yffiHiTf,ffi:1*i,&r*
3
3
3
SECTION 3
Time
25 minutes
24-Questions
Turn to Section 3 (page 4) of your answer sheet to answer the questions in this section.
answer from among the choices given and
Directions: For each question in this section, select the best
fill in the corresponding
circle on the answer sheet.
3.
Each sentence below has one or two blanks, each blank
indicating that something has been omitted. Beneath
the sentence are five words or sets of words labeled A
through E. Choose the word or set of words that, when
inserted in the sentence, best fits the meaning of the
sentence as a whole.
The spotted bowerbird has a ------- for Emassinq the
bright shiny objects it needs for decorating its bower:
it will enter houses to ----\- cutlery. coins. thimbles,
nails. screws. even car key\
r
\
j,.t(l
{l)
Example:
(A) enforce..useful
(B) end. . divisive
(C) overcome . . unattractive
(D) extend. . satisfactory
(E) resolve..acceptable
4.
indictment (Bf
an
6@&0f
-;c\
illusion {.Q
a
copy
r!A$9g.
Residents of the isolated island were forced to
the art of navigation. becoming the ocean's *oit
sarlofs.
7(J6
}
\r'l
..taid&
Not only was the science of Hildegard of Bingen ------
(c) derived from. . prgfundity
(D) related to..acaylacy
(E) diminished by . - detaphrrnent
--rrr-
(B) temperamental (C) congenial
t
\
.1f.,1
€
S{-.u. *
€qsi
e
f
t lqqk
lP:lii:-il
\(4)
(B)
(C)
(D)
(E)
- ,3
Jr
tr
cF '/*'sr cut n "'J
{-1'rtc
*u.1,
f
t
elitist-. . perquisites
amorydchical .. tribulations
un
an irreproachable. . luxuries
areprehensible . . affliedons
acommendable. . plir{leges
t
.ntt
gppgnenls of the research.T:1111:
r r"l^
hnachronism; its scholars. they allege, have -Y"----rivaling those of rire-Revolutionary French nobj!i!5
(D) vulnerable (E) reclusive
I
_
dj5tfrb
inseparable from. . legitimacy
unconcerned with . . preptfge
(D) a symbol (E), a mockery
uo"pt
reyrcdy
..
na*evat-eidl-aattrorities.
5.
(y'rJ an
r 9))/"
her theologyrlglher religious visions helped give her
scientific worky'----- by winning her the support of
The rebels saw the huge statue ofthe dictator as ------of the totalitarian regime and swiftly toppled the
6
u*r"rrp*K l'*Lt''
Vuy>o{e.. dispense
{Et
ggt.
2.
.
1D) pr6dilection
Hoping to ------- the dispute, negotiators proposed
a compromise that they felt would be ------- to both
labor and management.
1.
knack
@ penchant..pirre>- tc,5
t;t \
',P\ -1,31
I
ffi #TxTt?"1:,y,ffi ,f#"#:*9,:;:';:ilff
passages and in
passages
r'n anv
inrrnrrrrn?^-.,
any introductory
tsages' Answer the questions
^ il1n,r'"rcon,en,;n'*
'-^+^r^r^r, U" provided.
materiaithatrn'"y
Questions 6-9 are based on the following passages.
7.
Passage 1
The eighteenth-century botanist
Carolus Linnaeus,
*jiq*.i:j
Line
5
c_ontribution to natural hi s tory
an overall plan. yet Linnaeus
himself woulj prJaUfy
have been the first to admit that
classificarlo.iJonfy
a tool. and rr@-u!!|]!a&Jrl[Ee.
of
niit
;fi :[ffiff
pue" 2
themselves almost
""Tern
hundred
"*"toriu
rp
(.
p-nilVf.i
e o,n pu..u-e"
,n
aspects ot Lrnnaeus' work?
@
vi1
^
o
ll#iili;J,*":L,$*:
am *:^
warv
ab.9glgr aneg.ilhas.-effe"t"d ;
9!
;;;-,];t
*"""
*
The extent to which it contributed
to natural
science
(B)
ii: ;.?i:
(E)
rtre
r tnJror r o*i n n
,';
T"*
J'IT"T,ffiT,T:,
(D) The decisiveness with which
it
am a hereric about L.
varue or the toor he
1.5
ffi:'.",^:iJ,"';;.
(c)
llloq*'\
fl
Unlike the author ofpassage 1, the
author ofpassage 2
makes use of
.
biolosical
ugTnunatery. this truh was noiigffit
ll*{l
ro nrs lmmedrate sucbessors, who
for ttre
fr rvloi;*
,-^r,^, in
r- .,.
what is srarcrr
stated nr
or implied
the
(A) scientific data
(B) literary allusion
lCt historical research
{
#il11ffi,[[Tit#"
"lElliul
on the ba-sis
*,,r"J
,.i. iii""'"
disputes
The kinds of scientific discoveries
on which
ir builr
9. Th.e author.of passage I would
most likely resDond
ro rne openrng of passase 2 (lines
thattheauthorof passale2has
20
certain possibilities of seeinf
and upp."f,"Jtg". fo.
rhe modern human thinks^tirut
t oi-r-n" .un
/4tt
:il,T_p,]:,
" fy
a species
*:::1._"":.tLlj1:-fo,
;[/r)-
jB)
94,,"")
"*"u_tning
i:119i::",".uttrees;..""iil;;;;i;;#;','#ili."
il;;;;,r-
ffi
I?:l
:::;,1ti',._1._iLl.*, ""J
j*::o::"',:f
:
,*#:
@
^pr1t',i".".,',urii.,"#;il,;t"#:;
of
organtsms, all of which make
up tfr" rvt ot"
the woods.
"*p"ri"n."
6. Compared to the author
of passage 2. the author
of Passage I regards-Lipnagus with more
demonsrrated that Linnaeus should
be better
known as a scienfist than he .r*""tiy
minimized the achievements of those
scientists
who built on Linnaeus, work
refused^to appreciate the importance
ofproper
classification to scientifrc progress
_
failed to distinguish the ideas oiLinnaeus
from
those of his followers
misunderstood Linnaeus, primary
ir*'
appreciation
@
(D) nostalgia
I
(E) resentment
arl\
,.F
r^o,.,,
p a'95 a
ld Y"*
fe rrre
+t*
f
contribution
' to natural history
(A) cyrucrsm
(Br bafflement
0
'- -t'vrq'utr
iguing
- tZ_ntAy
,ti*
f,"
in
't
'P "";:"'
;e>*rons *o,
^l'1
\*b"*:,nr';o
";:tQ' ii, ^' q'"1't n5
'
;:'
r,"es--ff
i.,
707
3
F;t{-irt,r
Questions 10-15 are based on the following
y;r;ffi?lf'svJxl'J'ilffi*
passage.
3
10. The word "obsessive" (line 7) most nearly means
T;l:X?:';;,r,:;;;';*;{#r,i":#t:jr:';;,{f,#
6(C) ;llln'"*"
obvious
portravs
fanc4fuLu-sugL the novelist
the
@
towryp3gpQ
(D)
(E)
the
amazement
electric
Dazzledby so many and such marvelous inventions,
people of Macondo did not know where their
began. They stayed up all night looking at the pale
Line bulbs fed by the electric plant that Aureliano Triste had
brought baik when the train made its second trip,
rook time and et'fbrr for them to srow accustomed to
r-
lrnolse.
*
r
infatuated
hardworking
.,fraud" (line
16) that upset the citizens of
11. The
Macondo was related to the
and[ tr {
iil 1ct$;
s
p'lo -s{ru
\\,
\'{:I
$r)eexcessive charge for admission
outlandish adventures of the characters on the
J,Bf
screcil
screen
'ffibecame
did
tnc screelr
screen uru
furtthat
Inar tne
the, evenrs
events oeplcleo
depicted on the
(! racl
tlrglt t\-^-t,t
lmages that
rnat thg-4
thatthg4
tne living
llvlng images
r ney became
Decame iryllg4qnt
lElryI over the
indignant
[9
f
I r -6 3,i
!\l^1,"
notactuallyoccur
fnqin
i&"
proje'ctedJnthesc.eln\'lN',,rr
prorp.rou.merchffioCrespi
-"-.-^.^^[t *('
"" s:: :l,r:i:::
(D) types of difficulties the actors faced
::.1:m
i.: :'*
l'"s/ 4JOc.r'
P"'",
for lithe
ticket windows,
t0 inr::l'1"^:
the theater
with the lion-head
'
r
told
plots
the
stories
that
were
implausible
of
@)
character who had died and was buried in one film, and for
whose misfortune tezus of affliction had been shed. would .
'^f
,.upp.u,utiu.""aLffiinte'},i..',1r.12.Thecitizenslostinterestintheirphonographsbecause
qS (itr the machines lacked rhe t.* unO ,out orff
n.*11".. ih" uuoi.n... *r.'o paid two ..nt. upi".. to-rlt-. {.'',,
\'r
thedifficultiesof theactors,wglg!4!.,!g!9l3!ggghan ,t15
musicians i,nrs B Tl-Sg
outlandish fraud and th"u btGgup.tbg-E@ The mayor.
(tq\* {!) few people were ablJt6
operate them
at the urging of Bruno Crespi. explained in a proclamation
.(€l the machines were roo difficult rg observe , _ ,eG,.e,J
t.r
20
l|:l'ffi:'ffiTiJii:ftx'l[Hi;U:ll','f',$',f,.1il, *, ,"1;lTx1i"dr-.;,,n;ffi;],j:Y:l]';1."';;;
discouraging explanation
fil! that,thF
lnany
?el ,n. ihildr.n *..E6iffifr-.m
return
they already had too many
viglilqsolgqme new.trickery and they decided not to
movies,EiiliFiiillthat
troublesoftheirowntoweepovertheacted-out{1r9rto the
2s
a
^r
was
themthe
close
was
business on the street where they were sold and there
even word of respectable persons who disguised
selves as workers in ord€gtq
ordestq observe the novelty of
phonograph at firsthand.[Srjfrom so much and such
observation they soon reacEed the conclusion that it
mill as e
housht and as some
not an e
had- sar-ff$lfa
trick that could not be cgp4ry1L
udgr something so miTififfiiuman, and so-ffTl6f-weryday truth as a
It was such a serious
disappointment that when phonographs became so popular
that there was one in every hqusejh!] were not considered
objects for amusement for adultslbgd as something good for
their continued employment
R*:
\
@[3t
b@@jans.
40
aDart.
/61i.-r-"thJffiffiwhen
childrentotake
45
50
fasrer than
they
'.1 ; l. , .
1.Qf could envision the changes it would bring to daily
village life
/,a,
^A.
no-tonger felt able-to make the usual assumptions
(9
about their world
serious etlects
effects on
werc teartul
fearful that lt
it would have senous
lp wete
J,4
tims the phonograph records had serious effects on the
rrr!
ity increased
rrrrru4JLu the
rrr5r Lurrvrrr_v
uvj!ulM\:!!l9J\]€!19.
35
made
- iJr"'t
Sk JtMacondoweredistressedbythearrival
13.
Thecitizensof
,. -.;.
^\.,Ters ---oiri,"t.l.pton.U..uu..tt,.y
tunesofimaginarybeings.
f{ccr{ f"'
th&'-J
Something similar happened with cylinder pbonographs_
fU'{
broughtfromFranceandintendedaSfffi;-{4)didnotknow@l.<}
(B)invention t".1
rrau E^lJ!!gu
rrrulE s:sially
t:lgXljJ-gry
bene,q94 lrrvsrrrrurr
exlggllgd a
amore
ror
anltquateo
Ine band
mUSlClanS. for
antiquated hand
nano Of€IanS
organs USeO
used by
DV the
DanO OI
of musicians.
\r.r had
. - L5,
twere
someone from the town had
the opportuniiy to test the c5g5!ggg!!! of the telephone
installed in the railroad station, which was thought to be
a rudimentarvversion of the ohonosraoh because of its
+
- lt was as if
crank-/even the most incredulous were uosed
God hatl decided to put to the teJt eve-y capacity lor surprise and yas keeping the inhabitants of Macondo in a
permanent alternation between excitement and disappointment, doubt and revelation, to such an extreme that no one
knew for certain where the limits of reality
lay.
-
7(J8
lto
tar
'-
S
a'L,rJ
r' ^
,ro
t4.
The aspect ofthe new inventions rnuffi
disappoinred the cirizens was rhat thebii-ventions
(.tf
ffi
(C)
(D)
(E)
were not all fashioned with a crank
aia not have any real educational value
were not at all what they seemed to be
were meant purely for entertainment
were so intricate ihey were difficult to operare
H.
Th"@tof
,(+rfJ illustrate the influence the distinguished residents
(B)
Qf
,^
(!2)
lv\ni^
?ur5'^)a
b e- {-L^o
tt brJ
@f
o? f h.ei &**
ofi\e^
'uJ l\\
ClLc\
3LJe
a\
.
L.rt{
..
rhe passage is to
of Macondo had on the other citizens
describe the new scientific inventions that were
introduced to Macondo
depict a diverse crowd reacting in unison to a
magicalperformance
describe the people's responses to the influx of
technical advances
delineate old-fashioned ideas about the virtue of
nature over technology
ff,\w'r{t
+o
'Liotr5
ques''
o
^
l"1
61\-{ennP'
6 iJi{r 4
ot^ A\ah
{t
r
fitnttr / 9s SoSa
\
Ja.r
c1o a
>lioo s
our- ttorA
;n ! oa(
s
F ic 5't-'
709
t"*.p.ti"t r"*g"t
Questions 16-24 arc based on the following passage.
rgds. Lodk around any restaurant and see how few people
will sit at a center table unless the sides are filled up. Yet
This na.ssase is bv a choreopraoher who worked with the
influential dancer and choreographer Martha Graham
(1894-1991). Itfocuses onthe use of space and geslUfe 1g
55
@-
I am not
Line
5
an adept aesthetician, and
I could not presume
to analyze Martha's sense of design or approach toward
design. But I believe she!gg!t with the elgryg!g3'|]@nd
direction with the instincts of a mathemaljcian or physicist.
@6 each their e4qlional relations. For-example, a
60
in public.
The individual as a personality, then; has a particular
code in space and rhythm, evolved from his or her life
history and from the history of the human race. It is just
the manipulation of these suggestions through time-space
that is the material of choreography.
*
;;ftffi-i"
ffiE[t
monarchs of old always dined dead center and many times
*1u'"li-oilit qeg!.
hne rarely, if
occur in art, and it is used in art with various telline
A Swiss psychologist (1875-1961)
-v
by
15n
l.ii"n *o.t, .itnlur -uil".T;'56#rli"g
"6@lroduces
one kind of emotional line, a receding or
Je '''"}{
rr' ?
16. The lirst6,o sentences (lines
respecd{ely.
departing body another; the meeting of two forces produces
visual, kinesthetic, and emotional effects, with a world of
suggestibility around them like a penumbra that evokes
many ideas and emotions whenever these forms are manipulated. Basic human eestures-as!!!.ne. therefore.
(fi
oir.\ui*..
1,,,
\AJ
-4
"A gtnVnc<
are characterized.
,/
und urr.f,i,rn
invocation and definition
apology and confession
authority and hypothesis
ff
(C)
(D)
a!-qlmslt
(E) rebuttal andanalysis
turningtlffi*:\
ts ffiof
*
ffiy.ffiumple. removes personality. relationship. Nor \
\,9
rarely, if
only that, it seems to alter the relation of the individual to \
1*
-\7. In lines 5-6, the statement "a straightrhelineauthor'i
{4)
pr.i.nt time and present place. to make here-and-now l{o"d
ever, occurs in nature" emphasizei
,.)ztJ
-^.other-whereandother-time. Italsoshiftstheparricuta.r [-o\us*
recognitionofthe ;(t 0."17 i-*lCes a"e
20 personality to the general and the symbolic. This is the I o\ , . raf
powerofthehumanfaceandthehumanregard,an!thela.>k,,-ffi:n:::ffi:*i:]ll!ii"Ji"ffiiffi-:,,;;-^
/
;5 ;;;;;;;ui"; ' '"runne*""' rrom nature tht '
['"'i:'-::!nj".fi::#":;|,i1'?Tli'il"',1,T;:L:,T.", I
shockorcharge.ltrepresentSthehearloiovnu#,i"]lii;-l@Wof|rerlormingcertainchoreographedt-l
motrons
J25 irself.Thelossofthai regardreducesall connectionsto
Lor( F4''
.-^+-:^^rr^*^
''
(E)
forms o^oc
""-:'"
of geometrical
Fe
nothingness and void.
.y.i""rr"tity
3]A
"Tunjng o-ne's back" has become a common ligure of^
l8' B-ysayingthatthemeetingoftwoforcesproduces
soeech. Irmeanswithholdineaporoval.oirclui.ini.n"eatile..;o'.r;ffiffi"a".,li'.pr'v,i.'i,";''.8e[fectsthathave'.aworldofsuggestibilityaround
l1-12)'theauthormeansthatthephysical tI
oithebackisequatedwithabsolutenegarionunoin;uit.- them"(lines
a
event
pmh
No back is turned on a royal
. 9- .\ is,
respect. This is linked with the loss ofvisual contact and
,. oL
;o[fj provokes unwarranted suspicions nClrt
*'
regard. One cuts dead by not meeting the eyes.
ieveals rhe morives otfftGfiFrB
'' \o (arnose used
used
usc(l
We know much about emotional
emorlonar svmbols.
symbols. Those
symDors.
audience ^".'-r*,o'"'
sulhblhtv ol
of the audlenc"
zO
Aa
'.+pl acts on the gullibilitv
\"no
pai
understood
ii by the medieval and Renaissance paintees-gpre
acceptance
tuttt the au#-nce-into complacent
by the scholars and artists of the time+lgJmore wonder@l ddR.r a vast number of7ffions
cs
ful, they me4n to us today spontaneoqsly-ilst what
40
45
meattlrh"-n; they seem to be permanent. We dream, Jung*
tells us, in terms and symbols of classic mythology. And
since, according
Jung, all people share a "collective
--D to
-" --'-o'
-.-^.--.:-;^'^-unconscious," people from disparate traditions nonetheless
/I 6J
)3,
I 't*)
"human gestures"
are not subject to an individual'sggglpl
r:a.t:^--r. .^ ^_^,_-_^ __-:aL^.-]
^-.^ dirricurt
^^:^-r:r:are
to anatvze without 11"'tin"
;;;-;;;;';;;"**;-i;;;;;ilnk;i;,;h;;1h",
certainspace,"tutionr,rnyttrms.unafr(ii.F.lt'avepsy- L*
lTTj"",lg#
.
;
II v)
Rflotok:d'ff:','"lrirynPeoPle,
*,"*"*"*'^
q carry powerful' universally understood.messages
qniversal
universal an4jhe
and the kev to emotional
emotiond
.".oonr"3etffi
,ffit-th-etr
t
devbllons uno
\
rooiti.urilii.uiT
efrl,oum*r
in term
s0
19. The *rnot'@about
, (line 14) is that they
mTTfrs are basrc to our well-belng as land and arr
.lhese
animals. As/plants will tum to sunlight or rocks or moisture
re bend toward or escape
escape
according tb their nature, so we
lli:::ffil|;:i:s;:'5:$mo'Isture
un
710
(E)
rtucsfuo
I
evolve with changes in
c1$lttglhv
I rrE lr
tY\ \1qe
' '1
({.
t";e *"iI'"-l:
,",,{.'r+,0'',u })--^'^^
,",,qra{ric,re
'h I eo :n'*
" '- .'^^- 10
t"'; -' 's
r**hg 4o,*lj1'
*hg
'
" rns
e
?
iu.
-r-.r, W
tig*,"lly
5*alc-tr i\
t{ - q5"
"{
'nt
iI
\
l,nevS
3
yffi:rx?f,fffixeJ,i,&1r"
,h"
20. The author ment
(lines 2l-22)
{gro
fi.,. l€. ce ("" rn ple'l-'''-
c-\-
meeting of the eyes"
22. As used in line 43, "stresses" most nearly means tni
he
@
.4Kf {fgct
lBd
(C|
a
\
(Q)
(E)
21.
that Bnk or sratus has on gesrural meaning
giificuttv
motion-al symbols
degree to which body language is not a function
"
events
ofH€
the work
al and Renaissan..
t
(line 35)
a-+A) It
{E}
{€t
pulnt".."
art.
\I
\
1*1
@
I
I
I
ttIfr6iif,6;cherished for its unioue svmbolism. I
..: '[ #k *-\"'\s
\\urro
i
U*tS
g![
(B!
,(€f
(D)
I
{\ar}'' i[t.*"
understood
--r
a resraurant
(lines 53-54) are expressing their emotional need for
I
J
adhered to
24. The author(Eggesglhat people in
unhindered interacrion
{-t
relative privacy
respect from strangers
approval from others
@ glus!.
I
qu
/
sounds
{D) held 6ai|
I
patronage.
is
a.u.tffAjili by .horeographeri
.,
fai+
ffiiln"€^t+
6i
(C) controlled
"jffi'fli#1il1',*{[sP
r@
tEi tt is an unsophisticated version ol symbolism
I
anxieties
23. .As used in line 48, "grasped" most nearly means
was influenced by its royal
It was conceived more spontaneously than
modern
loads
4ef
(E)
\
rheuIlffini.r'ilr"il"gabour
e-phases
1B)-
.,(D) influences
ol .--J
Dersonalltv
extent ol the power of individual human contacl.
nature of artistically pleasing
3
isolation r,t
!-
Dn,,'| in€e- 1;. *
t\rr.!''
'F
u
.1,.
.
= uns-,fgor{et in?t'nr*
.|i** t\- rL
STOP
lf you finish before time is called, you may check your work on this section only.
Do not turn to any other section in the test.
711