INTEGRATED VISUAL ARTS CO-MAJOR IVAC STUDENT APPLICATION PACKET Please check: http://creativity.emory.edu/ivac for all current deadlines and current applications procedures. (updated Oct 4, 2015) Page 1 Application for Integrated Visual Arts Co-Major (IVAC) DESCRIPTION The Integrated Visual Arts Co-Major allows undergraduates the opportunity to develop their creative skills in connection with a general program of humanistic education. Through a self-structured program of classes, students will be able to explore visual media and art making within the expansive context of a 21st century understanding of the visual arts. Classes in art history, drawing, painting, sculpture, printmaking, photography, theatrical design, filmmaking, conceptual art practices, digital media and new media, as well as other academic areas make up IVAC course offerings. Studio courses emphasize direct, hands-on art making under the guidance of expert practitioners. An Integrated Visual Arts Co-Major will be awarded to students who have successfully completed an approved course of studio classes and other requirements as listed below, while majoring in another academic department. (See pages 11 – 14 for the list of courses.) The co-major in Integrated Visual Arts is available to students in all majors. PLEASE NOTE, as per the current Emory College guidelines listed below, students are limited to two (2) areas of concentration, and cannot add the Co-Major to 2 current areas of concentration. http://catalog.college.emory.edu/department-program/major-minor.html • Students can declare a major/minor during, or after the second semester of their freshman year. Students should declare a major/minor no later than the end of the sophomore year. • No more than 2 concentrations allowed, either: • 2 majors OR • 1 major and 1 minor OR • 1 major • Maintain at least a C (2.0) average in any major or minor. • Only one (1) undergraduate degree may be earned from Emory. Page 2 GENERAL INFORMATION: • • • • • • • http://creativity.emory.edu/ivac While most courses listed in the IVAC are open to all students, some are available only for students enrolled in the co-major or by special permission. Entry-level classes in the Integrated Visual Arts Co-Major are offered in the fall and spring semesters. It is recommended that students apply in the spring semester, however applications will also be accepted in the fall semester. Ideally, students will apply in the spring of their sophomore year at Emory, or at the latest, in the fall of their junior year. It is expected that a student will have completed at least one class from the list of Integrated Visual Arts courses prior to their application, and it is recommended that they will have taken at least one art history class. Students who are majoring in one of the participating departments whose classes are part of the Integrated Visual Arts core of classes may “double dip” up to two classes. All courses taken for IVAC must be taken for a letter grade and may be taken in fulfillment of the distribution requirement HAP (Humanities, Arts and Performance). Summer courses and study abroad will be accepted with prior approval. AP credit will not be accepted. Student enrollment preference in IVAC classes will be given to Integrated Visual Arts co-majors. Selection is based on information provided through the application, but applications for each student will also be considered on a space-available basis. CORE REQUIREMENTS FOR THE IVAC CO-MAJOR 1. A primary major must be chosen before or concurrently with the co-major. 2. A total of nine courses combined from the Art History Department and the following list of Integrated Visual Arts classes A. Five Integrated Visual Arts courses, one of which may be a semester of the Foundations in Art Practices ARTVIS 111-112 (though enrollment preference will be given to Art History majors and minors), and at least two upper level classes. B. Two Art History courses or alternatively, one Art History and one cross-listed Archeology course. One of the Art History courses must be in the modern period (19th century to the present); ARTHIST 102 fulfills this requirement and is highly recommended. C. One upper level topics course in an area related to the student’s focus. Each department will determine what is, in their area, relevant coursework and a list will be posted each semester on the IVAC website. 3. ARTVIS 490 Senior Seminar. This fall semester course will provide a formal structure in which the senior co-major student will present, discuss, and develop ideas for their final projects and presentations. The faculty could rotate among the core departments of the Co-major, Art History/Visual Art, Dance, Film and Media Studies and Theater Page 3 Application for Integrated Visual Arts Co-Major (IVAC) APPLICATION CHECKLIST Please provide the following information: 1. Application - By completing this form, you are applying for the Integrated Visual Arts Co-Major (See page 5) 2. Advising Transcript form - You must submit an “advising transcript” that you can obtain from OPUS. (See page 6) 3. Current Semester Course Load -List all currently enrolled courses. (See page 6) 4. Current Résumé - listing your college, extracurricular and/or professional activities including work in the areas related to your interests. The résumé should be submitted as a separate PDF or JPEG document(s). (See page 6) 5. Portfolio of current work - Where there is no current portfolio of work, a student should submit a visual appendix of inspirational/aspirational images and works. The portfolio should be submitted as a separate PDF or JPEG document(s). (See page 6) 6. Statement of Purpose - write essays addressing a variety of questions (See pages 7 & 8) 7. Recommendation Form - You must have the Recommendation Form completed by an individual who has the capacity to provide insights in respect to your co-majoring. The recommender should complete this form, return it to you in a sealed envelope signed across the flap, & you must include in your application packet (or have the recommender send it separately to the address below.) (See pages 9 & 10) THE APPLICATION CAN BE SUBMITTED AS A PDF TO: Leslie Taylor [email protected] OR THE HARDCOPY APPLICATION SHOULD BE SENT TO: Integrated Visual Arts Co-Major care of: Center for Creativity & Arts Attention: Leslie Taylor Schwartz Center, Room 312 Emory University Atlanta, GA 30322 CONTACT & QUESTIONS: Leslie Taylor, Executive Director, Center for Creativity & Arts [email protected]. Page 4 1. APPLICATION Full Legal Name: Last First Middle Suffix (Jr., III, etc.) Preferred name:_______________________________________ Emory ID #: _____________________ E-mail address: _________________________________ Cell Phone Number_______________________ Current or pending primary major: __________________________________________________________________ Expected semester for graduation: ____________________________________________________________________ Address Information Current Local Address (Residence, Main campus or Oxford P.O. Box) Street City State Zip City State Zip Permanent Home Address: Street Personal Information The information requested below is voluntary and refusal to provide it will not subject you to any adverse treatment. It will be kept confidential and will be used only in accordance with Title IV of the Civil Rights Act of 1964. Sex: Male: _____ Female: _____ Race/Ethnic Category: American Indian or Alaskan Native: _____ Black, not of Hispanic Origin: _____ White, not of Hispanic Origin: _____ Asian or Pacific Islander: _____ Hispanic: _____ Other Citizenship: _________________________ Country Conduct Issues ____ Check here if you have any court convictions other than parking violations.* ____Check here if you have ever been subject to any school-related disciplinary action for violation of school rules, misconduct, conduct infraction, academic dishonesty or otherwise.* *Please attach a separate sheet to explaination Page 5 2. ADVISING TRANSCRIPT You must submit an “advising transcript” that you can obtain from OPUS. 3. CURRENT COURSE LOAD List all courses in which you are currently enrolled during this semester. These courses will not appear on your “Advising Transcript.” Current Courses: 4. CURRENT RÉSUMÉ Submit as a separate WORD document or PDF. 5. PORTFOLIO OF CURRENT WORK Where there is no current portfolio of work, please submit a visual appendix of inspirational/aspirational images and works. The portfolio should be submitted as a separate PDF or JPEG document(s). Page 6 6. STATEMENT OF PURPOSE On this form, write a one to two page essay addressing the following questions: (Maximum 250 words/answer) Why you are interested in co-majoring? How will the completion of the co-major support your intellectual and professional goals? Page 7 STATEMENT OF PURPOSE (cont.) (Maximum 250 words/answer) What are your thoughts about linking the practices of the co-major with your primary major? What has been your background in the areas represented by the IVAC? Page 8 RECOMMENDATION FORM Integrated Visual Arts Co-Major (IVAC) Care of: Center for Creativity & Arts, Schwartz Center, Room 312 Emory University, Atlanta, GA 30322 TO BE COMPLETED BY STUDENT Please fill in your name and address below, sign, and give this form to the individual you have chosen to write on your behalf. The recommender should complete this form and return it to you in a sealed envelope signed across the flap. APPLICANT’S WAIVER OF RIGHT TO ACCESS TO CONFIDENTIAL STATEMENT Name of Applicant: ______________________________________________________________________ Last First Middle Address: ________________________________________________________________________________ I hereby freely and voluntarily waive my right to any information contained in this recommendation and agree that the statement shall remain confidential. _____________________________________________________________________________________ Date Signature of Applicant TO THE RECOMMENDER The Integrated Visual Arts Co-Major allows undergraduates the opportunity to develop their creative skills in connection with a general program of humanistic education. Through a self-structured program of classes, students will be able to explore visual media and art-making within the expansive context of a 21st century understanding of the visual arts. Classes in art history, drawing, painting, sculpture, printmaking, photography, theatrical design, filmmaking, conceptual art practices, digital media and new media, as well as other academic areas make up IVAC course offerings. Studio courses emphasize direct, hands-on art making under the guidance of expert practitioners. Recommendations are used for selection purposes only and do not become part of any record file upon a student’s inclusion in the program. Therefore, recommendations are not subject to the provisions of the Family Educational Rights and Privacy Act of 1974. After completing this form, please sign it and place it in an envelope. Seal the envelope, sign it across the flap, and then return it to the applicant who will submit the sealed envelope along with his/her application. Please type or print neatly. How long have you known the applicant and in what capacity? (Maximum of 150 words or use separate sheet) Page 9 Please give us your appraisal of the applicant relative to his or her peer group across the following criteria: Commitment to the arts Exceptional Above Average Average Below Average Unable to Assess Exceptional Above Average Average Below Average Unable to Assess Exceptional Above Average Average Below Average Unable to Assess Exceptional Above Average Average Below Average Unable to Assess Exceptional Above Average Average Below Average Unable to Assess Exceptional Above Average Average Below Average Unable to Assess Exceptional Above Average Average Below Average Unable to Assess Comments: Capacity for innovative problemsolving Comments: Ability to accomplish self-directed tasks Comments: Visual Skills Comments: Communication skills Comments: Maturity Comments: Motivation and enthusiasm Comments: Overall assessment of candidate’s ability to successfully compete the co-major Strongly recommend: _____ Recommend: _____ Recommend with reservations: _____ Do not recommend: _____ Name and title of recommender Institution Signature Email Date Thank you for your time. Emory University is committed to a policy of nondiscrimination on the basis of race, color, national origin, religion, sex, sexual orientation, age, handicap, or veteran status. Page 10 COURSES BY AREA TO FULFILL REQUIREMENT 2A VISUAL ARTS Visual Arts 100 Level Courses: ARTVIS 103: Intro Drawing and Printmaking ARTVIS 105: Intro Painting ARTVIS 109: Intro Sculpture ARTVIS 111: Foundations in Art Practices I ARTVIS 112: Foundations in Art Practices II Visual Arts 200 Level Courses: ARTVIS 203: Intermediate Drawing and Printmaking ARTVIS 205: Intermediate Painting ARTVIS 209: Intermediate Sculpture ARTHIST 210: Intro to Graphics and CAD ARTVIS 215: Chinese Art, Culture and Society through Calligraphy ARTVIS 290: Special Topics: Study Abroad ARTVIS 290W: Special Topics: Study Abroad Visual Arts 300 Level Courses: ARTVIS 303R: Drawing and Painting Tutorial ARTVIS 305R: Painting Tutorial ARTVIS 309R: Sculpture Tutorial ARTHIST 318: Natural Science Illustration ARTHIST 387: Conservation/Cultural Properties ARTVIS 390: Special Topics: Study Abroad ARTVIS 390W: Special Topics: Study Abroad ARTVIS 389: Special Topics ARTVIS 398R: Directed Study Visual Arts 400 Level Courses: ARTVIS 490: Senior Seminar Fulfills Requirement D ARTVIS 496R: Internship in the Visual Arts DANCE Dance 100 Level Courses: DANC 150R: Movement Improvisation AND one other one-credit class for a total of two credits Dance 200 Level Courses Page 11 DANC 230: Principles Of Design DANC 240: Dance Literacy DANC 250: Choreography I Dance 300 Level Courses DANC 350: Choreography II DANC 360R: Choreographic Laboratory Dance 400 Level Courses DANC 492R: Special Projects: Technical Production DANC 497R: Special Projects: Choreography FILM AND MEDIA STUDIES Film Studies 100 Level Courses FILM 106: Photography I FILM 107: Film, Video & Photography I Film Studies 200 Level Courses FILM 206: Photography II Film Studies 300 Level Courses FILM 306: Advanced Photography FILM 378R: Screenwriting FILM 378RW: Screenwriting FILM 385: Documentary Filmmaking I FILM 386: Documentary Film Making II FILM 387: Documentary Filmmaking III FILM 399: Internship/Filmmaking Projects THEATER Theater Studies 100 Level Courses THEA 130: Basic Stagecraft Theater Studies 200 Level Courses THEA 230: Principles of Design THEA 250: Directing I Theater Studies 300 Level Courses THEA 330R: Stagecraft Laboratory THEA 331: Costume Design Page 12 THEA 332: Set Design THEA 333: Lighting Design THEA 335: Scenic Painting THEA 350: Directing II THEA 397R: Directed Studies In Theater Theater Studies 400 Level Courses THEA 431R: Costume Design Tutorial THEA 432R: Scene Design Tutorial THEA 433R: Lighting Design Tutorial THEA 450R: Directing Tutorial THEA 489: Special Topics: Theater THEA 489W: Special Topics: Theater THEA 497R: Advanced Directed Studies THEA 499R: Spec Project in Theater Studies ART HISTORY CLASSES TO FULFILL REQUIREMENT 2B Art History 100 Level Courses ARTHIST 101: Art/Arch Prehistory To Renaiss ARTHIST 102: Art/Arch Renaiss To Present ARTHIST 103: Understanding Architecture ARTHIST 104: Architectural Survey (Pending--NEW COURSE) Art History 200 Level Courses ARTHIST 213: Ancient Egypt Art 3000 - 1550BC ARTHIST 214: Ancient Egyptian Art 1550 - 30BC ARTHIST 220: Bronze Age Greece ARTHIST 221: Ancient Greek Art/Architecture ARTHIST 222: Art & Architecture Of Ancient Rome ARTHIST 225: Ancient Mesoamerican Art/Architecture ARTHIST 226: Ancient South & Central American Art ARTHIST 231: Early Medieval Art, 200-900 ARTHIST 232: Monastery & Cathedral 900-1300 ARTHIST 233: Introducing Medieval Buildings ARTHIST 241: Northern Renaissance Art ARTHIST 242: Italian Renaissance Art/Architecture ARTHIST 244: Art in Renaissance Europe ARTHIST 251: Arch/City Plan Europe Page 13 ARTHIST 252: European Painting, 1590-1789 ARTHIST 259R: Historical Perspectives/European Art Topics ARTHIST 259RW: Historical Perspectives/European Art Topics ARTHIST 261: Europe In The Age Of Revolution ARTHIST 262: Europe In The Late 19th Century ARTHIST 265: Europe In The 20th Century ARTHIST 265W: Europe In The 20th Century ARTHIST 266: Contemporary Europe And America ARTHIST 271: American Art/Architecture Before The Civil War ARTHIST 272: Century After The Civil War ARTHIST 273: Survey Of American Painting ARTHIST 275: Modern Architecture: 1880 – 1945 ARTHIST 280: Arts Of Black Atlantic World ARTHIST 282: Art Of East & Southern Africa ARTHIST 285: Contemporary Caribbean/Latin American Art ARTHIST 289W: Perspectives on Non-West Art Topics ARTHIST 290R: Seminar: Art & Architecture America/Europe Page 14
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