the Reach Hair Colorists, Stylists, Educators, Students, Distributors + MORE 5 1 0 2 DIA ME IT K We’ll Connect You to an Audience of Salon Industry Professionals & Decision Makers 2014 Maggie Award Winner for Best Editorial Layout,Trade 22 The Colorist | SEPTEMBER/OCTOBER 2012 | thecoloristmag.com WE SPEAK HAIR COLOR Colorist the MEDIA KIT 2015 WE ARE THE ONLY TRADE MAGAZINE in the professional beauty industry created specifically for colorists. Our readers live and breathe hair color, and they devour editorial content like ours. Take a look. 77% 12,007 are colorists, hairstylists or barbers who provide hair coloring services. specified the professional hair color brands they use 10,624 66% are salon owners and managers who provide hair coloring services. 75% of our subscribers earn TOP 15 HAIR COLOR BRANDS THEY USE OF OUR SUBSCRIBERS REQUESTED A MAGAZINE SUBSCRIPTON. 40% OR MORE OF THEIR INCOME FROM HAIR COLOR SERVICES. Redken Matrix Wella Paul Mitchell Goldwell Pravana L’Oreal Professionnel Joico Clariol Professional Schwarzkopf AVEDA Scruples Farouk Systems TIGI Framesi Farouk Systems Source: November/December 2014 issue Colorist the MEDIA KIT 2015 PHOTOGRAPHY: ROBERT LYNDEN Colorist Madison Loren t s i r o Col the pril 2012 March/A Dynamic Duamopsoos and Sh ners for conditio ated hair color-tre k In tythPeerry’Psin hair Ka coded color de e Onngs Gair m color bri Ha ger The Hunto life Games 12 The Colorist | FEBRUARY 2012 | m stmag.co thecolori JANUARY/ AUDIENCE We deliver the content that our hair colorists and stylists, salon owners and managers, educators, students and distributors want. Inspiring the art of hair coloring with new hair color formulas, step-by-step techniques and hair style trends is what we do. Of our 26,500+ subscribers, crossover with Beauty Launchpad, our sister publication, is around 11,000. 55,911+ RECEIVE DIGITAL MEDIA (DIGITAL EDITION, E-NEWSLETTER, SOCIAL MEDIA OR EMAILS) RECEIVE THE MAGAZINE IN PRINT, DIGITAL OR BOTH PUBLISHED 6X’S ANNUALLY 82,480+ t s i r o Col the 26,569 R OU NCE IE UE AUD NIQ IS U TOTAL REACH Creative Age Communications, Inc. 7628 Densmore Avenue, Van Nuys, CA 91406-2042 To advertise, contact Associate Publisher Danielle Timsit [email protected] • 800 442 5667, ext. 215 Source: November/December 2014 issue Colorist the MEDIA KIT 2015 AWARD WINNER The Western Publishing Association, which promotes the pursuit of excellence among publishing and media professionals, presented a 2014 Maggie Award to The Colorist for “Best Editorial Layout/Trade Under 50,000 Circulation” for Heart Lands, a feature we published in July/August, 2013. 2014GIE G MA ARD IAL AW OR T EDI UT, T S O BE LAY DE TRA Colorist the MEDIA KIT 2015 HERE’S WHAT THE BEAUTY INDUSTRY IS SAYING Congratulations ➺ on The Colorist. FROM THE HIGH-GLOSS, HIGH-QUALITY COVER IMAGE TO THE TRICKS OF THE TRADE AND INSPIRATION TO OUR INDUSTRY, THE COLORIST IS AMAZING. IT’S GOT EVERYTHING FROM NEW IDEAS TO NEW TECHNOLOGY. What a beautiful, informative and refreshing publication. I wish you every possible success with this wonderful new book and can’t wait to see the next issue. —GOLDWELL ARTIST JOHN SIMPSON —BETH MINARDI, JOICO AND MINARDI BEAUTY I always look forward to my Colorist magazine because it’s refreshing, inspiring and loaded with the most up-to-date information about what’s going on now and what’s ahead. —CHERRY PETENBRINK, JOICO COLOR SPECIALIST AND FREELANCE FILM COLORIST I love the feature articles in The Colorist because they provide up-andcoming news on trends in the industry. This magazine is a mustread for any new or experienced colorist. —TRACEY CUNNINGHAM, REDKEN CREATIVE CONSULTANT FOR COLOR A sophisticated publication ➺ that’s loaded with amazing images and focuses on the technical, creative and business aspects of hair color. A must-have for all those who aspire to elevate the standard. I just received my copy of The Colorist and have read it coverto-cover. So well done and easy to maneuver through and so beautiful. I love to see the beautiful photographs in The Colorist, and all the tips from industry masters help keep me up on hair color trends. Trade magazines are an invaluable resource, a window on our hairy world, and Marianne is a whip-smart editor and friend! Here’s to many more issues. I’ll be waiting! —ANN MINCEY —CHARLIE PRICE, INTERNATIONAL CREATIVE CONSULTANT FOR SCRUPLES HAIRCARE —WALTER CLAUDIO, FOUNDER OF HEADMAPPING COLOR SYSTEM ➺ Just had to tell you that my clients love your new magazine. It looks so much like a consumer magazine that one of the girls at the front desk put it in the reception area when it arrived and my clients started raving about it. I can’t tell you how many of them showed me a photo from the magazine and asked if they could get color like that. Congratulations. —CELEBRITY COLORIST KIM VO I absolutely loved your story about your grandmother in the May/June issue of The Colorist. It was a great read! —BRIG VAN OSTEN, CELEBRITY STYLIST AND SHEAR GENIUS WINNER ➺ I have done color for Eva Longoria, Victoria Beckham and Hilary Duff to name a few, and I wanted to tell you how much I love this magazine that’s all about color. —CELEBRITY STYLIST MARISSA MARINO I LOVE READING THE COLORIST FOR THE GREAT HAIR COLOR ARTICLES AND STEP-BY-STEPS AND TO KEEP UP WITH WHAT’S HAPPENING IN THE HAIR COLOR INDUSTRY. —L’ORÉAL PROFESSIONNEL ARTIST JENNIFER MACDOUGALL Colorist the MEDIA KIT 2015 THE POWER OF DIGITAL Our readers are early adopters of new media. They readily accept and engage with digital editions, e-Newsletters, websites and social media. Reach 55,911+ salon professionals through our digital media. SOCIAL MEDIA DIGITAL EDITION 5,760 5,976+ DISTRIBUTION 37,752 PAGE VIEWS TOTAL AUDIENCE WEBSITE 11,144 VISITS thecoloristmag.com 18,801 ENEWSLETTER 3RD PARTY EMAILS 10,707 10,650 DISTRIBUTION DISTRIBUTION PAGE VIEWS Creative Age Communications, Inc. 7628 Densmore Avenue, Van Nuys, CA 91406-2042 To advertise, contact Associate Publisher Danielle Timsit [email protected] • 800 442 5667, ext. 215 • Fax: 818 782 7450 Colorist the MEDIA KIT 2015 DEPARTMENTS Celebrity news, fun facts, fabulous hair color, who’s who, cool tools TOP SHOP Stellar Salons STATION TO STATION Experts share their hair color advice LOCAL COLOR What’s trending in salons nationwide STEP BY STEP Breaking down our cover look SHELF LIFE New products NEWSFEED Industry news POINT OF VIEW Having your say TALK SOUP The last word TIP SHEET Colorist the MEDIA KIT 2015 2015 EDITORIAL CALENDAR FEATURES JAN/FEB JIFFY LUBE Hair oils that instantly transform hair AD CLOSE AD MATERIAL DUE 11/24/14 12/1/14 1/27/15 2/2/15 3/27/15 4/2/15 5/29/15 6/4/15 7/27/15 7/31/15 9/25/15 10/1/15 CRIMSON TIDE Ravishing redheads MAR/APR HOLLYWOOD ISSUE Trend-setting celebrity styles NATURAL SELECTION Going green MAY/JUNE SILVER LINING Grey coverage demystified SOAP DISH Shampoos for color treated hair JULY/AUG RED, WHITE AND BLONDE The all-American blonde BEAUTY 911 Problems solved SEPT/OCT FOXY BROWN This season’s most beautiful brunettes UNDER COVER Masks and deep conditioners NOV/DEC 30 UNDER 30 Our annual list of the top colorists under 30 ual n n 0 a Our DER 3 N 30 U LIST G SIN GET SMART Preparing, protecting and preserving color-treated hiar RI OF TARS S MONTHLY COLUMNS TIP SHEET Celebrity news, fun facts, fabulous hair color, who’s who, cool tools and more TOP SHOP Stellar salons STATION TO STATION Experts share their hair color advice LOCAL COLOR What’s trending in salons nationwide STEP BY STEP Breaking down our cover look SHELF LIFE New products NEWSFEED Industry news POINT OF VIEW Having your say TALK SOUP The last word BONUS DISTRIBUTION AT ALL INDUSTRY TRADE SHOWS Colorist the MEDIA KIT 2015 FREE FOR ALL 1 2 PUTS PRODUCTS DIRECTLY INTO THE HANDS OF POTENTIAL CUSTOMERS. E E R F ALLs ist olor win c FOgivR s e ce to . n a ts a chproduc OUR FREE FOR ALL PROGRAM GIVES OUR ADVERTISERS AN ADDITIONAL OPPORTUNITY TO MARKET THEIR PRODUCTS TO OUR READERS AT NO EXTRA COST. To learn more, contact Associate Publisher Danielle Timsit [email protected] • 800 442 5667, ext. 215 Colorist the MEDIA KIT 2015 ESSENTIALS Showcase your products to key industry professionals who make buying decisions. Striking, full-color layouts are designed to grab attention and deliver your message to a receptive audience. Cost is just $700 per ¼ page. You provide a photo plus 40 words of copy and your contact information. We do the rest. 1 2 3 4 ENJOY A HIGH RETURN ON A MINIMAL INVESTMENT. THERFUL E ective eff e POcW ost nativ BENEFIT FROM THE IMPACT OF FULL COLOR. r alte displayg! to ertisin adv TEST-MARKET NEW PRODUCTS. MAINTAIN EXPOSURE FOR MULTIPLE PRODUCTS. To advertise, contact Associate Publisher Danielle Timsit [email protected] • 800 442 5667, ext. 215 Colorist the MEDIA KIT 2015 2015 RATES PREFERRED POSITION RATES Position requirements will incur an additional 10% charge above and beyond your current size, color and frequency rate. SPECIAL POSITIONS All special positions are full-page, four-color ads, and are based on a per-insertion price. These positions are only available to positionspecific, contracted 12-time advertisers (unless otherwise indicated) on a first-come, first-available basis. OTHER COLOR CHANGES Fifth color rate add $800 for PMS for Metallic or Fluorescent PMS colors to your current size and frequency four-color rate. 1X 3X FULL PAGE $3,335 $3,175 $3,095 $2,800 1/2 PAGE $2,500 $2,385 $2,250 $2,100 1/3 PAGE $2,335 $2,225 $2,100 $1,960 FOUR COLOR 6X 12X To advertise, contact Associate Publisher Danielle Timsit [email protected] • 800 442 5667, ext. 215 Colorist the MEDIA KIT 2015 STANDARD AD SIZES AND DIMENSIONS ONE PAGE (Bleed) ONE PAGE Bleed Size 8 7/8” x 11” Trim Size 8 5/8” x 10 3/4” Live Area 7 5/8” x 10” Live Area 7 5/8” x 10” 1/2 PAGE (Vertical) 3 5/8” x 10” 1/3 PAGE (Vertical) 2 3/8” x 10” TWO PAGE SPREAD (Non-bleed) TWO PAGE SPREAD (Bleed) 16 1/4” x 10” Bleed Size 17 1/2” x 11” Trim Size 17 1/4” x 10 3/4” Live Area 16 1/4” x 10” Colorist the MEDIA KIT 2015 PRODUCTION INFORMATION PRINTING DISKS Web offset. SWOP standards apply. Multiplatform CD or DVD disk must be submitted BINDING Completed Disk Output Request Form (enclosed). Color proof or laser with instructions and color with the following: Saddle stitched. percentages. Must be CMYK, 300 dpi with fonts embedded and print Printout of all items on disk. Disk must include all images, TIFFs, fonts, EPS files optimized. PDFs sent in any format other than stated are NOT and InDesign documents. PDFS (PREFERRED FORMAT) ACCEPTABLE and will need to be resubmitted in the correct format and will be subject to late charges. PROOFS ACCEPTABLE PROGRAMS All ad submissions must be accompanied by a proof. For four-color ads, provide color Fuji print, Rainbow Macintosh-based programs only: or equivalent according to SWOP standards, processed on Adobe InDesign, Photoshop, Illustrator. publication-grade stock. FTP GUIDELINES Color rotation is black, cyan, magenta, yellow. Proper color reproduction is not guaranteed without Please use your web browser to access our File acceptable color proof. Transfer server: For Macintosh we recommend using a current version of INSERTS Firefox (OS 10.4 or newer). Standard, multifold and die-cut inserts accepted. For Windows we recommend either Internet Explorer or a Contact production director for specifications at least three current version of Firefox. weeks prior to space closing date in order to determine exact The user name is: colorist The password is: drup4Lcms The URL is https://76.79.242.58 (please note the ‘s’ in https://...) production requirements and costs. Inserts must meet all applicable postal requirements. APPLICABLE PRODUCTION CHARGES $40/hour with $40 minimum charge the certificate. Click OK to continue. Enter user name launchpad and the password copy due date. You will see a warning message that the browser is not able to verify the certificate. This is normal, please click OK to continue. You will see a similar, second warning concerning 66trUllima and click the Login button. You are now connected to our File Transfer server and ready to upload/download your documents. PLEASE MAKE SURE YOU PLACE THE FILE IN THE ADS ONLY FOLDER. Computer design, production or typesetting. Resizing of ad to meet required specifications. Copy additions or deletions. Late charges will be applied for materials received past MAILING INSTRUCTIONS Send all contracts, insertion orders, copy corrections, disks or other material pertaining to advertisements to: Flora Robinson [email protected] The Colorist Magazine Please click on the provided buttons to upload, download, 7628 Densmore Ave. Van Nuys, CA 91406-2042 delete or rename your documents. Ph: 800.442.5667 Fax: 818.782.7450 Colorist the MEDIA KIT 2015 CONTRACTUAL REGULATIONS 1 | Advertisements are accepted upon the representation that the advertiser and its representations, sketches, maps, trademarks, labels or other copyrighted matter) of agency have the right to publish the contents thereof. advertisements printed, or the unauthorized use of any person’s name or photograph 2 | All contents of advertisements are subject to publisher’s approval. The publish- arising from the publisher’s reproduction and publishing of such advertisements pur- er reserves the right to reject or cancel any advertisement, insertion order, space suant to the advertiser’s or agency’s order. The publisher reserves the right to reject, reservation, or position commitment at any time. There is no guarantee of results for discontinue or omit any advertising or any part thereof. This right shall not be deemed advertising accepted. to have been waived by acceptance or actual use of any advertising matter. 3 | Positioning of advertisements is at the discretion of the publisher except where 17 | All advertising is subject to the publisher’s approval. The publisher reserves the a request for a specific preferred position is acknowledged by the publisher in writ- right to reject advertising which he/she feels is not in keeping with the publication’s ing. Fourteen days’ written notice is needed for cancellation of a preferred position. standards and policies. The publisher reserves the right to modify such standards 4 | All insertion orders are accepted subject to the provisions of our current rate and policies from time to time. card. Rates are subject to change upon notice from the publisher. Should a change 18 | The advertisers’ index is prepared under the regulations and policies of the in rates be made, space reserved may be cancelled by the advertiser or its agency publisher as an extra service to the advertiser over and above his space order. The at the time the change becomes effective without incurring short-rate charges, publisher, therefore, does not assume liability for errors in the index notwithstanding provided the advertisements published to the date of cancellation are consistent all normal precautions. with the appropriate frequency or volume rate. Cancellations of space reservations 19 | The publisher’s liability for any error will not exceed charge for the advertise- for any other reason in whole or in part by the advertiser will result in an adjustment ment in question. of the rate (short-rate) based on past and subsequent insertions to reflect actual 20 | The publisher assumes no liability if for any reason it becomes necessary to space used at the earned frequency or volume rate. omit an advertisement. 5 | Conditions, other than rates, are subject to change by the publisher without notice. 6 | The publisher shall have the right to hold the advertiser and/or its advertis- 21 | The publisher is not liable for delays in delivery and/or non-delivery in the event of Act of God, action by any governmental or quasi-governmental entity, fire, flood, ing agency jointly and severally liable for such monies as are due and payable insurrection, riot, explosion, embargo, strikes whether legal or illegal, labor or material to the publisher for advertising which the advertiser or its agent ordered and shortage, transportation interruption of any kind, work slowdown, or any condition which advertising was published. If it should become necessary for Creative Age beyond the control of the publisher affecting production or delivery in any manner. Communications to initiate any legal proceedings to collect any balance due, the 22 | Failure to make the order correspond in price or otherwise with the rate sched- advertiser and/or its agency agrees to the jurisdiction of Los Angeles, California. ule is regarded only as clerical error and publication is made and charged for upon The advertiser and/or its agency shall also pay a reasonable attorney’s fee to be the terms of the schedule in force without further notice. fixed by the court and all other collection costs. 7 | If advertising materials are received past due date, the publisher is not respon- 23 | The publisher reserves the right to limit the size of space to be occupied by an advertisement. sible for position, reproduction of late materials or coupon positioning. Proofs for 24 | When change of copy, covered by an uncancelled insertion order, is not pub-set ads cannot be supplied when materials are late. Opportunity for make- received by closing date, copy run in previous issue will be inserted. good is lost and late charges will apply when materials are received past due date. 8 | Insertion instructions shall be supplied for every advertisement and shall clearly 25 | The publisher assumes no liability for errors or omissions in key numbers, or its reader service program, and/or reader service numbers, or advertisers’ index. state the following information: name of publication, name of advertiser, date to be 26 | Advertisements offering prizes, or contests of any nature, are accepted provided inserted, size of advertisement, identification of advertisement (proof of ad to be prior approval has been obtained from the post office at place of publication entry. furnished if possible) plus any special instructions such as bleed, color, etc. 27 | Requests for specific position at R.O.P. rates are given consideration but no 9 | No conditions, printed or otherwise, appearing on the space order, billing instruction or copy instructions which conflict with the publisher’s stated policies will be binding on the publisher. 10 | A contract year, or twelve-month period, starts from the date of the first guarantee is made unless the position premium has been provided for in the contract. 28 | Advertisements ordered set and not used will be charged for composition. 29 | No conditions other than those set forth here shall be binding on the publisher unless specifically agreed to in writing by the publisher. The publisher will not be insertion. Twelve-month periods do not overlap; in other words, space counted in bound by conditions printed or appearing on order blanks or copy instructions one contract period to determine the rate for that period cannot be counted again which conflict with provisions stated here. toward determining the rate for the subsequent or past periods. As used in this section entitled “Contractual Regulations” the term “publisher” shall 11 | Space orders whenever possible should specify a definite schedule of insertions, issues and sizes of space. 12 | The forwarding of an order is construed as an acceptance of all the rates and conditions under which advertising is sold at the time. refer to Creative Age Communications, Inc. COMMISSIONS 15% of gross to recognized agencies on space, color and position if total amount is 13 | Contracts may be discontinued by either party on 30 days’ written notice. 14 | Cancellation of space order forfeits the right to position protection. 15 | The publisher reserves the right to give better position than specified in the paid in full within 30 days from invoice date; otherwise, no agency commission will be order, at no increase in rate. TERMS allowed. No commission can be taken on production charges or binding charges. All orders accepted for space subject to credit requirements. No cash discount. 16 | The advertiser and advertising agency agree to indemnify, defend, and save Payment is due 30 days from date of invoice. A late charge of 11/2% per month will harmless the publisher from any and all liability for content (including text, illustrations, be charged on unpaid amounts thereafter. Colorist the MEDIA KIT 2015
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