A Tall Tale : Dealing with Growth of Tall Buildings in London English Heritage and its position on tall buildings in the capital Nigel Barker English Heritage Planning and Conservation Director London The Brief n A brief chronological context n Key issues to consider n Process of assessment n English Heritage position Chronological Context: Pre C19 n Building heights have always been determined by balance of material, practical and human factors but most conspicuous preC19 tall buildings in London were public in one sense or another Chronological Context pre-C19 n London’s first tall buildings of nonpublic and wholly functional were along the Thames including for example shot towers on the South Bank 1789-90 and 1826 Early C19 shot tower on Festival of Britain site 1959 Chronological Context: C1800- 1900 n Overall increase in scale starting from about 1850 in central London. Also increasing variety of building types e.g. railway termini which were also designed as civic gestures Chronological Context C1800-1900 n n 1870 average heights of London buildings in commercial districts a little lower than Paris and on a par with Manhattan. But fact that London did not join “skyscraper race” was not technological backwardness. Answer was regulation and the Building Acts of 1844 and 1855 especially in the heights of commercial buildings which were the ones leading the way in building tall elsewhere Chronological Context 1900-1960 n Waivers to the regulations increasing in the 1920’s including: n 55 Broadway 1927-9 (175 feet) by Charles Holden n Senate House 1934-8 (210 feet) by Charles Holden Chronological Context 1900-1960 n 1930’s saw emergence of 2 principles that have influenced succeeding “policy” in London ever since. The first was zoning, with the LCC division of London into outer, inner and central zones in 1936 n and the second was the relation of new buildings to “ancient monuments or buildings of historic or artistic importance” and the formulation of the St Paul’s heights policy Chronological Context :1960’s-70’s n Before 1960 there were no high buildings in the City, the first Post War high offices were on part of the Festival of Britain site on the south Bank – Shell Centre promoted in 1952 as a 26 storey tower n First tall buildings in the City were within the planned Barbican redevelopment . Tall offices sited at careful intervals along route 11 (London Wall) outline planning granted 1953- first completion 1960 (Moor House) Chronological Context 1960-2000 n Orderliness of London Wall destroyed by Terry Farrell’s Alban Gate 1989-92) n City Tall buildings after the Barbican more arbitrarily sited east of the Bank including Nat West Tower of 1970-81 by Siefert (600 feet) n High buildings policy after the Creation of the GLC in 1965 is one of growing confusion and complexity Chronological Context 1970-c2000 n Symbolic events of the 1980’s in respect of high buildings in London were the two public Inquiries into Palumbo’s determination to replace fine Victorian buildings at No 1 Poultry first with a tall block by the late Mies Van der Rohe, defeated in 1984-5 and then afterwards with a postmodernist design by Stirling and Wilford whose further amended design won permission in 1990 n Key to the victory was the introduction of the concept that if a building was by a good enough architect, it did not matter if it was high, big, or out of scale with its neighbours the concept of the landmark or “icon” Key Issues: EH/CABE Guidance n n n Whether tall buildings are considered in a plan-led context where authorities define those areas which are suitable and those which are not Impact on adjacent context and especially historic environment and the setting of heritage assets Architectural quality including consideration of how the building meets the ground and contributes to identity of place Process of assessment: NPPF + Tall Buildings Guidance n 129 Local planning authorities should identify and assess the particular significance of any heritage asset that may be affected by a proposal (including by development affecting the setting of a heritage asset) taking account of the available evidence and any necessary expertise. They should take this assessment into account when considering the impact of a proposal on a heritage asset, to avoid or minimise conflict between the heritage asset’s conservation and any aspect of the proposal n 132 When considering the impact of a proposed development on the significance of a designated heritage asset, great weight should be given to the asset’s conservation. The more important the asset, the greater the weight should be. Significance can be harmed or lost through alteration or destruction of the heritage asset or development within its setting. As heritage assets are irreplaceable, any harm or loss should require clear and convincing justification… English Heritage : recent advice St Mary Axe n In 2006 EH reviewed tall buildings proposals in Central London: n Of 16 proposals: 6 were granted where EH raised no objections including 122 Leadenhall, Tower 42, Swiss Re, Minerva Tower n 3 had been granted where EH had raised objections including London Bridge Tower (the Shard), Heron Tower and Vauxhall Tower n Subsequently two more granted despite EH objections – Doon Street and 20 Fenchurch Street (Walkie Talkie) Vauxhall Tower English Heritage: current position n “Viscerally opposed” (Boris Johnson) – No n “Wanting to preserve skyline in stasis” (Sir Edward Lister)- No n “Wanting to preserve London in aspic” Evening Standard/ BD or anyone wanting to shoot the messenger – Read our advice
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