Theater Latté Da in partnership with Minnesota Public Radio presents by Peter Rothstein and Dan Chouinard Mike Wangen Elizabeth R. MacNally Rick Polenek Michael Hanisch Lighting Designer Stage Manager Prop Designer Video Designer Dan Chouinard Music Director Peter Rothstein* Director Opening Night: Thursday, June 2, 2011 * Member of Stage Directors and Choreographers Society Theater Latté Da gratefully acknowledges the generous support of This presentation of Steerage Song is supported in part by the National Fund of New Musicals, a program of the National Alliance for Musical Theatre – www.namt.org This activity is made possible in part by a grant from the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature and a grant from the National Endowment for the Arts. the Ensemble Sasha Andreev Braxton Baker John Bitterman Erin Capello Dennis Curley Dylan Fresco Jennifer Grimm Jay Hornbacher Jake Ingbar Natalie Nowytski Amy Stockhaus the Musicians Dan Chouinard........................................................................ Accordion, Piano and Tuba Dirk Freymuth.................................................................................... Guitar and Bouzouki Laura MacKenzie................................................................. Flutes, Pipes and Concertina Dale Mendenhall. ............................................................................................... Clarinet Peter Ostroushko..............................................................................Violin and Mandolin . the Texts Broughton Brandenburg, Imported Americans, 1903 Dr. John L. Elliott, speech before Conference of the National Association of Music School Societies, New York, 1912 Steven Graham, With Poor Immigrants to America, 1914 Illustrated London News, 1850 Wallace Irwin, “Ellis Island’s Problems,” New York Globe, 1904 Frances Kellor, Out of Work: A Study of Unemployment, 1915 Emma Lazarus, “The New Colossus,” 1883 New York Telegraph, 1911 New York Times, 1888-1921 New York World, 1905, 1910 Statue of Liberty - Ellis Island Foundation, Inc., ship manifest, SS Rhynland, 1893 Edward Steiner, On the Trail of the Immigrant, 1906 Wiley & Putnam’s Emigrant Guide, Comprised of Advice and Instruction in Every Stage of the Voyage to America, 1845 Steerage Song will be performed with one intermission. ASL-Interpreted and Audio-Described Performance is Friday, June 3. Post-Show Discussions will be held Friday, June 3; Saturday, June 4; and Sunday, June 5. As a courtesy to the performers and other patrons, please check to see that all cell phones, pagers, watches, and other noise-making devices are turned off. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Theater Latté Da 1 the Songs Part One: The Call Uncle Sam’s Farm (United States) By the Hutchinson Family To the West, To the West! (England) Words by Charles Mackay, L.L.D., Music by Henry Russell Oleana (Norway) By Ditmar Meidell Part Two: Bidding Farewell Shikt A Tiket – Send a Ticket ~ Jewish Mamma Mia, Dammi Cento Lire – Mama, Please Give Me a Hundred Lire ~ Italy Zrobił Góral Krzyz. Na Czole – The Mountaineer Crossed Himself ~ Poland Elmegyek, Elmegyek – I Am Leaving ~ Hungary Fevgho Glikia – I’m Leaving Now ~ Greece The Shores of Amerikay ~ Ireland Reisaavaisen Laulu Ameriikan – Song of a Wanderer to America ~ Finland Part Three: The Voyage Sailor’s Farewell Hymn Dall’Italia Noi Siamo Partiti – When From Italy We Did Take Our Leave ~ Italy Havre Ist Ein Schönes Städtchen – Havre Is a Pretty City ~ Switzerland Dutaich Nan Craobh – The Land of the Trees ~ Scotland The Emigrant’s Letter ~ Ireland Tarantella Di Mirto ~ Italy Danici – To the Morning Star ~ Slovenia By Gustav Ipavec Havre Ist Ein Schönes Städtchen – Havre Is a Pretty City Reprise ~ Switzerland Tikai Viena Dziesma – Only One Song ~ Latvia Rozhinkes Mit Mandeln – Raisins with Almonds ~ Jewish By Abraham Goldfaden Hälsa Dem Därhemma – Greet them at Home ~ Sweden By Elith Worsing 2 Steerage Song Part Four: A Sonnet in the Harbor Beautiful Isle of Somewhere ~ United States Words by Jessie Brown Pounds, Music by John S. Fearis Give Me Your Tired, Your Poor ~ United States Words by Emma Lazarus, Music by Irving Berlin Intermission Part Five: Isle of Hope, Isle of Tears Uncle Sam’s Farm Reprise ~ United States By the Hutchinson Family Elis Ayland – Ellis Island ~ Jewish Heil Dir, Columbus – Hail to the Columbus ~ Germany Di Grine Kuzine – The Greenhorn Cousin ~ Jewish Words by Hyman Prizant, Music by Abe Schwartz Part Six: The Lower East Side Dall’Italia Noi Siamo Partiti – When From Italy We Did Take Our Leave ~ Italy McNally’s Row of Flats ~ United States By Edward Harrigan and David Braham Wintergarden Quadrille and Castle Jig ~ Ireland Moyi Mamtsia Doma – My Mother Is at Home ~ Ukraine (Lemko) Aja Lejber Man – I’m a Labor Man ~ Slovakia Bog Da Bie Kaj Prv Pojde – God Smite Him Who Goes First ~ Macedonia Amerika-Rossiya – America-Russia ~ Russia By Anatoly Mogilevsky Rose of the Volga ~ United States By Gus Kahn Gee, But This Is a Lonely Town ~ United States By Billy Gaston Yes, We Have No Bananas ~ United States By Frank Silver and Irving Cohn Sweet Italian Love ~ United States Words by Irving Berlin, Music by Ted Snyder That Little German Band ~ United States Words by Joe McCarthy and Joe Goodwin, Music by Fred Fischer ‘Twas Only An Irishman’s Dream ~ United States Words by John J. O’Brien and Al Dubin, Music by Rennie Cormack Beautiful Isle of Somewhere Reprise ~ United States Words by Jessie Brown Pounds, Music by John S. Fearis Theater Latté Da 3 Creating Steerage Song It’s hard to pinpoint where ideas come from. Maybe the idea for Steerage Song came to me on a trip to Ellis Island. I found myself astounded with the enormity of the place and the enormity of the choices made by the millions who passed through its gates. Or perhaps the idea came from my frustration with our current immigration system and its lack of compassion and integrity. I desperately want this land of promise to exercise its promise. But most likely the idea came from my mother and her love of Irish song. For me, where you come from has always been linked to music, and I thank my mother for that. This Song’s for her. ~ Peter Rothstein As one who counts among his favorite roles those of saloon piano player and European street accordionist, I felt no hesitation when Peter Rothstein suggested many months ago that we write a show together based on immigrant folk songs and immigrant-associated Tin Pan Alley tunes. Music was my point of entry to this research-and-writing project, but beyond the music was history and a world I knew only on its surface, from the depleted and politically unstable landscape of late-1800s Europe on through the profiteering transatlantic steamship lines and the robust squalor of New York’s Lower East Side. After walking those streets, scrolling through the miles of microfilm and shuffling the piles of music, I’m grateful to be here with you and with this cast, offering a bit of what we’ve learned. ~ Dan Chouinard special thanks We would like to thank our language consultants for their valuable contribution to the creative process: Agata Dittfurth (Polish), Elina Kala (Finnish), Eva Kish (Hungarian), Goran Alachki (Macedonian), Judith Eisner & Yiddish Theater Group, Minneapolis JCC (Yiddish), Ksenija Rener Sitar (Slovenian), Mark Sedio (Slovak), Myrianthi Aristodemou Salovich (Greek), Nancy Stenson (Scots Gaelic), Natalie Nowytski (Ukrainian), Tiziana Bales (Italian). We would also like to thank these generous individuals and impressive institutions for their research assistance: Barry Moreno and the Ellis Island Archives; Dunbrody Famine Ship Museum, New Ross, Ireland; Ellis Island Immigration Museum; Jeanie Johnston Famine Ship Museum, Dublin Ireland; Library of Congress Performing Arts Reading Room, Washington, DC; Lincoln Center Library for the Performing Arts, New York; Linnea Anderson and the Social Welfare History Archives at the University of Minnesota; Mersey Maritime Museum, Liverpool, England; Museum of the City of New York; New York Public Library; The Queenstown Story, Cobh, Ireland; Stevie Beck,The Tenement Museum, New York We would also like to thank: The Children’s Theatre Company, Chelsea Dammen at the McNally Smith College of Music, Dudley Voigt, Todd Mulloy, Abby Harkness, Kelsey Peterjohn, Omar Guevara Soto, Jennifer Patti, and Kevin Reuther The danger that we have most to fear is that we, too, will grow old as a nation, and that this constantly inflowing tide of new blood will be diverted to the ancient lands becoming young again. ~ Arthur Henry, Among the Immigrants, Scribner’s Magazine, 1901 4 Steerage Song a Chronology United states immigration from 1840–1924 1840 1846 Cunard Line is founded, beginning the era of steamship lines especially designed for the transportation of passengers between Europe and the United States. Crop failures in Germany and Holland send thousands of dispossessed to the United States. 1846-47 Irish potato famine causes mass emigration of all classes of the Irish population to the United States. 1855 Castle Garden immigrant depot opens in New York City to process mass immigration. 1861-65 Large numbers of immigrants serve on both sides of the American Civil War. 1882 First federal immigration law bars lunatics, idiots, convicts and those likely to become public charges. 1882 Outbreak of anti-Semitism in Russia triggers a surge in Jewish migration to the United States. 1882 Chinese Exclusion Act is adopted; the first time a group of people is barred from the US solely based on their national identity. 1886 Statue of Liberty is dedicated in New York Harbor. 1891 Congress adds medical status to immigration restrictions. 1891 Violent pogroms swell the continued exodus of Jews from Russia. 1892 Ellis Island replaces Castle Garden as a processing center for immigrants. 1894 Immigration Restriction League organized to spearhead the restrictionist movement for the next 25 years. 1914-18 World War I brings an end to the period of mass migration to the United States. 1916-18 Thousands of immigrants return to Europe as soldiers for the United States Army. 1917 Literacy test for immigrants finally adopted after being defeated by Congress for more than twenty years. 1921 Emergency Immigration Act introduces a quota system, heavily favoring natives of Northern and Western Europe and restricting those from Southern and Eastern Europe. 1923 Ku Klux Klan’s anti-immigration movement reaches peak strength. 1924 National Origins Act is adopted, setting a ceiling on the total number of immigrants and establishing discriminatory national-racial quotas, effectively closing the door on immigration. Theater Latté Da 5 The Art of Musical Theater Our Mission Theater Latté Da seeks to create new connections between story, music, artist, and audience by exploring and expanding the art of musical theater. Our Vision Theater Latté Da is recognized locally and nationally as a beacon for advancing the art of musical storytelling through emotional, visceral, intellectual, and ultimately transformative performances that resonate with our current world. Our Values We believe in work that is BOLD, COLLABORATIVE, and ultimately TRANSFORMATIVE; we act with INTEGRITY and GRATITUDE. Our Board of Directors Lisa M. Hoene, President Bill Underwood, Vice President Charla Eccles, Secretary Marilyn C. Nevin, Treasurer Travis L. Barkve, Margaret Nelson Brinkhaus, Jeffery Brockmann, Dan Caldwell, Peter Carlson, Ogden Confer, Timothy P. Dordell, Mary Beidler Gearen, Elizabeth Mannion Gibba, John Kundtz, Kimberly Motes, James P. Quinn, Peter Rothstein, Lorri Steffen, Jean Storlie, John Thew Our Community Advisory Board Joseph Andrews, Scott Benson, Carol and Kim Culp, Patricia Spencer Faunce, Charles Ferrell, Gregory Foster, Steve Froeschl, Christopher Hermann, Nancy Jones, Kate Kerfoot, Steven Loucks, Scott Mayer, Teresa McFarland, Mary Meighan, Marti Morfitt, Jim Payne, John Sullivan, Bill Venne, Jay Waldera, Ruth and David Waterbury, Mike Wenzel, Carol Windfeldt, David Wilson Theater Latté Da 1170 15th Avenue SE, Suite 203 • Minneapolis, MN 55414 612.339.3003 • www.LatteDa.org Find Theater Latté Da on Facebook,Twitter and Vimeo. 6 Steerage Song our Staff Peter Rothstein. ................................................................................ Artistic Director Denise Prosek....................................................................... Resident Music Director John Thew............................................................................................. Managing Director Abby Zimmer........................................................................................... Office Manager Tiffany K. Orr............................................................................Production Manager Michael Hefty................................................................................Graphic Designer Michael Hanisch. ...............................................................................Videographer Jenna Zark............................................................................ Development Consultant Jennifer Gamberg. ..................................................................................Accountant Michael Matthew Ferrell.................................................Resident Choreographer Tod Petersen. .................................................................................. Artistic Associate Matt Cerar and Elizabeth Tammen......................................................... Interns Production Staff Dylan Frederick. ............................................................................ Assistant Director Sonja Thorson..................................................................... Assistant Stage Manager Tim Gross........................................................................................ Technical Director Michal Daniel. ................................................................... Production Photographer George Byron Griffiths. ................................................. Promotional Photographer Laurie Pape Hadley....................................................................... Audio Describer Paul Deeming and Elly Carpenter. ........................................... ASL Interpreters Scenery Constructed by Penumbra Theatre Scenic Studio. Public Relations provided by McFarland Cahill Communications. Legal Counsel provided by Alexander Rosenstein, Fredrikson & Bryon, P.A. Fiscal Management Consulting by Cleary Consulting Group. There she lies, the great Melting Pot! Celt and Latin, Slav and Teuton, Greek and Syrian, black and yellow, Jew and Gentile—yes, East and West, and North and South—how the great Alchemist melts and fuses them with his purging flame! Here they shall all unite to build the Republic of Man and the Kingdom of God. ~ Israel Zangwill, The Melting-Pot, First produced at Columbia Theatre, Washington, DC, 1908 Theater Latté Da 7 the MaidenVoyage Manifest Steerage Song is made possible due to the extraordinary generosity of the following individuals, who invested in our artistic journey. Thank you for being the wind in our sails. Pursers ($10,000+) Culp Family Foundation in honor of all courageous immigrants Admirals ($5,000–$9,999) David Wilson and Michael Peterman Captains ($1,000–$4,999) Ward and Kathy Armstrong James P. and Mary Beidler Gearen in honor of Patrick Gearen arrived 7/4/1856 Ch arla and Jeffrey Eccles in honor of Patt Meisel Nancy Jones John Kundtz and Thomas Amon Steven Loucks Barbara Norrgard in memory of Bernice Freund Lorri Steffen and Paul Zenner John Sullivan in memory of Nellie V. Sullivan, arrived at age 5 from Ireland First Mates ($500–$999) Leslie Bendtsen in honor of Ben O. Bendtsen Priscilla Brewster in honor of John Lander Jane and Ogden Confer in honor of Catherine Smith McElhenny Ch arlie and Anne Ferrell Cathie Hartnett and John Monto in honor of John Montoleoni James P. Quinn in honor of Chris Zhang Carol and Tom Windfeldt in honor of our parents and grandparents Julie and Ch arles Zelle in honor of Mary Belzman (Julie’s Great Grandmother) and Charles A. Zelle (Charlie’s Great Grandfather) Skippers ($250–$499) Dorothy A. Akin Travis L.Barkve Ryan Boekelheide and Corey Isaak Jeffery Brockmann and Shane Swanson Scott Cabalka Jean and Jim Hartman in honor of Michael G. Cipala - Grandfather of Jean Hartman Jason Howard and Ch ad Keast in honor of Jacob Hoefti (Switzerland) and Agnetta Lokken (Norway) Sandi and Jim Jensen Jim Newstrom Jim Payne in honor of Josef Zamecnik John Sweet and Erik Brendtro in honor of Jonetta Schjødt (1903) and John Bostwick (1632) Bill Underwood and Ch ris Everett in honor of Lilian Mae Reed Bill Venne and Douglas Kline Sailing from St. Paul, Minnesota 06/02/2011 Seafarers ($100–$249) Tor and Kristine Aasheim Elizabeth Andrews and Jeffrey Rank Annemarie Bossert and Thomas Lovett in honor of John Lovett Patricia Brewer Candy and Thomas Carlson James Collins in honor of James and Margaret Rainey Steve Fischer and Mark Schultz Madeleine Gibba in honor of Jim Mannion Sue Gillman in honor of Georgia Ireland Joan Anderson Growe in honor of Arthur Anderson Lisa and Dan Hoene in honor of their music-loving mothers, Mary and Rose Mary Jim and Mary Holland in memory of mothers Irene Holland Smith and Lily Comstock Brian E. Jones in memory of Haydn E. and Dorothy K. Jones Mary Irey and Stefano Loverso Gerald Kollodge Candy Kuehn and Craig Harris in honor of George Gill, Lillian Melin, Bella Fronman David Lozinski Marilyn C. Nevin in honor of Mary Bobich - arrived at 13 from Yugoslavia for an arranged marriage Eve O’ Gary Ronald G. Perrier Pat and Gene Radecki in honor of Walter Radecki Kelly, Tom & Jack in honor of Sandy Ryan Karon Sandberg in honor of Patt Meisel James D. Smith Jean Storlie and Jay Harkness Brad Wagner and Jay Miller Ruth and David Waterbury Catherine and Steven Webster Martha and Jim Williams in honor of Jean Rothstein Jane Zilch Stewards ($50–$99) Tim Dordell and Kirk Ballard Aiden Kundtz in honor of his Nana and Grandma! Bonnie Lee and Dan Foss Tiffany K. Orr in honor of Randy and Shirley Orr Chuck and Jo Parsons in honor of Elizabeth Russell and Grace Parsons Jennifer Patti in honor of Joan DeNunzio Patti Arturo Steely John Thew in honor of Theresa Gugino’s ancestors in honor of Mrs. Priscilla Johnson Dordell and her Norwegian ancestors from the Vang Valley and Haugesund in Norway and in honor of Mrs. Nancy Doughan Ballard and her ancestors from Ireland. the Company Dan Chouinard (Co-Creator and Music Director) is a Twin Cities musician who plays, tours and records regularly with a broad range of musicians and writers. He is also regularly called upon to write and host programs that blend history, memoir and music, most recently for Minnesota Public Radio and the Minnesota Historical Society. Cafe Europa (2005, 2008) and Mambo Italiano (2006, 2009) aired on Twin Cities public television and were broadcast statewide on MPR. Recently he’s been touring around the state with Prudence Johnson (The Golden Age of Radio) and Ann Reed (Heroes). He’ll be back at the Fitzgerald Theater in mid-June with the Rose Ensemble in Songs of Temperance and Temptation. Until 2007, he was assistant director of music at St. Joan of Arc Church in Minneapolis, where he continues as music advisor and co-producer of the SJA Concert Series. In 1994 he created the acclaimed weekly radio series The Singer’s Voice, broadcast live Sunday nights from the Dakota Jazz Club, then in St. Paul, hosting song-spiked conversation from the piano with a different singer each week, some 200 in the six years of the show’s tenure. Dan grew up in a musical family, attended St. John’s University in Collegeville MN (1985) and spent four years as a teacher of French and Italian at the University of Minnesota. DanChouinard.com Peter Rothstein (Co-Creator and Director) has directed 44 mainstage productions, including 29 area and world premieres, for Theater Latté Da. Other recent collaborations include the M. Butterfly with Guthrie Theater, Annie with The Children’s Theatre Company, Doubt with Ten Thousand Things and Guys and Dolls with Seattle’s 5th Avenue Theatre. He is the creator of All Is Calm :The Christmas Truce of 1914, which premiered in a live broadcast on Minnesota Public Radio. Peter has been named one of Minnesota’s Artists of the Year by the Star Tribune, Theater Artist of the Year by Lavender Magazine, and the Best Director in the Twin Cities by City Pages. He has been awarded grants from the National Endowment for the Arts, Theater Communications Group, the Minnesota State Arts Board and the McKnight Foundation. He holds a Bachelor of Arts degree in Music and Theater from St. John’s University and a Master of Fine Arts degree in Directing from University of Wisconsin – Madison. Peter-Rothstein.com Sasha Andreev has been performing in the Twin Cities for the last five years, most recently in Next Fall at the Jungle Theater. Other credits include the Guthrie Theater, Park Square Theatre, Theatre de la Jeune Lune, Chanhassen Dinner Theatres, Mixed Blood Theatre, Hennepin Stages, MN Orchestra, Actors Theatre of Louisville, and the MN Fringe Festival. On television, Sasha has been seen as host of HGTV’s Curb Appeal, ShopNBC, and numerous commercials. Films include Lumpy, Ghost From the Machine, and How You Look to Me. Sasha is a graduate of Vassar College. Braxton Baker was most recently seen in Little Eyes, a Workhaus Collective production at the Guthrie Theater. Other stage appearances include the title role in The 500 Hats of Bartholomew Cubbins at The Children’s Theatre Company, S. Gunter Klaus and the Story Before with Jon Ferguson Theater, and productions of The Secret Garden, Beauty and the Beast, and The Full Monty at the Duluth Playhouse. John Bitterman is debuting with Theater Latté Da in Steerage Song. He performs in theater, opera, and oratorio in the Twin Cities and beyond. For seven seasons, John sang with the Rose Ensemble, touring the country and performing in Europe. John is the founder and artistic director of Silver Swan, a chamber ensemble of solo singers who perform music from the 14th to the 21st centuries. 10 Steerage Song Erin Capello is very excited to be performing once again with Theater Latté Da. She was also seen in Evita and in a number of cabarets, including Prosody and Latté Da in the Park. Erin has also performed with History Theatre, Stages Theatre Company, Gilbert & Sullivan Very Light Opera Company, Minnesota Opera and Chanhassen Dinner Theatres. Her favorite roles include Laura in Swing! at Chanhassen Dinner Theatres and Aldonza in Man of La Mancha at Normandale Community College. Erin has also performed with The Minnesota Orchestra at Orchestra Hall. Her next production is with Cardinal Theatricals at The Lab Theater, performing Janet Weiss in The Rocky Horror Show. Dennis Curley was delighted to appear in one incarnation of Theater Latté Da’s A Christmas Carole Petersen. He has composed music for Vampires! Horror!, Love After Hours, Church Basement Ladies 2: A Second Helping, and Whistling Past the Graveyard. Dennis is the arranger of Schoolhouse Rock Live! and Schoolhouse Rock Live Too! (both published by MTI). He recently performed in Power Balladz (Lab Theater), Hot ‘n’ Cole (Ordway Center), My Way (Ordway Center), Orphan Train (History Theatre), and Warm Beer, Cold Women (Guthrie Theater). Dennis is a co-founder and executive producer of Table Salt Productions (TableSaltProductions.com). Dylan Fresco last appeared at the Fitzgerald Theater as part of MPR’s Song for Minnesota concert with Ann Reed. He has performed with Penumbra Theatre, The Children’s Theatre Company, Ten Thousand Things Theatre, and Skylark Opera, among others. As an entertainer, he spins tales, sings songs, and plays ukulele at many a venue. Dylan is a graduate of Carleton College and the Dell’Arte International School of Physical Theater. At the Minnesota Fringe Festival this summer, he’ll premiere Welcoming the Stranger, a solo piece about his family’s emigration to America. DylanFresco.com Jennifer Grimm appeared in Theater Latté Da’s very first production, Lost In Boston, as well as in A Christmas Carole Petersen. She has most recently been more heard than seen as she has been doing voice over work for OfficeMax, Target, Health Partners and others while also having her original work used on NBC’s Sing Off and Parenthood and other shows on FOX and TLC. While she continues to write and produce for stage, studio and television, she is glad to be always performing with her friends and family in the Twin Cities area, New York City and on the occasional tour across the U.S. Jay Hornbacher returns to the stage for the first time since the late 1990’s, having spent the last dozen years working as a lay minister in two Episcopal churches. During the 1980’s and 1990’s, Jay appeared with the Guthrie Theater, Jungle Theater, Old Log Theater, Park Square Theatre, History Theatre, Mixed Blood Theatre, and Sell the Cow Theatre. He lists as his favorite roles Davies in Harold Pinter’s The Caretaker, Otto Frank in The Diary of Anne Frank, and Macheath in The Threepenny Opera. He is thrilled to be making his first appearance with Theater Latté Da in Steerage Song. Jake Ingbar appeared in Theater Latté Da’s Gypsy and The Full Monty. He was most recently seen in The Master Butchers Singing Club at the Guthrie Theater. He has also performed for Chanhassen Dinner Theatres, Illusion Theater, Ordway Center, La Musica Lyrica, Minnesota Opera, and Walking Shadow Theatre Company. Other credits include instrumental and vocal performances with the St. Paul Chamber Orchestra, Exultate Choir and Orchestra, and the Enso Quartet as well as concerts with La Musica Lyrica in Italy. This summer Jake will be attending Tanglewood Music Festival as a Young Performing Artist. Theater Latté Da 11 the Company Natalie Nowytski (vocalist) is the winner of the 2011-2012 McKnight Artist Fellowships for Performing Musicians administered by MacPhail Center for Music. A classically trained musician and performer since childhood, Natalie has been an active teacher, director and student of international folk music since 1996, specializing in traditional vocal styling of Eastern Europe. She sings in more than 50 languages— including her native Ukrainian—and in over 20 distinct vocal styles. She has performed with Peter Ostroushko, Ruth MacKenzie, Joe Chvala and the Flying Foot Forum, Orkestar Bez Ime, Ethnic Dance Theatre, Mila Vocal Ensemble, and other folk luminaries across the US, Bulgaria, France and Czech Republic and has appeared on A Prairie Home Companion. This is her first production with Theater Latté Da. NatalieN.com Amy Stockhaus is delighted to be debuting with Theater Latté Da in Steerage Song. Amy is currently studying as a BFA Music Theater major at Illinois Wesleyan University. Most recently she was seen in Trojan Women at Illinois Wesleyan. She has also performed locally with Stages Theatre Company and The Children’s Theatre Company. Dirk Freymuth has appeared on dozens of recordings as a guitarist and multi-instrumentalist and has produced more than 50 records in a wide variety of genres. He has composed music for film, television and radio in addition to writing new music for the various groups of which he was a member. Also a specialist of historical stringed instruments, he holds a doctorate in Early Music Performance from the University of Southern California and was professor of lute and baroque guitar at Claremont Graduate University in Los Angeles from 2005-2008. This fall he will be leaving Minnesota for Oregon to lead a new Audio Production program at Western Oregon University. Laura MacKenzie performs and teaches music from Scotland, Ireland, Nova Scotia, England, Central France and Galicia on an array of traditional wind-powered instruments, including flutes, whistles, pipes, concertina, gemshorn and voice. She has received numerous performing arts honors and awards, including a Bush Artists Fellowship in 2009. In collaboration with guest director Doug Hughes, Laura arranged and performed on stage the music for She Stoops to Conquer at the Guthrie Theater during Joe Dowling’s inaugural season. Laura has produced and performed in several Twin Cities shows of traditional music and dance, including Gaelfest! at The O’Shaughnessy and A Charladies Christmas at the Lowry Theater. With author/actor Frank McCourt, Laura performed in the one man, two musician run of Irish Stew, based on Angela’s Ashes. Currently, Laura performs solo, with Gary Rue, and in the duos Ross & MacKenzie, Sproule & MacKenzie and Willow Brae (with harpist Andrea Stern). LauraMackenzie.com Dale Mendenhall has over 35 years of professional music experience. As a freelance musician, Dale has performed at Orchestra Hall with the Minnesota Orchestra, Guthrie Theater, Ordway Center, The Children’s Theatre Company, State and Orpheum Theatre, backing up such artists as Natalie Cole, Aretha Franklin, Tony Bennett, David Letterman, Jay Leno, and many more. He toured Japan with Ben Sidran and the Paris singer Clementine. He has toured Russia with the University of Minnesota concert band. His sound was heard on the #1 pop hit Funkytown. Dale also plays various jazz festivals around the country with the Orlando Florida based Bill Allred Classic Jazz Orchestra. 12 Steerage Song Peter Ostroushko is one of today’s most highly regarded fiddle and mandolin players. He is also one of Minnesota’s most accomplished and acclaimed composers. Growing up in the Ukrainian commuity of Northeast Minneapolis, Peter was steeped in the sounds of mandolin, balalaika and bandura music. PeterOstroushko.com John Thew (Managing Director) is the former Director of Development and former Director of Public Relations for New York’s Tony Award-winning Second Stage Theatre. Throughout his tenure at the Second Stage, he led all aspects of the company’s fundraising and public relations efforts resulting in six consecutive years of growth. John is also a former Production Manager for Twin Cities Public Television and has an extensive background advising Minnesota-based corporations in the areas of sales, leadership, and customer service. Michael Wangen (Lighting Designer) is very happy to be working on his first Theater Latté Da production. He is a longtime area lighting designer and recent work includes: In the Red and Brown Water and Broke-ology with Pillsbury House Theatre; Adrift on the Mississippi with History Theatre, Three Viewings with Illusion Theater, and Glyph with Workhaus Collective. His work has been seen throughout the Twin Cities, including the Guthrie Theater, Penumbra Theatre, Mixed Blood Theatre, Theater Mu, The Children’s Theatre Company, and Pangea World Theater. Michael Hanisch (Video Designer) is a freelance video editor who works often with theaters to create promotional videos as well as video for the stage. Michael has worked with Theater Latté Da, the Jungle Theater, Park Square Theatre, Penumbra Theatre and others. Rick Polenek (Prop Designer) has been active in the Twin Cities’ theatre and design communities for over 35 years. Rick has designed major exhibitions for the Minnesota Historical Society, the Science Museum of MN and the Weisman Art Museum. As a commercial art director, Rick designed projects for Northwest Airlines, Target Corp, NBA, Sesame Street Live! and Sesame Place Tokyo. Rick’s scenic and prop designs have appeared at numerous professional, educational and community theatres in Minnesota. He was profiled in the Star Tribune for notable design work on Twin Cities’ stages. Upcoming projects include Spelling Bee for Theater Latté Da and Ragtime at Park Square. Rick is currently on the technical theatre faculty at Normandale College. Elizabeth R. MacNally (Stage Manager) is thrilled to be working with Theater Latté Da for the first time. She has been stage managing in the Twin Cities for the last ten years. Some of her favorite shows include Main Street and Hiding in the Open at the History Theatre; Recent Tragic Events and Two for the Seesaw at the Jungle Theater; Bug and Vigil at Pillsbury House Theatre; and 9 Parts of Desire and Delicate Balance at the Guthrie Theater. Elizabeth holds a BFA from Rockford College in Rockford, IL. Famous Musician Immigrants of Ellis Island Enzio Pinza, tenor, Italy 1893 Bob Hope (Leslie Hape), entertainer, England 1908 Irving Berlin (Israel Beilin), composer/lyricist, Russia 1893 Jule Styne, composer/lyricist, England 1912 Al Jolson (Asa Yoelson), singer/songwriter, Lithuania 1894 Xavier Cugat, bandleader, Spain and Cuba 1915 Al Dubin, lyricist, Switzerland 1896 John McCormack, tenor, Ireland 1917 Enrico Caruso, tenor, Italy 1904 The Von Trapp Family Singers, Austria 1938 Arthur Tracey, entertainer, Russia 1906 Henny Youngman (Henry Junggman), entertainer, England 1906 Theater Latté Da 13 our Donors The Board of Directors and staff of Theater Latté Da are grateful to the following companies, foundations, and individuals who have invested in the artistic and educational programs that further our mission. Contributors as of May 20, 2011. If you have been listed incorrectly or omitted, we sincerely apologize and ask that you call 612.339.3003 in order for us to correct your listing for future programs. institutional Support Matching Support Ameriprise Financial Blandin Foundation Brookfield Properties General Mills Foundation Halleland, Lewis, Nilan & Johnson P.A. Larkin, Hoffman, Daly & Lindgren, Ltd. Ryan Companies Securian Foundation Thrivent Financial Foundation UnitedHealth Group US Bancorp Foundation Xcel Energy Foundation Verizon Foundation Lisa M. and Dan Hoene Bruce and Jean Johnson John Kundtz and Thomas Amon Marti Morfitt and Patrick Weber James P. Quinn Paul and Kathleen Rothstein Lorri Steffen and Paul Zenner The Walter and Mary Tuohy Foundation David Wilson and Michael Peterman Steve Froeschl Katherine and Robert Goodale Cathie Hartnett and John Monto Nancy Jones Steven Loucks Kim and David Motes Stan and Margaret Nelson Brinkhaus Marilyn C. Nevin Barbara Norrgard Robert and Rebecca Pohlad Ken and Nina Rothchild The Ryan Family Jean Storlie and Jay Harkness John Sullivan Bill Underwood and Chris Everett Bill Venne and Douglas Kline Jay Waldera Carol and Tom Windfeldt James and Jodi Young Peter Carlson and Bradley Betlach Ingrid and Chris Culp Fran Davis Terrance R. Dolan Jeffrey Duffin Sharon Engel Charlie and Anne Ferrell Paul Froeschl Paul Hanson and Steve Riendl Jean and Jim Hartman Joel Hoekstra and Eric Jensen David and Jake Ingbar and Mary Meighan Paul Kaminski and Rich Bonnin Kathleen Lamb Robert Lenz and Thomas Paul Burton and Patsy Meisel Jim Newstrom Jim Payne Denise Prosek and Milton Ferris Peter Rothstein Colleen Ryan Francis Ryan Paul, Judy and Thomas Speltz Ann and Tom Stanley Jeffrey Velch Julie and Charles Zelle The Coffee Club Latté ($2,500+) James P. and Mary Beidler Gearen Carol and Kim Culp Charla and Jeffrey Eccles Mocha ($1,000–$2,499) Ward and Kathleen Armstrong Jeffery Brockmann and Shane Swanson Nancy and John Burbidge Jane and Ogden Confer Lisa and Pat Denzer Tim Dordell and Kirk Ballard Joe Dowling and Siobhan Cleary Cappuccino ($500–$999) Dorothy A. Akin Andrew Alberts Mary Alberts Travis L. 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Sorenson Gwen Stanley Geralda and Anthony Stanton Erich Steinbergs Jeffry Stevenson Marcia and John Stout Bob and Celia Stretmater Lisa Stromquist Timothy and Amanda Sullivan Elizabeth Swanson Donna Lou Swenson Jeffrey Tang Michelle Taylor Mildred Theis John Thew Kory and Heather Thomas Geoff and Angie Thompson Kristie Tigges Ruth and Paul Tillquist Joyce Vincent Nancy Walton Mark Webb Tammie Weinfurtner Kristine Weir Tom Wesely Tanya Wessels Claudia Wiebold Kathy and David Wiemer Susan Williams and Bob Lothenbach Lori-Anne Williams Jenna Zark and Pete Budd Chris Zhang Theater Latté Da would like to thank The Ruth Easton Fund for supporting the development of Steerage Song. Actress Ruth Easton (nee Edelstein) was born in North Branch, Minnesota and graduated from North Branch High School. She attended the University of Minnesota for one year and the following year attended Macalester College before finishing her collegiate career at Cumnock School in Los Angeles. She went on to New York where she studied acting with Oliver Morosco. Mr. Morosco opened a stock theater company in upstate New York where Ms. Easton starred in several plays. After performing with other stock theater companies she returned to New York City where she appeared in five Broadway plays over a period of seven years. They included Exceedingly Small, Privilege Car, Town Bay, Buckaroo, and Charlie Chan. Exceedingly Small was directed by Ethel Barrymore and Easton played opposite Eric Dressler. New York critics praised her performance as “thoroughly touching” and “highly spirited and excellent.” She starred in radio dramas on the Rudy Vallee Hour and the Fleischmann’s Yeast Hour opposite such actors as Walter Huston, Judith Anderson and Lionel Barrymore. She also appeared with Clark Gable, Eddie Cantor and Al Jolson during the course of her career. Ms. Easton’s legacy, her commitment to theater and the development of new works continues through the charitable gifts distributed through the Ruth Easton Fund of the Edelstein Family Foundation. 16 Steerage Song The Immigrant as Citizen by Dr.John Elliott Excerpts from “The Immigrant as a Citizen,” a speech given by Dr. John L. Elliott, before Conference of the National Association of Music School Societies, New York, 1912 We have all seen the eager and intensely serious faces of the people who lean over the rail of the incoming steamers looking out, sometimes with a joke on their lips, but with a terrible earnestness on their faces in the new country. With what pathetic and serious hopes they come, looking for the chance to earn a comfortable living, hoping for freedom! And what do we offer them? What have we to give them? Now, here we have this Eighteenth Century Declaration of Independence, this academic statement, which we offer to the immigrants with their serious faces and earnest, eager hopes. It does not mean anything to them; they get it all mixed up. They demand of us the citizenship of living conditions, and the chance to work for them. And this is part of the very real value to us of the immigrant citizen—the eternal demand for growth and change that they make upon our ideas of citizenship. We have not grappled with the situation. We have set back and imagined that our forefathers knew what independence was. They did not know it all. They had not got hold of these ideas with which we are confronted. The complete and final constitution of a republic has never been made. It cannot be. It has to be lived ... There is always the tendency in orthodoxy to hold the thing that is. But there has always to be change and constant growth in a moral and democratic state, and we have got to learn from immigration to become alive to the ever-growing meaning of citizenship. I would like the spirit of democracy to meet the immigrant as he steps off the ship. It cannot be by teaching him out of little books in the schools what democracy is, because they do no know. He should learn it in the life of the streets, and in the blessed places like this, where it is taught so really and concretely. Art helps to draw the world together by interpreting truth and democracy, and making it possible for us to be brothers as we could never have been otherwise. To work for this tremendous thing we call citizenship, we must co-operate with the immigrant, not with the idea of teaching it to him, but with the purpose of working with him toward a better point than we have ever attained before; not with the idea of purifying and uplifting the scum of the earth which has drifted tour shores from all Europe, but with the expectation of co-operating with these newest citizens of a great country until they and we shall have gained a very different idea of democracy such as the Puritan of New England never had. And in the common effort to gain this higher and broader meaning of citizenship, the mind and genius of every nation shall combine and unite in the bond of brotherhood.
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