Meredith Lehman 201 W 21st B7600 4.152 Homer Rainey Hall The University of Texas at Austin Austin, Texas 78712 [email protected] EDUCATION 2016 Ph.D., French Studies, University of Texas at Austin Dissertation: “Out of Place: Exilic Absence in the Writing and Photography of Hugo, Zola, and Loti” Committee: Dr. Alexandra K. Wettlaufer (chair), Dr. Michael Charlesworth, Dr. Joan Neuberger, Dr. Hervé Picherit, Dr. Lynn Wilkinson 2012 M.A., French Studies, University of Texas at Austin 2012 Institut d’Etudes Françaises d’Avignon, Bryn Mawr College 2012 Teaching Certificate in First-Year Interdisciplinary Instruction 2007 B.A., Art History and French Studies, University of California at Santa Barbara 2005–2006 Université Lyon II RESEARCH & TEACHING INTERESTS 19th–century Interdisciplinary French Studies: visual culture studies, literature, history of photography, theories of representation, word and image, art criticism, narratives of exile PUBLICATIONS (in preparation) “‘Les souvenirs de l’absent’: Victor Hugo and the Language of Exile.” For submission in Dix-Neuf. 2016 “Émile Zola’s Family Photography and the Quest for Artistic Legitimacy.” Excavatio XXVIII (Winter 2016). 2014 “Re-reading Zola Through the Lens of his Photographs.” In selected 1 proceedings from Rethinking the Real—Fiction, Art and Theater in the Time of Émile Zola. Eds. Valerie Minogue and Patrick Pollard. London: The Émile Zola Society. BOOK REVIEWS (forthcoming) Manon Mathias, Vision in the Novels of George Sand. George Sand Studies 35 (2017). 2015 Helen Constantine, trans., The Conquest of Plassans by Émile Zola. Modern Language Review 110.3 (July 2015): 869–870. PROFESSIONAL APPOINTMENTS 2016–Present Lecturer, Department of French and Italian, The University of Texas at Austin 2015–Present Gallery Teacher in Visual Thinking Strategies, Blanton Museum of Art 2015–Present Managing Editor, Nineteenth-Century Contexts: An Interdisciplinary Journal 2012–2016 Instructor, Department of French and Italian, The University of Texas at Austin 2010–2011 Teaching Assistant, Department of French and Italian, The University of Texas at Austin PRESENTATIONS 2017 “‘Les souvenirs de l’absent’: Victor Hugo and the Language of Exile.” Panel entitled: “Taking Pictures, Telling Stories: Photography’s Encounters with Literature.” American Comparative Literature Association. Utrecht, Netherlands. 2016 “Women, Photography, and Second-Empire France: Geneviève-Elisabeth Disdéri’s Brest et ses Environs.” Nineteenth-Century French Studies Colloquium. Providence, RI. 2016 “Legitimizing the Illegitimate: Emile Zola’s Family Portraits.” Modern Language Association. Austin, TX. 2 2015 “Romanticizing Exile: Victor Hugo on the rocher des Proscrits.” Interdisciplinary Nineteenth-Century Studies Conference. Atlanta, GA. (session organizer for the panel entitled “Looking Back, Moving Forward: Re-Imagining the Past for the Future”) 2014 “Representing Exile: Hugo and Zola’s Photographic Turn.” NineteenthCentury French Studies Colloquium. San Juan, Puerto Rico. 2013 “Picturing Paris: New Horizons in Zola's Aesthetics of Representation.” Nineteenth-Century French Studies Colloquium. Richmond, VA. 2013 “The Author Behind the Camera: Rethinking Zola’s Naturalism.” Émile Zola Society Colloquium. London, England. 2012 “Phantasy & Reality: The Limits of Space and Time in the Work of Émile Zola and Georges Méliès.” Nineteenth-Century French Studies Colloquium. Raleigh, NC. 2012 “Picturing an Industrialized Experience: The Development of bande dessinée and the Railway in Nineteenth-Century France.” Interdisciplinary Nineteenth-Century Studies. Lexington, KT. (session co-organizer for the panel entitled “Images of Static Spaces in a Spinning World”) 2011 “The Threat of the Unclassifiable Art Form: Bande Dessinée in the Nineteenth Century.” Normes et Formes Graduate Student Conference. Johns Hopkins University, Baltimore, MD. 2011 Teaching Materials: Reading Lessons, Listening Activities, and Assessment Tasks. Pedagogy Workshop for Teachers of French. University of Texas, Austin, TX. TEACHING EXPERIENCE Courses Taught at the University of Texas at Austin: Fall 2016 French 326L: Introduction to French Literature II: French Revolution– Present Reading and analysis of French literature from the end of the eighteenth century to the twenty-first century with a focus on different genres and artistic movements. Students learn how to engage critically with important works through close-readings and an attention to the cultural and historical context. This course is taught in French and is a Global Cultures flagged course designed to increase familiarity with non-U.S. cultural groups. 3 French 611C: Intermediate French An intensive intermediate course with an emphasis on four basic skills: listening, speaking, reading, and writing. Students interact with French language and culture in an immersive environment, using authentic materials and learner-centered activities. This course is taught in the target language, helping students attain an Intermediate to Novice–High level of French according to ACTFL standards. Summer 2016 FR601C: Beginning French An intensive beginning course with an emphasis on four basic skills: listening, speaking, reading, and writing. Students interact with French language and culture in an immersive environment, using authentic materials and learner-centered activities. This course is taught in the target language, helping students attain a Novice–High to Novice–Mid level of French. Spring 2015 FR611C Fall 2014 FR611C Summer 2014 FR601C Spring 2014 FR611C Fall 2013 FR601C Spring 2013 FR601C Fall 2012 FR601C Spring 2011 French Civilization 345: New Trends in the French Graphic Novel (Teaching Assistant) This course examines different genres of the French graphic novel, focusing on innovations, styles, and themes. Works are chosen to provide an overview of topics that address France’s colonial history, immigration, and war. This course is taught in English. Fall 2011 Undergraduate Studies 303: Films and Filmmakers of Italy (Teaching Assistant) This course surveys major films of twentieth-century Italian cinema and considers stylistic and thematic developments from neorealism to postmodernism. Students learn critical techniques and methods of visual analysis in this writing flagged course. This course is taught in English. Curriculum Development: 4 French 601C and French 611C: Creation of communicative cultural and listening activities to accompany Français Interactif FELLOWSHIPS, GRANTS, AND AWARDS 2015–2016 Julia Emerson Walther Fellow, University of Texas at Austin 2012 Tournées Film Festival Grant, FACE (French-American Cultural Exchange) Foundation 2012 Julia Emerson Walther Excellence Award, University of Texas at Austin 2012 Innovative Contributor Award for Departmental Service, University of Texas at Austin 2012 Institut d’Études Françaises d’Avignon Scholarship, Bryn Mawr College 2011 Center for Open Educational Resources and Language Learning Graduate Student Award for teaching materials developed to accompany Français Interactif, University of Texas at Austin 2011 Outstanding Performance in French 382L (French Women in Fiction and Film), University of Texas, Austin DEPARTMENTAL SERVICE 2013–2014 Vice President of French and Italian Graduate Student Organization 2012–2013 Committee Organizer for Tournées Film Festival 2012 Graduate Student Organizer for Eighteenth-Century Writing Workshop 2012 Graduate Student Representative in Modernist Search Committee 2011–2012 Graduate Student Committee Representative for Department of French and Italian OUTREACH 2013 Intellectual Entrepreneurship Pre-Graduate School Mentor: Program designed to familiarize first generation, underrepresented, and economically disadvantaged students with graduate school experience to 5 increase diversity in higher education. 2013, 2012, 2011 Explore UT Organizer: French Department community outreach for students and teachers in Texas. PROFESSIONAL AFFILIATIONS Interdisciplinary Nineteenth-Century Studies Émile Zola Society Modern Language Association Association Internationale Zola et Naturalisme (AIZEN) LANGUAGES English (native) French (near-native) German (novice) Italian (novice) PROFESSIONAL REFERENCES Dr. Alexandra K. Wettlaufer, Professor University of Texas at Austin [email protected] Dr. Hervé Picherit, Assistant Professor University of Texas at Austin [email protected] Dr. Joan Neuberger, Professor University of Texas at Austin [email protected] Dr. Michael Charlesworth, Professor University of Texas at Austin [email protected] Ray Williams, Director of Education Blanton Museum of Art [email protected] 6
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