presents ukulele orchestra of great britain Post-Performance Discussions You are invited to remain in the theater immediately following the performance for an informal discussion with the artists. Funded in part by Hopkins Center Members. Sponsored by Wednesday, April 22, 2015 • 7 pm Spaulding Auditorium • Dartmouth College ukulele orchestra of great britain The program will be announced from the stage. There will be one 20-minute intermission. George Hinchliffe Kitty Lux Jonty Bankes Peter Brooke Turner Will Grove-White Leisa Rea David Suich Richie Williams US Tour Management: ARTS MANAGEMENT GROUP, INC., 130 West 57th St., New York, NY 10019 ABOUT THE ARTISTS The Ukulele Orchestra of Great Britain, that’s the one featuring founders George Hinchliffe and Kitty Lux, has already enjoyed touring in the United States several times. For those who have not yet encountered it, the essential point is that it is an original musical ensemble featuring only ukuleles of various sizes and registers, accompanied by just the natural voices of the performers. Harsher critics have stated the opinion that the Ukulele Orchestra formed their repertoire based on any music considered inappropriate for the instrument, with a “shopping trolley dash through genres” and musical history. For this USA tour the original Ukes chose from their exploration of American folk and blues, heavy metal, bebop and jazz, punk, reggae, electronic dance music and even Chinese melodies gleaned from their 2014 tour of China. In Europe and America the Orchestra are best known for playing versions of famous rock songs and film themes, sometimes changing these so that the expectations of the audience are subverted. Sometimes a rock song will be changed into a jazz idiom, or sometimes several songs which are known from different genres are combined in one “soup of contrasts.” The founding brief for the group was to have fun and “not to lose money.” Incredibly, throughout its thirty-year career, the group has succeeded in both not losing money AND incidentally making millions of dollars. It has been seen worldwide by audiences including members of the British Royal Family and other crowned heads of Europe, at the Houses of Parliament in London, and by many millions of television and online viewers. In one territory, the Orchestra has played to audiences which comprise sixty percent of the population! When The Ukulele Orchestra of Great Britain (may one say that this is the one featuring the founders George Hinchliffe and Kitty Lux) began in 1985, the public opinion was that an orchestra consisting entirely of ukuleles in different sizes was a strange concept. This was something that attracted the founders. The Orchestra members ABOUT THE ARTISTs CONTINUED at that time had experience of many kinds of music and yet had become tired of the conventions of the music business world as well as the conventions of performance and genre stereotyping which were prevalent at that time. The idea was to make something fresh and entertaining, both modern and old-fashioned, in a different style which deviated from the current performance fashion. People liked the result. Today, after many years, the Orchestra finds that wherever they go, people are now playing ukuleles, often in groups. Many of these enthusiasts tell the Orchestra that they were inspired to play the instrument after seeing and hearing this, the original Ukulele Orchestra. Now there are many ukulele orchestras, some acknowledging the pioneering work of the UOGB, others claiming ignorance of this rich history, but none of them existing before this, the original Ukulele Orchestra. In 2015 The Ukulele Orchestra of Great Britain celebrates sixteen million minutes of “ukuleleation,” having been “on the road” for thirty years and counting. While it is not normally in the nature of these artists from Britain to “blow their own trumpets,” or in this case to “pluck their own ukuleles,” it is undeniably a fact that The Ukulele Orchestra of Great Britain (you know, the one featuring George Hinchliffe and Kitty Lux) has become not only a national institution, but also a worldwide phenomenon. Among their many international concerts and festival appearances, they have “sold right out” twice at Carnegie Hall in New York, twice at The Royal Albert Hall in London and also at Sydney Opera House in Australia. The Ukulele Orchestra of Great Britain has been featured in a CNN report in 2012 and featured on CBS This Morning in 2013. The Orchestra has been invited by the British Broadcasting Corporation to play live on air for BBC Radio 3 (the classical music channel) as well as for BBC Radio 1 (the rock, Electronic Dance Music and youth music channel), and to play live on other BBC channels many times. They have taken part in The Electric Proms (in a collaboration with The Kaiser Chiefs), and the BBC Promenade Concerts at the Royal Albert Hall in London (“The Proms”), where they were the “fastest selling late night prom in history,” selling many thousands of tickets for the prestigious Royal Albert Hall in London very quickly. At this concert the Ukulele Orchestra performed Jerusalem and other classics of the Last Night of the Proms, the celebrated 120-year-old concert series which launched in 1895. Around 2,000 ukulele players in the audience joined the Orchestra in playing passages from Beethoven’s 9th Symphony. A DVD of this 2010 BBC Prom concert at The Royal Albert Hall is available to order from the website, www.ukuleleorchestra.com. The Orchestra has recorded and released records, CDs and DVDs on its own independent label, as well as with CBS, Sony, Discethnique, Longman, Volume, Tachyon and The Ministry of Sound, as well as appearing on Jools Holland’s Hootenany. Original compositions and songs by the Orchestra have been used on television on film, and in radio plays, as well as in performance by other musicians. They have collaborated with the British Film Institute in providing music for silent films and also musically with Madness, Robbie Williams, Ant & Dec, Yusuf Islam (Cat Stevens), Stefan Raab, Rainer Hersch and a full symphony orchestra performing at the Royal Festival Hall in London. Beatle George Harrison was a well known fan who established contact and played with the orchestra. In addition to performing at theaters and concert halls, the orchestra has also packed the crowds in at rock festivals such as Glastonbury, The ABOUT THE ARTISTs CONTINUED Big Chill, WOMAD, The Electric Picnic, and before 170,000 people in Hyde Park, as well as playing in seven cathedrals in England and Wales. The group has been commissioned to write commemorative concerts, e.g. The Cecil Sharp 100-Year Memorial Concert in 2012 and The 100Year World War One Memorial Concert in 2014 for Birmingham Town Hall. One unique feature of this, the original Ukulele Orchestra, is that although there are many examples of collaboration, they have remained a determinedly independent concern. Relying on their own resources and an email list of tens of thousands they continue to run their own recording and publishing and to eschew mainstream advertising and record companies. Celebrity fans include Sir Paul McCartney, David Bowie, Monty Python’s Michael Palin, Brian Eno, Amanda Palmer, Neil Gaiman, George Benson, Joe Brown and Bette Midler. This is the Ukulele of Great Britain’s first engagement at the Hopkins Center. George Hinchliffe performer Founder member and director of the orchestra. Born and grew up in Sheffield. Studied in Leeds. Started playing the ukulele in 1960. Founded the ukes in 1985. Has worked with Michael Nyman, Mary Wells, Brian Eno, The British Youth Choir, Ron Geesin, The Anjaana Asian Music Group of Bradford, Snake Davis and the Alligator Shoes. Was a noteur for Fairground Organs. Writes and arranges for the orchestra, including the original music in Ukulelescope, and Dreamspiel. Has recorded several solo CDs. Lives in Kent. Kitty Lux performer Founder member and director of the orchestra. Born and grew up in London. Studied in Leeds. Started playing the ukulele in 1982. Founded the ukes in 1985. Has worked with Impact Theatre, Brendan Croker, The Mekons, The Gang of Four. Performed and recorded with her bands: Sheeny and the Goys, Really, The Sirens. Has released several CDs. Worked in engineering and architecture gaining a Queen’s Award to industry. Lives in London. Jonty Bankes performer The member of the orchestra who in addition to playing the bass ukulele, whistles virtuosically. Born in Branston, Lincolnshire. Grew up Lincolnshire. Started playing the ukulele as a youngster playing George Formby. Joined the ukes in 1992. Has worked with Ray Davis, John Mayall, Lousiana Red and Chuck Berry. Was a London bus driver. Plays with his own rock group in Hamburg where he lives. Has appeared on numerous CDs with other artists. Peter Brooke Turner performer The tallest member of the orchestra. Born in Lisbon, Portugal. Grew up in the Soviet Union, Brazil, America, Finland and Italy. Started playing the ukulele in 1989. Joined the ukes in 1995. Has worked with Des O-Connor, Jules Holland, Shaking Stevens and Vic Reeves. Lent his uke to Tiny Tim for a London gig. ABOUT THE ARTISTs CONTINUED Usually enters the Eurovision Song Contest. Fronted his own Ukulele Kings uke rock group. Has released several solo CDs. Lives in Kent. Will Grove-White performer The youngest member of the orchestra. Born in London. Grew up in Sheperd’s Bush, London. Studied in Manchester. Started playing the ukulele in 1986. Joined the ukes in 1991. Had to have written permission to take the day off school to appear on TV with the ukes. Has won several Royal TV Society awards for his documenaries. Fronts his own Will Grove-White and the Others band. Has released several solo CDs. Lives in London. Leisa Rea performer The member of the orchestra who has also trained doctors in the theater of the patient encounter. Born and grew up in Manchester. Was educated in Wales and Yorkshire. Started playing the ukulele in 1990. Joined the ukes in 2005 as deputy. Has worked with many comedy greats. Was originally a guitarist. Has appeared in comedy and music shows including Adams and Rea. Lives in London. David Suich performer The member of the orchestra with the longest hair. Born in Erith, Kent. Grew up in London. Studied in Leeds. Started playing the ukulele in 1980. Joined the ukes in 1985. Has worked with Rik Mayall, Malcolm Hardy. Also known as Joe Bazouki, a Glastonbury Festival compere over 20 years. Fronted his own groups including Friends of the Monster and The Missing Puddings and supported Screaming Lord Sutch. Has released several solo CDs. Lives in London. Richie Williams performer One of the original members of the orchestra, and also the one of the latest additions to the line up, having had over a decade of absence. Born in Bootle. Grew up and studied in Liverpool. Started playing the guitar aged 6. Played at the Cavern Club with Thin Lizzy. Joined the ukes in 1986 and again in 2003. Was a roadie for Frank Zappa and Status Quo. Has worked with Mary Wells, Martha Reeves, Edwin Starr, Ben E King, Snake Davis and the Alligator Shoes. Worked with many other bands including his Three Men and a Bass. Has his own recording studio and a collection of vintage guitars. Lives in Dorset. CONNECTING ARTISTS TO THE COMMUNITY While at Dartmouth, the Ukulele Orchestra of Great Britain will participate in a post-performance discussion. For more information on Hop Outreach & Arts Education, call 603.646.2010 or visit hop.dartmouth.edu/online/outreach. HERE’S TO YOU HOP MEMBERS!* With your loyal and generous support, the Hopkins Center ignites a passion for the arts on campus and throughout our Upper Valley region. Member contributions help to make possible the presentation of some of the most esteemed and innovative artists in our calendar—like Ukulele Orchestra of Great Britain—as well as the commissioning of exciting new works. 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Williamson Joanne and Doug Wise Barbara Pringle and Morton Wise JoAnne Withington Christianne and William Wohlforth Anne and Harry Wollman Kristin and R. Stewart Wood Barbara and Michael Woodard Deborah Hall and Mike Woods Thomas C. Wozniak Chris and Jaqueline Wren Arlene Wright Penelope and Peter Wright Judy Manley and Eugene Yeates Jeanne and William Zeilman Benefits of Membership HOP MEMBERSHIP CATEGORIES AND BENEFITS (July 1, 2014 – June 30, 2015) Member | $100-$249 •P riority ticket processing of up to 4 tickets per show* • Invitation to sneak preview of new season’s visiting artist performances • Invitation to annual Hop Members’ event •A dvance notice of new live shows added to the season • Name listed in newsletter and select playbills • Waived ticket processing fees •T icket exchange privileges AdvocatE | $250-$499 All of the above, plus: •P riority ticket processing of up to 6 tickets per show* •1 5% discount for dining at the Hanover Inn and free valet parking with dinner reservation** •A dvance purchase priority for The Metropolitan Opera: Live in HD series (Met Pass only) Partner | $500-$999 All of the above, plus: •P arking validation at the Hanover garage for each show purchased • Invitations to Partner events like open rehearsals, panel discussions and receptions Investor | $1,000-$2,499 All of the above, plus: • Invitation to a private event with a Hopkins Center performing artist • CD in your genre choice of the season’s performances** Bentley Fellow | $2,500-$4,999 All of the above, plus: • Preferred season ticketing (early ordering deadline applies) • Personalized ticketing service • Name on plaque in Upper Jewett Corridor • Invitation to performing arts trip with the Hopkins Center’s Howard Gilman Director Backstage Circle | $5,000-$9,999 All of the above, plus: • Invitation to lunch with the Hopkins Center’s Howard Gilman Director • Credit in printed program for sponsorship of one Hop visiting performing artist event Top of the Hop | $10,000+ All of the above, plus: • Commissioning opportunities are available at this level *P riority ticket processing includes all Visiting Performing Artists and Hop Performance Ensembles and is based on availability. **Acceptance of this benefit requires a deduction from the amount of your tax receipt. For complete details of categories and benefits please see hop.dartmouth.edu/online/members. Now is the perfect time to join the excitement here at the Hop, in advance of the announcement of the 2015-2016 performance season! Become a new Hop Member by April 30, 2015—prior to our annual July/August registration and renewal period—and your Membership will be valid for 14 months, through June 30, 2016. Join online at hop.dartmouth.edu/online/members, or by calling 603.646.2006. ALREADY A HOP MEMBER? PLEASE PASS THIS PLAYBILL ALONG TO A FRIEND For more information, contact Membership Coordinator Linda Lewis at 603.646.2006 or [email protected]. MUSIC DEPARTMENT RESIDENCY ALVIN LUCIER wIth thE CALLIthUMPIAN CONSORt thu apr 30 7 pm • RollINS ChAPEl The New England Conservatory-based Callithumpian Consort performs works by Lucier, whose pioneering mixing of acoustic sound and pure wave oscillators creates shimmering, ethereal soundscapes. The program includes the premiere of a work celebrating the founding role Lucier’s father, a 1918 Dartmouth graduate, played in the College’s first jazz ensemble; and Still Lives, in which a pianist duets with sine waves meditatively tracing the shapes of common household items. tIG NOtARO comedian wed MaY 20 7 pm • SPAUlDINg AUDIToRIUM A favorite on Conan, This American Life and her top-ranking weekly podcast, Professor Blastoff, Notaro rocketed to fame three years ago when her “gorgeously acute stand-up” set (Louis CK) about a platter of recent personal horrors—her beloved mother’s sudden death, a bad breakup and a breast cancer diagnosis—went viral. One of Rolling Stone’s “50 Funniest People Now” she brings her signature deadpan delivery to guest roles on network and cable TV, and at comedy and music festivals around the world. For tickets or more info call the Box office at 603.646.2422 or visit hop.dartmouth.edu. Sign up for weekly hopMail bulletins online or become a fan of “hopkins Center, Dartmouth” on Facebook Hopkins Center Management Staff Jeffrey H. James ‘75a Howard Gilman Director Marga Rahmann ’78, P’12 Associate Director/General Manager Joseph Clifford Director of Audience Engagement Jay Cary ’68, T’71 Business and Administrative Officer Bill Pence Director of Hopkins Center Film Margaret Lawrence Director of Programming Joshua Price Kol ‘93 Director of Student Performance Programs HOPKINS CENTER BOARD OF OVERSEERS Austin M. Beutner ’82 Kenneth L. Burns H’93 Barbara J. Couch Allan H. Glick ’60, T’61, P’88 Barry Grove ’73 Caroline Diamond Harrison ’86, P’16 Kelly Fowler Hunter ’83, T’88, P’13, P’15 Richard P. Kiphart ’63 Please turn off your cell phone inside the theater. R Assistive Listening Devices available in the lobby. Robert H. Manegold ’75, P’02, P’06 Michael A. Marriott ’84, P’18 Nini Meyer Hans C. Morris ’80, P’11, P’14 Chair of the Board Robert S. Weil ’40, P’73 Honorary Frederick B. Whittemore ’53, T’54, P’88, P’90, H’03 Jennifer A. Williams ’85 Diana L. Taylor ’77 Trustee Representative D A RT M O UTH RECYCLES If you do not wish to keep your playbill, please discard it in the recycling bin provided in the lobby. Thank you.
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