference Studies Role of Black Women." NYT,
(December 14, 1970), p.45.
Kennedy, Lee. "Chicago's Finest Writer." CST. (August 29, 1949), p.43.
Kent, George E. "The Poetry of Gwendolyn Brooks, Part I." BlackW. 20 (September
1971), pp.30-43.
__ "The Poetry of Gwendolyn Brooks, Part II." BlackW. 20 (October
1971), pp.36-48.
"Notation Concerning the World of Gwendolyn Brooks." Booklist,
67-68 (November 15, 1971), p.277.
______________• "Gwendolyn Brooks" Portrait in Part, of the Artist as a Young Girl
and Apprentice Writer." CallaIoo, 2(3 [7]) (October 1979), pp. 74-83.
Kogan, Herman. "Many Chicago Writers on Fall Publishing Lists." CST, (July 12,
1953), Sec.2, p.6.
"Maud Martha." CS, (4 October 1953).
"Two Chicagoans' Charm." CST, (October 4, 1953), Sec.2, p.6.
KuniLz, Stanley. "Bronze by Gold." Poetry, 76 (April 15, 1950), pp.52-56.
"Kup's Column." CST, (3 May 1950).
Laing, Alexander. "The Politics of Poetry." The Nation, 209 (July 7, 1969),
p.2628.
Landick, Beatrice. "New Books for the Younger Reader's Library." NYTBR, (9
December 1956), p.40.
Lattin, Patricia H., and Vernon E.Lattin. "Dual Vision in Gwendolyn Brook's
Maud Martha." Crit, 25(4) (Summer 1984), pp. 180-188.
Lechlinter, Ruth. "Love Songs." NYHT, (September 25, 1949), Sec.7, p.44.
Lee, Don L. "The Achievement of Gwendolyn Brooks." Black Scholar, 3 (Summer
1972), pp.32-41.
Libby, Margaret Sherwood. "Bright is the Ring of Words When the Right Person
Rings Them." NYHTBR, (18, November 1956), p.2.
Lupack, Alan C. Brooks' 'Piano After War'." Explicator, 36 (iv), pp.2-3.
Madhubuti, Safisha N. "Focus on Form in Gwendolyn Brooks." Black Books
Bulletin, 2 (1) (1974), pp.25-27.
Mahoney, Heidi L. "Selected Checklist of Material By and About Gwendolyn
Brooks." NALF. 8 (Summer 1974), pp.210-21 1.
Manjo, Nicholas, "Young Girl Growing Up." SatR, 36 (October 1953), p.41.
McCluskey, John. "In the Mecca." Studies in Black Literature, 4 (Autumn 1973),
pp.25-30.
McGinley, Phyllis. "Poetry for Prose Readers." NYTBR, (January 22, 1950), p.7.
Melhem, D.1-I. "Gwendolyn Brooks : 'The Heroic Voice of Prophecy'." Studies in
Black Literature, 8 (Spring 1977), pp. 1-3.
Menn, Thorpe. Major National Prize Winners to Poetry Series." KCS, (September 9,
Miller, Jeanne-Marie A. "Gwendolyn Brooks -- Poet Laureate of Bronzeville,
U.S.A.." Freedomwa ys, 10 (1St Quarter 1970), pp.63-75.
Miller, R.Baxter, "Define .... the Whirlwind: In the Mecca - Urban Setting, Shifting
Narrator and Redemptive Vision." Obsidian, 4(1) (Spring 1978),
pp. 19-3!.
Moore, Maxine Funderburk. "Characters in the Works of Gwendolyn Brooks." DAI,
44(12) (JUne 1984), 3686 A.
Mootry, Maria K. "'Brooks' A Bronzeville Mother Loiters in Mississippi.
Meanwhile, A Mississippi Mother Burns Bacon'." Explicator, 42(4)
(Summer 1984), pp.51-52.
__ "Chocolate Mabbie' and 'Pearl May Lee': Gwendolyn Brooks and
the Ballad Tradition." CLAJ, 30(3) (March 1987), pp.278-293.
"The Step of Iron Feet: Creative Practice in the War Sonnets of
Melvin B.Tolson and Gwendolyn Brooks." Obsidian ii, 2(3) (Winter
1987), pp.69-87.
Moron, Ronald. "Time of Heterogeneity." SoR, 1(1965), pp.473-485.
Morse, Carl. "All Have Something to Say." NYTBR, (October 6, 1963).
Nathan, Leonard E. "tour Books." Voices, (Sept - Dec. 1960).
Nelson, Starr. "Social Comment in Poetry." SatR, 29 (January - June 1946), p.15.
Newman, M.W. "Bronzeville Poet Seeks 'Ordinary'." CDN, (1 July 1961).
Ottley, Roi. "Poet Finds Universe in Negro Life." CST, (May 16, 1954), III, p.3.
• "Woman Poet Probes Life of City's Negroes." C T, (October 15,
1955), p.17.
Overmeyer, Janet. "The Poet and the Realist." Christian Service Moniter, (19
September 1968), p.13.
Parke, Richard H. South Pacific Wins 1950 Pulitzer Prize." NYT, (May 2, 1950),
p.23.
Parker, John W. "Sage of the Bronzeville Community." CLAJ, (4 September
1960), p.59.
Pike, Kenneth L. "Phonological Hierarchy in a Four Call Tagmemic Representation
from Discourse to Phoneme Class." Forling, 7(1) (August 1982),
pp.65-91.
Powers, Irene. "Cold Doesn't Deter Poets from Rounds." ci, (February 12, 1958).
Randall, Dudley. "To Gwendolyn Brooks, Teacher." BlackW, (February 1973), p.53.
Redding J.Saunders. "Cellini-like Lyrics." SatR, 32 (Sept. 17, 1949), pp.23-27.
Rehm, Barbara. "Pulitzer Prize Poetess, 'Old, inarticulate at 55'." PP (august 27,
1972), p.E1.
Rexroth, Kenneth. "Panelizing Dissent." The Nation, 199 (September 1964),
pp.97-99.
Riley, Furman. "Gwendolyn Brooks: The Unconditioned Poet." CLAJ, 17 (September
1973), pp-1-10.
Rivers, Conrad Kent. "The Poetry of Gwendolyn Brooks." PjD, 13 (June 1964),
pp.67-68.
Rosenberger, Coleman. "A Work of Art and Jewelled Precision." NYHTBR,
(October 18, 1953), p.4.
Rosenthal, M. L, "in the Mecca." NYTI3R, (March 2, 1969), p.14.
Rushing, Andrea. "Images of Black Women in Afro-American Poetry." BlackW. 24
(11) (September 1975), pp. 17-30.
Schleifer, Mare. "Sepia Deb Ball." Nation, (29 June 1964), pp. 665-666.
Schuchat, Marjorie Jane Smock. "Gwendolyn Elizabeth Brooks: A Janus Poet."
DAI, 43(9) (March 1983), 2994 A.
Shands, Annette Oliver. "Report from Part One." BlackW. (MArch 1973), pp.70-71.
"Gwendolyn Brooks as Novelist." BlackW, (June 1973),
p22-3o.
Shapiro, Charles. "Quiet Beauty in First Novel." Currier Journal, (17 December
1953).
Shapiro, Harvey. "A Quartet of Younger Singers." NYTBR, 23 (October 1960),
p.32.
Simpson, Louis. "Don't Take a Poem by the Horns." Bookweek, (October 27, 1963),
pp. 6,26.
Sims, Barbara B. "Btooks's 'We Real Cool'. " Explicator, 58 (April 1976).
Brooks's A Street in Bronzeville, the Harlem Renaissance
Smith, Gary.
and the Mythologies of Black Women." MELUS, 10(3) (Fall 1983),
pp.33-46.
It
"Brooks's 'We Real Cool'." Explicator, 43(2) (Winter 1985),
"Gwendolyn Brooks' Children of the Poor: Metaphysical Poetry
and the Inconditions of Love." Obsidian II, 1(1-2) (Spring-Summer
1986), pp.39-51.
"The Black Protest Ballad." Obsidian
pT54-67.
II, 1(3) (Winter 1986),
Smith, John Justin. "Chicago a Harbor for Anyone Who Comes Here." CDN, (April
28, 1962).
Spector, Robert S. "The Poet's Other Voices Other Poems." SatR, 47 (February
1, 1964), pp. 36-38.
Spillers, Hortense J. "'An Order of Constancy': Notes on Brooks and the
Feminine." Cen R, 29(2) (Spring 1985), pp.223- 248.
Stafford, Williams. "Books That Look Out, Books That Look In." Poetry, 113
(March 1969), pp.421-425.
Stern, Fredrick C. "The Populist 'Politics of Gwendolyn Brooks's Poetry."
Midamerica, 12(1985), pp. 111-119.
Stratton, Kathryn Alice Abels. "Woman as B: Woman as A." DAI, 43(2)
(August 1982), 447A-448A.
Tancill, Karen. "Poet Laureate of Illinois Gives Reading at Dominican." HIT,
(December 6, 1972), p.7 A.
Towns, Saundra. "Black Autobiography and the Dilemma of Western Artistic
Tradition." Black Books Bulletin, 2 (1) (1974), pp. 17-23.
"Beckonings." BlackW, 25 (2) (1975), pp.51-52.
Walsh, Chad. "A Present Rooted in the Past." Book World, (3 November 1968),
p.20.
Warren, Marr II. "Black Pulitzer Awardees." Crisis, 77 (May 1970), pp. 186-188.
Washington, Mary Helen. "'Report from Part One': The Autobiography of
Gwendolyn Brooks." BlackW. (March 1973), pp.51-52.
"Taming All That Anger Down: Rage and Silence in Gwendolyn
Brooks' Maud Martha." MR, 24(2) (Summer 1983), pp.453-466.
Webster, Harvey Curtis. "Pity the Gods." Nation, (September 1, 1962), p. 967.
"The Poetry of Gwendolyn Brooks." CDN, (October 13, 1962),
Wilder, Amos R. "Sketches From Life." Poetry, 67-68 (December 1945),
pp. 164-166.
Williams, Gladys Margaret. "Gwendolyn Brooks's Way With the Sonnet."
CLAJ, 26(2) (December 1982), pp.215-240.
(vi) REVIEWS
Anon. Review of Annie Allen. KiR, (June 15, 1949), p.319.
Review of Annie Allen. SFC, (September 18, 1949), p.18.
__ Review of Annie Allen. New Yorker, (December 17, 1949),
p.130.
Review of Annie Allen. USQBL, (March 1950), p.21.
Review of A Street in Bronzeville. KiR, (July 15, 1945), p.306.
______ Review of A Street I Bronzeville. New Yorker: 21 (September
1945), p.88.
Review of A Street in Bronzeville. WLJ, (October 1945), p.99.
Review of Bronzeville Boys and Girls. KiR, (October 15,
T956), p.788.
Review of Bronzeville Boys and Girls. SFC, (November 11,
1956), p.23.
Review of Bronzeville Boys and Girls. NYHTBR, (November
18, 1956), p.8.
_ Review of Bronzeville Boys and Girls. Booklist, (January 1957),
p.228.
Review of In the Mecca. Booklist, 64-65 (October 15, 1968),
pp.223-224.
Review of In the Mecca. Booklist, 64-65. (November 1, 1968),
p.298.
Review of In the Mecca. VQR, 45 (Winter 1969), p.20.
Review of Maud Martha. SIR, (July 15, 1953), p.458.
Review of Maud Martha. Booklist, (October 1953), p.365.
Review of Maud Martha. New Yorker, 29 (October 10, 1953),
p.142.
Review of Maud Martha. WLJ, (November-December 1953),
----p72s9.
Review of Selected Poems. U, 88 (February 1963), p.4491.
Review of Selected Poems. Booklist, (October 15, 1963), p.127.
Review of The Bean Eaters. 1[R, (February 1, 1960), p.131.
Review of The Bean Eaters. Bookmark, (April 1960), p.171.
Review of The Bean Eaters. Booklist, 56-57 (July 1, 1960),
p.65-0.
Mecca, by Gwendolyn Brooks. CLAJ, 13
Benson, Brian J. Review of in (December 1969), p.203.
Bombara, Toni Cade. Report from Part u: A Review. NYTBR, (January
1973), Sec.7, P.I.
Burke, Herbert. Review of Bean Eaters. j, 85 (April 15, 1960), p.1599.
Harrison, James. Review of Brooks's "A Bronzeville Mother Loiters in Mississippi.
Meanwhile, A Mississippi Mother Burns Bacon." Explicator, 42 (4)
(Summer 1984), pp.51-52.
Janssen, Ronald R. Review of Brooks's "A Song in the Frontyard." Explicator, 43
(3) (Spring 1985), pp.42-43.
Libby, Margaret Sherwood. Review of Bronzeville Boys and Girls. NYHTBR, 33
(November 18, 1956).
Lupack, Alan, C. Review on Brooks's "Piano After War." Explicator, 36 (4) (1978),
pp.2-3.
Nyren, Dorothy. Review of Selected Poems. j, 88 (July 1963), p.2708.
Parker, John W. Review of The Bean Eaters. CLAJ, (September 4, 1960), pp.59-61.
Rollins, Charlemae. Review of Bronzeville Boys and Girls. CST, (November 11,
1956), Sec.iv, p.20.
Skeeter, Sharyn J. Review of Family Pictures. Essence, 2 (June 1971), p.72.
Smith, Guy. Review of Brooks's "We Real Cool." Explicator, 43 (2) (Winter 1985),
pp.49-SO.
Walker, Alice. Review of Good Morning Revolution. Ed. Faith Berry. Black
Scholar, 7 (July-August 1976), pp.53-55.
(vii) DISSERTATIONS
ffi
Clyde, Glenda E. An Oral Interpreter's Approach
Poetry of Gwendolyn
Brooks. Carbondale: Doctoral Disserta&cvi,Southem Illinois University,
1966.
Loff, Jon N. To Be a Black Woman in Poetry of Gwendol y n Brooks.
Steven's Point: Master Thesis: University of Winconsin, 1972.
Shaw, Harry Bernard. Social Themes in the
of Gwendol y n Brooks.
Urbana: Doctoral Dissertckoi,the University of Illinois, 1972.