Program - San Antonio Choral Society

Program
KYRIE
1. Kyrie
GLORIA
2.
3.
4.
5.
6.
7.
8.
Gloria
Laudamus te
Gratias
Domine
Qui tollis
Quoniam
Jesu Christe / Cum sancto spiritu
h
Intermission
CREDO
9.Credo
10.Etincarnatusest
11.Crucifixus
12.Etresurrexit
13.EtinSpiritumSanctum
14.Etunamsanctam
15.Etvitamventuri
h
Pause
h
h
Program Notes
SANCTUS
16.Sanctus
BENEDICTUS
AGNUSDEI
17.Benedictus
18.AgnusDei
19.Donanobispacem
hh
While many people are familiar with the story of Wolfgang Amadeus
Mozart’s Requiem, K. 626, which was left unfinished upon Mozart’s
death, far fewer people are aware that Mozart left an even more
ambitious vocal work, the “Great” Mass in C minor, K. 427 (K. 417a),
incomplete as well. If the tale of the Requiem is the basis of great
drama—as demonstrated in the 1984 Academy Award-winning flm
Amadeus—then the mystery of the Mass in C minor is its musical
equivalent. After two hundred years of sleuthing and speculation, it
remains unclear why Mozart composed the mass, as well as why he
nevercompletedit.
Although Mozart had written a number of masses while employed by
the Prince Archbishop of Salzburg, Hieronymus von Colloredo, he was
gonefromtheprince’scourtforoverayearwhenhebegantocompose
the Mass in C minor in the summer of 1782. Mozart’s single piece of
correspondence concerning the mass only adds to the mystery. In a
letter dated January 14, 1783, to his father Leopold, Mozart wrote
elliptically that “the score of half of a mass, which is still lying here
waitingtobefinished,isthebestproofthatIreallymadethepromise.”
WhilethepromiseMozartalludedtointheletterhastraditionallybeen
interpreted as an olive branch to his father, who had not approved of
Mozart’s recent marriage, or as an ode of thanksgiving to his wife
Constanze, recent research hints that Mozart had promised his father
that he would reconcile with Archbishop Colloredo. According to this
theory,themasswasmeantasapeaceoffering.
However,thishypothesisraisesmorequestionsthanprovidesanswers.
The reforms of Joseph II had severely curtailed the performances of
largescale,concertedchurchmusic.EvenMozart’sincompletemass(the
Kyrie, Gloria and Sanctus) would have exceeded the length of a typical,
45-minute service. Furthermore, the Mass in C minor was written in
cantata style, which divided the text of the Mass into small individual
movements split between soloists and chorus. Performances of such
masses had become rare by the 1780s, with preference given to
through-composedmasseswherethetextissungwithoutinterruption.
Therefore, it is unlikely that the finished parts of the mass were
premiered on October 26, 1783, as once believed. Indeed, available
sources mention the performance of a mass by Mozart, but not
necessarilyanewone.AlthoughthereisapossibilitythattheMassinC
minor was written on a commission for a Viennese “musical
congregation” that went defunct before Mozart completed the work,
evidenceforthishasyettocometolight.
Text and Translation
Giventhecurrentdearthofinformation,weareleftwithonepossibility:
Mozart wrote the mass to demonstrate to himself his mastery of
counterpoint, as practiced by George Frideric Handel and Johann
Sebastian Bach. Shortly after Mozart moved to Vienna in 1781, he
became acquainted with Baron Gottfried van Swieten, who introduced
theyoungcomposertothescoresofHandelandBach,includingMessiah
whichMozartwouldlaterreorchestrateandtheMassinBminor,BWV
232. Indeed, the Mass in C minor demonstrates a new breadth and
subtletyinMozart’sfugalwriting.
But why did Mozart never complete the mass? While Mozart re-texted
the Kyrie andGloria forthesacredcantata Davide penitente, K. 469, he
left the Credo unfinished before the crucifixion text and left only a few
sketches for the Agnus Dei. In addition, the Sanctus is partially lost as
well. If the Mass in C minor was written on commission, it would have
made sense to abandon it after the commission was no longer
forthcoming. Perhaps Mozart felt that he had mastered what he could
from Bach and Handel and no longer was compelled finish the
composition.Regardless,musicologistshavetriedtocompletethework
overthepast200years.Thefragmentarymasswasfirstprintedin1840
byJohannAntonAndré,whohadpurchasedMozart’sestatein1800;the
VienneseconductorJosephDrechslerperformedacompletionin1847.
The mass languished in relative obscurity until Alois Schmitt, a
conductor from Dresden, and musicologist Ernst Lewicki published
their completion of the mass in 1901. While Schmitt and Lewicki’s
versionbecamethestandardeditionforperformancesuntilthe1950s,
itwascriticizedforbloatingtheorchestratoromanticproportionsand
clumsily adapting other Mozart works to fill in the missing sections. It
wasnotuntilAmericanmusicologistH.C.RobbinsLandoncreatedanew
edition of the surviving parts in 1956 for the publishing house
Eulenberg that the supremacy of the Schmitt-Lewicki edition was
challenged. Since then, a number of completions have come into
circulation, including ones by Helmut Eder, Richard Maunder (for
Oxford University Press), Philip Wilby (for Novello), Robert Levin (for
Carus-VerlagwhichtheHandelSocietyisperformingthisevening)and
most recently Benjamin-Gunnar Cohrs (for Musikproducktion Höflich).
While these completions differ greatly in musical material, all share a
greater fidelity to Mozart’s style, as well as greater understanding and
useofsketchandothersourcematerial.
DerekTam©2009,usedwithpermission.
KYRIE
1.Kyrie
Kyrieeleison.
Christeeleison.
Kyrieeleison. GLORIA
2.Gloria
GloriainexcelsisDeo.
Etinterrapax
hominibusbonævoluntatis.
3.Laudamuste
Laudamuste;
benedicimuste;adoramuste;
glorifcamuste. 4.Gratias
Gratiasagimustibi
proptermagnamgloriamtuam.
5.Domine
DomineDeus,Rexcoelestis,
DeusPateromnipotens. DomineFiliunigeniteJesuChriste.
DomineDeus,AgnusDei, FiliusPatris.
6.Quitollis
Quitollispeccatamundi, misererenobis. Quitollispeccatamundi, suscipedeprecationemnostram.
QuisedesaddextramPatris,
Omisererenobis.
7.Quoniam
QuoniamtusolusSanctus,
tusolusDominus,
tusolusAltissimus,
Lord,havemercy.
Christ,havemercy.
Lord,havemercy.
GlorybetoGodinthehighest.
Andonearthpeace
tomenofgoodwill.
WepraiseThee;weblessThee;
weworshipThee;weglorifyThee.
WegivethankstoThee
forThygreatglory.
OLordGod,HeavenlyKing
GodtheFatherAlmighty.
OLordJesusChrist,theonlybegottenSon
LordGod,LambofGod,
SonoftheFather.
Thouthattakesawaythesinsoftheworld,
havemercyuponus.
Thouthattakesawaythesinsoftheworld,
receiveourprayer.
ThouthatsitsattherighthandoftheFather,
havemercyuponus.
ForThouonlyartholy,
ThouonlyarttheLord,
Thouonlyartthemosthigh,
8.JesuChriste/CumSancto
JesuChriste.
CumSanctoSpiritu
ingloriaDeiPatris.
Amen. CREDO
JesusChrist.
TogetherwiththeHolySpirit
inthegloryofGodtheFather.
Amen.
9.Credo
IbelieveinoneGod;
EtinunumDeum;
theFatheralmighty,
Patremomnipotentem, makerofheavenandearth,
factoremcoelietterrae,
andofallthingsvisibleandinvisible.
visibiliumomniumetinvisibilium.
CredoinunumDominumJesumChristum AndinoneLordJesusChrist,
theonlybegottenSonofGod,
,FiliumDeiunigenitum, begottenoftheFatherbeforeallworlds;
EtexPatrenatumanteomniasæcula.
GodofGod,lightoflight,
DeumdeDeo,lumendelumine, trueGodoftrueGod,
DeumverumdeDeovero,
begottennotmade;
Genitumnonfactum,
beingofonesubstancewiththeFather,
consubstantialemPatri: byWhomallthingsweremade.
perquemomniafactasunt.
Whoforusmen
Quipropternoshomines,
andforoursalvation
etpropternostramsalute
descendedfromheaven.
descenditdecoelis.
10.Etincarnatusest
AndwasincarnatebytheHolyGhost,
EtincarnatusestdeSpirituSancto
oftheVirginMary,andwasmademan.
exMariaVirgine:ethomofactusest.
11.Crucifxus
Hewascrucifiedalsoforus,
Crucifxusetiampronobis
sufferedunderPontiusPilate,
subPontioPilato,
andwasburied.
passusetsepultusest.
12.Etresurrexit
Etresurrexittertiadie AndonthethirddayHeroseagain
secundumScripturas.
accordingtotheScriptures:
Etascenditincoelum:
andascendedintoheaven.
sedetaddexteramPatris.
HesitsattherighthandoftheFather;
Etiterumventurusestcumgloria,
andHeshallcomeagainwithglory
judicarevivosetmortuos:
tojudgethelivingandthedead;
cujusregninoneritfinis. andHiskingdomshallhavenoend.
13.EtinSpiritumSanctam
CredoinSpiritumSanctum,
Dominum,etvivificantem:
quiexPatreFilioqueprocedit.
QuicumPatreetFiliosimul
adoraturetconglorificatur:
quilocutusestperProphetas.
14.Etunamsanctam
Etunamsanctam
catholicametapostolicamEcclesiam.
Confiteorunumbaptisma,
inremissionempeccatorum.
Etexpectoresurrectionemmortuorum
15.Etvitamventuri
etvitamventurisæculi. Amen. SANCTUS
16.Sanctus
Sanctus,Sanctus,Sanctus,
DominusDeusSabaoth. PlenisuntcoelietterraGloriatua.
Osannainexcelsis.
BENEDICTUS
17.Benedictus
Benedictusquivenit
innomineDomini.
Osannainexcelsis.
AGNUSDEI
18.AgnusDei
AgnusDei,
quitollispeccatamundi, misererenobis. AgnusDei.
19.Donanobispacem
Donanobispacem.
AndintheHolyGhost,
theLordandgiveroflife,
WhoproceedsfromtheFatherandtheSon,
WhowiththeFatherandtheSon
togetherisworshippedandglorified;
asitwastoldbytheProphets.
Andinoneholy
catholicandapostolicChurch.
Iacknowledgeonebaptism
fortheremissionofsins.
AndIawaittheresurrectionofthedead
andthelifeoftheworldtocome.
Amen.
Holy,Holy,Holy,
LordGodofHosts.
HeavenandeartharefullofThyglory.
Hosannainthehighest.
BlessedisHethatcometh
inthenameoftheLord.
Hosannainthehighest.
LambofGod,
Whotakesawaythesinsoftheworld,
havemercyuponus.
LambofGod.
Grantuspeace.
About the Artists
Dr.JenniferSeighmanisinhersixthseasonasArtistic
Director of the San Antonio Choral Society. Her
extensive experience in choral pedagogy, passion for
performance and ability to inspire and revitalize the
aspirations for excellence, in even our most seasoned
choristers, continues to reaffirm her appointment as
Artistic Director in 2011.Since then, Dr. Seighman has
workedtoraisethelevelofvocalisminsingersthrough
herabilitytodiagnosevocal/musicalissuesandengage
the singers in strategies that build vocal and aural
skills.Herabilitytoworkeffectivelywithsingersofall
age groups as well as amateur and professional
musiciansalikehasbeenanassetinstretchingthechoirtoreachhigherlevels
of musical achievement and new challenges in regards to performance
practice and style. Under her baton, collaborative performances have
included a multiple choir and brass Gabrieli celebration, the SA Symphony
BrahmsFestival,Britten’sSt.Nicolas,Orff’sCarminaBuranaatthenewTobin
CenterforthePerformingArts,andanhistoricten-daychoirtourtoBavaria
andAustria.
Dr. Seighman graduated magna cum laude with the Bachelor of Music
Education degree from Westminster Choir College where she studied voice
and organ and sang with renowned orchestras including the New York
Philharmonic,theNJSymphony,andthePhiladelphiaOrchestra.Shereceived
a Master of Music degree in Choral Conducting from the University of
Oklahoma and a Doctorate of Musical Arts in Sacred Choral Music from the
Catholic University of America. The focus of her doctoral research was a
multi-casestudyofCatholicchoirschoolprogramsintheUnitedStates,which
she recently presented at the Psallite Domino liturgical music conference in
Liverpool,England.
Over the past twenty years, she has worked professionally in various
churchesandhastaughtinbothpublicandprivateschoolsettings.Inaddition
tohercurrentpositionasorganistatTravisParkUnitedMethodistChurchin
downtown San Antonio, she has been organist for Brahms’ Ein deutsches
Requiem with the SA Symphony in 2011 and the Texas Choral Directors
Associationannualconferenceworshipservicein2013.From2012to2014,
shepresidedasDeanoftheAlamoChapteroftheAmericanGuildofOrganists.
JenniferresidesinSanAntoniowithherhusbandGaryandtheirtoddlerson
Justin.
The San Antonio Choral Society, now in its 52nd consecutive
season, is recognized as a musical organization of outstanding
qualityandisnotedforitsvarietyofmusicalpresentations.TheSan
Antonio Choral Society was founded in 1965 by Gwilym H. Isaac in
responsetoadesiretosharethejoyandbeautyofchoralmusicwith
San Antonio and South Texas. The Choral Society holds auditions,
inviting community singers to participate in a balanced group
numberingover80voices.Thegrouphasperformedinconcertsand
specialeventsinKerrville,Boerne,manyvenuesinSanAntonioand
Carnegie Hall. In the summer of 2014, they embarked on a
spectacularten-daychoirtourofBavariaandAustria.
Offerings from the San Antonio Choral Society have included
Gregorian Chant, classical music, modern and ethnic works, and
popular genres such as country, jazz, and Broadway. Recently, the
ensemblehasperformedsuchchoralmasterworksasOrff’sCarmina
Burana, Lauridsen’s Lux aeterna, Mozart’s Requiem, Bernstein’s
Chichester Psalms, Duruflé’s Requiem, Brahms’ Liebeslieder Walzer,
Britten’s St. Nicolas, John Rutter’s Mass of the Children, Ray’s Gospel
Mass, Ramirez’s Misa Criolla, and premiered new commissions by
JeromeMalek,LeslieHogan,andJamesSyler.Theyhavecollaborated
with local and nationally-recognized musical artists to provide
unique and high quality performances in the San Antonio
community, and have been featured at numerous events such as
Luminaria, the return of the Travis Letter to the Alamo, the Oblate
School of Theology Commencement, Spurs basketball games, the
New Year’s Eve Celebration at Sea World, and the Texas Choral
DirectorsAssociationannualconvention.
On September 20, 2016, the San Antonio
Tricentennial Commission announced the San
Antonio Choral Society among 40 other
community partners for the city's celebration,
which is to be held in 2018..The Tricentennial
events adjudication committee approved the
event proposal which will feature the world
premierofSanAntonio-basedcomposerJamesSyler'sElCaminode
lasMisiones,commissionedbytheChoralSocietyspecificallyforthe
Tricentennial Celebration. The concert is tentatively scheduled to
take place during the height of San Antonio's 300th birthday
celebrationinMay2018.
Dr. JosephCausbyis Organist and Choirmaster
of historic St. Mark’s Episcopal Church. He is
responsible for one of the most active music
programs in the country, including an RSCM
program of school age choristers that sing every
Sundayduringtheacademicyear.InJuneof2015,
Dr.Causbycompleted a PhD from the University
ofDurham(England).AsthefirstAmericanorgan
scholar of Durham Cathedral in 2008-2009, Dr.
Causbyplayed the organ for daily services and
assisted in conducting and training the Cathedral Choir of men and
boys under the guidance of renowned cathedral musician James
Lancelot, Master of the Choristers and Organist at Durham.
Dr.Causbyholds a bachelor’s degree in organ performance and
sacred music from Appalachian State University (Boone, North
Carolina) and a master’s degree in organ performance from the
Shepherd School of Music, Rice University (Houston, Texas.) His
mostrecentorganstudyhasbeenwithDameGillianWeirandWilma
Jensen.
The Choir of St. Mark’s. The historic St. Mark’s Episcopal Church
was founded in 1858 and has a long history of service to the
community. The St. Mark’s Choir is the centerpiece of a program
comprisingfivechoirsspanninginagefrompreschoolthroughadult
that encompasses professional musicians to those with little
previous musical training. The 65-member ensemble sings weekly
services and monthly Evensongs, tours regularly, and performs
annually with orchestra as part of the Music from St. Mark’s series,
nowinits25thyear.RecenteventsincludeHaydnLordNelsonMass,
Poulenc Gloria, Bach Magnificat, Bernstein MASS and Britten Noye’s
Fludde. Recent tours include residencies in Bristol, Ely, and Exeter
(England). In the autumn of 2014, the choir filmed A Festival of
LessonsandCarolsforbroadcastonKLRNPBStelevision,whichwas
seen by over one million viewers in southwest Texas. Upcoming
serieseventsincludeacollaborationwithareayouthartsgroupsfor
the San Antonio premiere of new works to accompany Britten’s
classic Friday Afternoons and the Choir will be in residence at
DurhamCathedral(England)inJuly,2017.
Dr.GarySeighmanisDirectorofChoralActivities
and Associate Professor of Music at Trinity
University. Under his direction, Trinity’s choral
ensembles have garnered broad accolades with
invited performances at professional conferences
including the TMEA and College Music Society
Conventions, tours throughout the United States,
and collaborations with some of today’s most
respected musical artists. Dr. Seighman is highly
active as a clinician, guest conductor, and
presenter.Heisregularlyinvitedtospeakatstate,
regional, and national conferences. Last summer, Seighman guest
conducted several ensembles throughout Taiwan and led graduate
conducting masterclasses at National Sun Yat-Sen University. Other
recent conducting engagements include the Arkansas Intercollegiate
Honor Choir, the Beijing Summer Opera Program at Peking University,
the TMEA Region XI Treble Choir, and conducting several worldpremieres. Seighman returns to China this summer to lead several
masterclasses and conduct choral performances at universities
throughoutthecountry.
WhilelivingintheNortheast,Dr.Seighmanledanaward-winninghigh
school choral program, directed a professional choir in DC, and
prepared masterworks for the National Symphony Orchestra. He is a
member of TMEA, ACDA, Pi Kappa Lambda, Chorus America, NAFME,
andservesontheboardoftheNationalCollegiateChoralOrganization
(NCCO). He is also a panelist and grant evaluator for the Texas
CommissionontheArtsinAustin,TX.Seighmanformerlyservedonthe
boardoftheDC/MDChoralDirector'sAssociationandwaseditorofthe
state newsletter. He has earned degrees from Westminster Choir
College,theUniversityofOklahoma,andtheUniversityofMaryland.
As a tenor soloist, Seighman has performed throughout the United
States and in Canada, being especially engaged in oratorio works from
theBaroqueandClassicaleras.Hehasalsosungprofessionallywiththe
Berkshire Opera Company, Brightmusic Chamber Series, SpoletoUSA
Festival,andtheWashingtonBachConsort.Hehasperformedregularly
as a chorister with the New York Philharmonic, the Philadelphia
Orchestra, the New Jersey Symphony, and the National Symphony
Orchestra. Seighman resides in San Antonio with his wife Jennifer and
theirbeautiful18-month-oldsonJustin.
The Trinity University Chamber Singers are comprised of
undergraduatemusicianswhoshareapassionforsinging.Withover
25differentacademicmajorsrepresented,thisensembleepitomizes
the liberal arts experience combined with a commitment to choral
artistry of the highest quality. This ensemble was one of only two
invited collegiate choirs to be featured at the 2015 Texas Music
Educators Association Convention. That same year, they embarked
on a major West Coast tour performing in Seattle, Portland,
Sacramento,Berkeley,LosAngeles,andSanDiego.
As advocates for new music, the ensemble jointly premiered a
composition by Norway-based composer, Andrew Smith, with the
Grammy-nominatedNewYorkPolyphony.Theirsecondmajorworldpremiere involved a collaboration with the renowned Minneapolisbased male ensemble, Cantus, in November. The Chamber Singers
haverecentlybeeninvitedtoserveasensemble-in-residenceforthe
2018EisenstadtClassicalMusicFestivalinAustriaandarerecording
theirfirstcommercially-releasedcompactdiskthisspring.
Other recent projects include a Spanish Baroque program with the
WaldenChamberPlayersofBoston,HenryPurcell’sDidoandAeneas
with period instruments, Tomás Luis de Victoria’s 12-voice Missa
“Laetatussum”inWashington,DC,andthenationally-touringLegend
ofZelda:SymphonyoftheGoddessmultimediaconcertattheMajestic
Theatre. They have also enjoyed many performance collaborations
with the San Antonio Symphony including works by Verdi, Berlioz,
and Brahms. They collaborated with the Symphony last season on
Ravel’sDaphnisetChloeandonthisyear’sPopsseriesinHomeAlone
inConcert!
Locally,theyhavebeenfeaturedatnumerousciviceventsalongwith
radio and television appearances. In 2014, the ensemble had the
pleasureofperformingfortheweddingofAxelleFrancineandNBA
superstar, Tony Parker. Every December, Trinity’s Christmas
Concert and Vespers candlelight service draw audiences of over
4000 people. Recognizing the power of the arts to serve an even
greaterpurpose,Trinity’smanychoralensembleshavealsoengaged
innumerousservice-learningprojectsbenefitingimportantcausesin
SanAntonio.
Angela Malek, soprano, is originally from the
South and received her Bachelor Degree in
vocal performance from Baylor University. She
later worked on her Masters degree at the
renowned Indiana University. In addition to
singing roles in the Indiana University Opera
Theatreinbothtraditionalandmodernoperas,
she was the assistant to the legendary Thomas
Binkley in the Early Music Institute, appearing
frequently as soprano soloist in the baroque
operas, cantatas, oratorios and ensembles at the school. While
working on her masters, Miss Malek attended the Schola Cantorum
in Basel, Switzerland on a Rotary Scholarship and sang in the
baroqueoperaproductionsattheBaselTheatre,aswellasrecording
for Swiss National Radio. After her masters work at Indiana, Miss
MalekworkedasaprofessionalsingerinMinneapolis,Minnesotaas
soloist for the Dale Warland Singers, the Ex Macchina Baroque
Opera, the Minnesota Chorale, The Schubert Club, among others. In
addition to her work as soloist, she was a teacher at the Minnesota
for the Performing Arts, the director and founder of an inner-city
musicprogram,andthechamberoperacompany,OperaMillennium.
Miss Malek moved to Europe in 1999, where she sang baroque
opera, cantatas, oratorios and recitals in northern Germany and
France.In2007shemovedbacktotheUnitedStatestocontinueher
career.NowbasedoutofSanAntonio,shewontheGeorgeCortezfor
Classical Singing in 2009 and continues to sing as a soloist
throughout the United States, specializing in music of the baroque
period. In December of 2013 she was the featured soloist with the
SanAntonioSymphonyandinJanuaryof2014,MissMalekappeared
asthesoloistfortheColoradoChamberOrchestrasingingariasfrom
theoperasofG.F.Handel.
Jacquelyn Matava, mezzo-soprano, is quickly
gaining recognition for her “warm, soothing
legato line” and engaging stage presence. She
most recently sang the title role in Dido and
Aeneas with Opera Piccola of San Antonio and
Queen Jezebel in Mendelssohn’s Elijah at the
University of Notre Dame alongside Nathan
Gunn. Operatic roles include the title role in
Cendrillon, Charlotte (Werther), Zweite Dame
(Die Zauberflöte), Nancy (Albert Herring),
Marthe(Faust),andtheCeciliaMarch(LittleWomen).Jacquelynhas
sung with Opera Saratoga, Lucerne Festival Academy, Tanglewood
Music Center, and was a Regional Finalist in the 2012-13
Metropolitan Opera National Council Auditions. An accomplished
concert artist, Dr. Matava has been heard as a soloist in
performancesofBach’sMassinBminor,Duruflé’sRequiem,Handel’s
Messiah,Mozart’sGreatMassinCminor,andStravinsky’sLesNoces.
She holds degrees from the Indiana University Jacobs School of
Music and Vassar College. A native of Farmington, Connecticut,
JacquelynisonfacultyatTrinityUniversityandSt.Mary’sUniversity,
and is a staff singer at St. Mark’s Episcopal Church in San Antonio,
TX.
Kirby Traylor, tenor, a native Texan is best
known as a performer in recitals and oratorio
works.Afterfinishinghisgraduatestudiesatthe
CincinnatiConservatoryofMusic,hereturnedto
Texaswherehehasfrequentlybeenengagedby
orchestras and choruses around the state and
beyond. He has performed as a soloist with the
Dallas Symphony Orchestra, the English
Chamber Orchestra, the Cincinnati Chamber
Orchestra,theHoustonMasterworksChorusand
the Houston Symphony Chorus. Additionally, he has garnered
coveted placements in the Cleveland Art Song Festival where he
studied with Benjamin Luxon and Arleen Auger, the Mozarteum in
Salzburg where he intensely immersed himself in art song study
with Hartmut Höll and Mitsuko Shirai, and the Bach Aria Group’s
Fellow program where he had the opportunity to work amongst
someoftheworld’sgreatsinthearenaofBach’srepertoireandstyle
–YehudiMenuhinandJulianneBairdtonamejusttwo.Hehasbeen
aaprofessional
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workwith
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compellingvocalist.Anextremelygiftedartist,he
compellingvocalist.Anextremelygiftedartist,he
isisatathome
homeon
onboth
boththe
theoperatic
operaticand
andconcert
concert
stages.
stages.He
Herecently
recentlymade
madehis
hisAlice
AliceTully
TullyHall
Hall
debutasasoloistintheYellowRiverCantata.His
debutasasoloistintheYellowRiverCantata.His
recent
recentperformances
performancesofofFord
Ford(Falstaff)
(Falstaff)and
and
Scarpia(Tosca),underMaestroWillieWater,with
Scarpia(Tosca),underMaestroWillieWater,with
theMartinaArroyoFoundationinNewYorkCity
theMartinaArroyoFoundationinNewYorkCity
have
haveearned
earnedhim
himconsiderable
considerableartistic
artisticattention.
attention.
In
Inpast
pastseasons,
seasons,he
hehas
hasportrayed
portrayedvarious
variousopera
opera
rolesincludingDonGiovanni(DonGiovanni)with
rolesincludingDonGiovanni(DonGiovanni)with
Taipei
TaipeiSymphony
SymphonyOrchestra,
Orchestra,Danilo
Danilo(Die
(DieLustige
LustigeWitwe)
Witwe)with
withNational
National
SymphonyOrchestra(Taiwan),Germont(LaTraviata)withOperaKent,
SymphonyOrchestra(Taiwan),Germont(LaTraviata)withOperaKent,
Marcello
Marcello(La
(LaBoheme)
Boheme)with
withJersey
JerseySymphony
SymphonyOrchestra,
Orchestra,Falke
Falke(Die
(Die
Fledermaus)
with
National
SymphonyOrchestra
(Taiwan),
Monterone
Fledermaus) with National SymphonyOrchestra (Taiwan), Monterone
(Rigoletto)
rr(Little
(Rigoletto)and
andBhae
Bhae
(LittleWomen,
Women, Ohio
Ohio Premier),
Premier), Escamillo
Escamillo
(Carmen),Ottone(L'incoronazionediPoppea),andTheCount(TheGhost
(Carmen),Ottone(L'incoronazionediPoppea),andTheCount(TheGhost
ofofVersailles)
Versailles)with
withLyric
LyricOpera
OperaSan
SanAntonio.
Antonio.In
Inpast
pastyears,
years,he
hehas
hasalso
also
appeared
with
the
Austin
Symphony
Orchestra
and
Ever
appeared with the Austin Symphony Orchestra and EverGreen
Green
Symphony
SymphonyOrchestra
Orchestra(Taiwan).
(Taiwan).Lee
Leeholds
holdsaaDoctor
DoctorofofMusical
MusicalArts
Arts
Degree
in
Vocal
Performance
from
Ohio
State
University.
In
Degree in Vocal Performance from Ohio State University. In2005,
2005,Dr.
Dr.
Lee
Leeserved
servedas
asaasummer
summerintern
internwith
withthe
theNational
NationalAssociations
Associationsofof
TeachersofSinging(NATS),andalso,asavoicefacultymemberinthe
TeachersofSinging(NATS),andalso,asavoicefacultymemberinthe
AmalfiSummerFestivalinItalyin2007.Dr.LeeisAssociateProfessor
AmalfiSummerFestivalinItalyin2007.Dr.LeeisAssociateProfessor
ofMusicatTrinityUniversityinSanAntoniowhereheteachesapplied
ofMusicatTrinityUniversityinSanAntoniowhereheteachesapplied
voice,vocalpedagogy,vocalliteratureandoperaworkshop.
voice,vocalpedagogy,vocalliteratureandoperaworkshop.
hhhh TEXAS
Sa
n A nto nio
Children’s
Choir
S an Antoni o
A
R
service choir, serving the
local, state, national, and
international community for
15 years.
ecently served as the treble
choir for John Rutter’s “Mass of
the Children” with US Air Force
Symphony at the Kennedy Center
in Washington, D.C.
reparing to serve as the
treble choir for Vaughan
Williams’ “Sancta Civitas” at Ely
Cathedral, England in 2018 to
commemorate World War I.
as served at the White House
ceremonies at Omaha Beach in
Normandy, France, and on the
worldwide Mormon Tabernacle
Choir broadcast
P
THEORCHESTRA
H
Call 210-317-7914 for audition information.
Visit the choir’s website at: texaschildrenschoir.org
Violin1
AndrewSmall
AnastasiaStorer
BassamNashawati
SayakaOkada
EricSiu
SteveMerson
PhilipJohnson
Violin2
MaryEllenGoree
BethJohnson
AngelaCaporale
EricBrahinsky
JoeKneer
EvaWeber
SatokoOgasawara
Viola
EmilyFreudigman
MarisaBushman
KayleighMiller
DanielWang
Cello
DavidMollenauer
RyanMurphy
QizhenLiu
LyndaVerner
Bass
DavidMilburn
ZlatanRedzic
Flute
JulieLuker
Oboe
PaulLueders
JenniferBerg
Bassoon
SharonKuster
Shih-MinTang
Trumpet
JohnCarroll
LaurenEberhart
Horn
PeterRubins
ColinBianchi
Trombone
TannerAntonetti
KarinaBharne
PaulGarza
Timpani
PeterFlamm
Organ
GeoffreyWaite
SOLI
CHAMBER
ENSEMBLE
•
2016 – 17
SOLI 23
CONCERT
SEASON
TOGETHER
AGAIN
THE LAND OF THE
MAGIC
FLUTE
UNDER THE
LIGURIAN SUN
PART II
MONDAY, OCTOBER 10, 2016
7:30pm | Tobin Center, Carlos Alvarez Studio Theater
TUESDAY, OCTOBER 11, 2016
7:30pm | Trinity University • Ruth Taylor Recital Hall
7:00pm pre-concert talks
TUESDAY, JANUARY 24, 2017
7:30pm | Trinity University • Ruth Taylor Recital Hall
7:00pm pre-concert talks
MONDAY, MAY 15, 2017
7:30pm |TBD
TUESDAY, MAY 16, 2017
7:30pm | Trinity University • Ruth Taylor Recital Hall
7:00pm pre-concert talks
SPECIAL PRESENTATIONS
REMEMBERING
BOWIE
BALLADS OF THE
BORDERLAND
SUNDAY, NOVEMBER 6, 2016
MONDAY, FEBRUARY 27, 2017
7:30pm | St. Mark’s Episcopal Church
7:30pm | St. Mark’s Episcopal Church
ORDER
your 2016 – 17 subscription or
single tickets now! 210.223.8624
www.tobincenter.org/soli-chamber-ensemble
www.solichamberensemble.com
Dr.JenniferSeighman,conductor
Dr.N.SethNelson,rehearsalaccompanist
ChristianCruzandJosephHerron,conductinginterns
*SectionLeaders**Students
SOPRANOS
LindaBailey
MariaMedrano**
RebeccaBartelt
BeckyNelson
LauraBelostock
LindaOtstott
KatCrownover
CyndaReznicek*
SaraDeTurk
KarenScales
SarahDonaldson
CarolScarbrough
DebbieFinger
PaulaSchlein
JulieHernandez
AnnaSchmelter**
LudmilaKrupova
AmandaSmith
AshleyLogan**
EricaSpelman
SusanMaupin
MirandaStone
ConnieMedrano
ElizabethVelez
AmyWhite
ALTOS
SandiAshworth
SharonBeales
RoseBurckhardt
AlexChirico
LauraCrabbe
BarbaraDauerty
CarolDornbluth
HannahHamblett
KerriHammer**
JenniferHermann
NettieHinton
ChristyHylden
KalavatiMartinez
MaryKayMartinez
SonjaMullerin
AubieNanninga
JoanPerez
MaryAnnQuick
MariaRhea
ChristinaRhodes
MitziRoberts*
LauraSmith
KanwalSumnani
HeatherYun
TENORS
GrahamBridges
IsaacChavez
TENORS
ChristianCruz**
AlexFink
GrahamBridges
DonaldKearney
IsaacChavez
KurtKendall
ChristianCruz**†
JonathanLuu
RonOlson*
ChuckPineda
JohnRodriguez**
JonathanLuu†
MasonSparkman
RonOlson*†
PatrickWeill
ChuckPineda†
TedYun
JohnRodriguez**
ParkerAinsworth
DanBadger
BASSES
MickeyBailey
JimGarner
ParkerAinsworth
LowellGoode
DanBadger†
PeteGuzzardo
MickeyBailey
JohnHarris
JimGarner
JosephHerron**
LowellGoode
PeteGuzzardo
JohnHarris
JosephHerron**†
JimKirkpatrick
LarryLoden
JeromeMalek
JimNoel*
JimKirkpatrick
BillRhea
LarryLoden
DennisSchaffer
JeromeMalek†
RonSchmidt
JimNoel*
LarryStern
BillRhea†
AlexFink†
DonaldKearney
KurtKendall
BASSES
TedYun
MasonSparkman
PatrickWeill†
DennisSchaffer
RonSchmidt
LarryStern
Music from
Saint Mark’s
Dr.JosephCausby,conductor
RobertStubbs,organscholar
SOPRANOS
Spring 2017 Highlights
Violins and Voices | Saturday March 25
5 and 7pm
Featuring Benjamin Britten’s classic Friday
Afternoons accompanied by YOSA.
Sung by the treble voices from St. Mark’s
Choir with the Children’s Chorus of San Antonio
and the St. Paul Montessori School Boy and Girl
Choir.
Fiesta Concert | April 30
An afternoon of choral and organ music
celebrating the 25th anniversary of Music from St.
Mark’s; includes Handel Concerto in B-flat for
organ and orchestra.
Please visit http://stmarks-sa.org
for program details and information.
JosieBreazeale
OliviaBriley
CathyMurphyBrumlik
AnneConnor
HelenaFischer
GabrielaGrimes
AnaHernandez
SusanHill
KathyKelly
PennyCompton
KateCrone
SandraFalkenberg
HannahHarvey
AndrewHendley
NancyHeller
CarolynLowery
JacquelynMatava
MarenMitchell
GraceOhlenbusch
All events are on Sundays at 5pm unless otherwise noted.
Free parking available on the corner of Martin and Jefferson streets.
St. Mark’s Episcopal Church | 315 East Pecan Street San Antonio, TX 78205 | stmarks-sa.org
NickAllen
RalphEFalkenberg
KeithMasterson
LeoGarcia
Photo: Copyright © 2013 Mark Menjivar
STMSeason1617v2.indd 1
2/2/2017 2:32:45 PM
MichaelBrumlik
WarrenFranz
DavidFrego
DavidFoglesong
CharlesHill
JessieLopez
JamesMcAdams
ALTOS
MarshaKimura
ErinMcAdams
KayMijangos
AmyPhipps
RebeccaMorgan
TerriShaw
MaryPamelaSlocum
BarbaraSmith-Townsend
JeanVanGee
TENORS
SusanOlson
LeslieProvence
SandraRagan
AnneSchelleng
GeraldSelf
PollySpencer
SusanTackett
KathleenWeirVale
VedaWhite
KatyZuniga
BASSES
RobertOliver
DavidPhipps
KarlRoach-Compton
RobertStubbs
RobertMoore
KeithNeisler
KellyRanson
BrettRichardson
HaroldSager
PeterStanton
TimothyWard
MichaelZuniga
1
# in the West
for 25 consecutive years
Dr.GarySeighman,conductor
DanielStephens,studentassistant
ZacharyRidgway,rehearsalaccompanist
AmandaChin
CeciliaFuentes
AidaKajs
KristaKannen
MarianaLopezLevi
CamillaManca
NatalieMcCray
Schedule a Visit / visit.trinity.edu
ALTOS
WillaRubin
SarahSpence
AllisonSt.John
JalynnStewart
HannahSusman
OdetTorres ElizaWright
JosephineBlackburn
HannahBraley
FaithBroddrick
CaseyDeal
MadelineHanes
ErikaHochstein
KassieKelly
SavannahLohec
ShelbyLuikart
EmmaLucero
MeaganMoulton
AmandaNguyen
ErinRoberts
EmilyTaylor
NiaThomas
KendallWalshak
EmilyWood
JacksonBeach
ShaneBono
LamonteBrooks
ColeCallen
JoelHolmes
LukeJandrain
KirkMurrell
TruonganNguyen
DanielStephens
JavanStalls
AndrewdeVoogd
TrippWright AbrahamYbarra
- U.S. News & World Report, 2017
SAN ANTONIO, TEXAS · 1869
SOPRANOS
TENORS
Dr.GarySeighman,Conductor
BASSES
DanielStephens,StudentAssistant
ZacharyCarter
SOPRANOS
NicoChampion
CordellClouston
AmandaChin
GriffinGaedke
CeciliaFuentes
SamHyden
AidaKajs
SamuelIvy
KristaKannen
TylerJohnson
JordanKoeller
MarianaLopezLevi
CamillaManca
NatalieMcCray
SheaLuikart
KevinMoss
ReeseMurphy
WillaRubin
MatthewReynolds
SarahSpence
DavidSpindel
AllisonSt.John
TinoVasquez
JalynnStewart
DerekWeix
TimothyWheatley
HannahSusman
HunterWilkins
OdetTorres
ElizaWright
JosephineBlackburn
ShelbyLuikart
EmmaLucero
MeaganMoulton
AmandaNguyen
ErinRoberts
EmilyTaylor
NiaThomas
KendallWalshak
ALTOS
FloralHannahBraley
bouquets coutesy of:
FaithBroddrick
CaseyDeal
MadelineHanes
ErikaHochstein
KassieKelly
SavannahLohec
JacksonBeach
ShaneBono
LamonteBrooks
ColeCallen
JoelHolmes
LukeJandrain
EmilyWood
TENORS
KirkMurrell
TruonganNguyen
DanielStephens
JavanStalls
AndrewdeVoogd
TrippWright AbrahamYbarra
Danny Clark
Owner
(210) 396-8652
[email protected]
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Dr.JenniferSeighman,Conductor
ChristianCruzandJosephHerron,StudentConductingInterns
*SectionLeaders**Students†ChamberChoir
Dr. Heather Yun,
President
SOPRANOS
Dr. Heather
Yun is an active duty Lieutenant
LindaBailey
HannahNowak**
Colonel in the United
States Air Force and a
RebeccaBartelt practicing internist
LindaOtstott
and infectious disease
LauraBelostock specialistphysician.Sheearnedherbachelor’s
CyndaReznicek*
degree
at
Colorado
College, and her medical
KatCrownover
KarenScales
degree at Yale University.
Dr. Yun completed
SaraDeTurk
CarolScarbrough
training at San
SarahDonaldson†residency and fellowship
PaulaSchlein
Antonio
Uniformed
Services
Health
DebbieFinger
AnnaSchmelter**Education
Consortium(SAUSHEC).
JulieHernandez
AmandaSmith†
AshleyLogan**†
EricaSpelman
SheisanAssociateProfessorofMedicineattheUniformedServices
ConnieMedrano
HaileySpelman**†
University of the Health Sciences, and currently serves as Program
MariaMedrano**
MirandaStone†
Director for the SAUSHEC Infectious Disease Fellowship, and
BeckyNelson
ElizabethVelez†
Assistant Chief, Infectious Disease Service,
San Antonio Military
AmyWhite
MedicalCenter,atJointBaseSanAntonio-FortSamHouston,Texas.
She serves on multiple national leadership committees in her
ALTOS
professional fields, and has received numerous teaching and
leadershipawards.
LisaAllen
KalavatiMartinez
SandiAshworth
MaryKayMartinez
Dr.YunhasbeenamemberoftheSanAntonioChoralSocietysince
SharonBeales
SonjaMullerin†
2010 and previously served on the Board of Directors from 2011RoseBurckhardt
AubieNanninga
2014.Hermajorcontributionshaveincludedstrategicplanning,use
AlexChirico
JoanPerez
ofevaluationsforprocessimprovement,organizationofeventssuch
CarolDornbluth
MaryAnnQuick
asthePOPSconcert,andrecentlyincludedplanningandexecutinga
HannahHamblett†
MariaRhea
collaborative
concert with the Yale Glee
Club. She brings to the
KerriHammer**
ChristinaRhodes
organization a strong background in leadership
and administrative
JenniferHermann
skills,
as well as a broad network ofMitziRoberts*
personal and professional
NettieHinton
LauraSmith
contactsbothinandoutsidetheSouthTexasartscommunity.
KanwalSumnani†
ChristyHylden†
HeatherYun
w
Jean Edwards Holt, M.D., M.H.A.
C om preh e nsive Oph thalm olo gy
p. 210.490.6759
f. 210.490.6507
Sonterra Professional Office Building
325 Sonterra Blvd., Suite 100 • San Antonio, TX 78258
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id Thomp
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d
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of experts are
ready to help:
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818 Rocky Pointt Dr.
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Antonio,
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P: 210.734.5356
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F: 210.734.0652
w
www.thompso
nprintsolutions.com
www.ThompsonPrintSolutions.com
20
D ouglas M cC arroll, E xecutive D irector
In March 2016, the San Antonio Choral Society Board of
Directors namedDouglas McCarroll Executive Director
to lead efforts to revitalize business operations through
the development, execution and oversight of strategic,
business,marketingandfinancialplanning.Mr.McCarroll
joined our staff in 2013 as Business Manager, bringing
with him a proven track record in private sector and
nonprofit program management. His passion for
performingarts,breadthofexperienceandselfless
dedication to the vitality of the organization and well-being it members
continuestoreaffirmhisappointmenttotherole.
Mr. McCarroll graduated from the Ohio State University in 1994 with a
Bachelors of Engineering (Industrial), with post-graduate specialization in
Healthcare Management & Administration. Shortly after completing the
specialized coursework, he received his LeanSix Sigma (Green Belt)
CertificationthroughMotorolaTelecommunicationsinSchaumburg,IL.Mr.
McCarroll’s other certifications include Strategic Planning, Mt. Home
Institute; Project Management Professional (PMP), Wayland Baptist
University; and Nonprofit Management, Northeast Vista Community
College.AsamemberoftheUnitedStatesAirForce(retired),Mr.McCarroll
served as a Linguist, Nutritionist, General’s Aide, Dining Facility Manager,
Business Analyst and Process Engineering Program Manager. After his
retirementfromactiveduty,heworkedasaManagementConsultantforthe
San Antonio Military Medical Center, Baptist Health System, WellMed
HealthServices,Booz-AllenHamilton,GlobalResources,andtheInstituteof
SurgicalResearch.
For over 30 years, Mr. McCarroll has been involved in performing arts
startinginhisearlyyearsasamemberofthehighschoolband(percussion,
brass)andjazzchoir(Tenor).Hehasprogressedasaperformer,instructor
andadministratorforsomeoftoday’sworldclassDrumCorpsInternational
(DCI) and Winter Guard International (WGI) units. While serving our
country,hewasselectedtoperformwiththeAirForceTopsinBlue,filling
the roles of show MC, principal dancer, and chorus member. The
culminationofhisexperiencesledtohisappointmentasDirectorofDCIDiv
III World Champions Revolution Drum & Bugle Corps (2000-2002).
Professional credits include two seasons at Kings Island as a
singer/principal dancer/show host and as a member of the Nevada Ballet
Theaterpresentationof“TheNutCracker”asMouseKing.
Doug McCarroll currently resides in San Antonio with his partner and has
beenblessedwith2childrenand4grandchildren.
2016-2017
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Board of Directors
LICENSE A001531C • A + Member of BBB
ExecutiveCommittee
Dr.HeatherYun
President,CEO
LowellGoode
VicePresident(Interim)
DirectorofFinance
MickeyBailey
Treasurer
CyndaReznicek
Secretary
Members-at-Large
KerriHammer
MenteeRepresentative
AmandaSmith
BoardMember
ParkerAinsworth
BoardMember
CommitteeChairs
KalavatiMartinez
DirectorofMarketing
&Communications
KarenScales
DirectorofMemberAffairs
SaraDeTurk
DirectorofEducation
&OutreachPrograms
MaryFriday
DirectorofVolunteerServices
AdvisoryCouncil
KevinZealberg
BusinessDevelopment
SandraGarant
NonprofitAttorney
Ex-OfficioMembers
DouglasMcCarroll
Dr.JenniferSeighman
ExecutiveDirector/COO
ArtisticDirector/Conductor
Simpkinss & Associates
The Choral Society Mentor Program
Celebra tin
t g 30 Yea
ear
rs
W e are leaders in c onsulting, design and
administr ation servic es for 40 1(k), 40 3(b),
Profit Sharing and Pension Plans.
Your Solutions Department:
(210) 860-08
810
[email protected]
As part of our continuing service to the community, the San Antonio
Choral Society provides a mentoring program for high school and
collegestudentsintheSanAntonioarea.Thesestudentsareofferedan
opportunity to learn through their participation in the work of
preparingforandperforminginqualitymusicalconcerts.Eachyear,the
Choral Society offers scholarships toward college expenses for which
graduatinghighschoolseniorsmayapply.
Ourcurrentmentorprogramparticipantsinclude:
AlexiaBarrera UniversityofTexasatSanAntonio
ChristianCruz NorthwestVistaCollege
KerriHammer NorthwestVistaCollege
JosephHerron UniversityofTexasatSanAntonio
AshleyLogan UniversityofTexasatSanAntonio
MariaMedrano
UniversityofTexas,SanAntonio
HannahNowak
HomeSchoolProgram
JohnRodriguez
UniversityofTexasatSanAntonio
MuffinRussell UniversityofTexasOnlineHighSchool
HaileySpelman
HomeSchoolProgram
Weextendspecialgratitudetoallstudentsingersfortheirparticipationin
our 2016-2017 concert season. Their presence and enthusiasm for the
choralartsaddsarichnessanddepthtothechoirthatenhancesourmusic.
The Choral Society is pleased to support the ambitions of our secondary
school students as they go on to institutions of higher learning. As our
university graduates return to the San Antonio environs, many of them
serve as professional artists and educators in schools, churches, and
communityorganizationsthroughouttheregion.Wearehonoredtobeable
toinfluencethelivesofthosewhochoosetosingwithus.
26
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San Antonio Choral Society
Give your piano the
attention it deserves
(210) 489-0050
[email protected]
www.CadenzaPianoService.com
Peter J. Guzzardo
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34
Director’sCircle($1000andup)
BillMillerBar-B-Q
MickeyandLindaBailey
DepartmentofArts&Culture
EstateofPollyMitchell
DennisSchaffer
ValeroEnergyCorporation
CHORISTER’SCIRCLE($500-$999)
JimandFrancesGarner
VeteranAnesthesiaServices,PLLC
DougMcCarroll*
CraigandPageWilson
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DONOR($250-$499)
LeeAnnandDanielBadger
GaryMabryJ
BexarCountyArts&CulturalFund
uanNava*
JanetHays
JimandPollyNoel
LeeandZachryCarterMemorialFund
(SanAntonioAreaFoundation)
SUPPORTER($100-$249)
BrianneAinsworth
NettieHinton
SheilaAli
StephanieM.Ewing-Ottmers
SaundraAshworth
KittyandBillKeller
SharonBeales
JimandBarbaraKirkpatrick
DannyClark
RichardandMaryMiller
DonandYvonneCosgrove
MaureenMcCann
RachelCywinsk/inhonorof
ConnieandMariaMedrano
BenjaminFairbank
MarkandAubieNanninga
JamesFannin
MaryAnnQuick
KarleandLowellGoode
JenniferandGarySeighman
AnneGudmundsen
MitziRoberts
Thankyouforyourcontinuedsupport!
*in-kind&monetarydonor
LordGodofHosts.
DominusDeusSabaoth. HeavenandeartharefullofThyglory.
Plenisuntcoelietterragloria
Hosannainthehighest.
tua.Osannainexcelsis. The San Antonio Choral Society Board
BENEDICTUS
of Directors, Staff and Choir Members
17.Benedictus
would
like to express our gratitude to
Benedictusquivenit
BlessedisHethatcometh
theValeroEnergyFoundationfortheir
innomineDomini.
inthenameoftheLord.
Osannainexcelsis.
Hosannainthehighest.
generous
pledge of support of our
performance, Mozart"Great"
upcoming
Mass in C Minor.It is an
AGNUSDEI
honortoreceivesuchathoughtfuldonationfromacompanyknown
18.AgnusDeifor clean, safe energyand is equally renowned for its
world-over
LambofGod,
AgnusDei,
commitment
to
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Whotakesawaythesinsoftheworld,
quitollispeccatamundi, ThroughValero'sinvestment,SACSwillbeabletocontinuetodelight
havemercyuponus.
misererenobis. LambofGod.
our
audiences
with
the
joy
of
choral
music, reach an even wider
AgnusDei.
Children’s Chorus
of San Antonio presents
San Antonio community in
audience
and engage the greater
19.Donanobispacem
increasinglymeaningfulways.Wearecertainthatourperformance
Grantuspeace.
Donanobispacem.
will
produce a synergistic
effect that
benefits not only the Choral
Society, but also all collaborating agencies by providing the San
AntoniocommunityaspectacularfinaletotheMozartFestival.
hh
Friends of the
San Antonio Choral Society
Ballads of
the Borderland
Friend($25to$99)
with SOLI Chamber Ensemble
Ethan Wickman’s new composition Ballads of the Borderland is a sweeping tale of our
cultural history – weaving together powerful texts of John Philip Santos with the spirited
stories and artifacts of those who lived the tale and helped mold our cultural mosaic.
Monday Feb 27, 2017 @ 7:30pm | St. Mark’s Episcopal Church
Tickets: $30/20/10
Available at 210.223.8624 or TobinCenter.org
CCSA Borderland 0127v2.indd 1
2/2/2017 2:48:30 PM
RogerAllen
NettieHinton
JoelBirkenfeld
CorinneMcLeod
RachelBlock
BeckyNelson
EmilyBower
LindaOtstott
GrahamBridges
JenniferPedrick
AmyBryant
AmyandDavidPhipps
MichaelandSofiaCosgrove
CyndaReznicek
BarbaraDauerty
MonicaSanchez
KathyandSteveFeinstein
SarahSnook
WayneErisman
PaigeStroman
MaryFriday
AnnaWestbrook
LowellGoode
AmyWhite
GinaHayes
ElizabethVelez
Thankyouforyourcontinuedsupport!
The St. Cecilia Guild
supporting Music from
St. Mark’s
Sponsor
Paulena F. Mitchell
Testamentary Trust
Karin and Bob Oliver
Sustaining Member
Charles Butt
Joseph Causby and Robert Brewer
Suzy and Jim Clements
Ann T. Coiner
Dina and Norb Cole
Shirley and Don Crews
Derrick Dodge
Mary and Lewis Fisher
The Rt. Rev. Jim
and Mrs. Sandy Folts
Martha Ann and John Franco
Helen and Warren Franz
Nancy and Robert Heller
Patricia and Reagan Houston
Nancy and Mell Jackson
Ann and Ed Keetch
Jody and Dan Kelly
The Rev. Beth
and Mr. Ron Knowlton
Robbie Moore and Dean Glass
Sally and David Morgan
Dorothea Chittim Oppenheimer
Kelly Ranson
Anne and Jeff Rochelle
Patsy Steves
John Tarr and Robert Tisdal
Kathleen and Albert Vale
Barbara Ward
Patricia and Dick Westbrook
Susan and Jim Wilson
Mollie and Bartell Zachry
Angel
Lissa and Paul Allen
Peggy and Steve Allison
Beverly Bryars
Margie Boldrick
Elizabeth and Drew Cauthorn
Lisa and Wallace Cox
Bunny and Wilbur Matthews, Jr.
Camilla and Bill Parker
Leo F. Perron, Jr.
Polly and George Spencer
Elsie G. Steg
Julie and Damon Van Zandt
Elizabeth and Clifford Waller
Chica and John Younger
Benefactor
Joan and Jerry Allen
Sue Bain
Susan and Don Beardslee
John S. Beauchamp
Jan and Len Briley
Beth and Bob Brown
Dr. and Mrs. Victor L. Casiano
Judith Cavender
The Rev. Michael
and Mrs. Paula Chalk
Anne Church
Anne and Michael Connor
Linda and Sean Cook
Laurin and Bill Cothren
Flora Crichton
Cathy Dawson
and Don Hessenflow
Pat and Craig Donegan
Frances Douglas
The Revs. Mary and Doug Earle
Dr. Paul David Foglesong
James and David Frego-Bliek
Susan Toomey Frost
Sarah Gilliland
Walter Goodwin
Nelda and Harry Greer
Beverly Purcell Guerra
Madelyn Hauser
Linda and Phil Jacobs
Kathy Kelly
Brenda and Tom Kingery
Ann and Carl Leafstedt
Betty and John LeFlore
The Rev. Dr. John Lewis
and Mrs. Pat Bridwell
Victoria Locke
Marilou and John Long
Alice Lynch
Sylvia and Peter Maddox
Drs. Jacquelyn Matava
and Brett Richardson
Penny McDonald and Keith Neisler
Beatrice and John McFadden
Sarah Joe and Phil Le Messurier
Mary and Bryce Milligan
Lillian P. Morris
Gail S. Mydlow
Mariana Munante and Bill Fisher
Grace and John Ohlenbusch
Patrice and Joey Oliver
Col. Paul and Mrs. Jean Parker
Clytie Phelps
Amy and David Phipps
Leslie Provence
Bill Rainey
Ed Rieke
Harold Sager
Elizabeth Simpson
Deems and Bill Smith
Martha Monier Steves
Suzy Tackett and Marian Hall
Susan and Trey Thompson
Jill and George Vassar
Kate Vetters
Larry Walker
Stephen Walker
Susan Waltrip
Veda and Alex White
Jane and Mark Williams
Lucy Wilson
William S. Yates
Patron
Mardi and Gordon Dunkley
Beverly Hollje
Kay Mijangos
Nancy Reed
Linda Ricketts and Robert Ferré
Adelina Rodriguez
Elizabeth D. Russell
Betty and John Russell
Judy and Lee Rux
Cynthia Stephens
Mary Ann and Art Winden
Donor
Jamie Blount
Joyce Carothers
Jim and Clay Cauthorn
Josie Garza
Allen Gaston
Gail Harwood
Carolyn Lowery
Terry Gay Puckett
Jane Raven Smith
Lee Yelton