Hazlet Township Public Schools COURSE OF STUDY FOR Project Based Literature May 2013 Ann Cioffi Jennifer Mahoney COURSE TITLE: Project Based Literature GRADE(S): 7&8 UNIT NUMBER AND TITLE: Unit 1- Plot and Conflict BRIEF SUMMARY OF UNIT: Plot is the chain of events rising out of characters being placed in a particular situation and developing through one episode after another to a climax and a conclusion. The characters usually face an external or internal struggle. They fight against the forces of nature or flaws in their character. By plotting the events we explore the ups and downs of the character’s fortunes, destiny, or doom. Foreshadowing, flashbacks, and rising action guide us along the path. College and Career Readiness Key Ideas and Details: CCR Anchor Standards 1 - 3 1. Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when support conclusions drawn from the text. writing or speaking to 2. Determine central ideas or themes of a text and analyze their development; summarize the key supporting details and ideas. 3. Analyze how and why individuals, events, and ideas develop and interact over the course of a text. LINK TO CONTENT STANDARDS: Grade 7 Standards: 7.RL.1 - Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. 7.RI.1 - Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. 7.RL.2 - Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text. 7.RI.2 - Determine two or more central ideas in a text and analyze their development over the course of the text; provide an objective summary of the text. 7.RL.3 - Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot). 7.RI.3 – Analyze the interactions between individuals, events, and ideas in a text (e.g., how ideas influence individuals or events, or how individuals influence ideas or events). Grade 8 Standards: 8.RL.1 – Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text. 8.RI.1 – Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text. 8.RL.2 – Determine a theme or central idea of a text and analyze its development over the course of the text, including its relationship to the characters, setting and plot; provide an objective summary of the text. 8.RI.2 – Determine a central idea of a text and analyze its development over the course of the text, including its relationship to supporting ideas: provide an objective summary of the text. 8.RL.3 – Analyze how particular lines of dialogue or incidents in a story or drama propel the action, reveal aspects of a character, or provoke a decision. 8.RI.3 – Analyze how a text makes connections among and distinctions between individuals, ideas, or events (e.g., through comparisons, analogies, or categories). 1 COURSE TITLE: Project Based Literature ESSENTIAL QUESTIONS THAT WILL FOCUS TEACHING AND LEARNING: How can I become a better reader? How can I infer the author’s intentions based on a text? What techniques can I use to improve my comprehension? GUIDING QUESTIONS: What skills do I need to comprehend nonfiction writing? What skills do I need to comprehend fiction writing? How do I know what information is important? GRADE(S): ESSENTIAL KNOWLEDGE, SKILLS, AND ENDURING UNDERSTANDINGS: A: STUDENTS WILL KNOW: How to cite textual evidence and that it is used support analysis of what the text. 7&8 ASSESSMENT (EVIDENCE OF KNOWLEDGE AND UNDERSTAND?) STUDENTS WILL: Diagnostic Assessment: Use to see if students are prepared to read grade-level materials. Reading skills and strategies, such as visualize, monitor, make inferences, and connect. Assess Prior Knowledge: diagnostic assessment given at the beginning of the school year (see Materials). The skills and strategies needed for active reading. Student reading inventory for selfassessment: students describe their attitudes and thoughts toward reading. Identify explicit information from a text; identify stages of plot. Recognize credible resources/sources. Writing inventory for self-assessment: students describe their attitudes and thoughts toward writing. To recognize theme or central ideas. Independent Reading Inventory: contains a passage from a book selection and 10 comprehension questions. To identify supporting details. To describe the elements of a story or drama. Cloze Test: assessment is based on students “filling in” blanks created in a passage of text unfamiliar to students (see Materials) To identify interactions between story elements. Writing Prompt with rubric: students respond to a writing prompt requiring a response to a reading selection. To identify an episode (event). Review Academic Vocabulary (plot, conflict, setting, sequence, foreshadowing, flashback, cause and effect, prefix, suffix, root word, exposition, rising action, climax, falling action, resolution, suspense). B: STUDENTS WILL UNDERSTAND THAT: Textual evidence is used to support analysis. There is deeper meaning within the context of each story. Formative Assessment: Use to gauge how well students have grasped ideas and skills during a lesson. Summarizing is not analyzing text. Engage in meaningful and active participation. 2 COURSE TITLE: Project Based Literature GRADE(S): Authors use literary devices in order to move along the plot. They need to analyze what a text says explicitly. Inferences are formulated from textual material. Analysis is supported by citing resources. Theme is developed over the course of the text. Story elements interact with each other. A change in one story element shapes another. C: STUDENTS WILL BE ABLE TO: Explicitly analyze what a text says. Formulate inferences from textual material. Cite resources that support analysis. Determine a theme or central idea. Analyze theme or central development over the course of a text. Identify stages of plot. Analyze types of conflicts. Locate and analyze foreshadowing, flashback, and cause and effect relationships Analyze how a change in one element shapes another. Analyze how elements of a story or drama interact. 7&8 Answer the essential and guiding questions. Explain how reading a story told from first- person point of view is similar to reading someone’s journal or diary. Explain what makes a narrator reliable or trustworthy. Keep a reading log; discuss reading habits and volume of reading. Reading Check (see Materials). District benchmark assessments of grade level material (e.g., Study Island); scaffolding across the year. Assessment Practice (use before the unit test; available at the end of each McDougall Littell literature unit). Summative Assessment: Use to see how well students are progressing over time in mastering standards. McDougal Littell Unit Tests Benchmark Tests- the tests are cumulative in that skill taught early in the year. Each test includes new reading passages followed by multiple-choice and shortanswer, open-ended questions as well as an essay prompt. Differentiate as Needed: McDougal Littell Literature Selection Tests and Unit Tests are available in A and B/C formats and use the same passages to assess student understanding. The A assessment format is for students who struggle with reading and literature. The B/C format is for students who are working at or above grade level. Give the C writing prompts to students you wish to challenge. 3 COURSE TITLE: Project Based Literature GRADE(S): 7&8 D: SUPPLEMENTAL NOVELS/TEXTS Grade 7: McDougal-Littell text (Assessment Practice found in student text at the end of each unit) Fiction/Short Stories: “Seventh Grade” “The Last Dog” “Thank You, M’am” “Rikki-tikki-tavi” Reading for Information: ‘Spot’ Goes High-Tech Nonfiction: From Exploring the Titanic From An American Childhood Writing: Descriptive Essay Narrative Essay MLA Format Drama: A teleplay- The Monsters are Due on Maple Street Media: From Back to the Future- plot and setting in film Novels: Holes- Louis Sachar The Ghost in the Tokaido Inn- Dorothy Hoobler The Great Turkey Walk- Kathleen Karr 4 COURSE TITLE: Project Based Literature GRADE(S): 7&8 No Man’s Land- Susan Bartoletti Bearstone- Will Hobbs Good Night, Mr. Tom- Michelle Magorian Nobody’s Daughter- Susan Pfeffer North by Night- Katherine Ayers The Dark is Rising- Susan Cooper Grade 8: McDougal-Littell text (Assessment Practice found in student text at the end of each unit) Fiction/Short Stories: “Raymond’s Run” “The Ransom of Red Chief” “Clean Sweep” “The Tell-Tale Heart” “Hallucination” “The Monkey’s Paw” Reading for Information: Manuscript Found in an Attic Writing: Personal narrative Descriptive essay Graphic Organizers for internal/external conflict Freytag’s Pyramid Internal/external conflict essay Comparison/Contrast Essays Novels: Hoot- Carol Hiaasen The Circuit: Stories from the Life a Migrant Child- Francisco Jimenez Dancing at the Odinochka- Kirkpatrick Hill Lord of the Deep- Graham Salisbury The Kite Rider- Geraldine McCaughrean 5 COURSE TITLE: Project Based Literature GRADE(S): 7&8 Sorceress- Celia Rees The True Confessions of Charlotte Doyle Code Orange- Caroline Cooney A Girl Named Disaster- Nancy Farmer Rag and Bone Shop- Robert Cormier 6 COURSE TITLE: Project Based Literature GRADE(S): 7&8 SUGGESTED SEQUENCE OF LEARNING ACTIVITIES, INCLUDING THE USE OF TECHNOLOGY AND OTHER RESOURCES: http://www.njascd.org/20911027164246590/FileLib/browse.asp?A=374&BMDRN=2000&BCOB=0&C=55678 www.commoncore.org/free www.newscurrents.com with i-Pads http://www.tweentribune.com with i-Pads www.classzone.com McDougal Littell Unit Resources Resource Manager Best Practices Tool Kit Standards Lesson File Easy Planner DVD WriteSmart CD Audio Anthology CD Multi-Language Academic Vocabulary Online eEdition CD & Online Assessment System Test Generator CD MediaSmart DVD Writing: Use a graphic organizer to identify internal and external conflict Chart details from the story and label elements of plot Write a personal example of internal/external conflict Compare/Contrast essays Listening/Speaking/Viewing: Work in small groups and present character’s conflicts Create media presentations and written reports using multi-media resources Role play events from the story Display a chart listing examples of foreshadowing and discuss events 7 COURSE TITLE: Project Based Literature GRADE(S): 7&8 UNIT NUMBER AND TITLE: Unit 2 Point of View BRIEF SUMMARY OF UNIT: One of the critical concerns of fiction writing is the concept of point of view. Who is telling the story and what is his/her relationship to the material of the story. The way the story is told and the voice that tells the story must be stressed as an integral part of the story itself. In fact, the overall meaning of the theme exists only in the unity of subject matter and narrator. Every story is told or recorded by someone. The narrator’s consciousness is present behind every word. The personal or impersonal relationship of the narrator to the context provides clues to thematic meaning. College and Career Readiness Craft and Structure: CCR Anchor Standards 4-6 4. Interpret words and phrases as they are used in a text, including determining technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone. 5. Analyze the structure of texts, including how specific sentences, paragraphs, and larger portions of the text (e.g. a section, chapter, scene, or stanza) relate to each other and the whole. 6. Assess how point of view or purpose shapes the content and style of a text. LINK TO CONTENT STANDARDS: Grade 7 Standards: 7.RL.4 - Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g. alliteration) on a specific verse or stanza of a poem or section of a story or drama. 7.RI.4 – Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings: analyze the impact of a specific word choice on meaning and tone. 7.RL.5 - Analyze how a dramas or poem’s form or structure (e.g., soliloquy, sonnet) contributes to its meaning. 7.RL.6 – Determine an author’s point of view or purpose in a text and analyze how the author distinguishes his or her position from that of others. Grade 8 Standards: 8.RL.4 - Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings: analyze the impact of specific word choices on meaning and tone, including analogies or allusions to other texts. 8.RI.4 – Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the impact of specific word choices on meaning and tone. Including analogies or allusions to other texts. 8.RI.5 – Analyze in detail the structure of a specific paragraph in a text, including the role of particular sentences in developing and reefing a key concept. 8.RL.6 - Analyze how differences in the points of view of the characters and the audience or reader (e.g., created through the use of dramatic irony) create such effects as suspense or humor. 8.RI.6 – Determine an author’s point of view or purpose in a text and analyze how the author acknowledges and responds to conflicting evidence or viewpoints. 8 COURSE TITLE: Project Based Literature ESSENTIAL QUESTIONS THAT WILL FOCUS TEACHING AND LEARNING: How does an individual’s point of view affect the way he/she deals with conflict? How does conflict influence an individual’s decisions and actions? How does what we know about the world shape the way we view ourselves? Do we need language to grow and succeed? Why is it important to be a critical reader and listener? GUIDING QUESTIONS: How is style controlled by such mechanisms as voice, syntax, diction, point of view, and mood? Why it is important to understand that literature is a reflection of life? Why is it important to recognize a speaker’s purpose? As a reader, what do we bring to the page that influences what we take away? How relationships, conflicts, and experiences influence our sense of self? GRADE(S): ESSENTIAL KNOWLEDGE, SKILLS, AND ENDURING UNDERSTANDINGS: A: STUDENTS WILL KNOW: The difference between first-person, thirdperson limited, and third-person omniscient point of view. 7&8 ASSESSMENT (EVIDENCE OF KNOWLEDGE AND UNDERSTAND?) STUDENTS WILL: Diagnostic Assessment: Use to see if students are prepared to read grade-level materials. Assess Prior Knowledge: diagnostic assessment given at the beginning of the school year. How to identify and analyze a writer’s point of view: subjective or objective. The impact of rhymes and other repetitions of sounds on a specific verse, stanza, story or drama. Student reading inventory for selfassessment: students describe their attitudes and thoughts toward reading. Writing inventory for self-assessment: students describe their attitudes and thoughts toward writing. How the form of a drama or poem contributes to its meaning. How to identify and analyze character traits and motives. Independent Reading Inventory: contains a passage from a book selection and 10 comprehension questions. Cloze Test: assessment is based on students “filling in” blanks created in a passage of text unfamiliar to students. Writing Prompt with rubric: students respond to a writing prompt requiring a response to a reading selection. Review Academic Vocabulary (point of view, narrator, first-person point of view, third-person point of view (limited and omniscient), main and minor characters) The methods of characterization. How to write a description of a person. B: STUDENTS WILL UNDERSTAND THAT: That context clues help to gain understanding of unfamiliar words in text. Text can include figurative and connotative meanings. Rhymes and repetitions of sounds impact poems, stories and drama. The author’s choice of form or structure contributes to the meaning of the work. Point of view affects the suspense, humor or mood of the story. Formative Assessment: Use to gauge how well students have grasped ideas and skills during a lesson. Engage in meaningful and active participation. Answer the essential and guiding questions. 9 COURSE TITLE: Project Based Literature GRADE(S): Differing structures of two or more texts contribute to its meaning and style. The reader must make inferences about characters based on evidence in the text. Communication enables us to gain and share information about self, others, and the world. Keep a reading log; discuss reading habits and volume of reading. Reading Check (see Materials). District benchmark assessments of grade level material (e.g., Study Island); scaffolding across the year. Assessment Practice (use before the unit test; available at the end of each McDougall Littell literature unit). Choices have consequences. C: STUDENTS WILL BE ABLE TO: Identify different points of view. Compare and contrast the structure of two more texts and analyze the differing structures between the two texts. Examine clues and evidence that reveal the narrator’s point of view. D: SUPPLEMENTAL NOVELS/TEXTS Grade 7: McDougal-Littell text (Assessment Practice found in student text at the end of each unit) Fiction/Short Stories: “Zebra” “The Scholarship Jacket” “A Retrieved Reformation” “Charles” Reading for Information: 7&8 Summative Assessment: Use to see how well students are progressing over time in mastering standards. McDougal Littell Unit Tests Benchmark Tests- the tests are cumulative in that skill taught early in the year and are carried over into the subsequent tests. Each test includes new reading passages followed by multiple-choice and shortanswer, open-ended questions as well as an essay prompt. Differentiate as Needed: McDougal Littell Literature Selection Tests and Unit Tests are available in A and B/C formats and use the same passages to assess student understanding. The A assessment format is for students who struggle with reading and literature. The B/C format is for students who are working at or above grade level. Give the C writing prompts to students you wish to challenge. “Encounter with Martin Luther King, Jr.” Nonfiction: From The Papers of Martin Luther King, Jr. 10 COURSE TITLE: Project Based Literature GRADE(S): 7&8 Writing: Comparison/Contrast Essay Drama: A Christmas Carol Media: From A Christmas Carol- Style and Mood in Photographs Novels: Holes- Louis Sachar The Ghost in the Tokaido Inn- Dorothy Hoobler The Great Turkey Walk- Kathleen Karr No Man’s Land- Susan Bartoletti Bearstone- Will Hobbs Good Night, Mr. Tom- Michelle Magorian Nobody’s Daughter- Susan Pfeffer North by Night- Katherine Ayers The Dark is Rising- Susan Cooper Grade 8: McDougal-Littell text (Assessment Practice found in student text at the end of each unit) Fiction/Short Stories: “The Treasure of Lemon Brown” “Raymond’s Run” “The Ransom of Red Chief” “Clean Sweep” “The Tell-Tale Heart” “Hallucination” “The Monkey’s Paw” Reading for Information: 11 COURSE TITLE: Project Based Literature GRADE(S): 7&8 Manuscript Found in an Attic Timeline: Evolution of the Blues Basic Blues: An American Art Form Musicians Know the Blues Firsthand Writing: Personal narrative Describing a person Comparison/Contrast Essays Listening/Speaking/Viewing: Work in small groups to present different points of view Create media presentations and written reports using multi-media resources Role play events from the story Novels: The Contender- Robert Lipsyte Warrior Angel-Robert Lipsyte The Chief-Robert Lipsyte The Wave-Todd Strasser Call of the Wild- Jack London And Then There Were None-Agatha Christie Gentlehands-M.E. Kerr Al Capone Does My Shirts-Gennifer Choldenko Shades of Simon Gray-Joyce McDonald The Bomb-Theodore Taylor Under a War-Torn Sky- L.M. Elliott The Brave-Robert Lipsyte Runner-Carl Deuker Nothing But the Truth-Avi 12 COURSE TITLE: Project Based Literature GRADE(S): 7&8 SUGGESTED SEQUENCE OF LEARNING ACTIVITIES, INCLUDING THE USE OF TECHNOLOGY AND OTHER RESOURCES: McDougal Littell Unit Resources Resource Manager Best Practices Tool Kit Standards Lesson File Easy Planner DVD WriteSmart CD www.classzone.com Audio Anthology CD Multi-Language Academic Vocabulary Online eEdition CD & Online Assessment System Test Generator CD MediaSmart DVD Writing: Write a character sketch Write a Concept Web Illustrate a character Rewrite a story ending having characters undergo a major change in personality or developing a different outlook Compare characters Create a timeline of the main character’s fate Listening/Speaking/Viewing: Discuss positive and negative qualities of characters Create media presentations and written reports, using multi-media resources Perform a drama or radio play Write a narrative essay interviewing a character www.newscurrents.com with i-Pads http://www.tweentribune.com with i-pads 13 COURSE TITLE: Project Based Literature GRADE(S): 7&8 UNIT NUMBER AND TITLE: Unit 3 Characterization BRIEF SUMMARY OF UNIT: Characters are representational figures that fill fiction, poetry, and drama. Characterization is the process by which the author fashions these fictional figures into people we can relation to because we understand their traits, emotions, actions and feelings. Most fictional characters are composites drawn from the author’s experiences and interactions with family, friends, foes, and acquaintances. Then, the model is embellished by his/her artistry and imagination. Often, the characters transcend origins and as a result of characterization remain alive through the decades. Integration of Knowledge and Ideas: CCR Anchor Standards 7-9 7. Integrate and evaluate content presented in diverse formats and media, including visually and quantitatively, as well as in words. 8. Delineate and evaluate the argument and specific claims in a text, including the validity of the reasoning as well as the relevance and sufficiency of the evidence. 9. Analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take. LINK TO CONTENT STANDARDS: Grade 7 Standards: 7.RL.7 Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film). 7.RI.7 Compare and contrast a text to an audio, video, or multimedia version of the text, analyzing each medium’s portrayal of the subject (e.g., how the delivery of a speech affects the impact of the words.) 7.RL.8 Trace and evaluate the argument and specific claims, assessing whether the reasoning and the evidence is relevant and sufficient to support the claim. 7.RL.9 Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history. 7.RI.9. Analyze how two or more authors writing about the same topic shape their presentations of key information by emphasizing different evidence or advancing different interpretations of facts. Grade 8 Standards: 8.RL.7 Analyze the extent to which a filmed or live production of a story or drama stays faithful to or departs from the text or script, evaluating the choices made by the director or actors. 8.RL7 Evaluate the advantages and disadvantages of using different mediums (e.g., print or digital text, video, multimedia) to present a particular topic or idea. 8.RI.8 Delineate and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient. 8.RL.9 Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths, traditional stories, or religious works such as the Bible, including describing how the material is rendered new. 8.RI.9 Analyze a case in which two or more texts provide conflicting information on the same topic and identify where the texts disagree on matters of fact or interpretation. 14 COURSE TITLE: Project Based Literature ESSENTIAL QUESTIONS THAT WILL FOCUS TEACHING AND LEARNING: How does an individual’s point of view affect the way they deal with conflict? How does conflict influence an individual’s decisions and actions? How does what we know about the world shape the way we view ourselves? GUIDING QUESTIONS: How is “style” controlled by such mechanisms as voice, syntax, diction, point of view, and mood? Why it is important to understand that literature is a reflection of life. Why is it important to recognize a speaker’s purpose? GRADE(S): ESSENTIAL KNOWLEDGE, SKILLS, AND ENDURING UNDERSTANDINGS: A: STUDENTS WILL KNOW: How to identify and analyze character traits and motives. 7&8 ASSESSMENT (EVIDENCE OF KNOWLEDGE AND UNDERSTAND?) STUDENTS WILL: Diagnostic Assessment: Use to see if students are prepared to read grade-level materials. Speculate about text by generating literal and inferential questions How to write a description of a person. Engage in meaningful and active participation. B: STUDENTS WILL UNDERSTAND THAT: Answer the essential and guiding questions. Keep a reading log; discuss reading habits and volume of reading. The methods of characterization. How to identify and analyze character traits and motives. The methods of characterization. Reading Check (see Materials). How to write a description of a person. The reader must make inferences about characters based on evidence in the text. District benchmark assessments of grade level material (e.g., Study Island); scaffolding across the year. Assessment Practice (use before the unit test; available at the end of each McDougall Littell literature unit). Communication enables us to gain and share information about self, others, and the world. C: STUDENTS WILL BE ABLE TO: Conduct an interview. Formative Assessment: Use to gauge how well students have grasped ideas and skills during a lesson. Take notes and write paragraphs. Engage in meaningful and active questions Locate and analyze the elements of characterization. Answer the essential and guiding Discuss (using examples) character development using visuals, multimedia, or graphic organizers. Use a Venn diagram to compare and contrast characters. questions. Keep a reading log; discuss reading habits and volume of reading. Reading Check (see Materials). District benchmark assessments of grade level material (e.g., Study Island); scaffolding across the year. 15 COURSE TITLE: Project Based Literature GRADE(S): D: SUPPLEMENTAL NOVELS/TEXTS Grade 7: McDougal-Littell text (Assessment Practice found in student text at the end of each unit) 7&8 Assessment Practice (use before the unit test; available at the end of each McDougall Littell literature unit). Summative Assessment: Use to see how well students are progressing over time in mastering standards. Fiction/Short Stories: McDougal Littell Unit Tests “Encounter with Martin Luther King, Jr.” “Dark They Were, and Golden Eyed” “Dirk the Protector” Benchmark Tests- the tests are cumulative in that skill taught early in the year and are carried over into the subsequent tests. Each test includes new reading passages followed by multiple-choice and shortanswer, open-ended questions as well as an essay prompt. PowerPoint / Prezi presentation Literary circles Reading for Information: From The Papers of Martin Luther King, Jr. An Interview with Ray Bradbury U.S. Involvement in Vietnam Nonfiction: From Exploring the Titanic From An American Childhood Writing: Comparison/Contrast Essay Media: Differentiate as Needed: McDougal Littell Literature Selection Tests and Unit Tests are available in A and B/C formats and use the same passages to assess student understanding. The A assessment format is for students who struggle with reading and literature. The B/C format is for students who are working at or above grade level. Give the C writing prompts to students you wish to challenge. Style and Mood in Photographs Novels: The Outsiders- S.E. Hinton The Devil’s Arithmetic- Jane Yolen Grade 8: McDougal-Littell text (Assessment Practice found in student text at the end of each unit) 16 COURSE TITLE: Project Based Literature GRADE(S): 7&8 Fiction/Short Stories: “The Drummer Boy of Shiloh” “New York Day Women” “The Lady or the Tiger” Reading for Information: From Civil War Journal From Ellis Island and I Timeline: Evolution of the Blues Basic Blues: An American Art Form Letter to Harriet Tubman Cartoon Tribute to John Henry Writing: Describing a person Speaking and Listening: Conducting an Interview Media: From Whale Rider Novels: Kira Kira-Cynthia Kadohata Roll of Thunder, Hear My Cry-Mildred D. Taylor A Thief in the House of Memory-Tim Wynne Jones Hope Was Here- Joan Bauer Song of the Trees-Mildred D. Taylor I, Juan de Pareja- Elizabeth Borton De Trevino An Innocent Soldier-Josef Holub Summerland-Elin Hilderbrand The Voice That Challenged a Nation: Marian Anderson and the Struggle for Equal RightsRussell Freedman 17 COURSE TITLE: Project Based Literature GRADE(S): 7&8 SUGGESTED SEQUENCE OF LEARNING ACTIVITIES, INCLUDING THE USE OF TECHNOLOGY AND OTHER RESOURCES: McDougal Littell Unit Resources Resource Manager Best Practices Tool Kit Standards Lesson File Easy Planner DVD WriteSmart CD www.classzone.com Audio Anthology CD Multi-Language Academic Vocabulary Online eEdition CD & Online Assessment System Test Generator CD MediaSmart DVD Writing: Utilize 10 character traits that would make them want to know someone better Write a concept map Illustrate a character Use a graphic organizer to identify internal and external conflict Chart details from the story and label elements of plot Write a personal example of internal/external conflict Compare/Contrast essays Listening/Speaking/Viewing: Work in small groups and present character’s conflicts Work in literary circles Create media presentations and written reports using multi-media resources Role play events from the story Display a chart listing examples of foreshadowing and discuss events Utilize www.newscurrents.com with i-Pads http://www.njascd.org/20911027164246590/FileLib/browse.asp?A=374&BMDRN=2000&BCOB=0&C=55678 www.commoncore.org/free 18
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