Critical Viewing Victor Lim Fei, Tan Ching and Grace Dong What A systemic approach to teach visual texts was developed based on studies in media literacy, multimodal discourse analysis, and systemic functional linguistics. It was tested in various secondary schools with positive results. This systemic approach, summarised by the acronym FAMILY, provides a set of pedagogical scaffolds that also provide structure and vocabulary for students. F orm – parts of visual text A udience – strategies to attract M essage – meanings and appeal I ntegration – between language and image L ink – with EL learning and digital literacy Y (Why) – Questioning Teachers can guide students through the three levels of engaging visual text to promote higher order thinking. LEVEL 1: ENJOYING THE TEXT Upon presenting a piece of visual text, teachers can elicit free responses from students by inviting them to describe what they observe. The intent is to address the affective component of students’ engagement with the visual text. LEVEL 2: UNDERSTANDING THE TEXT Students first learn the parts of a visual text and relate the parts in the text to the typical functions they serve (Form). Next, they learn the common strategies used in visual texts to attract attention (Audience). Building on this understanding, students discuss the literal and inferential meanings in the visual text and identity the nature of the persuasion (Ethos, Logos or Pathos are the three modes of persuasion) used to appeal to the viewer (Message). Finally, students examine the relationship between the language and the image in terms of similar or different meanings made between the 2 modalities (Integration). LEVEL 3: QUESTIONING THE TEXT The teacher makes appropriate connections from the skills and concepts taught in visual texts to those taught in English Language learning. The teacher also relates the skills learnt to digital literacy (Link). In addition, the teacher should deliberately ask questions that prompt students to express their tacit understandings, as well as encourage students to cite textual evidences to support their interpretation (Y). Why Most students require structure and language skills to help them interpret visual texts. A structured approach to teaching visual texts is not yet common in our schools. One of the student outcomes in the English Language Syllabus 2010, is for students to apply a critical lens to visual texts and support their interpretation with textual evidences. Specifially, teachers are expected to: • Teach pupils how to actively construct meaning from … non-print texts that they view… • Help pupils to comprehend closely & critically a variety of different types of texts… • Teach pupils to think critically & reflect on what they view to become critical viewers… (EL 2010 Syllabus, pg 29) 11 We propose that the pedagogical scaffolds (FAMILY) based on the systemic approach can help teachers facilitate the development of these learning outcomes, including critical thinking. In addition, through the lessons, students become more discerning viewers of multimodal texts, thus acquiring digital literacy. In a recent study conducted at Jurong West Secondary School, a pre-post test conducted on the two intervention classes showed learning gains. The artefacts (advertisements) produced by students from the intervention classes also showed evidence of application of learning. Both teachers and students gave positive feedback on their learning over the lessons. Self-Directed Learning Management and monitoring of own learning • Students formulate questions and generate own inquiries Extension of Own Learning • Students apply learning in new contexts and learn beyond the curriculum Collaborative Learning Effective group processes • Students negotiate and set common goals • Students reflect on group and individual processes • Students interactively contribute own ideas clearly and consider other points of view objectively and maturely • Students ask questions to clarify and offer constructive feedback Individual and Group Accountability of Learning • Students work towards completing individual’s assigned tasks as well as help group members achieve group goals 12 How The design principles in the systemic approach are organised into three layers: the activity layer, the participation structure layer and the social surround layer. THE ACTIVITY LAYER Teachers can design tasks to engage students in active construction of meaning from visual texts according to the following principles: Priciples #1: Students should learn the meta-language to describe the components in a visual text. Priciples #2: Students should think critically when they view visual texts by analysing textual evidences to check for underlying assumptions and explore other possible interpretations. THE PARTICIPATION STRUCTURE LAYER The following principles can be applied when students work individually or collaboratively on the tasks designed. Principle #3: Students should identify and annotate the various parts and strategies in visual texts. This can be done using structured worksheets or ICT tools. Principle #4: Opportunities should be provided for peer interactions that involve formal and informal feedback on textual evidence and reasoning used to support claims. THE SOCIAL SURROUND LAYER The social surround principles frame the discourse among all members of the class involved in learning. Visual form language Principle #5: Teachers should systematically raise questions in response to students’ input to elicit tacit understanding and develop deeper thinking. prominence address audience power Principle #6: All assertions should connect thoughts and opportunities to prior experience in other topics, subjects, or disciplines. distance representation message appeal Figure 2: Framework for Systemic Approach Learning Outcome: Critical Viewing Design Layer 1: Activity Design Layer 2: Participation Structure Design Layer 3: Social Surround PRINCIPLE #1 Students will learn the metalanguage to describe the components in a visual text. PRINCIPLE #3 Students will identify and annotate the various parts and strategies in visual text using structured worksheets or ICT tool. PRINCIPLE #5 Teachers systematically raise questions in response to students’ input so as to elicit tacit understanding and develop deeper thinking. PRINCIPLE #2 Students will think critically on what visual texts viewed by analysing textual evidences to check for underlying assumptions and explore other possible interpretations. PRINCIPLE #4 Opportunities are provided for peer interactions that involve formal and informal feedback on the use of meta-language to support claims. PRINCIPLE #6 All assertions should connect thoughts and opportunities to prior experience in other topics, subjects or disciplines. 13 ETD Project Schools Action Research Jurong West Secondary School Examples of Students’ Work http://padlet.com/mssherylong/2Evideoprintad 142 Schools in Multimodal Literacy Learning Community Technologies Online Annotative and Collaborative Spaces Crocodoc http://personal.crocodoc.com Marqueed http://www.marqueed.com Padlet http://padlet.com Resources O’Toole, M. (1994/2010). The language of displayed art (2nd edition). London & New York: Routledge (1st edition 1994). Kress, G., van Leeuwen, T. (1996/2006). Reading images: The grammar of visual design (2nd edition). London & New York: Routledge (1st edition 1996). Critical Viewing Padlet Website bit.ly/criticalviewing Multimodal Literacy Learning Community Website http://multimodalstudies.wordpress.com 14 Examples from Mrs Sheryl Lim, Gan Eng Seng School Participation The project is part of the Multimodal Literacy Learning Community. Teachers will have access to lesson resources, community support, and consultancy. For more information, contact: [email protected] [email protected] [email protected] Lesson Specific Instructional Objectives: At the end of this lesson, students will be able to: •actively construct meaning from non-print texts that they view, •comprehend closely and critically a variety of different types of texts and, •think critically and reflect on what they view to become critical viewers. participation structure layer Activity Layer 1. (FORM) Students will be introduced to the parts of a visual text and relate the parts in the text to the typical function they serve. 2. (AUDIENCE) Students will learn the common strategies used in visual texts to attract attention. 3. (MESSAGE) Students will discuss the literal and inferential meanings in the visual texts and identify the mode of the persuasion. (Crown – Ethos, Head – Logos, Heart – Pathos) 4.(INTEGRATION) Students will examine the relationship between the language and the image in terms of similar or different meanings made between the two modalities. 5. Students will annotate selected visual texts to demonstrate their understanding of the parts and strategies. Online annotative tools includes Crocodoc and Marqueed. 6. Students will discuss their interpretation in groups, citing textual evidence to support their assertions or claims. Formal or informal feedback should be provided to guide students to check for underlying assumptions, make inferences based on evidence cited, and propose other possible interpretations. Social surround layer 9. At the beginning of the lesson, teachers set expectations for the lesson such as “suspending judgement” and “asking questions to clarify” in order to create a safe environment for all students to voice their opinions and share their thoughts. 10.Teachers will respond to students’ input with a further question to elicit tacit understanding and to stimulate thoughts. 11.Teachers will provide students with the opportunities to make multiple connections between the assertions made and what they have learnt in other topics, subjects, or disciplines. LESSON DESIGN 15
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