Protection of Cultural Objects on Loan
Exhibition:
Melbourne Winter Masterpieces 2016
Degas: A New Vision
Exhibition Dates:
24 June – 18 Sept 2016
All works are by:
Edgar DEGAS
French 1834–1917
René De Gas (1855)
oil on canvas
92.1 x 74.9 cm
Lemoisne 6
Smith College Museum of Art, Northampton, Massachusetts
Purchased, 1935 (SC 1935:12)
Thérèse De Gas (1855–56)
pencil
(28.4 x 23.4 cm)
Véronique and Louis-Antoine Prat Collection, Paris
Thérèse De Gas (c. 1855–56)
black crayon and graphite on brown paper
32.0 x 28.4 cm (sheet)
Museum of Fine Arts, Boston
Julia Knight Fox Fund (31.434)
A woman in Abruzzese costume (1856–57)
graphite
(34.4 x 21.7 cm)
Vente IV, lot 68a
Collection of Jean Bonna, Geneva
Adolescent nude, right hand on hip, left hand raised (Adolescent nu, main droite posée sur la hanche, bras gauche
levé) (1856–58)
pencil
36.7 x 23.5 cm (sheet)
Musée d’Art Moderne André Malraux, Le Havre
Collection Olivier Senn. Donation Hélène Senn-Foulds 2004 (2004.3.154)
Study of a reclining male nude (Etude – Homme nu couché) (1856–58)
graphite on cream paper
24.8 x 16.4 cm (sheet)
The Museum of Fine Arts, Houston
Purchase funded by the Brown Foundation Accessions Endowment Fund (89.248.1)
Study of a reclining male nude (Etude – Homme nu couché) (1856–58)
graphite on cream paper
24.1 x 16.5 cm (sheet)
The Museum of Fine Arts, Houston
Museum purchase funded by the Brown Foundation Accessions Endowment Fund (89.248.2)
Hilaire Degas 1857
oil on canvas
53.0 x 41.0 cm
Lemoisne 27
Musée d'Orsay, Paris (RF 3661)
Roman beggar woman (Mendiante romaine) 1857
oil on canvas
100.3 x 75.2 cm
Lemoisne 28
Birmingham Museum and Art Gallery
Purchased, 1960
Lent by Birmingham Museums Trust on behalf of Birmingham City Council (1960P44)
Roman landscape, probably facing Monte Lepini, beyond the town of Velletri 1857
graphite on pink paper
27.7 x 44.2 cm (sheet)
The Museum of Fine Arts, Houston
Museum purchase funded by the Sarah Campbell Blaffer Foundation (93.208)
Edgar Degas: Self-portrait (Autoportrait) (1857)
etching and drypoint, third of four states
23.0 x 14.3 cm (plate)
Reed and Shapiro 8.III
Institut national d'histoire de l'art, Bibliothèque (INHA), Paris
Jacques Doucet Collection (EM DEGAS 18a)
Edgar Degas: Self-portrait (Autoportrait) (1857)
etching and drypoint, third of four states
23.0 x 14.4 cm (plate), 34.9 x 25.7 cm (sheet)
Reed and Shapiro 8.III
The Metropolitan Museum of Art, New York
H. O. Havemeyer Collection, Bequest of Mrs H. O. Havemeyer, 1929 (29.107.53)
The engraver Joseph Tourny (Le Graveur Joseph Tourny) (1857)
etching on Japanese vellum, only state
23.0 x 14.4 cm (plate), 32.2 x 25.1 cm (sheet)
Reed and Shapiro 5, sixth printing
The Metropolitan Museum of Art, New York
H. O. Havemeyer Collection. Bequest of Mrs H. O. Havemeyer, 1929 (29.107.55)
Young boy’s profile (copy after Pinturicchio’s Funeral of Saint Bernadino (Profil de jeune garçon (d'après les
Funérailles de Saint Bernardin de Pinturicchio)) (1857–58)
watercolour
(33.0 x 27.0 cm)
Brame and Reff 6
Galerie Berès, Paris
Adelchi Morbilli (c. 1857)
graphite
(24.0 x 16.4 cm)
Vente III, part of lot 93
Collection of Jean Bonna, Geneva
Adelchi Morbilli (c. 1857)
graphite
(24.0 x 16.0 cm)
Private collection
Giovanna Bellelli, study for The Bellelli Family (1858–59)
pencil, black chalk and gouache
(29.5 x 21.8 cm)
Véronique and Louis-Antoine Prat Collection, Paris
Family portrait (Portrait de famille), also called The Bellelli family (1858–67)
oil on canvas
201.0 x 249.5 cm
Lemoisne 79
Musée d'Orsay, Paris (RF 2210)
Giovanna Bellelli (c. 1858)
charcoal, red-brown pastel and chalk on cream paper
(31.4 x 22.9 cm)
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
Bequest of Meta and Paul J. Sachs (1965.266)
Head of an old man, front on (after Lorenzo di Credi) (Tête de vieillard de face (d'après Lorenzo di Credi)) (c. 1858)
pencil with touches of white gouache
(28.9 x 21.6 cm)
Vente IV, lot 88b
Galerie Berès, Paris
Portrait of a woman (after a 16th-century Florentine drawing) (Portrait de femme, d’après un dessin florentin du
XVIe siècle) (c. 1858–59)
oil on canvas
64.7 x 45.4 cm
Lemoisne 53
National Gallery of Canada, Ottawa
Purchased 1967 (15222)
Alexander and study of a leg (Alexandre et étude de jambs) (1859–61)
ink and pencil
26.9 x 20.5 cm (sheet)
Musée d’Art Moderne André Malraux, Le Havre
Collection Olivier Senn. Donation Hélène Senn-Foulds 2004 (2004.3.184)
Alexander holding the reins of Bucephalus and study of a bent left arm (Alexandre tenant les rênes de Bucéphale
et étude de bras gauche plié) (1859–61)
pencil
31.7 x 26.6 cm (sheet)
Musée d’Art Moderne André Malraux, Le Havre
Collection Olivier Senn. Donation Hélène Senn-Foulds 2004 (2004.3.161)
Seated man, three-quarter rear view, hands together (Homme assis trois quarts dos, deux mains reunites) (1859–
61)
pencil
33.0 x 21.0 cm (sheet)
Musée d’Art Moderne André Malraux, Le Havre
Collection Olivier Senn. Donation Hélène Senn-Foulds 2004 (2004.3.148)
Alexander and Bucephalus (Alexandre et le Bucéphale) (c. 1859–60)
oil on canvas
115.0 x 89.0 cm
Lemoisne 91
National Gallery of Art, Washington D.C.
Bequest of Lore Heinemann in memory of her husband Dr Rudolf J Heineman (1997.57.1)
Marguerite De Gas (1860–62)
soft-ground etching and drypoint, third of six states
11.6 x 8.8 cm (plate), 12.5 x 11.5 (sheet)
Reed and Shapiro 14.III
Bibliothèque nationale de France, Paris (NQD-005154)
Nude woman seen from behind, climbing into a chariot (Femme nue, de dos, montant dans un char) (1860–62)
pencil
(36.0 x 23.4 cm)
Musée d’Orsay, Paris (RF 15486)
Woman holding a horse’s bridle. Study for Semiramis (Femme tenant les brides d’un cheval. Etude pour
Semiramis) (1860–62)
black crayon
(36.0 x 22.9 cm)
Musée d’Orsay, Paris (RF 15490)
Young Spartan girls challenging boys (Petites filles spartiates provo uant des garçons) (c. 1860)
oil on canvas
97.4 x 140.0 cm
Lemoisne 71
The Art Institute of Chicago, Illinois
Charles H. and Mary F. S. Worcester Collection (1961.334)
Study for The young Spartans exercising (Étude pour Jeunes Spartiates s’exerçant à la lutte) (c. 1860–61)
oil on paper on paper on cardboard
20.9 x 28.0 cm
Lemoisne 72
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
Friends of the Fogg Museum, Alpheus Hyatt, William M. Prichard, and Francis H. Burr Memorial Funds (1931.51)
At the racecourse (The races) (Sur le champ de courses (Les Courses)) (c. 1860–62)
oil on canvas
42.8 x 65.0 cm
Lemoisne 77
Kunstmuseum, Basel
Gift of Martha and Robert von Hirsch 1977 (G 1977.36)
Portrait of Monsieur Ruelle (Portrait de M. Ruelle) (c. 1861)
oil on canvas
44.0 x 36.0 cm
Lemoisne 102
Musée des Beaux-Arts de Lyon (B1726)
Thérèse De Gas (c. 1863)
oil on canvas
89.5 x 66.7 cm
Lemoisne 109
Musée d'Orsay, Paris (RF 2650)
Édouard Manet seated, turned to the right (Édouard Manet assis tourné vers la droite) (1864–65)
etching and drypoint, first of four states
19.5 x 13.0 cm (plate), 29.8 x 21.8 cm (sheet)
Reed and Shapiro 18.I
Bibliothèque nationale de France, Paris (RCA-27729)
Dead fox in the undergrowth (Renard mort, sous-bois) (1864–68)
oil on canvas
35.0 x 58.0 cm
Lemoisne 120
Musée des Beaux-Arts, Rouen (1990.5.1)
The Bellelli sisters (Giovanna and Giulia Bellelli) (Les Soeurs Bellelli (Giovanna et Giulia Bellelli) (1865–66)
oil on canvas
92.1 x 72.4 cm
Lemoisne 126
Los Angeles County Museum of Art, California
Mr and Mrs George Gard De Silva Collection (M.46.3.3)
Horse at trough (Cheval à l’abreuvoir) (1865–68), cast (1919–32)
bronze
16.5 x 13.7 x 23.0 cm
Czestochowski/Pingeot 13 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (395 E)
Edmondo and Thérèse Morbilli (c. 1865)
oil on canvas
116.5 x 88.3 cm
Lemoisne 164
Museum of Fine Arts, Boston
Gift of Robert Treat Paine, 2nd (31.33)
Édouard Manet, seated, holding his hat (c. 1865)
graphite and black chalk on Chinese paper
33.1 x 23.0 cm (sheet)
Vente II, lot 210.2
The Metropolitan Museum of Art, New York
Rogers Fund, 1918 (19.51.7)
Girl looking through field glasses (Femme à la lorgnette) (c. 1865–72)
oil and pencil on paper on canvas
32.0 x 18.5 cm
Lemoisne 268
Burrell Collection, Glasgow
Gift from Sir William and Lady Burrell to the City of Glasgow, 1944 (35.239)
Nude study: Mademoiselle Fiocre in the ballet The Spring (Etude de nus: Mlle Fiocre dans le ballet La Source)
(1866–68)
oil on canvas
81.3 x 64.5 cm
Lemoisne 148
Albright-Knox Art Gallery, Buffalo
Gift of Paul Rosenberg and Co., 1958 (1958:2)
Head of the fallen jockey (Study for Scene from the Steeplechase: The fallen jockey) (c. 1866)
black chalk heightened with white on brown paper
25.4 x 34.0 cm (sheet)
Lemoisne 143
National Gallery of Art, Washington D.C.
Collection of Mr and Mrs Paul Mellon (1999.79.7)
Portrait of a man (Portrait d'homme) (c. 1866)
oil on canvas
86.4 x 64.8 cm
Lemoisne 145
Brooklyn Museum, New York
Museum Collection Fund (21.112)
Portrait of a young woman (Portrait de jeune femme) (1867)
oil on canvas
27.0 x 22.0 cm
Lemoisne 163
Musée d'Orsay, Paris (RF 2430)
Excursion on horseback (Promenade à cheval) (1867–68)
oil on canvas
71.0 x 90.5 cm
Lemoisne 117
Hiroshima Museum of Art
Study for Julie Burtey (c. 1867)
hard and soft graphite with touches of chalk
36.1 x 27.2 cm (sheet)
Vente II, lot 347
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
Bequest of Meta and Paul J. Sachs (1965.254)
Portrait of Mademoiselle Eugénie Fiocre in the ballet The Spring (Portrait de Mlle. Eugénie Fiocre: à propos du
ballet La Source) (c. 1867–68)
oil on canvas
130.8 x 145.1 cm
Lemoisne 146
Brooklyn Museum, New York
Gift of James H. Post, A. Augustus Healy, and John T. Underwood, 1921 (21.111)
Interior (Intérieur) (1868/69)
oil on canvas
81.3 x 114.3 cm
Lemoisne 348
Philadelphia Museum of Art, Pennsylvania
The Henry P. McIlhenny Collection in memory of Frances P. McIlhenny, 1986 (1986-26-10)
Victoria Dubourg (c. 1868–69)
oil on canvas
81.3 x 64.8 cm
Lemoisne 137
Toledo Museum of Art, Ohio
Gift of Mr and Mrs William E. Levis (1963.45)
Beach at low tide (Plage à marée basse) 1869
pastel
28.0 x 32.0 cm (sheet)
Lemoisne 204
Private collection
Interior (Piano with open fallboard) (Intérieur (piano avec partition ouverte)) (1869)
charcoal heightened with pastel on brown paper
44.0 x 33.0 cm (sheet)
Lemoisne 210
Musée d’Art Moderne André Malraux, Le Havre
Collection Olivier Senn. Donation Hélène Senn-Foulds 2004 (2004.3.107)
Madame Camus at the piano (Mme Camus au piano) (1869)
charcoal and black chalk
35.6 x 22.8 cm (sheet)
Musée d’Art Moderne André Malraux, Le Havre
Collection Olivier Senn. Donation Hélène Senn-Foulds 2004 (2004.3.166)
Study for Madame Théodore Gobillard (née Yves Morisot) (1869)
graphite on buff tracing paper on paper
31.5 x 44.0 cm (sheet)
The Metropolitan Museum of Art, New York
Purchase, Harris Brisbane Dick Fund, David T. Schiff Gift, and Gifts in memory of Joseph Thomas, 1984 (1984.76)
Degas's father listening to Lorenzo Pagans playing the guitar (Le Père de Degas écoutant Lorenzo Pagans) (c.
1869–72)
oil on canvas
81.6 x 65.1 cm
Lemoisne 257
Museum of Fine Arts, Boston
Bequest of John T. Spaulding (48.533)
The dance rehearsal (La Répétition au foyer de la danse) (c. 1870– c. 1872)
oil on canvas
40.6 x 54.6 cm
Lemoisne 362
The Phillips Collection, Washington D.C.
Gift of anonymous donor, initiated 2001, completed 2006 (2001.014.0001)
Horses in a meadow (Chevaux dans la prairie) 1871
oil on canvas
38.1 x 40.0 cm
Lemoisne 289
National Gallery of Art, Washington D.C.
Chester Dale Fund (1995.11.1)
Henri Rouart and his daughter Hélène (Henri Rouart et sa fille Hélène) (1871–72)
oil on canvas
63.5 x 74.9 cm
Lemoisne 424
Courtesy of Acquavalla Galleries
Lorenzo Pagans and Auguste De Gas (Lorenzo Pagans et Auguste De Gas) (1871–72)
oil on canvas
54.5 x 39.5 cm
Lemoisne 256
Musée d'Orsay, Paris (RF 3736)
Out of the paddock (Racehorses) (Les chevaux de courses) (c. 1871–72), reworked (c. 1874–78)
oil on wood panel
32.5 x 40.5 cm
Lemoisne 387
Private collection
Alice Villette (1872)
oil on linen
46.4 x 33.0 cm
Lemoisne 303
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
Gift of C. Chauncey Stillman, Class of 1898, in memory of his father, James Stillman (1925.7)
Rehearsal hall at the Opéra, rue Le Peletier (Le foyer de la danse à l'Opéra de la rue Le Peletier) (1872)
oil on canvas
32.7 x 46.3 cm
Lemoisne 298
Musée d'Orsay, Paris (RF 1977)
The Ballet Master (Maître de danse) (c. 1872)
graphite and black chalk with stumping on buff paper, squared in charcoal
41.0 x 29.8 cm (sheet)
Vente IV, lot 206a
The Art Institute of Chicago, Illinois
Gift of Robert Sonnenschein, II (1951.110A)
The Ballet Master (Maître de danse) (c. 1872)
watercolour and oil paint with graphite and touches of pen and brown and black ink on buff paper ruled at centre in
charcoal on Japanese paper
45.0 x 26.2 cm (sheet)
Lemoisne 367 bis
The Art Institute of Chicago, Illinois
Gift of Robert Sonnenschein, II (1951.110B)
A ballet dancer in position facing three-quarters front (c. 1872–73)
graphite, prepared black chalk, white chalk and touches of blue-green pastel on pink paper,
squared in prepared black chalk
41.0 x 27.6 cm (sheet)
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
Bequest of Meta and Paul J. Sachs (1965.263)
The song rehearsal (La Répétition de chant) (c. 1872–73)
oil on canvas
81.0 x 64.9 cm
Lemoisne 331
House Collection, Dumbarton Oaks, Washington D.C. (HC.P.1918.02.(O))
A cotton office in New Orleans (Un bureau de coton à la Nouvelle-Orléans) 1873
oil on canvas
73.0 x 92.0 cm
Lemoisne 320
Musée des Beaux-Arts, Pau (878.1.2)
The pedicure (Le pédicure) 1873
oil and essence on paper on canvas
61.5 x 46.5 cm
Lemoisne 323
Musée d'Orsay, Paris (RF 1986)
Cotton merchants in New Orleans (Marchands de coton à la Nouvelle-Orléans) (1873)
oil on linen
58.7 x 71.8 cm
Lemoisne 321
Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts
Gift of Herbert N. Straus (1929.90)
Courtyard of a House (New Orleans, sketch) (Cour d’une maison à la Nouvelle-Orléans) (1873)
oil on canvas
60.0 x 73.5 cm
Lemoisne 309
Ordrupgaard, Copenhagen
Bequest to the Danish government in 1951 (238 WH)
The dance class (Ecole de Danse) (c. 1873)
oil on canvas
47.6 x 62.2 cm
Lemoisne 398
National Gallery, Washington D.C.
Corcoran Collection (William A. Clark Collection) (2014.79.710)
The rehearsal (La Repetition) (c. 1874)
oil on canvas
58.4 x 83.8 cm
Lemoisne 430
Burrell Collection, Glasgow
Gift from Sir William and Lady Burrell to the City of Glasgow, 1944 (35.246)
The Ballet Master, Jules Perrot (Le Maître de ballet) 1875
oil on brown paper
47.9 x 29.8 cm (sheet)
Lemoisne 364
Philadelphia Museum of Art, Pennsylvania
The Henry P. McIlhenny Collection in memory of Frances P. McIlhenny, 1986 (1986-26-15)
In a café (The Absinthe drinker) (Dans un café (L'absinthe)) (1875–76)
oil on canvas
92.0 x 68.5 cm
Lemoisne 393
Musée d'Orsay, Paris (RF 1984)
Henri Rouart in front of his factory (Henri Rouart devant son usine) (c. 1875)
oil on canvas
65.4 x 50.5 cm
Lemoisne 373
Carnegie Museum of Art, Pittsburgh
Acquired through the generosity of the Sarah Mellon Scaife Family (69.44)
On stage I (Sur la scène I) (1876)
soft-ground etching and drypoint, second of five states
12.0 x 16.0 cm (plate), 18.5 x 21.9 cm (sheet)
Reed and Shapiro 22.II
Bibliothèque nationale de France, Paris (RCA-80943)
Ludovic Halévy backstage at the Opéra (Ludovic Halévy dans les coulisses de l'Opéra) (1876–77)
monotype, pencil
16.0 x 11.9 cm (plate)
Private collection, Paris
On stage III (Sur la scène III) (1876–77)
soft-ground etching, drypoint, and roulette, third of five states
9.9 x 12.7 cm (plate)
Reed and Shapiro 24.III
Bibliothèque nationale de France, Paris (NQC-031482)
On the bed (Sur le lit) (1876–77)
monotype
(21.0 x 15.9 cm)
Janis 109
Musée Picasso, Paris
Donation Picasso 1978
The Procuress (L'Entremetteuse) (1876–77)
monotype
16.1 x 11.8 cm (image), 24.2 x 14.3 cm (sheet)
Janis 107
Institut national d'histoire de l'art, Bibliothèque (INHA), Paris
Jacques Doucet Collection (EM DEGAS 6)
The tub (Le Tub) (1876–77)
monotype
42.2 x 54.2 cm (plate)
Janis 151
Institut national d'histoire de l'art (INHA), Paris
Jacques Doucet Collection (EM DEGAS 4)
Portrait of a women (Portrait de femme) (c. 1876–80)
oil on canvas
46.3 x 38.2 cm
Lemoisne 415
National Gallery of Victoria, Melbourne
Felton Bequest, 1937 (409-4)
Finishing the arabesque (Fin d'arabesque) (1877)
oil, essence and pastel on canvas
67.4 x 38.0 cm
Lemoisne 418
Musée d'Orsay, Paris (RF 4040)
Madame Jeantaud on her chaise longue, with two dogs (Mme Jeantaud sur sa chaise longue, avec deux chiens)
(1877)
oil on canvas
83.0 x 75.5 cm
Lemoisne 440
Staatliche Kunsthalle Karlsruhe (2493)
Woman with field glasses (Femme à la lorgnette) (1877)
oil on cardboard
47.0 x 32.0 cm (image and sheet)
Lemoisne 431
Galerie Neue Meister, Staatliche Kunstsammlungen Dresden (2601)
Behind the safety curtain (A café-concert singer) (Derrière le rideau de fer (Chanteuse de café-concert)) (1877–78)
aquatint, drypoint and scraping, only state
16.0 x 11.7 cm (plate)
Reed and Shapiro 32
Bibliothèque nationale de France, Paris (NQD-009973)
Mademoiselle Bécat at the Café des Ambassadeurs (Mlle Bécat aux Ambassadeurs) (1877–78)
lithograph, only state
20.4 x 19.4 cm (image), 35.4 x 27.3 cm (sheet)
Reed and Shapiro 31a
Bibliothèque nationale de France, Paris (RCA-79019)
Two dancers in a rehearsal room (Deux danseuses, effet de gris) (1877–78)
aquatint, drypoint and scraping, only state
15.7 x 11.6 cm (plate)
Reed and Shapiro 33
Bibliothèque nationale de France, Paris (NBC-22573)
Landscape (Paysage) (1877–79)
monotype
(11.9 x 16.0 cm)
Bibliothèque nationale de France, Paris (93-B-130412)
Landscape (Paysage) (1877–79)
monotype
(11.9 x 16.0 cm)
Bibliothèque nationale de France, Paris (93-B-130413)
The name day of the Madam (La Fête de la patronne) (1878–79)
pastel on monotype
26.6 x 29.6 cm (plate)
Lemoisne 549, Janis 89
Musée Picasso, Paris
Donation Picasso 1978 (RF35791)
Resting on the bed (Repos sur le lit) (1878–79)
monotype on Chinese paper
(12.1 x 16.4 cm)
Janis 91
Musée Picasso, Paris
Donation Picasso 1978 (RF35783)
The siesta – Scene from a brothel (La Sieste (Scène de maison close)) (1878–80)
monotype
22.7 x 17.3 cm (plate), 32.7 x 25.9 cm (sheet)
Janis 75
Museum of Fine Arts, Boston
Katherine E. Bullard Fund in memory of Francis Bullard (61.1215)
Dancer – Six sketches (Danseuse – Six croquis) (c. 1878)
charcoal on paper
(46.0 x 59.7 cm)
Vente IV, lot 181
Kate Ganz, New York
Little girl practicing at the barre (c. 1878–80)
black chalk and graphite heightened with white chalk on pink paper
31.0 x 29.3 cm (sheet)
The Metropolitan Museum of Art, New York
H. O. Havemeyer Collection, Bequest of Mrs H. O. Havemeyer, 1929 (29.100.943)
Studies of a singer (Etudes de chanteuse) (c. 1878–80)
charcoal and black chalk with touches of white chalk on greenish-grey paper
49.2 x 63.7 cm
Richard and Mary L. Gray and the Gray Collection Trust, Chicago (0280001)
Dancers (Fan design) (Danseuses, éventail) (1879)
gouache, pastel and oil paint on silk
21.7 x 60.5 cm (image), 30.6 x 60.8 cm (sheet)
Lemoisne 564
Tacoma Art Museum, Washington State
Gift of Mr and Mrs W. Hilding Lindberg (1983.1.008)
In a brothel salon (Au salon) (1879)
monotype
16.4 x 21.5 cm (plate)
Janis 82
Musée Picasso, Paris
Donation Picasso 1978 (RF35785)
Rest (Repos) (1879)
monotype on Chinese paper
15.9 x 21.6 cm (plate)
Janis 83
Musée Picasso, Paris
Donation Picasso 1978 (RF35787)
Waiting (L’Attente) (second version) (1879)
monotype on Chinese paper
21.6 x 16.4 cm (plate)
Janis 65
Musée Picasso, Paris
Donation Picasso 1978 (RF35786)
Actresses in their dressing rooms (Loges d' actrices) (1879–80)
etching and aquatint, third of five states
16.1 x 21.3 cm (plate), 23.5 x 26.3 cm (sheet)
Reed and Shapiro 50 III
Bibliothèque nationale de France
At the Café des Ambassadeurs (Aux café des Ambassadeurs) (1879–80)
etching, soft-ground etching, drypoint and aquatint, third of five states
20.4 x 19.4 cm (plate), 26.6 x 29.6 cm (sheet)
Reed and Shapiro 49.III
Bibliothèque nationale de France, Paris (RCA-28661)
Mary Cassat at the Louvre: The Paintings Gallery (Mary Cassatt au Louvre; la peinture) (1879–80)
etching, soft-ground etching, aquatint and drypoint, intermediate between fifteenth and sixteenth of twenty states
30.5 x 12.6 cm (plate)
Reed and Shapiro 52.XV-XVI
Bibliothèque nationale de France, Paris (RCA-79017)
The little fourteen-year-old dancer (La Petite danseuse de 14 ans) (1879–81), cast (1922–37)
bronze with cotton skirt and satin ribbon
99.0 x 35.2 x 24.5 cm
Czestochowski/Pingeot 73 (cast unlettered)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (426 E)
Leaving the bath (La Sortie du bain) (c. 1879–80)
electric crayon, etching, drypoint and aquatint, seventh of twenty-two states
12.8 x 12.8 cm (plate), 29.7 x 21.7 cm (sheet)
Reed and Shapiro 42 VII
National Gallery of Canada, Ottawa
Purchased 1976 (18662)
Theatre box (La Loge) (1880)
pastel and oil on cardboard on canvas
(66.0 x 53.0 cm)
Lemoisne 584
The Lewis Collection, Houston
Ludovic Halévy talking to Madame Cardinal (Ludovic Halévy parlant à Mme Cardinal) (1880–83)
monotype
15.8 x 11.8 cm (plate)
Janis 200
Bibliothèque nationale de France, Paris (RCA-28678)
Getting dressed (Le Lever) (1880–85)
monotype
18.0 x 16.3 cm (plate)
Collection of André Bromberg, Paris
Woman seated on the edge of a bath sponging her neck (Femme assise sur le bord d'une baignoire et s'épongeant
le cou) (1880–95)
oil and essence on paper on canvas
52.2 x 67.5 cm
Lemoisne 1120
Musée d'Orsay, Paris (RF 1989 2)
Woman leaving her bath (Sortie du bain) (c. 1880)
monotype
16.1 x 12.0 cm (plate), 25.5 x 17.5 cm (sheet)
Janis 176
Bibliothèque nationale de France, Paris (RCA-87762)
The one who looked around most avidly was the Marquis Cavalcanti (Celui qui tournait le plus, c'était le marquis
Cavalcanti) (c. 1880–83)
monotype
21.3 x 16.0 cm (plate), 27.3 x 19.6 cm irreg. (sheet)
Janis 222
National Gallery of Victoria, Melbourne
Felton Bequest, 1974 (P2-1974)
Horse walking (Cheval en marche) (probably before 1881), cast (1919–32)
bronze
21.0 x 26.6 x 9.6 cm
Czestochowski/Pingeot 10 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (405 E)
Racehorses (Study for Scene from the Steeplechase: The Fallen Jockey) (c. 1881)
charcoal on light brown paper
27.6 x 43.2 cm (sheet)
Vente IV, lot 227b
National Gallery of Art, Washington D.C.
Collection of Mr and Mrs Paul Mellon (1999.79.9)
Nude woman standing, with left leg raised, foot on a pedestal (Femme nue debout, la jambe gauche levée, le pied
sur un socle) (1882–83)
black chalk and pastel on blue paper
49.5 x 30.7 cm (sheet)
Lemoisne 615
Musée d'Orsay, Paris (RF 29346)
The laundress ironing (Blanchisseuse repassant) (1882–86)
oil on canvas
64.8 x 66.7 cm
Lemoisne 276
Reading Public Museum, Pennsylvania
Gift, Miss Martha Elizabeth Dick Estate (76.45.1)
Dancer adjusting the shoulder strap of her bodice (Danseuse attachant l'épaulette de son corsage) (1882–95), cast
(1919–32)
bronze
35.2 15.9 x 11.8 cm
Czestochowski/Pingeot 64 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (381 E)
Before the race (Avant la course) (c. 1882)
oil on wood panel
26.7 x 34.9 cm
Lemoisne 702
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Acquired by Sterling and Francine Clark, 1939 (1955.557)
Woman in a tub (Femme au tub) (c. 1883)
pastel
(70.0 x 70.0 cm)
Lemoisne 738
Tate, London
Bequeathed by Mrs A.F. Kessler 1983 (T03563)
Bather sponging her knee (c. 1883–84)
charcoal, pastel and grey wash
30.8 x 24.8 cm (sheet)
Vente II, lot 222b
The Metropolitan Museum of Art, New York
Rogers Fund, 1918 (19.51.3)
Before the race (Avant le depart) (c. 1883–90)
pastel
49.0 x 62.0 cm (sheet)
Lemoisne 762
Private collection
Head of a woman (Portrait de femme) (1884)
pastel
(23.0 x 31.0 cm)
Lemoisne 802
The Museum of Fine Arts, Houston
Gift of Oveta Culp Hobby (84.406)
Woman resting and seated young girl (Femme se reposant et jeune fille assise) (1884)
black chalk and pastel on paper with strips added
(59.0 x 64.0 cm)
Lemoisne 777
Private collection, Paris
Dancer rubbing her knee (Danseuse se frottant le genou) (c. 1884–85), cast (1919–32)
bronze
31.0 x 24.0 x 14.1 cm
Czestochowski/Pingeot 39 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (380 E)
Nude woman drying herself (Femme au Tub) (c. 1884–86)
oil on canvas
150.8 x 213.7 cm
Lemoisne 951
Brooklyn Museum, New York
Carll H. de Silva Fund (31.813)
Theatre box (La Loge) (1885)
pastel
47.7 x 38.5 cm (sheet)
Lemoisne 829
Hammer Museum, Los Angeles
The Armand Hammer Collection, Gift of the Armand Hammer Foundation (AH.90.22)
Dancer adjusting the strap of her bodice (Danseuse rajustant l’épaulette de son corsage) (1885–1905)
oil on canvas
78.7 x 50.8 cm
Lemoisne 975
The Art Institute of Chicago, Illinois
Anonymous loan
Female torso (Torse de femme) (c. 1885)
monotype in brown ink on Japanese paper
50.0 x 39.3 cm (plate)
Janis 158
Bibliothèque nationale de France, Paris (RCB-05968)
Head resting on one hand (Portrait, tête appuyée sur la main) (c. 1885–88), cast (1919–32)
bronze
12.0 x 17.5 x 16.2 cm
Czestochowski/Pingeot 62 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (424 E)
The tub (Le Tub) (1888–89), cast (1919–32)
bronze
22.5 x 45.0 x 42.0 cm
Czestochowski/Pingeot 26 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (409 E)
Dancer adjusting her shoe (Danseuse rajustant son chausson) (early 1880s)
charcoal and pastel
31.0 x 23.9 cm (sheet)
The Museum of Fine Arts, Houston
Gift of Linda and Ronny Finger (2012.275)
Horse balking (Cheval se dressant) (1880s), cast (1919–32)
bronze
28.0 x 41.0 x 24.5 cm
Czestochowski/Pingeot 48 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (396 E)
Rearing horse (Cheval se cabrant) (1880s), cast (1919–32)
bronze
30.9 x 23.7 x 23.5 cm
Czestochowski/Pingeot 4 (cast E)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (397 E)
Landscape (Paysage) (1890–93)
pastel over monotype
(27.0 x 36.0 cm)
Lemoisne 1049, Janis 316
Private collection, Paris
Landscape: Estérel village (Paysage: Village dans l’Estérel) (1890–93)
monotype in oil on cream paper
30.0 x 42.5 cm (plate)
Janis 275
Bibliothèque nationale de France, Paris (RCC-10296)
After bathing two nude women (La Sortie du bain, deux femmes nues) (1890–95)
pastel
(72.7 x 51.2 cm)
Lemoisne 1078
Koninklijk Museum voor Schone Kunsten, Antwerpen (2787)
Woman drying herself (Femme s’essuyant) (1890–95)
charcoal on buff paper on cardboard
72.0 x 59.0 cm irreg. (image), 73.7 x 70.7 cm (sheet)
National Gallery of Victoria, Melbourne
Felton Bequest 1947 (1801-4)
Dancer at rest, hands behind her back, right leg forward (Danseuse au repos, les mains sur les hanches, jambe
droite en avant) (c. 1890), cast (1919–32)
bronze
44.7 x 14.7 x 23.5 cm
Czestochowski/Pingeot 41 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (377 E)
Picking apples (Cueillette des pommes) (c. 1890), cast (1919–32)
bronze
44.7 x 47.6 x 9.3 cm
Czestochowski/Pingeot 37 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (425 E)
Toilette after the bath (La Toilette après le bain) (c. 1890)
charcoal and white pastel on tracing paper
(55.9 x 59.8 cm)
Art Gallery of Ontario, Toronto
Gift of Sam and Ayala Sacks, 1970 (71/112)
Woman seated with a dog on her knee (Mary Cassatt) (Femme assise tenant un chien sur les genoux (Mary
Cassatt)) (c. 1890)
pastel
67.0 x 52.0 cm (sheet)
Lemoisne 1022
Private collection
Woman washing her left leg (Femme se lavant la jambe gauche) (c. 1890), cast (1919–32)
bronze
20.0 x 14.5 x 19.3 cm
Czestochowski/Pingeot 61 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (417 E)
Undulating hills (Terrains vallonnés) (c. 1890–93)
pastel over monotype
30.0 x 40.0 cm (plate), 40.0 x 50.0 cm (sheet)
Lemoisne 1062, Janis 315
Collection of Mme Catherine Trèves
Dancer looking at the sole of her right foot (Danseuse regardant la plante de son pied droit) (c. 1890–1900), cast
(1919–32)
bronze
45.5 x 20.0 x 19.5 cm
Czestochowski/Pingeot 40 (cast C)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (388 E)
After the bath III (La Sortie de bain III) (1891–92)
lithograph, transfer and crayon, first of two states
25.0 x 23.0 cm (image)
Reed and Shapiro 65.I
Bibliothèque nationale de France, Paris (RCA-80954)
Nude woman standing, drying herself (Femme nue debout à sa toilette) (1891–92)
lithograph, fourth of six states
33.1 x 24.8 cm (stone), 44.8 x 36.2 cm (sheet)
Reed and Shapiro 61.IV
Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
Acquired by the Clark, 1962 (1962.38)
Nude woman standing, drying herself (Femme nue debout à sa toilette) (1891–92)
lithograph, sixth of six states
33.3 x 24.5 cm (stone)
Reed and Shapiro 61.VI
Private collection, Sydney
The billiard room at Ménil-Hubert (Salle de billard au Ménil-Hubert) (1892)
oil on canvas
50.7 x 65.5 cm
Lemoisne 1114
Musée d'Orsay, Paris (RF 1989 3)
Landscape (Paysage) (c. 1892)
pastel
51.1 x 50.5 cm (sheet)
The Museum of Fine Arts, Houston
Museum purchase funded by the Brown Foundation Accessions Endowment Fund (91.231)
Rose Caron (c. 1892)
oil on canvas
99.7 x 107.9 cm
Lemoisne 862
Albright-Knox Art Gallery, Buffalo
Charles Clifton, Charles W. Goodyear and Elisabeth H. Gates Funds, 1943 (1943:1)
Woman taken unwawares (Femme surprise) (c. 1892), cast (1919–32)
bronze
40.7 x 28.0 x 19.0 cm
Czestochowski/Pingeot 42 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (414 E)
Woman arranging her hair (Femme se coiffant) (1894)
oil on canvas
50.0 x 40.0 cm
Lemoisne 1147
Ordrupgaard, Copenhagen (290 WH)
Woman at her Toilet (Femme à sa toilette) (c. 1894)
charcoal and pastel
(95.6 x 109.9 cm)
Lemoisne 1161
Tate, London
Presented by C. Frank Stoop 1933 (N04711)
The Conversation (La Conversation) 1895
pastel
65.0 x 50.0 cm (sheet)
Lemoisne 1175
Courtesy of Acquavalla Galleries
Jules Taschereau 1895
gelatin silver print
(7.9 x 9.3 cm)
Album 5, pl.17
Private collection, Paris
Daniel Halévy (14 October 1895)
gelatin silver print
11.2 x 8.2 cm (image and sheet)
Daniel 5a, Album 2, pl.53
Private collection, Paris
Daniel Halévy (14 October 1895)
gelatin silver print
40.0 x 29.4 cm (image and sheet)
Daniel 5b
Musée d’Orsay, Paris
Gift of the children of Mme Halévy-Joxe (PHO 1994-1 2)
Louise Halévy (14 October 1895)
gelatin silver print
11.0 x 8.3 cm (image and sheet)
Daniel 4a
Private collection, Paris
Louise Halévy (14 October 1895)
gelatin silver print
40.9 x 29.3 cm (image and sheet)
Daniel 4c
Musée d’Orsay, Paris
Gift of the children of Mme Halévy-Joxe (PHO 1994-1 1)
Louise Halévy reading to Degas (Louise Halévy faisant la lecture à Degas) (Autumn 1895, probably early October)
gelatin silver print
28.7 x 39.7 cm (image and sheet)
Daniel 3b
The J. Paul Getty Museum, Los Angeles
Purchased, 1984 (84.XM.495.3)
Louise and Daniel Halévy (Autumn 1895)
gelatin silver print
7.7 x 9.6 cm (image and sheet)
Daniel 2a, Album 2, pl.59
Private collection, Paris
Louise Halévy reading to Degas (Louise Halévy faisant la lecture à Degas) (Autumn 1895)
gelatin silver print
7.9 x 9.3 cm (image and sheet)
Daniel 3a, Album 2, pl.59
Private collection, Paris
Louise Halévy reclining (Louise Halévy allongée) (Autumn 1895)
gelatin silver print
9.5 x 7.5 cm (image and sheet)
Daniel 1a, Album 2, pl.59
Private collection, Paris
Self-portrait with Bartholomé’s Weeping girl (Autoportrait à la statue de Bartholomé) (probably autumn 1895)
gelatin silver print
28.6 x 39.4 cm (image and sheet)
Daniel 23a
Musée d’Orsay, Paris
Gift of the Société des Amis du Musée d’Orsay (PHO 1992 5)
Self-portrait with Zoé Closier (probably Autumn 1895)
gelatin silver print
18.2 x 24.2 cm (image and sheet)
Daniel 20a
Bibliothèque nationale de France (Est. Eo 53b)
Auguste Renoir et Stéphane Mallarmé
16 December 1895
gelatin silver print (tirage argentique)
38,9 x 29,2 cm
Bibliothèque littéraire Jacques Doucet, Paris
Inv. 79
Geneviève and Marie Mallarmé (16 December 1895)
gelatin silver print
(28.7 x 39.7 cm)
Daniel 16a
Musée départemental Stéphane Mallarmé
Vulaines-sur-Seine (985-128-1)
Paule Gobillard, Jeannie Gobillard, Julie Manet, and Geneviève Mallarmé (16 December 1895)
gelatin silver print
28.4 x 38.9 cm (image and sheet)
Daniel 17a
The Metropolitan Museum of Art, New York
Gift of Paul F. Walter, 2000 (2000.655.1)
Jacques-Émile and Rose Blanche (mid December 1895)
gelatin silver print
8.2 x 6.6 cm (image and sheet)
Daniel 7a, Album 2, pl.61
Private collection, Paris
Jacques-Émile and Rose Blanche (mid December 1895)
gelatin silver print
8.0 x 8.5 cm (image and sheet)
Daniel 8a, Album 2, pl.61
Private collection, Paris
Jules Taschereau, Degas and Jacques-Émile Blanche (mid December 1895)
gelatin silver print
8.0 x 8.2 cm (image and sheet)
Daniel 6a, Album 2, pl.61
Private collection, Paris
William Busnach (mid December 1895)
gelatin silver print
8.1 x 7.5 cm (image and sheet)
Daniel 10a, Album 2, pl.61 BNF
Private collection, Paris
Henriette Taschereau, Mathilde Niaudet, and Jules Taschereau; Sophie Taschereau-Niaudet and Jeanne Niaudet
(28 December 1895)
gelatin silver print
8.8 x 9.6 cm (image and sheet)
Daniel 11a, Album 2, pl.69
Private collection, Paris
Mathilde and Jeanne Niaudet, Daniel Halévy, and Henriette Taschereau; Ludovic and Élie Halévy (28 December
1895)
gelatin silver print
11.6 x 8.3 cm (image and sheet)
Daniel 12a, Album 2, pl.69
Private collection, Paris
Mathilde and Jeanne Niaudet, Daniel Halévy, and Henriette Taschereau; Ludovic and Élie Halévy (28 December
1895)
gelatin silver print
8.8 x 9.5 cm (image and sheet)
Daniel 12b, Album 2, pl.69
Private collection, Paris
The Russian dancer (Danseuse russe) (1895)
pastel and charcoal on joined paper on board
66.5 x 56.2 cm (sheet)
Lemoisne 1193
The Museum of Fine Arts, Houston
Gift of the Sara Lee Corporation (2000.115)
Dancers at a rehearsal (Danseuses au foyer) (1895–98)
oil on canvas
70.0 x 100.0 cm
Lemoisne 1200
Von der Heydt-Museum, Wuppertal
Gift of Dr Eduard Freiherr von der Heydt, Ascona, 1961 (G 1046)
Group of dancers (red skirts) (Groupe de danseuses (Jupes rouges)) (1895–1900)
pastel
(77.0 x 58.0 cm)
Lemoisne 1372
Burrell Collection, Glasgow (35.243)
Three dancers (1895–1905)
charcoal on tracing paper with traces of blue paint
(47.7 x 38.5 cm)
Vente II, lot 282
Collection of Jean Bonna, Geneva
The bather (La Baigneuse) (c. 1895)
pastel and charcoal
(78.0 x 79.0 cm)
Lemoisne 1169
Reading Public Museum, Pennsylvania
Bequest, Henry K. Dick Estate (1954.36.1)
Woman at her bath (Femme au bain) (c. 1895)
oil on canvas
71.1 x 88.9 cm
Lemoisne 1119
Art Gallery of Ontario, Toronto
Purchase, Frank P. Wood Endowment, 1956 (55/49)
Racehorses (Chevaux de courses) (c. 1895–99)
pastel on tracing paper on cardboard
(55.8 x 64.8 cm)
Lemoisne 756
National Gallery of Canada, Ottawa
Purchased 1950 (5771)
Dancer with bouquets (Danseuse aux bouquets) (c. 1895–1900)
oil on canvas
180.3 x 152.4 cm
Lemoisne 1264
Chrysler Museum of Art, Norfolk, Virginia
Gift of Walter P. Chrysler, Jr, in memory of Della Viola Forker Chrysler (71.507)
Woman at her toilette (Femme à sa toilette) (c. 1895–1900)
oil on canvas
82.0 x 77.0 cm
Lemoisne 1227
Private collection
Three dancers (Les Trois danseuses) (1896–1905)
pastel
(51.0 x 47.0 cm)
Lemoisne 1250
Burrell Collection, Glasgow (35.249)
After the bath (Après le bain) (1896–1907)
charcoal
56.0 x 53.0 cm (image and sheet)
Les Arts Décoratifs, musée des Arts décoratifs, Paris
Bequest of Lucien Henraux, 1926 (25452)
Dancer in leotard (Danseuse en maillot) (c. 1896)
pastel on paper on cardboard
52.1 x 44.1 cm (sheet)
Lemoisne 1260
Musée d’Orsay, Paris (RF MO AG 2014 2)
Before the performance (Scène de ballet) (c. 1896–98)
oil on paper on canvas
47.6 x 62.5 cm
Lemoisne 1261
Scottish National Gallery, Edinburgh
Presented by Sir Alexander Maitland in memory of his wife Rosalind, 1960 (NG 2224)
The masseuse (La Masseuse) (c. 1896–1911), cast (1919–32)
bronze
43.0 x 38.0 x 30.0 cm
Czestochowski/Pingeot 55 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (421 E)
The return of the herd (La Rentrée du troupeau) (1898)
oil on canvas
71.0 x 92.0 cm
Lemoisne 1213
New Walk Museum and Art Gallery, Leicester (11A1969)
Dancers on the stage (Danseuses sur la scène) (c. 1899)
oil on canvas
76.0 x 82.0 cm
Lemoisne 987
Musée des Beaux-Arts de Lyon
Jacqueline Delubac Bequest, 1997 (1997-29)
Dancers at the barre (Danseuses à la barre) (1900)
charcoal and pastel on tracing paper on cardboard
(111.2 x 95.6 cm)
Lemoisne 808
National Gallery of Canada, Ottawa
Purchased 1921 (1826)
Woman bending over, viewed from behind (Femme nue baissée de dos) (1900)
charcoal and pastel on paper on cardboard
(73.6 x 60.4 cm)
Private collection, New South Wales
After the bath (Après le bain. Femme s'essuyant) (c. 1900)
charcoal on tracing paper on cardboard
(73.7 x 59.8 cm)
Art Gallery of New South Wales, Sydney
Margaret Hannah Olley Art Trust 1994 (222.1994)
Woman rubbing her back with a sponge (Femme se frottant le dos avec une éponge) (c. 1900), cast (1919–32)
bronze
49.5 x 29.5 x 17.6 cm
Czestochowski/Pingeot 28 (cast C)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (408 E)
Dancer looking at the sole of her right foot (Second study) (Danseuse regardant la plante de son pied droit.
Deuxième étude) (c. 1900–10), (cast 1919–37 or later)
bronze
47.3 x 24.3 x 20.8 cm
Czestochowski/Pingeot 59 (cast T)
National Gallery of Victoria, Melbourne
Purchased with funds donated by Leigh Clifford AO and Sue Clifford, 2016
Nude woman lying down (Femme nue couchee) (c. 1901)
charcoal
52.7 x 53.4 cm (sheet)
Vente III, lot 171
Private collection
Seated woman wiping the nape of her neck (Femme assise s'essuyant la nuque) (c. 1901), cast (1919–32)
bronze
31.5 x 30.0 x 26.0 cm
Czestochowski/Pingeot 44 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (411 E)
Seated woman wiping her left side (Femme assise s'essuyant la hanche gauche) (c. 1901–11), cast (1919–32)
bronze
35.0 x 30.5 x 30.4 cm
Czestochowski/Pingeot 46 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (420 E)
Woman seated in an armchair wiping her left armpit (Femme assise dans un fauteuil s'essuyant l'aisselle gauche)
(c. 1901–11), cast (1919–32)
bronze
31.5 x 33.0 x 19.0 cm
Czestochowski/Pingeot 43 (cast S)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Alberto José Alves, Alberto Alves Filho and Alcino Ribeiro de Lima (413 E)
Woman wiping her left leg (Femme s’essuyant la jambe gauche) 1903
charcoal and pastel
(61.0 x 51.0 cm)
Museu de Arte de São Paulo, Assis Chateaubriand
Donated by Henryk Sptzman Jordan (84 P)
Three nude dancers (Trois danseuses nues) (c. 1903)
charcoal
77.2 x 63.2 cm (sheet)
Arkansas Arts Center Foundation Collection, Little Rock
Purchase, Fred W. Allsopp Memorial Acquisition Fund (1982.010.002)
Study for a portrait of Monsieur and Madame Louis Rouart (Esquisse pour un portrait (M. et Mme Louis Rouart))
(1904)
pastel and charcoal with stumping and traces of erasing on tracing paper on cardboard
97.7 x 77.5 cm
Lemoisne 1442
Richard and Mary L. Gray and the Gray Collection Trust, Chicago (0780005)
Female nude (Femme nue) (1905)
charcoal and brown pastel
41.0 x 26.3 cm (sheet)
Art Gallery of Ontario, Toronto
Gift of Mr Noah Torno, 2003 (2003/1670)
Madame Alexis Rouart (Mme Alexis Rouart) (c. 1905)
charcoal and chalk
60.3 x 45.1 cm (sheet)
Saint Louis Museum of Art, Missouri
Friends Fund, Museum Purchase, and Gift of Mr and Mrs James E. Rarick, by exchange (35:1979)
Woman drying herself (Femme s’essuyant) (c. 1905)
charcoal and pastel on tracing paper on paper
78.7 x 78.7 cm (sheet)
Lemoisne 1423bis
The Museum of Fine Arts, Houston
The Robert Lee Blaffer Memorial Collection, gift of Sarah Campbell Blaffer (56.21)