Setting, atmosphere and colour The War of the Worlds by H G Wells ‘The Falling Star’ Chapter 2 Setting and atmosphere This chapter finds the narrator, (and by extension, the reader) face-to-face with the Martians. In this chapter the writer creates a sense of suspense, building towards fear. The following exercise will help you to explore how this is achieved. 1. Read the passage once. 2. Re-read, focusing on how the writer creates atmosphere. This second type of reading is close or slow reading, when you will focus carefully and think about the connotations (associations) of certain words and phrases. Use of hindsight, creating a sense of foreboding. Final sentence of Chapter 1 –‘It seemed so safe and tranquil’ - see first page of ‘The Falling Star’ Non-specific words that create suspense: It, thing, something ‘The Thing itself lay almost entirely buried in sand.’ p.14 Unusual or disturbing connotations. ‘Its outline softened by a thick scaly dun-coloured incrustation’ p.14 Alliterative phrases that add powerfully to description. ‘Amidst the scattered splinters of a fir tree it had shivered to fragments in its descent …’ Words and phrases associated with hell. ‘pit’, ‘ashy’, ‘sizzling’ Sentences: Long, descriptive sentences that build tension. Shorter sentences that convey shock. The very long description in ‘The Falling Star’, culminating in Ogilvy’s realization that the cylinder is artificial and is slowly unscrewing – pp. 14-15 From this chapter, what type of atmosphere has the writer succeeded in creating? The War of the Worlds copyright © H G Wells © 2007 www.teachit.co.uk 5842.doc Page 1 of 3 Setting, atmosphere and colour The War of the Worlds by H G Wells ‘The Heat Ray’ Chapter 5 Setting and atmosphere Using the chart below, fill in the right hand column. Metaphor that describes the narrator’s confused state of mind. ‘I was a battleground of fear and curiosity’ Combined metaphor and simile that describes the strange, inhuman physical appearance of the creatures. ‘A leash of thin black whips, like the arms of an octopus’ Repetition for effect – how the Deputation are repeatedly described. ‘little knot of people … little wedge of people’ etc. Personification of the Heat Ray making it seem even more terrifying. ‘A bright glare leaping from one to another’ Lexical field – close grouping of words that stress the men’s horrible death. ‘Flashes, flame, bright glare, flashed, white flame, turned to fire.’ Sentence length – long, descriptive sentences that build tension. Shorter sentences that convey shock. From this chapter, what type of atmosphere has the writer succeeded in creating? The War of the Worlds copyright © H G Wells © 2007 www.teachit.co.uk 5842.doc Page 2 of 3 Setting, atmosphere and colour The War of the Worlds by H G Wells Your turn! • • Choose another extract important for the development of setting and atmosphere. Create your own chart, using your knowledge about language. Use of colour adjectives Colour adjectives are commonly used by Wells to add atmosphere to a setting. As you read the novel, compile a set of important descriptions that incorporate colour. Think of common connotations of colours and include your own comments on these descriptions. One has been done for you. Colour Page Description and comment 45 ‘I saw that the driving clouds had been pierced as it were by a thread of green fire’, Red White Black Green The Martians are often associated with green and in particular green fire or smoke, an unnatural combination that adds to the strangeness of the creatures. Brown The War of the Worlds copyright © H G Wells © 2007 www.teachit.co.uk 5842.doc Page 3 of 3
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