Teaching Poetry for Key Stage 4 Study unit 3 John Keats John Keats’ reputation rests on a few remarkably creative years. Born in 1795, he like Shelley and Byron, had a very short life; in fact, all three died during a five year period from 1820-1825. Keats was the youngest of the three and from the least privileged background. His father was manager of a stables at Moorfields in London but died when Keats was 8 years old. His mother remarried but died of TB when he was 14. The children had already been sent to live with their grandparents and Keats remained on very close and affectionate terms with his brothers and sisters throughout his life. At the age of 16, he was apprenticed to a surgeon and, despite all his family tragedies and upheavals, he succeeded in qualifying in medicine at Guy’s Hospital. He had, however, already begun writing poetry. His early poems made an impression on the literary editor Leigh Hunt who encouraged him to concentrate on poetry as a career. His first volume was published in 1817; it received some good reviews but sales were poor. John Keats Through the year 1818 he cared for his brother Tom who was dying of TB. In the same year he met and fell in love with Fanny Brawne. Despite these emotional distractions and serious financial problems, the next two years produced all his best work. His poems never made money and although there were some good reviews, he was also fiercely criticised and found this very hurtful. He became engaged to Fanny Brawne but by the winter of 1819 he was, like his mother and brother, suffering from TB and too ill to work. He offered to break off his engagement but Fanny Brawne refused. Shelley encouraged Keats to join him in Italy for the sake of his health but by the time he arrived at the end of 1820, it was already too late and he died three months later in Rome at the age of 25. Pearson Publishing, Chesterton Mill, French’s Road, Cambridge CB4 3NP Tel 01223 350555 Fax 01223 356484 Sample only - Not for school use 17 Teaching Poetry for Key Stage 4 Study unit 3 His work covered several poetic styles and he frequently re-wrote and revised earlier work in the search for the perfect blend of subject matter and style. La Belle Dame Sans Merci, which was published at the beginning of 1819, is a mysterious ballad with an unearthly subject and a nightmarish atmosphere. It has echoes of earlier ballads written in French and Italian as well as English. What is wrong with you? ‘haggard’ = thin, drawn ‘granary’ = where grain is stored for the winter La Belle Dame Sans Merci ‘O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has wither’d from the lake, And no birds sing. What kind of relationship is this? ‘sedge’ = coarse grass/reeds growing in water ‘O what can ail thee, knight-at-arms! ‘woebegone’ = miserable So haggard and so woebegone? The squirrel’s granary is full, So what time of year is it? And the harvest’s done. ‘I see a lily on thy brow With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too.’ Is she real? Look for evidence as to her identity The title is taken from a medieval French poem. It translates as The Beautiful Woman without Mercy lily/rose = the colours of his complexion ‘I met a lady in the meads, ‘meads’ = meadows Full beautiful – a fairy’s child, Her hair was long, her foot was light, And her eyes were wild. ‘I made a garland for her head, And bracelets too, and fragrant zone; She look’d at me as she did love, And made sweet moan. = a belt made of flowers As if she loved me ‘I set her on my pacing steed = horse And nothing else saw all day long, For sidelong would she bend, and sing A fairy’s song. ‘manna’ = food from heaven, ie delicious food ‘She found me roots of relish sweet, = sweet tasting And honey wild and manna-dew, And sure in language strange she said “I love thee true.” ‘elfin’ = belonging to the supernatural world Why? ‘She took me to her elfin grot, = grotto, cave And there she wept, and sigh’d full sore, And there I shut her wild wild eyes With kisses four. Pearson Publishing, Chesterton Mill, French’s Road, Cambridge CB4 3NP Tel 01223 350555 Fax 01223 356484 Sample only - Not for school use 18 Teaching Poetry for Key Stage 4 Study unit 8 The Fat Black Woman Goes Shopping Shopping in London winter is a real drag for the fat black woman going from store to store in search of accommodating clothes and de weather so cold Look at the frozen thin mannequins fixing her with grin and de pretty face salesgals exchanging slimming glances thinking she don’t notice Lord is aggravating Nothing soft and bright and billowing to flow like breezy sunlight when she walking The fat black woman curses in Swahili/Yoruba and nation language under her breathing all this journeying and journeying The fat black woman could only conclude that when it come to fashion the choice is lean Nothing much beyond size 14 Reproduced with permission of Curtis Brown Ltd, London on behalf of Grace Nichols. Copyright © Grace Nichols 1984 7 8 Compare the environments depicted here. List the words and phrases she uses to describe the background of each poem. Look at the references to nature. How does she link the fat black woman with nature? How does nature make her feel? Why is this important? In The Fat Black Woman Goes Shopping she is in an alien habitat, a cold wet British city. What trials and tribulations does she encounter on her shopping trip? What forms of prejudice does she experience? What do you think of her treatment by the salesgirls? How does she respond? Pearson Publishing, Chesterton Mill, French’s Road, Cambridge CB4 3NP Tel 01223 350555 Fax 01223 356484 Sample only - Not for school use 67 Teaching Poetry for Key Stage 4 Study unit 8 Looking at Miss World Tonight the fat black woman is all agaze will some Miss (plump at least if not fat and black) uphold her name The fat black woman awaits in vain slim after slim aspirant appears baring her treasures in hopeful despair this the fat black woman can hardly bear And as the beauties yearn and the beauties yearn the fat black woman wonders when will the beauties ever really burn O the night wears on the night wears on judges mingling with chiffons The fat black woman gets up and pours some gin toasting herself as a likely win Reproduced with permission of Curtis Brown Ltd, London on behalf of Grace Nichols. Copyright © Grace Nichols 1984 9 How are the themes introduced in the previous two poems extended here? 10 Consider the images of beauty in all three poems. Prepare a collage of the images of beauty conveyed by the media in Britain today. Make a detailed comparison of these images with the fat black woman’s ideas of beauty. Present your conclusions to the class. 11 This group of poems creates a vivid picture of the life and the thoughts of the fat black woman. Write an entry in her diary describing some of the things that happen to her and some of her private thoughts and feelings.You could try to tune into her language and rhythm by writing your diary in Creole. 12 Grace Nichols uses the phrase ‘all this journeying and journeying’. Is she just talking about the shopping trip? Taking all the poems together, what journeys do you think she is referring to? Does she mean actual travel from one place to another? What other kind of journeys are there? Pearson Publishing, Chesterton Mill, French’s Road, Cambridge CB4 3NP Tel 01223 350555 Fax 01223 356484 Sample only - Not for school use 68
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