Duccio. MAESTÀ ALTARPIECE. 1308-1311.
[Fig. 18-10a]
Simone Martini , ANNUNCIATION. 1333.
[Fig. 18-13]
Cimabue, VIRGIN AND CHILD ENTHRONED.
c. 1280.
[Fig. 18-05]
Giotto, MARRIAGE AT CANA, RAISING OF LAZARUS,
LAMENTATION, AND RESURRECTION. 1305-1306.
[Fig. 18-08]
Giotto, KISS OF JUDAS. 1305-1306.
[Fig. 18-09]
Duccio, BETRAYAL OF JESUS,
Maestà altarpiece, 1308-1311.
[Fig. 18-12]
Ambrogio Lorenzetti, THE EFFECTS OF GOOD
GOVERNMENT IN THE CITY
1338-1339.
Lorenzetti, THE EFFECTS OF GOOD GOVERNMENT
IN THE COUNTRY. 1338-1339.
[Fig. 18-15a]
[Fig. 18-15a]
Sluter, WELL OF MOSES, 1395-1406.
[Fig. 19-03]
Jan van Eyck, GHENT ALTARPIECE (OPEN), 1432.
[Fig. 19-15]
Master of Flémalle, MÉRODE ALTARPIECE (OPEN),
c. 1425-1430s.
Jan van Eyck, MAN IN A RED TURBAN
1433.
[Fig. 19-10]
[Fig. 19-12]
Jan van Eyck, DOUBLE PORTRAIT OF GIOVANNI
ARNOLFINI AND HIS WIFE, 1434.
[Fig. 19-01]
Petrus Christus, A Goldsmith in his Shop, 1449.
Paul, Herman, and Jean Limbourg “JANUARY: LIFE
IN THE COUNTRY,” TRÈS RICHES HEURES
1411-1416.
[Fig. 19-06]
THE BUXHEIM ST. CHRISTOPHER
Mid 15th century.
[Fig. 19-27]
Michael Wolgemut, Wilhelm Pleydenwurff, and
workshop, THE CITY OF NUREMBERG
Nuremberg Chronicle, 1493.
[Fig. 19-29]
Martin Schongauer, THE TEMPTATIONS OF ST.
ANTHONY
c. 1470-1480.
[Fig. 19-28]
Andrea Mantegna, TWO VIEWS OF THE CAMERA
PICTA,
1465-1474.
[Fig. 20-32b]
Masaccio, TRINITY WITH THE VIRGIN, ST. JOHN
THE EVANGELIST, AND DONORS
c. 1425-1427/1428.
[Fig. 20-19]
Masaccio, THE TRIBUTE MONEY
c. 1427.
[Fig. 20-22]
Perugino, CHRIST GIVING THE KEYS TO ST. PETER,
1481.
[Fig. 20-18a]
Verrocchio, DAVID
c. 1470-1475.
[Fig. 20-34]
Donatello, DAVID
c. 1446-1460(?).
[Fig. 20-14]
Antonio del Pollaiuolo, THE BATTLE OF THE NUDES
c. 1465-1470
Sandro Botticelli, BIRTH OF VENUS
c. 1484-1486.
[Fig. 20-36]
[Fig. 20-40]
Leonardo da Vinci, THE VIRGIN OF THE ROCKS
c. 1485.
[Fig. 21-02]
Leonardo da Vinci, THE LAST SUPPER
1495-1498.
[Fig. 21-03]
Leonardo da Vinci, MONA LISA
c. 1503-1506.
Michelangelo, DAVID
1501-1504.
[Fig. 21-05]
[Fig. 21-10]
Michelangelo, CREATION OF ADAM, SISTINE
CHAPEL
1511-1512.
[Fig. 21-13]
Michelangelo, Expulsion from Eden, SISTINE
CHAPEL
1511-1512.
Raphael, The School of Athens
c. 1510-1511.
Giorgione or Titian, THE PASTORAL CONCERT OR
ALLEGORY ON THE INVENTION OF PASTORAL
POETRY
c. 1510. [Fig. 21-25]
Titian, "VENUS" OF URBINO
c. 1538.
[Fig. 21-28]
Parmigianino, MADONNA OF THE LONG NECK
1534-1540.
Bronzino ALLEGORY WITH VENUS AND CUPID
Mid 1540s.
[Fig. 21-31]
[Fig. 21-33]
Albrecht Dürer SELF-PORTRAIT
1500.
Dürer, St. Jerome in His Study
(woodcut book illustration), 1492
Dürer, St. John Devouring the Book, from the
Apocalypse, woodcut, 1497-98
Albrecht Dürer THE
FOUR HORSEMEN
OF THE
APOCALYPSE
From The
Apocalypse. 14971498.
Dürer, St. Jerome in His Study, 1514
Dürer after Mantegna, Battle of the Sea Gods, ca. 1494
Albrecht Dürer ADAM AND EVE
1504.
Lucas van Leyden, Ecce Homo (Behold the Man), 1510
Albrecht Altdorfer, The Battle of Issus, 1529
Dürer, Melancolia I, early 16th c.
Matthias Grünewald, Isenheim Altarpiece (closed),
Crucifixion, ca. 1510-1515.
Joachim Patinir, Landscape with Saint Jerome, ca. 15201524.
The French Ambassadors
by Hans Holbein the Younger. 1533.
Pieter Aertsen, Meat Still-Life, 1551.
Pieter Bruegel the Elder THE HARVESTERS
1565.
The Kermis at Hoboken
After Pieter Bruegel the Elder
Frans Hogenberg ca. 1559