P U B L I S H E D
B Y
C H R I S T I E
VOL 3
Cinemark Celebrates 20th Anniversary
With Energy Conservation Program
Converting to Christie SLC Consoles
Brings Increased Efficiency and
Superior Performance
This year Cinemark USA is celebrating its twentieth
IN THIS ISSUE
“We chose Christie because we have enjoyed a
anniversary, bringing “The Best Seat in Town” to
long term relationship, during which we have
over 175 million people annually. The company is
developed strong confidence in the quality of their
the third largest exhibitor in the U.S. and is a leader
equipment,” remarks Steve Owen, director of
in the industry, operating 304 theatres and 3,251
purchasing for Cinemark USA. “Christie SLC
screens in 33 U.S. states, as well as internationally
Consoles help us achieve better light output while
in 13 countries, mainly in South and Central
using less wattage. This, in turn, has helped us
America.
lower energy consumption and increase efficiency.
Among Cinemark’s many achievements is being
The Christie SLC Console achieves brighter illumi-
among the first to offer advanced real-time Inter-
nation on the screen than the previous supplier’s
net ticketing on its own website, as well as such
higher-wattage 4K unit,” he elaborates.
features as true stadium seating, wall-to-wall
screens and digital sound in its theatres.
As the company begins its third decade in business, it is seeking to lower energy consumption
Summing it up, Owens adds, “With the lower
cost of lamps, the longer lamp life and the energy
savings, it’s a win-win-win situation all around.”
NO 1
Reaching
New Heights
2
Europe/
Twin Towers
Portugal
3
Hollywood
Embraces
Digital Cinema
4
Cinema “Shorts”
4
Xtreme Success
In Mexico
6
Golden Harvest
7
Digital Cinema
Revolution
8
Christie
Digital Cinema
Worldwide
8
and increase efficiency in its theatres. To achieve
this, Cinemark teamed up with Christie to convert
over 80 of its film consoles to Christie SLC Consoles,
with an additional 150 consoles in line for replacement in the coming months.
The conversion to Christie SLC Consoles allows
Cinemark to downsize lamp sizes while maximizing
output from Xenon lamps through Christie’s computer-generated optics reflector design. The unique
reflector coating also reduces harmful IR energy,
thus preventing film damage.
Predictable Performance
Time and Time Again
The Christie SLC Console offers several innovative
features not found in other Xenon consoles on the
market, including a patented motorized three-axis
lamp alignment to improve light efficiency when
changing formats and a pre-set automatic bulb
focus, actuated when screen format changes from
flat to scope.
No more “hot” spots with the Christie
SLC Console. The Christie Aconic
reflector design provides “flat” light
distribution across the screen.
Christie 2K Digital Projector Installed at Time Warner Center
Executive Screening Theater in New York City
Reaching New Heights
One of the most talked-about additions to
the New York City landscape is the new Time
Warner Center, completed in 2004 at a cost
of $1.7 billion. The 55-story, twin-tower
complex houses the Time Warner World
Headquarters, a 250-room/suite luxury hotel,
forty retail stores, 10 restaurants, office
space, 225 luxury apartments, as well as
CNN live broadcast production studios and
a vast concert hall which is home to Jazz at
Lincoln Center. This modern architectural
masterpiece has become a new social,
recreational and business hub in Manhattan.
Included in the construction of Time
Warner’s World Headquarters’ was the
installation of a state-of-the-art audio/visual
facility, featuring a 175-seat auditorium with
a 30-foot screen. The space is used for
screening cinema presentations, diverse
digital, video and film content, live feed, and
special events. Time Warner selected Christie
following the lead of Warner Brothers Studios,
2
Hollywood, which has standardized on
Christie CP2000 digital cinema projectors.
The Best Cinema Experience
Available Commercially
The company responsible for the overall
audio and visual systems for Time Warner
Corporate, TechnoMedia Solutions, noted
that company executives wondered whether
the image quality of digital projection could
The Christie CP2000 projector is part of
match that of high-end 35mm film projection.
Christie’s comprehensive line of digital
“The Christie CP2000 projector performed
cinema solutions and offers versatility with
beautifully, with no discernible difference in
various video formats and computer inputs.
the images on the screen versus traditional
It was the first 2K resolution DLP Cinema™
film,” said Mike Carroll, senior project man-
projector to be installed in a commercial
ager, TechnoMedia Solutions, and consultant
venue in North America.
to Time Warner. “The overwhelming
Rydt Entertainment Systems, the company
responsible for the design, engineering and
oversight of the screening room installation,
response was that the image projected by
the Christie CP2000 matched film quality.”
Christie is honored to add Time Warner
supplied all the projection equipment. “The
to its growing list of major organizations
Christie CP2000 digital projector can display
worldwide that recognizes the versatility
anything Time Warner is doing media-wise,
and quality performance of Christie digital
including feed from CNN, which is housed in
cinema projectors.
the same building. Whether it is digital content, news conferences, direct feed or live
feeds, the Christie CP2000 can handle it,”
declared Emil Poggi, Rydt’s vice president of
The Time Warner Executive
Screening Theater is an integral part
of their multi-functional media and
entertainment center.
engineering.
The Christie CP2000 offers the highest possible resolution
and color rendition, reproducing the effect of film at the
highest level of digital reproduction.
Photo: Adrian Wilson
Lisbon Home To Portugal’s Most
Technologically Sophisticated Cinema
Filmitalus’ New
“Twin Towers” Complex
Offers Top Of The Line
Equipment
The capital of Portugal since its conquest
from the Moors in 1147, Lisbon is a truly
legendary city with a history spanning over
twenty centuries. And now, Lisbon is also
room can completely control all five audi-
Filmitalus expects to build additional
toriums – down to the automatic opening/
state-of-the-art and sophisticated complexes
closing of the patron access doors.
in other locations in Portugal in the coming
The theatre with its fiber optic ceilings,
months and the company plans to rely once
acoustic wall coverings, and modern décor,
again on Christie, along with their partner,
welcomed over 1,000 guests at the opening,
Edecine, to ensure the highest quality experi-
with a cocktail reception, previews, special
ence for its guests.
features and trailers.
the home of the most advanced cinema
complex in all of Portugal. Filmitalus, Ltd.
recently opened the five-screen, 768-seat
“Twin Towers” multiplex in downtown
Lisbon, constructed from scratch in just six
months time. Filmitalus, a Portuguese
distributor of independent theatrical pictures
since 1950, has distributed more than 600
pictures of various origins and genres. Twin
Towers is their first venture as an exhibitor.
Offering Patrons The
Highest Quality Projection
And Sound Available In
Portugal.
The film-protecting,
time-saving Christie
Endless Loop Film System
(ELFs) can project up to
240 minutes of film
continuously – without
threading. It guides film
accurately and automatically through the
system again and again.
Filmitalus worked with Edecine Empresa de
Cinemas, LDA, in business for over 50 years,
and Christie’s dealer in Portugal for over a
decade. Edecine was responsible for the
installation of five complete Christie film
systems – featuring the Christie P35 AT
Gearless Film Projectors, the Christie
“Endless Loop” film systems (the first
installation in Portugal), Christie SL20/30
Xenon Consoles and Autowind™ film
handling platters plus all other technical
equipment, such as DTS sound systems.
“Among the most important factors in
our decision to select Christie equipment for
the theatre was the steadiness of the picture
on the screen, due to the gearless innovation
of the Christie P35 projectors, as well as the
reliability of the product,” explains Federico
Barbato, Filmitalus’ managing director. “We
were also able to get all the support we
needed from Edecine, the local dealer with a
well-deserved reputation in Portugal, so that
installation went absolutely smoothly,” he
adds. The theatre is also exceptionally
efficient – the projectionist in the control
3
Hollywood Embraces Digital Cinema
Exhibitors And Service Providers
Prepare To Take the Plunge
Five years ago, digital cinema projection was
added a new tool to the toolkit, and
ma is clearly superior in terms of creating,
a new technology on the Hollywood scene,
potentially gave them an edge.”
processing, delivering and viewing content.
the stuff of experimentation for innovative
The immediate advantage of digital
But a digital cinema projector currently costs
directors like George Lucas and Steven
technology has been realized for some time
much more than its 35mm counterpart. In
Spielberg. Few saw it as a serious challenge
on the production side of filmmaking.
addition, 35mm film is a 100-year old tech-
to the 35mm film projection industry. Now, a
Converting from analog to digital offers
nology whose standards are universally
sea of changes that includes a leap in image
significant advantages in speed, efficiency
accepted. Almost any 35mm projector in any
quality has propelled digital cinema tech-
and cost, in areas ranging from screening of
part of the world can play a 35mm film with
nology into the spotlight.
digitized reels, handling of visual effects,
minimal, if any, modification. You can’t say
color grading, editing, and aspects of audio
that yet of digital cinema, which still needs
production are also improved.
to develop accepted formats and standards.
The “tipping point,” according
to Bob Lambert, senior VP,
worldwide media technology
for the Walt Disney Company,
came about the same time
cinematographers and
directors began insisting on
using digital projectors for
reviews and digital dailies
two years ago.
“When projection manufacturers started
talking to Hollywood, the projectors got
much better. We saw a clear improvement
in contrast ratio, color rendition and overall
image quality. As the Hollywood infrastructure became more experienced, the
production and creative community had
more opportunities to work with digital
projectors,” says Lambert.
The Walt Disney Company was one of the
earliest proponents of digital cinema technology. “Toy Story 2,” the Disney/Pixar 1999
release, was the first animated film ever to
be entirely created, mastered and exhibited.
Today, 2K resolution digital cinema projectors, such as the popular Christie CP2000,
represent the latest evolution of the technology based on Texas Instruments’ DLP Cinema™ technology. They have made their way
into the Hollywood infrastructure and can be
found in most major Hollywood studios.
“There was also a social change in the
Hollywood community, with digital projection becoming recognized more and more as
a tool and less of an oddity,” recalls Lambert.
“Along with peer influence and keeping up
with their craft, both directors and cinematographers found that digital cinema
4
Technicolor Digital Cinema (TDC), a global
Addressing this challenge, Digital Cinema
provider of comprehensive end-to-end digital
Initiatives (DCI), a consortium of seven
cinema services and solutions, was one of
Hollywood studios, is helping to develop
the first to embrace digital cinema for
and document an open architecture for the
screening and internal presentations. A lead-
digital cinema system.
ing d-cinema service provider for the distribution and exhibition communities, TDC is
involved in every segment of digital cinema –
from compressing, encrypting, uploading
and managing digital presentations for all
Cinema
“Shorts”
major Hollywood studios to installing, maintaining and servicing digital cinema systems
in theaters worldwide.
Dave Elliott, CEO for Technicolor
Digital Cinema, believes that
industry support for digital
technology is growing and the
emergence of digital cinema
as a global platform is on the
horizon.
Increasingly, digital cinema is enabling
alternative content such as On-Screen
Advertising (OSA) and the transmission of
programs such as sporting events and
musical performances to become more
accessible in theatres.
“Clearly, we see that the momentum is
building for the launch of a meaningful
digital footprint in North America and elsewhere,” says Elliott.
Still, industry observers agree that adoption of digital cinema on a scale that will
make it both practical and cost-effective for
both the Hollywood community and the
exhibitors has a long way to go. Digital cine-
Christie Presents Today’s
Brightest Cinema Artists in
Best Light
As a sponsor of the 29th Toronto International Film Festival®, September 2004,
Christie provided five high performance
digital projectors that included the Christie
CP2000 digital cinema projector, two Christie
Roadster S6 projectors, a Christie Roadster S9
projector and the Christie LX45 projector. The
projectors screened a total of 68 films, with
13 movies shown on the Christie CP2000
digital cinema projector. The Festival’s Showcase Theatre featured the Christie CP2000
2K resolution digital cinema projector,
screening world premieres of Lions Gate
Films’ “Beyond the Sea,” directed by Kevin
Spacey, starring Spacey and Kate Bosworth,
and Spike Lee’s Film “Sucker Free City.”
Started in 1976 as a collection of films
from other festivals (a festival of festivals),
TIFF has become one of the most successful
cinematic events in the world.
Hollywood Takes a Shine to
Christie’s Cinema Solutions
At ShowEast 2004 in Orlando, Christie
screened five major digital releases – the
most number of digital screenings to take
place at ShowEast – on its flagship Christie
Walt Ordway, Chief Technology
Officer at DCI, notes that the
organization is utilizing the
latest generation of digital
cinema projectors for testing.
“Digital cinema today offers
excellent picture quality and
represents true cost savings,”
adds Ordway.
“However, the lack of a common format
content preparation employees will be
required to service and manage digital activities. For exhibitors, sufficient digital content
on a consistent basis will be necessary to
feed consumer demand.
Among the companies helping exhibitors
make the transition to digital is Christie.
Founded 75 years ago, Christie is recognized
for many innovations in 35mm film technology that have helped advance the industry.
and system costs remain major challenges.
Christie was also the first licensee of TI’s DLP
DCI is optimistic that the specifications they
Cinema™ chip to bring a digital cinema
develop will be used by the everyone in the
projector to market.
industry when a rollout occurs”, says Ordway.
TDC’s Dave Elliott notes that widespread
d-cinema adoption/roll-out will also require
additional support functions. In addition to
mass production of equipment, for example,
increased numbers of trained technicians will
be necessary to support the installation and
maintenance of d-cinema systems in thousands
of theatres worldwide, while many more
CP2000 DLP Cinema™ projector. The screenings included Warner Brothers’ “The Polar
Express”, Universal Pictures’ “Bridget Jones:
The Edge of Reason”, Columbia Pictures/
Revolution Studios’ “Are We There Yet?”,
New Line Cinemas’ “After the Sunset” and
Lions Gate Films’ “Beyond the Sea”.
Christie also showcased its Cypress,
California-based managed services network
operations center and presented its full range
of cinema solutions including a technology
preview of the new Christie CP2000X digital
cinema projector featuring 2K DLP Cinema™,
representing a brilliant leap in design functionality and versatility.
Christie Makes Digital History with
“The Phantom of the Opera”
On December 15, 2004 Christie made history
by providing its Christie Roadster S9 projector
to screen Andrew Lloyd Webber’s “The
Phantom of the Opera”, a Joel Schumacher
film, at its Canadian premier. The benefit
event for Sick Kids® Foundation and the
Therapeutic Clown Program® at Sick Kids®
took place in Toronto’s historic Winter
Garden Theatre. Over 1,000 moviegoers
were treated to a high-quality digital movie
with lush images and perfect digital sound,
befitting the award-winning musical and
largest grossing stage production. The film
was released on December 22, in select
theatres in DLP Cinema™.
“Today, Christie digital cinema
projectors are found in over
60% of all installations in
commercial venues around
the world. The company has
been leveraging its depth
of expertise in film to help
exhibitors integrate digital
cinema into their theatres,”
comments Jack Kline, president and COO, Christie USA.
Jack Kline, President and COO, Christie, with the
Christie CP2000 projector at Grauman’s Chinese
Theatre – the first commercial venue installation
of a 2K digital projector in North America.
“What does an exhibitor do once he
installs digital cinema? According to Kline,
company’s cinema strategy, on-screen adver-
“exhibitors need knowledgeable, experi-
tising and post house programs. “Exhibitors
enced technicians with the depth of experi-
need to feel absolutely confident that the
ence in both 35mm and digital cinema to
infrastructure of service and support is in
help them make the transition as painless as
place before they can begin to embrace
possible. 35mm has remained virtually
digital cinema,” he says. “Every hour of
unchanged since its introduction and
downtime for one of their projectors can
provides a proven, time-tested value and
represent a significant financial loss.”
stability not yet available in digital cinema.
Anticipating this critical need, Christie
The introduction of digital cinema demands
has been expanding its service department,
a quantum change in every aspect of this
positioning technicians in major demographic
100-year old industry. From capture to distri-
areas to minimize response time to field calls.
bution to theatre management, as well as
To handle related digital content such as
projection and service, everything changes.”
on-screen advertising, Christie was also one
Disney’s Lambert agrees. “There are over
of the first to create a state-of-the-art Network
33,000 screens in the U.S. alone. The
Operations Center (NOC) to monitor client
economy of scale needs to be in place
projectors, remotely tracking vital signs such
before a full-scale rollout takes shape,” he
as lamp life and pre-empting any developing
says. “You need to build all the infrastructure
issues by identifying and resolving them
to support the servers, projectors, post-
before they happen.
production facilities, etc. It’s no longer just
Elliott sees a correlation on the post-
experimenting with the technology, but
production side. “Our most important
developing content and establishing quality
advantage lies in our ability to understand
control in the field. For example, who do you
and serve the digital cinema requirements
call on a Sunday night when there’s a problem?”
of all content owners as digital cinema
Craig Sholder, VP, business development
and cinema solutions, Christie, leads the
emerges,” he says.
continues on page 8
5
Xtreme Success In Mexico
Situated not far from Mexicali in Sonoma,
in both our theatres
Mexico, San Luis Rio Colorado has become a
have proven to be
cinephile’s dream-come-true, thanks to the
rugged and reliable,
opening of a new Xtreme Cinemas six-screen
and can withstand
multiplex. Leading the way as the town’s
the rigors of contin-
most well-appointed and advanced entertain-
uous operation,”
ment center, offering such amenities as
comments Rogelio
stadium-style seating, a snack bar and full-
Do Los Santos,
service cafeteria, interactive attractions and
director of Xtreme
video games, thoroughly modern interior
Cinemas. “These
design, and surround sound audio. The
projectors are easy
$4.1 million (US) theatre complex screens
to install and operate, and just as important,
first-run movies, seats 1,200 patrons per
Christie’s technical expertise and onsite
showing, and attracts more than 4,500
service is among the best in the industry. The
people per day.
company completed the installations in our
The San Luis Rio Colorado cinema is the
second complex created by Xtreme Cinemas
in Mexico. Last year the company opened a
projection booths in record time to help us
meet our deadlines,” he adds.
Xtreme plans to continue with its plan for
10-screen complex in the town of Tuxtla Gui-
aggressive growth in the Mexican market.
tierrez. That theatre attracts audiences of
The company is among the newest genera-
about 30,000 per week, one of the highest
tion of multiplex builders whose use of
per-screen ratios in the country.
modern cinema technology is leading the
Christie’s Gearless Projectors
Part of Xtreme Cinema’s
Formula for Success
resurgence in the industry. Xtreme has
announced plans to build additional
multiplexes in Tijuana, among other cities in
Mexico, which will also incorporate similar
Xtreme selected Christie P35GPSL-AT film
infrastructures and design, as well as
projectors with its award-winning sealed
Christie projection systems.
Ultramittent™ automatic lens and aperture
Extreme focuses on treating customers
changers for both of its complexes. “The
as special guests and creating an enriching
Christie gearless projection systems installed
experience for every single patron. “Top
quality infrastructure provides the backdrop for our continued growth, but our
dedicated staff is responsible for making
sure we succeed every day,” explains
De Los Santos.
With 28,000 tickets sold
in the first week of operation in
San Luis Rios Colorado, Xtreme
seems well on its way to achieving
its goal of customer satisfaction and
an overall high-quality cinema
experience.
Durable, high quality Christie gearless
projectors are designed to run day in
and day out, year after year.
6
Xtreme Cinemas offers local
residents in Sonoma, Mexico a choice of
six screens, extensive amenities
and a high-tech environment.
Golden Harvest Opens its First Multiplex in China
Biggest Cinema in Shenzhen Opts for
Christie Gearless Projection Systems
Shenzhen, China’s shopping mecca located
Currently, the largest hall consists of 280
45 minutes from Hong Kong, is now the
seats, while the Gold Class Auditorium is a
location of the largest indoor shopping com-
30-seat VIP cinema with reclining seats and
plex in South China. The recently completed
personalized in-theatre food and beverage
six-floor, 180,000 square-meter MIXc Mall at
services. Two of the seven halls will also be
City Crossing houses 300 retail outlets,
equipped with digital projectors and all
including shops, restaurants, bars, recreation
cinemas will also be embarking onto the
facilities (including an ice rink) and a brand
electronic platform to tap into the potential
new cineplex. This theatre is the first multi-
of on-screen advertising.
screen complex constructed in China by
Golden Harvest selected Christie for all its
Golden Harvest Entertainment, representing
projection needs, installing seven Christie
the company’s largest investment in China,
P35GPDZ-MOT 35mm gearless projectors –
valued at $5.13 billion U.S. Golden Harvest
all fitted with Christie Xenolite™ Consoles
Entertainment is one of the most established
and Christie Autowind™ platters. These
names in the Asian cinema industry
state-of-the-art 35mm projectors, featuring
Seven Screens and
Five More on the Way
the award-winning Ultramittent™ and
automatic lens and aperture changer, offer
smooth, quiet, and reliable operation with
The wholly-owned GH Shenzhen Cineplex
exceptionally steady picture on the screen
will serve as Golden Harvest’s first world-class
to provide the optimal visual quality.
flagship showcase in China with full-stadium
In the second phase, another five
seating and large screens. During the initial
screens scheduled to be completed by
phase, the complex completed seven halls,
the end of 2005, will also feature
totaling 1,046 seats in operation at end of
Christie projection systems.
Service, Price and Quality
Key to Selection Decision
“We decided to work with Christie on this
project because we felt the company’s
pricing structure was very competitive and
they offer a more professional level of service
compared to the other providers in the
market. In addition, we also felt that
Christie’s products are generally far superior
in terms of quality,” said Shayne Trembath,
Senior Project Manager, Golden Harvest
Entertainment Ltd.
Golden Harvest joins a growing number
of installations across Asia relying on
Christie – the only company with solid
knowledge in both the film and digital
arena – for their digital and film projection
needs.
2004.
Golden Harvest’s first
cinema complex is
located in the largest
indoor shopping mall
in Shenzhen – considered
the best retail center in
South China.
7
CONTACT US
Visit our website at: www.christiedigital.com
Corporate Offices
Hollywood Embraces Digital Cinema
Meanwhile, Lambert already sees that the
continued from page 5
recognizing and providing a steady on-going
technology and the creative sides are slowly
commitment that assures industry players
coming together, resulting in manufacturers
this is a real business. In addition, companies
building into their designs higher quality
are investing in the infrastructures to support
cameras and projectors. “For example,” he
the servers, projectors and related techno-
says, “projector manufacturers came to us
logy on a big scale.
“Finally,” Lambert says, “this also means
in the prototype stages of developing new
USA
10550 Camden Drive
Cypress CA 90630
PH: 714-236-8610
FX: 714-503-3385
Toll free: 866-880-4462 (North America only)
[email protected]
CANADA
809 Wellington Street North
Kitchener, Ontario N2G 4Y7
PH: 519-744-8005
FX: 519-749-3136
Toll free: (800) 265-2171 (North America only)
[email protected]
projection technology. They established a
getting emotional support from the industry
Worldwide Offices
relationship early on and proved they were in
where there are polarized groups – the
it for the long haul. That was a significant
nay-sayers and the advocates.”
UK
ViewPoint
200 Ashville Way
Wokingham, Berkshire, U.K.
RG41 2PL
PH: +44 118 977 8000
FX: +44 118 977 8100
[email protected]
Lambert concludes: “We are going to
step in the right direction. The result, today,
is a steadily increasing percentage of digital
need lots of screenings, side-by-side
image creation – and a push on the digital
demonstrations, revisions to the equipment
distribution side.”
and improvements to the overall architecture.
Noting the beginning of the digital cine-
In terms of the quality of images, I’ve seen
ma rollout, Lambert feels that the industry
the results on the screen from digital
already has achieved substantial support
projectors and we are pleased, not only with
from the creative community. Production and
the images projected but with the ongoing
post-production facilities like TDC are
development and evolution of the technology.
Christie Leads Digital Cinema
Revolution in the
Asia Pacific Market
To celebrate its 75th Anniversary in the film business,
Christie was the proud sponsor of the opening night
event at Cine Asia 2004. Christie also previewed at
CineAsia its latest addition to the CP series – the
CP2000X Digital Cinema projector featuring 2K DLP
Cinema™ technology – with its revolutionary separate
projection head and lamp ballast design. In addition,
Christie displayed its complete range of cinema solutions
and demonstrated the power of the Christie CineNet™
system for use with the world’s brightest native 16.9
high performance Christie LW40 projector.
Christie Digital Cinema Worldwide*: 176 locations
Total Number of Digital Projectors Installed: 208
Total Number of CP2000s Installed: 67
North America – 115 digital projectors
Europe – 13 digital projectors
Asia – 67 digital projectors
Latin America – 13 digital projectors
*Includes: Cinemas, screening rooms, post-production facilities, specialty theatres and labs.
Copyright 2005 Christie Digital Systems, Inc. All rights reserved. All brand names and product
names are trademarks, registered trademarks or tradenames of their respective holders.
Printed in Canada.
8
GERMANY
Hohenzollernstrasse 124-126
41061 Moenchengladbach Germany
PH: +49 2161 664540
FX: +49 2161 664546
[email protected]
FRANCE
7 av Georges Pompidou
92593 Levallois-Perret Cedex
France
PH: +33 (0) 1 47 48 28 07
FX: +33 (0) 1 47 48 26 06
[email protected]
SINGAPORE
627A Aljunied Road
# 05-02 Biz Tech Centre
Singapore, 389842
PH: +65 6877-8737
FX: +65 6877-8747
[email protected]
SHANGHAI
1109-1116 Shartex Plaza
No. 88 Zun Yi South Road
Shangahi, 200336 China
PH: +86 21 6278 7708
FX: +86 21 6270 5816
[email protected]
BEIJING
7B15, Hanwei Plaza
Guanghua Road, Chaoyang District
Beijing, 100004 China
PH: +86 10 6561 0204
FX: +86 10 6561 0546
[email protected]
JAPAN
A-Bldg., 2nd Floor, Ariake Frontier Building
3-1-25, Ariake, Koto-ku
Tokyo, 135-0063
PH: +81-3-3599-7481
FX: +81-3-3599-7482
[email protected]
We welcome your comments, questions, story
submissions, updates and installation information. Send correspondence to:
Arlonna Seymour
809 Wellington Street North
Kitchener, ON Canada N2G 4Y7
[email protected]
Kino Notes is published quarterly by Christie
and distributed in print to our cinema partners
and customers. We wish to thank our customers for their support in producing this
newsletter. No part of this newsletter may be
reproduced in whole or in part without the
written consent of Christie.