THE DIGGERS Dorchester Garden Club October, 2014 Mark Your Calendars OCTOBER, 2014 16-18 Recycle Dorchester Dorchester County Historical Society, Robbins Heritage Center 24 Ar-BOO-retum Cylburn Arboretum 5:30-8pm 25 FGCMD Pumpkin Workshop Cylburn Arboretum 25 Baltimore African Violet and Gesneriad Club Annual Fall Sale The Shops at Kenilworth Towson 9am-5pm 26-28 Central Atlantic Region Convention Dover Downs, Dover, DE 1 2 11 14 18 27 2 3 11 17 21 25 NOVEMBER, 2014 FGCMD Horticulture Day Cylburn Arboretum Daylight Savings Time Ends FGCMD State Board Meeting, Veteran’s Day DGC Monthly Meeting “Sculpting the GardenThe Art of Pruning” Cindy King, Kingstown Farm Cambridge Yacht Club 11:30 am FGCMD Leadership Workshop Vollmer Center Thanksgiving Day DECEMBER, 2014 DGC Holiday Wreath Workshop Zion United Methodist Church 9am-3pm Kent Island GC Bus Trip Longwood Gardens Contact Linda Elias 410 827-6981 DGC Holiday Luncheon “A Glistening Reminder of Nature’s Beauty” East New Market Fire Hall 11am (entries accepted and vendors open 9:45 am) First Day of Hanukkah Last Day of Hanukkah, First Day of Winter Christmas Day “Pumpkin Still Life” “Turban Squash” Note: information for programs sponsored by other Clubs is at: http://www.fgcofmd.org/Calendar_of_Events.html Original Oils by Artist Delilah Smith Onsted Michigan 1 THE DIGGERS Dorchester Garden Club October, 2014 DGC Design Workshop#3: Pot-et-Fleur The Pot-et-Fleur workshop was presented by Susie Middleton on September 11 at the home of Alison Buczek. In attendance were Cookie Brohawn, Shirley Chatham, Lynne Davis, Linda Easter, Ellen Higgins, Patti Hopkins, Kay Karminski, Mary Jo Papin – and hosts Alison Buczek and Miriam Zijp-Koedijk. A great time was had by all! Cookie Brohawn Kay Karminski Linda Easter Mary Jo Papin 2 Patti Hopkins Shirley Chatham Ellen Higgins Lynne Davis THE DIGGERS Dorchester Garden Club October, 2014 DGC September 12 Meeting “A Host of Golden Daffodils Fluttering and Dancing in the Breeze” The September 12th Meeting at the Cambridge Yacht Club featured our club’s mother and daughter team Deana Kozak and Beverly Shelly. Deana and Beverly shared images and stories from the 2014 National Daffodil Convention, along with their insights and tips for growing and exhibiting prize-winning daffodils. The program was in loving memory of our friend and mentor Joanna Tilghman, to whom Deana attributes her passion for “all things daffodil.” The meeting also featured 60 horticulture and 8 design entries of club members. 3 THE DIGGERS Dorchester Garden Club October, 2014 Division I Horticulture Awards Class 1 Rosa (Roses) 1a. Miniature single: 1st Jane Parks 1b. Miniature spray: 1st Pat Beck 1d. Floribunda, Polyantha, Carpet, Climber - one spray: 2nd Sandy Johnson 1e. Shrub, Old Garden Rose: 1st Fran Collins, 2nd Sandy Johnson Class 2 Conifers-one branch 2a. With Cones or Berries: 1st Joan S. Johnson, 2nd Beverly Shelly 2b. Without Cones or Berries: 1st Miriam Zijp- Koedijk, 2nd Mary Jo Papin, 3rd Joan P. Johnson 4 THE DIGGERS Dorchester Garden Club October, 2014 Class 3 Broadleaf Evergreen Tree or Shrub-one branch 3a. Flowering: 1st Joan P. Johnson, 2nd Mary Jo Papin, 3rd Cookie Brohawn, HM Joan S. Johnson, Kathy Miller 3b. Foliage: 1st Joan S. Johnson, 2nd Cookie Brohawn, 3rd Beverly Shelly Class 4 Deciduous Tree or Shrub-one branch 4a. Flowering: 1st Susie Middleton, 2nd Nancy Hastings 4a.(1) Flowering (Hydrangea): 1st. Fran Collins, 2nd Sandy Johnson, 3rd Eulah Lee Legg, HM Joan P. Johnson 4b. Foliage: 1st Beverly Shelly 4c. Fruited: 1st Susie Middleton Class 5 Ilex (Holly)-one branch 5a. Foliage: 1st Beverly Shelly, 2nd Joan P. Johnson 5b. Fruited: 1st Joan P. Johnson, 2nd Susie Middleton Class 6 Container Grown Plants 6a. Flowering: 1st Joan P. Johnson, 2nd Beverly Shelly, 3rd Cookie Brohawn 6b. Foliage: 1st Joan P. Johnson, 2nd Beverly Shelly Class 7 Open Class 7a. Annual: 1st Joan P. Johnson, 2nd Sandy Johnson, 3rd Gloria Warner, HM Cookie Brohawn, Helen Davies, Nancy Hastings 7a. (1) Zinnia: 1st Beverly Shelly, 2nd Fran Collins, 3rd Susie Middleton 7b. Perennial: 1st Beverly Shelly, 2nd Donna Harms, 3rd Lynne Davis, HM Fran Collins, Susie Middleton, Kathy Miller, Mary Jo Papin, Jennifer Rideout, Helen Saum 7c. Biennial: 1st Joan P. Johnson 7d. Bulb, corm, rhizome, tuber: 2nd Cookie Brohawn, 3rd Beverly Shelly 7e. Vines: 1st Cookie Brohawn, 2nd Joan P. Johnson, 3rd. Susie Middleton Class 8 Herbs-Group of three (3) cut specimens to one container 8a. Same Cultivar: 1st Cookie Brohawn, 2nd Susie Middleton 8b. Different Cultivars: 1st Kathy Miller, 2nd Pat Beck, 3rd Cookie Brohawn, HM Barbara Hubbard, Susie Middleton, Jennifer Rideout Class 9 Dahlias 9a. Single: 1st Pat Beck, 2nd Mary Jo Papin 5 THE DIGGERS Dorchester Garden Club October, 2014 Division II Design Awards – Class 1 “The Gardener’s Color Wheel” A Tapestry Design Julia Berman, 1st Place Division II Design Awards - Class 2 “Give Them Roots and Wings” A Pot-et-Fleur Design Susie Middleton, 1st Place Kay Karminski, 2nd Place Lynne Davis, 3rd Place Honorable Mention: Cookie Brohawn, Shirley Chatham, Linda Easter, Ellen Higgins 6 THE DIGGERS Dorchester Garden Club October, 2014 Brushes to Blooms Fundraiser The DGC held its “Brushes to Blooms Fundraiser” on Saturday, September 27th at the home of club member, Dee Terry. The event was attended by 55 members and guests and raised $2,285. Thanks to all who donated food, wine and silent auction items – and special thanks to Julia Berman, Mary Jo Papin, Kathe Scanlon and Dee Terry for all their hard work in coordinating and hosting the wonderful event. Here are the artwork and designs that were awarded first, second and third place! 1st Place Faye Phillips, Art and Design 2nd Place (tie) Shirley Chatham, Art Julia Berman, Design 2nd Place (tie) Ellen Rindfuss, Art and Design 3rd place Wanda Ciekot – art and design 7 THE DIGGERS Dorchester Garden Club October, 2014 How to Grow Mums (if you must) … by Lynn Hunt “The Dirt Diaries” I’ve never been much of a chrysanthemum fan. For starters, they smell funny. Many of the colors tend to be gaudy. And the blooms don’t age gracefully. This time of year I get annoyed when I see hundreds of them lined up in front of roadside stands and garden centers. I know what the mum and pumpkin sightings mean: I am being pushed into fall when I’m not ready to let go of summer. I realize that turning up my nose at these harbingers of autumn means I am out of step with much of the gardening world. After all, garden mums have been wildly popular for centuries. So despite being a chrysanthemum curmudgeon, I wanted to offer some tips that will enable you to grow these wretched plants to the best of your ability! From China, with love Mums were first cultivated in China, possibly as early as the 15th Century B.C. Several species of chrysanthemums native to both China and Japan were used in an extensive hybridizing program that, over time, resulted in the “domesticated” garden mum. Mums found their way to Europe in the seventeenth century where the appealing gold flowers received an enthusiastic welcome. Today, hybridizing continues full speed ahead in the hopes of creating new flower forms and plants that can better tolerate cold. At this time more than 5,000 cultivars have been named. Mum care 101 Yoder, one of America’s leading mum breeders, offers the following tips which apply regardless of color, flower form or flowering time: Always plant mums in a spot where they will receive at least half a day of sun. Plant in fertile, well-drained soil. Loosen the soil to a depth of 6 to 8 inches and mix in peat moss or compost to condition the soil and improve drainage. Measure from the center of the plant and space mums about 15 to 20 inches apart. Water thoroughly, adding 1 to 2 gallons of water to the soil around each plant. When rainfall is scant, continue to water as needed to prevent wilting. Keep the soil moist as colder weather approaches. Never fertilize the flowering garden mums you plant in the fall. All the season's growing is finished by that time. Plants will not need fertilizer until next spring. 8 THE DIGGERS Dorchester Garden Club October, 2014 Mother Nature doesn't prune back plants as winter approaches and you shouldn’t either. Let the brown foliage stand through the winter. Mulch plants after the ground begins to freeze - not before - with leaves, straw, peat moss or other organic materials. Prune away old stems and gradually remove mulch in the spring. Pinch mums back from June through July 15 to encourage bushy growth and a greater show of fall flowers. So there you have it. Everything you need to know to keep your mums thriving from year to year. The dry summer in many areas of the country may mean colors will be more vivid this year. With a little luck and a lot of water, you should have loads of blooms that will last well into October. As for me, I’ll still be enjoying my roses. 9 THE DIGGERS Dorchester Garden Club October, 2014 Grow Your Own Garlic: 6 Easy Steps for a Bumper Crop of Garlic … By Ruth Lively for Fine Gardening Magazine Once you taste home-grown garlic, you won’t be satisfied with the supermarket varieties! Garlic isn’t hard to grow. In fact, growing garlic plants is almost ridiculously easy. It has a few important requirements that are easily met: decent soil, adequate moisture, and, of course, planting and harvesting at the right time. When is the right time for planting garlic? Plant garlic four to six weeks before the ground freezes in your area. You can fudge the planting time a little. I have planted as early as September (by mistake) and as late as Thanksgiving (to experiment) and have had decent crops. Roots will start to grow soon after you plant. Your aim is to get good root development before the plants go dormant. Green shoots may appear in the fall, which is fine. 1. Prepare the Soil To grow nice, big heads of garlic, you need loose, fertile soil. Loosen the soil with a digging fork, spread a 2- to 3-inch-deep layer of organic matter over the area, and dig it in. For organic matter, I use a well-aged mixture of compost, leaf mold, and aged rabbit manure. To avoid disease problems, don’t plant garlic in the same spot two years running. Prepare several shallow furrows in the soil that are 6 inches apart. 2. Choose Your Varieties Hardneck garlic Softneck garlic There are two main types of garlic: hardneck and softneck. Hardnecks have cloves growing around a hard central stalk. This stalk forms a curling scape (or flower stem) on top, which many growers cut off to redirect energy to the bulb. Softneck garlics form more cloves, with big ones around the outside of the head and numerous small ones at the center. Softnecks also tend to keep longer once harvested than hardnecks. Break apart a large head of garlic, and plant only the biggest cloves. The bigger the clove, the greater the likelihood it will yield a nice, big head of garlic. Save the smaller cloves to use in the kitchen 10 THE DIGGERS Dorchester Garden Club October, 2014 3. Plant a clove, get a head To plant, place the cloves 4 inches apart in a furrow. Hold each clove pointed end up, and push it into the soil about 2 inches deep. After all the cloves are in the ground, smooth the soil surface using your fingers or a rake to fill in the holes, and water well. If you’re planting more than one variety, be sure to label each one clearly. I also make a map of my planting, in case the labels go astray. I wait to mulch for a month or more after planting to give the soil a chance to cool down. When it’s leaf-raking season, I put several inches of chopped leaves over the bed. 4. Fertilize and water Top growth starts in earnest in spring, when the weather warms and the days lengthen. I fertilize twice with a solution of liquid kelp and fish emulsion: once, when the garlic has started growing strongly—about mid-April in my area—and, again, a month later. Garlic isn’t greedy for water, but it doesn’t like to dry out, either. When the soil feels dry an inch below the surface, it’s time to water. In mid- to late June, I stop watering. By that time, the garlic has sized up and the heads are starting to form cloves. 5. Time the Harvest Carefully Harvest in late spring or early summer when the plants have five or six green leaves, with no more than one or two beginning to turn brown. Each green leaf represents a wrapper layer surrounding the head. During harvest, you’re liable to damage the outer layer. Later, while cleaning the heads, you’re apt to lose another one or two layers. Your goal is to end up with two or three tight, papery layers enclosing each bulb. To harvest, drive a garden fork beneath the plants (be careful not to damage the bulbs), gently pry them loose, and then pull them out. Shake off any excess soil, and lay the plants in a pile. As soon as you’ve finished harvesting, move the plants to an airy location that is protected from sun and rain. If you’re growing more than one variety, keep each variety separate and well labeled so that you know what’s what. 6. Cure, Clean and Store the Heads To cure garlic in preparation for storage, hang the bare bulbs with their foliage in bundles or spread them out on a table or rack. You can begin eating them right away, but bulbs intended for storage must be cured. After a few weeks of curing, it’s bulb-cleaning time. Trim the stalks to 12 inch above the bulb, and trim the roots close to the bulb. Rub off the outer layer of skin around the bulb, and use a nailbrush or toothbrush to gently remove any soil clinging to the base. Try not to remove more wrapper layers than you have to. Store the bulbs in a well-ventilated, dark spot. If you want, set aside the biggest bulbs for planting next fall. 11 THE DIGGERS Dorchester Garden Club October, 2014 Great Holiday Gift Idea that embodies this year’s DGC program theme “The Art of Horticulture”! American Botanical Paintings: Native Plants of the MidAtlantic Edited by Bonnie S Driggers and reviewed by Master Gardener, Lena Gill The book has been put together by a group, called Botanical Artists for Education and the Environment (BAEE), located in the Mid Atlantic area and embodies this year’s DGC program theme “The Art of Horticulture” The book’s cover painting of a mountain laurel is typical of the art in the book. The details of each hand painted plate make each plant incredibly life-like, which is perhaps the whole point with botanical painting, as this art form date to before photography existed. It was a way for explorers to describe newly found plants to an excited European and later American gardening public. In addition, the layout of the book is quite elegant. 60 native plants, shrubs and trees are included in the book. Each has two pages devoted to it. One page is a beautiful botanical painting made by one of the 40 participating artists. The opposing page is a write-up indicating plant details and environmental requirements, where the plant may be found, what plant family it belongs to, and how the plant was used in the past or today. The written sections were reviewed by a number of specialists from universities and public gardens, including a botanist with the US Botanical Garden. Professor Douglas Tallamy of the University of Delaware, who lectured in Easton recently on how to sustain wildlife with native plants, wrote part of the Introduction. The bonus aspect of this plant book is that it does not only cover the flora but also the fauna. For a gardener, the book adds this other layer of important information. Some of the written sections include which birds will frequent the plant or eat the berries of the shrub, and most pages include a small painting of a specific pollinator, such as a specific butterfly or moth or other insect that is the main pollinator or feeds on the plant. As gardeners we may have noticed and read about the decline of many of our native butterflies and moths. This is often attributed to habitat loss and pesticide exposure. Seeing these insects connected to the plants that help them thrive and that they in turn pollinate makes a very special case for planting native plants. It was published in June of 2014. It costs $39.95 on Amazon.com and a google search will identify other sources too 12 THE DIGGERS Dorchester Garden Club October, 2014 Pumpkin History… from historychannel.com Pumpkins are believed to have originated in North and Central America. Seeds from related plants have been found in Mexico dating back to 7000 to 5500 B.C. References to pumpkins date back many centuries. The name pumpkin originated from the Greek word for "large melon" which is "pepon." "Pepon" was changed by the French into "pompon." The English changed "pompon" to "Pumpion." American colonists changed "pumpion" into "pumpkin." Native American Indians used pumpkin as a staple in their diets centuries before the pilgrims landed. They also dried strips of pumpkin and wove them into mats. Indians would also roast long strips of pumpkin on the open fire and eat them. When white settlers arrived, they saw the pumpkins grown by the Indians and pumpkin soon became a staple in their diets. As today, early settlers used them in a wide variety of recipes from desserts to stews and soups. The origin of pumpkin pie is thought to have occurred when the colonists sliced off the pumpkin top, removed the seeds, and then filled it with milk, spices and honey. The pumpkin was then baked in the hot ashes of a dying fire. Jack O’ Lanterns People have been making jack o’ lanterns at Halloween for centuries. The practice originated from an Irish myth about a man nicknamed "Stingy Jack." According to the story, Stingy Jack invited the Devil to have a drink with him. True to his name, Stingy Jack didn't want to pay for his drink, so he convinced the Devil to turn himself into a coin that Jack could use to buy their drinks. Once the Devil did so, Jack decided to keep the money and put it into his pocket next to a silver cross, which prevented the Devil from changing back into his original form. Jack eventually freed the Devil, under the condition that he would not bother Jack for one year and that, should Jack die, he would not claim his soul. The next year, Jack again tricked the Devil into climbing into a tree to pick a piece of fruit. While he was up in the tree, Jack carved a sign of the cross into the tree's bark so that the Devil could not come down until the Devil promised Jack not to bother him for ten more years. 13 THE DIGGERS Dorchester Garden Club October, 2014 Soon after, Jack died. As the legend goes, God would not allow such an unsavory figure into heaven. The Devil, upset by the trick Jack had played on him and keeping his word not to claim his soul, would not allow Jack into hell. He sent Jack off into the dark night with only a burning coal to light his way. Jack put the coal into a carved out turnip and has been roaming the Earth with it ever since. The Irish began to refer to this ghostly figure as "Jack of the Lantern," and then, simply "Jack O'Lantern." In Ireland and Scotland, people began to make their own versions of Jack’s lanterns by carving scary faces into turnips or potatoes and placing them into windows or near doors to frighten away Stingy Jack and other wandering evil spirits. In England, large beets are used. Immigrants from these countries brought the jack o’ lantern tradition with them when they came to the United States. They soon found that pumpkins, a fruit native to America, make perfect jack o’ lanterns. Fun Facts about Pumpkins • Pumpkins are a member of the Cucurbita family which includes squash and cucumbers. Native Americans called pumpkins "isqoutm squash." • Native Americans used pumpkin seeds for food and medicine. • Native Americans flattened strips of pumpkins, dried them and made mats. Pumpkins are high in potassium and Vitamin A. • Pumpkin flowers are edible. • The largest pumpkin pie ever made was over five feet in diameter and weighed over 350 pounds. It used 80 pounds of cooked pumpkin, 36 pounds of sugar, 12 dozen eggs and took six hours to bake. • In early colonial times, pumpkins were used as an ingredient for the crust of pies, not the filling. • Pumpkins were once recommended for removing freckles and curing snake bites. • The largest pumpkin ever grown weighed 1,140 pounds. • The Connecticut field variety is the traditional American pumpkin. • Pumpkins are 90 percent water. • Eighty percent of the pumpkin supply in the United States is available in October. 14
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