(WPAS) leads celebration of Marian Anderson on 75 anniversary of

Washington Performing Arts Society (WPAS) leads
celebration of Marian Anderson on 75th anniversary of
her Lincoln Memorial concert
Soprano Jessye Norman, composer Ysaye Barnwell, opera singer Soloman Howard and
vocalist Annisse Murillo (respectively an alumnus and current member of WPAS’s
Children of the Gospel), and an extraordinary 300-voice choir led by WPAS Gospel choir
Artistic Director Stanley Thurston are just some of the talented artists who will join
together under the banner of the Washington Performing Arts Society (WPAS) for Of
Thee We Sing: The Marian Anderson 75th Anniversary Celebration. This concert event
celebrates the life and legacy of one of America’s greatest voices, the iconic contralto
and humanitarian Marian Anderson. With guest appearances from a number of artists
by arrangement with Centric (a BET Network) and a narrative penned by Tony Awardwinning playwright Murray Horwitz, Of Thee We Sing shines a light on an American
hero. The concert will take place at Washington, D.C.’s historic DAR Constitution Hall on
April 12, 2014, 7pm-8:15pm. All public tickets are $5.
Tickets can be purchased through WPAS box office 202-785-9727 or www.WPAS.org
Eight years before Jackie Robinson first ran the bases in Brooklyn, and 24 years before Dr. King
pronounced “I Have a Dream,” one remarkable woman stood on the steps of the Lincoln
Memorial and sang for an audience of 75,000. That woman was Marian Anderson. On April 12,
2014, one of the nation’s leading independent arts producers and recent recipient of the
National Medal of Arts, the Washington Performing Arts Society (WPAS), will celebrate the 75th
anniversary of this groundbreaking performance, a landmark moment of the Civil Rights
movement, with an all-star concert hosted by the celebrated American soprano and long-time
friend of WPAS Jessye Norman.
“A voice, once in a century. The bearing of a majestic high-priestess with splendor of
grace and a humility of spirit,” says Norman of Anderson, her friend and mentor. “Easter
1939, a woman rose far above the limitations of her time and poignantly sang: ‘My
country ‘tis of thee sweet land of liberty, to thee we sing.’ On the occasion of seventyfive years since that glorious Sunday afternoon, let us come together to remember and
pay due homage to the singer, the strength of character and the stunning event itself.
We are honored to offer her our gratitude.”
Of Thee We Sing will take place at the Daughters of the American Revolution (DAR) Constitution
Hall, the very same venue that denied Ms. Anderson permission to use its stage in 1939,
eventually leading to her recital outdoors and transforming a musical event into a
transformative political one.
“I could not run away from the situation,” Ms. Anderson said of the concert. “I had
become, whether I liked it or not, a symbol representing my people. I had to appear.”
She would eventually perform many times at Constitution Hall, including her final D.C.
appearance 50 years ago in 1964, which was presented by WPAS founder Patrick Hayes. DAR is
donating the use of Constitution Hall for Of Thee We Sing.
Of Thee We Sing: A Once-in-a-Lifetime Event
Of Thee We Sing weaves music from the classical and African American spiritual repertoire that
defined Anderson’s career together with a newly commissioned choral work, narration, archival
footage and images as well as contemporary video. It is the majestic culmination of an ongoing
cultural and educational outreach program undertaken by WPAS this year (launched in
February for Black History Month), through which nearly 10,000 D.C. school children will be
introduced to Ms. Anderson’s artistry and activism.
This influence is already represented in two of the young guest artists performing at the
concert: the young gospel singer Annisse Murillo is a current member of WPAS’s choir program
Children Of The Gospel, and bass Soloman Howard is a former member of the choir, currently in
his third year of Washington National Opera’s Domingo-Cafritz Young Artist Program and a
rising star in the opera world.
A world premiere of a WPAS-commissioned choral work by D.C. music luminary Dr. Ysaye
Barnwell, long-time member of Sweet Honey In the Rock, is one of the highlights of the
program. For Barnwell, Marian Anderson was an unrivaled inspiration: “I was 9 years old when I
saw Marian Anderson perform at the Metropolitan Opera. I think I still have the program and
the New York Times review from the next day. My parents, especially my father who was a
classical violinist and pedagogue born in the same year as Anderson, insisted that I know who
she was. […] I have always been inspired by her phenomenal vocal range, the fact that she sang
both European and African American classical repertoire, and her dignified heroism.” Barnwell’s
piece will be performed by a 300-member choir, including 120 singers from WPAS’s Men,
Woman & Children of the Gospel and members from 20 other local choruses directed by
Stanley Thurston. The large, massed chorus reflects WPAS’s goal to celebrate the diverse
voices that comprise the creative fabric of DC, arguably one of the choral ‘epicenters’ of the US.
WPAS President & CEO Jenny Bilfield says, “Marian Anderson had a lasting impact upon
so many of us in ways that transcended age, race, cultural background. As we began
working on this project, we were moved by the many, profoundly personal connections
people shared with us. That Miss Anderson was a close friend of, and inspiration to,
WPAS’s founder, Patrick Hayes, gave additional urgency to producing this event. With Of
Thee We Sing, we honor these qualities by gathering together generations of performers
and audience members whose lives she touched with her exceptional humanity, and by
introducing the youngest generation to her enduring spirit.”
“Celebrating Marian Anderson in our nation’s capital highlights the enormous
political impact her career had for black artists in America,” says Paxton Baker,
Executive Vice President and General Manager, Centric (a BET Network), and
WPAS Board Member. “Her exceptional artistry and unwavering determination
to effect change continues to give us the courage to face seemingly
insurmountable personal and political obstacles with grace and resolve. In her
own right, Marian Anderson’s life, courage and conduct was as significant as
Rosa Parks’s. And as Harold Ickes said when he introduced her on that Easter
Sunday ‘Genius draws no color lines.’”
Of Thee We Sing is already being heralded as a defining cultural event for the D.C. area. It has
earned the support of numerous funders and program partners (see below), as well as an
Honorary Host Committee comprising United States Senators and Representatives from
Pennsylvania and over 15 members of the Congressional Black Caucus (CBC).
 Van Auken Family Private Foundation,
Honoring global efforts to advance awareness
& early detection of Lung Cancer
Funders & Supporters
Program Partners
• Fluor Corporation
• Centric (A BET Network)
 Association of Airlines
• Family of Marian Anderson
 Centric (A BET Network)
 Daimler
 The Board of Directors & Women’s
Committee of WPAS
 DAR Constitution Hall
• National Park Foundation
 EventsDC
• National Park Service
For more than four decades, Washington Performing Arts Society has created profound opportunities
for connecting the community to artists, in both education and performance. Through live events in
venues that criss-cross the landscape of the D.C. metropolitan area, the careers of emerging artists are
guided, and established artists who have a close relationship with local audiences are invited to return.
In this way, the space between artists and audiences is eliminated, so that all may share life-long
opportunities to deepen their cultural knowledge, enrich their lives, and expand their understanding and
compassion for the world through the universal language of the arts. Washington Performing Arts Society is one of the leading presenters in the nation. The organization’s
inherent belief in the complete spectrum of the arts is revealed in performances of the highest quality,
including classical music, jazz, gospel, contemporary dance, international music and art forms, and
works that bend genres in provocative ways. The commissioning of world premieres on local stages to
support artists’ creativity is critical to the mission of WPAS. Dynamic education programs in the schools
and beyond are a hallmark of the institution. Set in the nation’s capital and reflecting a population that
hails from around the globe, these abundant offerings both ground us in the great heritages of the world,
and allow our imaginations to fly, evoking fresh perspectives on life. WPAS was honored by President Barack Obama with a 2012 National Medal of Arts for bringing worldclass performances to our nation’s capital, becoming only the fourth D.C.-based arts group and the first
arts presenter of its kind to be so honored. WPAS also received the 2012 Mayor's Arts Award for
Excellence in Service to the Arts.