ABSTRACT EXPRESSIONISM ON PAPER

ABSTRACT EXPRESSIONISM ON PAPER
MARCH 4 – MAY 24, 2013
Van de Weghe Fine Art is pleased to present an exhibition of Abstract Expressionist works on paper by
renowned artists Arshile Gorky, Franz Kline, Jack Tworkov, Sam Francis, Mark Tobey Jean Dubuffet and Yayoi
Kusama. The movement came to prominence in the years following World War II and is characterized by
its focus on gesture and materiality, and its disregard for pictorial representation. These artists worked both
in and outside of AbEx’s New York epicenter, and there is a striking range of technique and pictorial effects
which points to the nuances of the movement.
Arshile Gorky (1904-1948) is considered to be the father of Abstract Expressionism and had a profound
influence on successive generations of artists. Gorky fled Armenia for New York in 1920. His nostalgia for
the landscape and memories of his youth played a central role in his work, which is characterized by
abstract passages and bursts of line and color fused with lyrical and surreal forms. Drawing was integral to
his process and he made scores of them on regular retreats to his wife’s family’s home, Crooked Run Farm
in Virginia, an example of which, Fireplace in Virginia, c.1946, is included in the exhibition.
The work of Franz Kline (1910-1962), Jack Tworkov (1900-1982) and Sam Francis (1923-1994) are
quintessential examples of Abstract Expressionism in its purest form, though they worked on opposite sides
of the Atlantic: Kline and Tworkov in New York and Francis - though from California originally - in Paris. Kline
and Tworkov are both known for the energetic gesture that pervades their work. Kline’s black and white
compositions are striking for their immediacy; Untitled, 1959 demonstrates the raw energy that is his
signature. Tworkov’s lyrical sensibility is apparent in Untitled (House of the Sun), c. 1952, a composition
radiant with flame-like hues. The work of Sam Francis, too, is marked by vigorous mark-making though his
focus was on the power of color. Francis was deeply inspired by the palette of Monet, splashing and
splattering his compositions with lush hues, allowing the white ground to show through. Untitled, 1955,
utilizes layered brushstrokes and translucent color to create a space that is as sensuous as it is vivid.
Other artists approached Abstract Expressionism as a vehicle with which to harness their inner or spiritual
selves. Mark Tobey (1890-1976), known as the “Sage of Seattle,” was greatly influenced by Asian
calligraphy and Eastern religions, converting to the Baha’i faith, which stresses the equality and unity of
mankind. Tobey’s mature work is characterized by what he referred to as “white writing,” delicate
calligraphic markings overlaying and animating the surface. He described this as the movement of light - a
unifying force. Jean Dubuffet (1901-1985) drew inspiration from the work of untrained artists who were
often excluded from society and tapped into own primal energies in making his work. Paysage, 1960, is
part of a group of works called Matériologies, which focused on media with no intention of objective
representation. The concentrated amalgam of dots, dashes and splotches of ink makes a strong impact.
Yayoi Kusama (b. 1929) was inspired by her own mental illness. She is best known for the dots that fill her
paintings, sculptures, performances – infinity nets - which are drawn from the hallucinations that she has
experienced for much of her life. Kusama moved to New York in 1957 where she produced a series of
Abstract Expressionist inspired paintings. Ground, 1950s-63 is a work densely filled with multicolored dots
which vibrate with a sense of movement. Kusama returned to Japan in 1973 where she continues to make
work.
The works featured are prime examples of each artist’s oeuvre, and as works on paper, are essential in
understanding their relative processes and motivations. The Abstract Expressionist movement can be seen
as the starting point for all subsequent Contemporary Art. It was a revolution in pictorial language and its
expressive force continues to fascinate. Gallery hours are Monday-Friday, from 10:00am to 6:00pm, and by
appointment. For further information, please contact Jenn Viola at [email protected].