Menu Print NAME CLASS for CREATING A VIDEO POSTCARD, CHAPTER 1 DATE page 46 Project-Planning Guide DIRECTIONS Use this guide to help you plan and create a video postcard. Check off each step as you complete it. ❑ Choose a place. Write a possible location in each box. Consider the advantages of each. Then, choose a location that has accessibility, personal significance, and visual interest. ❑ Complete the necessary preparations. _____ Visit the site and take notes. _____ Choose which props, if any, to use. _____ Decide how to add movement to the location. _____ Obtain or reserve video equipment. _____ Get a videotape. _____ Decide on camerawork. _____ Complete the storyboard. _____ Reconsider the sequencing of shots. (Renumber the storyboard boxes if a different sequence seems more effective.) _____ Decide on the date and time for taping. Copyright © by Holt, Rinehart and Winston. All rights reserved. ❑ Plan tasks for the day of shooting. If you are working in a group, divide the tasks below among group members. Place a check in the third column when each task is completed. TASK ASSIGNED TO COMPLETED Bring video camera Bring a videotape Bring and manage props Bring and follow the storyboard Time shots Shoot video postcard Media Literacy and Communication Skills | Support and Practice 1 Menu Print NAME CLASS for CREATING A VIDEO POSTCARD, CHAPTER 1 DATE page 46 Video Brainstorming Guide DIRECTIONS To help you plan your postcard, complete each of the sentences below. 1. I have selected as my subject 2. This place is important to me because 3. The part of this place that is most important to me is 4. The colors that come to mind when I think of this place are 5. When I am in this place, I feel 7. When I think about this place, the time of day I think of is 8. I would like my video postcard to make people think of this place as 9. When I make the video postcard, I will try to communicate these things about the place: a. b. c. 10. The song that comes to mind when I think of this place is 2 ELEMENTS OF LANGUAGE | Third Course Copyright © by Holt, Rinehart and Winston. All rights reserved. 6. If a friend asked me what is so special about this place, I would say Menu Print TRANSPARENCY ■ 1 ■ ■ for Chapter 1, Creating a Video Postcard Props and movement have been added to these photographs to create an emotional effect. Use the Guided Questioning in A Teacher’s Guide, page 2. Guide to Props and Action Props may be objects, people, or animals. Notice how props are used to add interest to the scenes. Copyright © by Holt, Rinehart and Winston. All rights reserved. 1 2 ELEMENTS OF LANGUAGE | Third Course | Media Literacy and Communication Skills Menu Print TRANSPARENCY ■ 2 ■ ■ for Chapter 1, Creating a Video Postcard Props and movement have been added to these photographs to create an emotional effect. Use the Guided Questioning in A Teacher’s Guide, page 2. Guide to Props and Action (continued) 3 Copyright © by Holt, Rinehart and Winston. All rights reserved. 4 ELEMENTS OF LANGUAGE | Third Course | Media Literacy and Communication Skills Menu Print TRANSPARENCY ■ 3 ■ ■ for Chapter 1, Creating a Video Postcard Point out that the camera angle in each photo is used to create a different effect. The first photograph is a high-angle shot; the second is a low-angle shot. Use the Guided Questioning in A Teacher’s Guide, pages 3–4. Copyright © by Holt, Rinehart and Winston. All rights reserved. Guide to Camera Angles ELEMENTS OF LANGUAGE | Third Course | Media Literacy and Communication Skills Menu Print NAME for CREATING A VIDEO POSTCARD, CHAPTER 1 CLASS DATE page 46 Camerawork Planning Guide DIRECTIONS Write the lens or camera movements and the camera angles you plan to use. Take notes on the effects you hope to achieve with each. Ask your teacher for additional copies of the guide if you need them. Camera or Lens Movement Panning: Moving the camera horizontally Tracking: Moving the camera backwards, forward, or sideways Tilting: Moving the camera up and down Zooming: Moving the camera lens backwards and forward Movement I will use: How I will use it: Effect on viewers: Movement I will use: How I will use it: Effect on viewers: Movement I will use: How I will use it: Copyright © by Holt, Rinehart and Winston. All rights reserved. Effect on viewers: Camera Angles: Bird’s-Eye View: Angle that is far above the subject High Angle: Above eye level Low Angle: Below eye level Angle I will use: How I will use it: Effect on viewers: Angle I will use: How I will use it: Effect on viewers: Angle I will use: How I will use it: Effect on viewers: Media Literacy and Communication Skills | Support and Practice 3 Menu Print NAME for CREATING A VIDEO POSTCARD, CHAPTER 1 CLASS DATE page 46 Storyboard Template Copyright © by Holt, Rinehart and Winston. All rights reserved. DIRECTIONS Use this template to create your storyboards. 4 ELEMENTS OF LANGUAGE | Third Course Menu Print TRANSPARENCY ■ 4 ■ ■ for Chapter 1, Creating a Video Postcard Use the sample storyboards to show students which details they should consider as they compose their own storyboards. Use the Guided Questioning in A Teacher’s Guide, page 4. Making a Storyboard 2 1 Camera or Lens Movement: hold shot of park Camera Angle: eye level Duration of Shot: four seconds Type of Shot: distance shot 4 3 Copyright © by Holt, Rinehart and Winston. All rights reserved. Camera or Lens Movement: move camera to the right and zoom in to show children playing on a swing set in the distance Camera Angle: eye level Duration of Shot: eight seconds Type of Shot: distance shot Camera or Lens Movement: tracking shot as camera moves toward children Camera Angle: high angle Duration of Shot: eight seconds Type of Shot: medium shot Camera or Lens Movement: zoom in on young child Camera Angle: high angle Duration of Shot: six seconds Type of Shot: medium close-up shot ELEMENTS OF LANGUAGE | Third Course | Media Literacy and Communication Skills Menu Print NAME for CREATING A VIDEO POSTCARD, CHAPTER 1 CLASS DATE page 46 Evaluation Guide DIRECTIONS Complete this guide to evaluate a video postcard. Rate each element of the postcard using the following scale. 1 = does not meet the criterion 2 = meets the criterion but needs improvement 3 = meets the criterion In the box, write constructive comments for the postcard’s creator. This video postcard was created by The subject of the postcard is ■ The video presents a personal view of the place. 1 2 3 ■ The video elicits an emotional response. 1 2 3 ■ The video shows the subject from different angles. 1 2 3 ■ The video has both close-ups and wide shots. 1 2 3 ■ The video includes props and action that add interest. 1 2 3 Copyright © by Holt, Rinehart and Winston. All rights reserved. CONSTRUCTIVE COMMENTS Media Literacy and Communication Skills | Support and Practice 5 Menu Print NAME Answer Key for CREATING A VIDEO POSTCARD, CHAPTER 1 CLASS DATE page 46 Active-Viewing Guide: Creating Mood DIRECTIONS As you watch the video segment, list in the chart below the lighting, camera techniques, and sound used to create the two different moods. EERIE MOOD Lighting Techniques: Camera Techniques: Sound: Copyright © by Holt, Rinehart and Winston. All rights reserved. CHEERFUL MOOD Lighting Techniques: Camera Techniques: Sound: 6 ELEMENTS OF LANGUAGE | Third Course Menu Print Answer Key NAME for CREATING A VIDEO POSTCARD, CHAPTER 1 CLASS DATE page 46 Using the Video: Planning the Postcard DIRECTIONS After you have reviewed pages 46–48 of the Pupil’s Edition and your completed Active-Viewing Guide: Creating Mood, answer the following questions. 1. According to the Pupil’s Edition, why would you make a video postcard? Can you think of other reasons to make a video postcard? 2. What steps must you take to create a video postcard? Copyright © by Holt, Rinehart and Winston. All rights reserved. 3. In what stage of the process might you decide on the mood you want to present? 4. When will you need to decide on camera angles and lighting? Why should you decide at this stage in the process? Media Literacy and Communication Skills | Support and Practice 7 Menu Print Answer Key Focus on Viewing and Representing: Creating a Video Postcard p. 6 ❘ Active-Viewing Guide: Creating Mood Answers will vary. Sample answers are provided below. EERIE MOOD Lighting Techniques: Place key light outside of window to give “moonlight” effect and to create shadows on the wall. Place small lights around the set to create pools of light in specific places. Add blue gels to the light. Camera Techniques: Place a camera, moving from side to side, outside the window to give the effect of an intruder or monster looking in. Place the camera below the subject to make the subject seem imposing. Place the camera above the ceiling fan to capture the eerie shadows on the wall. Use a close-up of the clown to make it look sinister. Vary closeups and panoramic views to capture both the overall scene and the small objects that make it seem eerie. Sound: Use sound effects like wind blowing through the trees and doors creaking as they open. CHEERFUL MOOD Lighting Techniques: Flood the scene with light. Change the gels to orange or amber to give the effect of sunlight. Position a light behind tree branches to give the effect of sunlight coming in through the window. Camera Techniques: Use a primarily panoramic view from eye level to make the room seem open and inviting. Move the camera closer to the ceiling fan to capture the relaxing motion of the fan as it cools the room. Sound: Use music to set the mood. In the video segment, bongos and bass help set an eerie mood. Piano and guitar music helps set a cheerful mood. 78 p. 7 ❘ Using the Video: Planning the Postcard Answers will vary. Sample answers are provided below. 1. According to the Pupil’s Edition, why would you make a video postcard? Can you think of other reasons to make a video postcard? According to the Pupil’s Edition, a video postcard might be created as a visual memento of a visit to a certain place. Students may suggest video postcards can also be made to capture the emotions or feelings of a favorite place, such as a particular room in their house that holds precious memories. 2. What steps must you take to create a video postcard? You must choose a place, observe the place before taping, storyboard the video postcard, tape the video, and edit the tape. If you use in-camera editing, the last step will be included in the taping. 3. In what stage of the process might you decide on the mood you want to present? Students might decide on the mood as they observe the place before taping. Others may decide while storyboarding the video postcard. 4. When will you need to decide on camera angles and lighting? Why should you decide at this stage in the process? You will need to decide on the camera angles and lighting before you begin storyboarding your video postcard. Doing so at this stage in the process will allow you to storyboard the process correctly and avoid extra time planning and taping the video postcard. ELEMENTS OF LANGUAGE | Third Course Copyright © by Holt, Rinehart and Winston. All rights reserved. Chapter 1
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