____________________________ Mrs. DiSalvo English 9___ ____________________________ Honors Critical Thinking Assignment Assignment Summary: In English 9 Honors, students must complete this assignment two times each quarter. The assignment will be typed, in MLA format, and is due on the date assigned in class. Assignment 1. Find a block quote. A block quote should be four or more lines when typed in your paper, and it should prompt a discussion of figurative language/literary elements, develop the theme of the reading assignment, and include unique or powerful diction (word choice) and/or syntax (sentence structure). 2. Cite the block quote. Use MLA format when citing each block quote. (See bottom of page for rules.) 3. Respond to and analyze (not summarize!) the quote. Respond to each quote in a structured, formal free-write that reveals your understanding of the passage. An incomplete response demonstrates incomplete thought; make sure you thoroughly discuss the quote; do not summarize the quote or the story! Responses should: be 2-3 well-developed paragraphs discuss the quote’s relevance within the overall work analyze figurative language and/or literary elements present in the quote establish how the quote supports or develops a theme of the reading assignment as a whole examine unique syntax and/or diction within the quote Remember, good writing always counts. Try to have fun with the writing – play, experiment, develop your voice. 4. Due Date. Each block quote is due by the dates I assign, but you may turn in your block quotes and responses as you complete them throughout the quarter. Block Quote Rules 1. Block quotes are used only “if a quotation runs more than four lines in your paper” (Gibaldi 110). 2. Always use a colon at the end of the signal (introductory) phrase. 3. Quotation marks are not used to open/close block quotes. 4.All lines of the block quote are indented two Tabs (approximately 1 inch) from the left margin and they run flush to the right margin. It is not acceptable for paragraph indentations and block quote indentations to align; the block quote indentation must be deeper. a. If you are citing more than one paragraph in your block quote, indent the beginning of the new paragraph the required two Tabs plus an additional ¼ of an inch (about 5 more spaces). b. If you are citing a block of text that contains a couple of lines of dialogue, keep the format as it appears in the text and use double quotation marks only around the dialogue. 5. Punctuation goes at the end of the quote’s final sentence, before (not after) the in-text citation. 6. In MLA format, the block quote (along with the rest of your paper) is double-spaced. You are permitted to single space on this assignment in the interest of saving paper. 7. When using a block quote from a verse play (e.g. Shakespeare) or poetry, maintain the writer’s lines of text, spacing, punctuation, etc. My Example of a Prose Block Quote (from To Kill a Mockingbird) High above us in the darkness a solitary mocker poured out his repertoire in blissful unawareness of whose tree he sat in, plunging from the shrill kee, kee of the sunflower bird to the irascible qua-ack of a bluejay, to the sad lament of Poor Will, Poor Will, Poor Will. (Lee 255) My Example of a Response (for the above block quote) Fear comes in all kinds of disguises. Harper Lee brings the reader into the chapter by setting its ghostly stage. The children feel the darkness. They feel the isolation. Night cloaks them as if to protect them. Yet, they feel the contrast of the “shrill sunflower bird” call juxtaposed with the “sad lament” of the whippoorwill, causing the children to hesitate for a moment. The moment builds the tension. The moment builds the fear. The children feel the air tighten as they walk towards home. The reader knows that Lee uses her imagery to foreshadow the danger that walks towards the children. Every one of her words counts. Every “kee, kee” builds tension. (*Note – In the next paragraphs, literary terms, themes, and diction/syntax would be referenced.) The in-text citation uses the author’s last name and the act, scene, and line numbers, separated by periods, but no spaces. My Example of a Verse Play Block Quote (from Romeo and Juliet) But soft! What light through yonder window breaks? It is the East, and Juliet is the sun! Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief That thou her maid art far more fair than she! (Shakespeare 2.2.2-6) My Example of an Epic Poem Block Quote (from the Odyssey) Cyclops, if ever mortal man inquire how you were put to shame and blinded, tell him Odysseus, raider of cities, took your eye: Laertes’ son, whose home’s on Ithaca! (Homer 9.415-419) My Example of a Poetry Block Quote (from Poe’s “Annabel Lee”) It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; – And this maiden she lived with no other thought Than to love and be loved by me. (Poe lines 1-6) When quoting a line of poetry, keep the line breaks and spacing as they appear in the text. The in-text citation uses the poet’s last name and the book and line numbers, separated by a period, but without a space. The in-text citation includes the poet’s last name and uses the line numbers, with the word lines in the first reference. Formatting Your Block Quote and Response You have two options for how to format your block quote and response. Remember, you may choose to single-space or double-space this assignment. Block Quote Format #1 Notice that the block quote is formatted correctly – each line is indented one-inch (2 Tabs), there are no quotation marks around the quote, and the in-text citation (Author’s Last Name and page number) appear outside the end punctuation. Your Last Name Page # Your Name Teacher’s Name English 9H Date Title My Quote High above us in the darkness a solitary mocker poured out his repertoire in blissful unawareness of whose tree he sat in, plunging from the shrill kee, kee of the sunflower bird to the irascible qua-ack of a bluejay, to the sad lament of Poor Will, Poor Will, Poor Will. (Lee 255) My Response Fear comes in all kinds of disguises. Harper Lee brings the reader into the chapter by setting its ghostly stage. The children feel the darkness. They feel the isolation. Night cloaks them as if to protect them. Yet, they feel the contrast of the “shrill sunflower bird” call juxtaposed with the “sad lament” of the whippoorwill, causing the children to hesitate for a moment. The moment builds the tension. The moment builds the fear. The children feel the air tighten as they walk towards home. The reader knows that Lee uses her imagery to foreshadow the danger that walks towards the children. Every one of her words counts. Every “kee, kee” builds tension. (*Note – In the next paragraphs, literary terms and themes would be referenced.) Block Quote Format #2 Notice that instead of labeling the quote and the response, I have added an introductory paragraph in which I’ve placed the block quote. Also notice that the quote is introduced by a “signal phrase” which ends with a colon. Your Last Name Page # Your Name Teacher’s Name English 9H Date Title Harper Lee discusses many different aspects of human nature in To Kill a Mockingbird. The children, Scout and Jem, learn about the darker side of human nature through the events and characters in the novel. One night as they walk home, Scout notes: High above us in the darkness a solitary mocker poured out his repertoire in blissful unawareness of whose tree he sat in, plunging from the shrill kee, kee of the sunflower bird to the irascible qua-ack of a bluejay, to the sad lament of Poor Will, Poor Will, Poor Will. (Lee 255) She focuses not only on the various bird calls, but also on the importance of “whose tree” the mocker has chosen. This tree reminds readers again of the mystery and fear connected to Boo Radley. Fear comes in all kinds of disguises. Harper Lee brings the reader into the chapter by setting its ghostly stage. The children feel the darkness. They feel the isolation. Night cloaks them as if to protect them. Yet, they feel the contrast of the “shrill sunflower bird” call juxtaposed with the “sad lament” of the whippoorwill, causing the children to hesitate for a moment. The moment builds the tension. The moment builds the fear. The children feel the air tighten as they walk towards home. The reader knows that Lee uses her imagery to foreshadow the danger that walks towards the children. Every one of her words counts. Every “kee, kee” builds tension. (*Note – In the next paragraphs, literary terms and themes would be referenced.)
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