Predmet:
AMERIČKA POSTMODERNA PROZA I
VII semestar
Nedeljni fond časova: 2 +2
dr Radojka Vukčević, redovni profesor
Cilj nastave: upoznavanje sa glavnim predstavnicima američke postmoderne proze u
sklopu književne kritike, istorije i kulture
Nastavni jezik: engleski/srpski
Predispitne obaveze: kolokvijum i istraživački esej
Ispit: pismeni
PROGRAM
Uvod u postmodernizam. Teorijske osnove postmodernizma: Ihab Hassan (Toward
a Concept of Postmodernism); Donna Haraway (from A Cyborg Manifesto:
Science, Technology, and Socialist-Feminism in the Late Twentieth Century); Jean
Baudrillard (Simulacra and Simulation); Trinh T. Minh-Ha (from Woman, Native,
Other); Frederick Jameson (from Postmodernism and Consumer Society); Umberto
Eco (Irony as the Defining Principle of Postmodernism); john frow (What was
Postmodernism). Tipovi postmodernizma. Američki postmoderni pisci i njihova
djela. Thomas Pynchon (The Crying of Lot 49); Donald Barthelme (Sentence);
Ntozake Shange (Indigo); Kurt Vonnegut (Breakfast for Champions); Truman
Capote (in Cold Blood); Gloria Anzaldua’ (Borederlands/La Frontera); Norman
Mailer (The Armies of the Night); Laurie Anderson (Maps and Places); Curtis
White (Memories of My Father Watching T.V.); Philip Roth (The Ghost writer);
Leslie Marmon Silko (from ceremony); Jay Cantor (Crazy cat); John Barth (Lost in
the Funhouse); Ishmael Reed (Mumbo Jumbo); Kathy Acker (Great Expectations);
Paul Auster (City of Glass); Don de Lillo: (White Noise); Toni Morrison (Beloved);
Douglass Coupland (Generation X).
L I T E R A T U R A:
Bercovitch, Sacvan, The Cambridge History of American Literature: Volumes VII / VIII,
Cambridge University Press, 1999.
Butler, Christopher. Postmodernism, Oxford Universitz Press, 2002.
Bužinjska Ana i Markovsk Pavel, Književne teorije XX veka, Beograd: Službeni glasnik
2009.
Geuh, Paula (Eds.), Postmodern American Fiction: A Norton Anthology, New York: W. W.
W. Norton, 1998.
Kershner, R.B. The Twentieth-Century Novel: An Introduction, New York: Bedford Books,
1997.
Maus, Derek (Ed.), Postmodernism: the Greenhaven Press Companion to Literary
Movements and Genres, 2001.
Teorijska misao o književnosti, Ur. Milosavljević Petar, Novi Sad: Svetovi 1991.
Ruland, Richard and Malcolm Bradbury. From Puritanism to Postmodernism. A History of
American Literature. New York: Viking Penguin, 1991.
Sim, Stuart (Ed.), the Routledge Companion to Postmodernism, London and New York,
2001.
Vukčević, Radojka (Ed.), Postmodern American Fiction: A Reader, 2006.
Vukčević, Radojka. Reading American Literature, Podgorica: Univerzitet Crne Gore, 2002.
Waggonner, H. H. American Poets (From the Puritans to the Present). Boston: Houghton &
Mifflin.
What’s Left of Theory, Eds. Butler, Guillory, Thomas, New Zork: Routledge, 2000.
Predmet:
AMERIČKA POSTMODERNA PROZA II
VIII semestar
Nedeljni fond časova: 2 +2
dr Radojka Vukčević, redovni profesor
Cilj nastave: upoznavanje sa glavnim predstavnicima američke postmoderne proze u
sklopu književne kritike, istorije i kulture
Nastavni jezik: engleski/srpski
Predispitne obaveze: kolokvijum i istraživački esej
Ispit: pismeni
PROGRAM
Donald Barthelme (Sentence); Ntozake Shange (Indigo); Kurt Vonnegut (Breakfast
for Champions); Truman Capote (in Cold Blood); Gloria Anzaldua’
(Borederlands/La Frontera); Norman Mailer (The Armies of the Night); Laurie
Anderson (Maps and Places); Curtis White (Memories of My Father Watching
T.V.); Philip Roth (The Ghost writer); Leslie Marmon Silko (from ceremony); Jay
Cantor (Crazy cat); John Barth (Lost in the Funhouse); Ishmael Reed (Mumbo
Jumbo); Kathy Acker (Great Expectations); Paul Auster (City of Glass); Don de
Lillo: (White Noise); Toni Morrison (Beloved); Douglass Coupland (Generation X);
Margaret Atwood (Surfacing); Michael Ondaatje (Slaughter); Margaret Lawrence
(Lives of the Girls and Women).
L I T E R A T U R A:
Bercovitch, Sacvan, The Cambridge History of American Literature: Volumes VII / VIII,
Cambridge University Press, 1999.
Butler, Christopher. Postmodernism, Oxford Universitz Press, 2002.
Bužinjska Ana i Markovsk Pavel, Književne teorije XX veka, Beograd: Službeni glasnik
2009.
Geuh, Paula (Eds.), Postmodern American Fiction: A Norton Anthology, New York: W. W.
W. Norton, 1998.
Kershner, R.B. The Twentieth-Century Novel: An Introduction, New York: Bedford Books,
1997.
Maus, Derek (Ed.), Postmodernism: the Greenhaven Press Companion to Literary
Movements and Genres, 2001.
Teorijska misao o književnosti, Ur. Milosavljević Petar, Novi Sad: Svetovi 1991.
Ruland, Richard and Malcolm Bradbury. From Puritanism to Postmodernism. A History of
American Literature. New York: Viking Penguin, 1991.
Sim, Stuart (Ed.), the Routledge Companion to Postmodernism, London and New York,
2001.
Vukčević, Radojka (Ed.), Postmodern American Fiction: A Reader, 2006.
Vukčević, Radojka. Reading American Literature, Podgorica: Univerzitet Crne Gore, 2002.
Waggonner, H. H. American Poets (From the Puritans to the Present). Boston: Houghton &
Mifflin.
What’s Left of Theory, Eds. Butler, Guillory, Thomas, New Zork: Routledge, 2000.
Course:
AMERICAN POSTMODERN FICTION I
VII semester
Hours: 4 (2 + 2)
Lecturer: dr Radojka Vukčević, Ph.D. (2)
Language: Serbian/English
Exam requirements: 1 test
Final exam in June 2012
Course description: a survey of the main trends, writers, American postmodern fiction,
and criticism in the context of American history and culture from the first half of XX
century.
Introduction into Postmodernism: Ihab Hassan (Toward a Concept of
Postmodernism); Donna Haraway (from A Cyborg Manifesto: Science, Technology, and
Socialist-Feminism in the Late Twentieth Century); Jean Baudrillard (Simulacra and
Simulation); Trinh T. Minh-Ha (from Woman, Native, Other); Frederick Jameson (from
Postmodernism and Consumer Society); Umberto Eco (Irony as the Defining Principle of
Postmodernism); John Frow (What was Postmodernism). American Postmodernism:
Thomas Pynchon (The Crying of Lot 49); Donald Barthelme (Sentence); Ntozake Shange
(Indigo); Kurt Vonnegut (Breakfast for Champions); Truman Capote (in Cold Blood);
Gloria Anzaldua’ (Borederlands/La Frontera); Norman Mailer (The Armies of the Night);
Laurie Anderson (Maps and Places); Curtis White (Memories of My Father Watching
T.V.); Philip Roth (The Ghost writer); Leslie Marmon Silko (from ceremony); Jay Cantor
(Crazy cat); John Barth (Lost in the Funhouse); Ishmael Reed (Mumbo Jumbo); Kathy
Acker (Great Expectations);
BIBLIOGRAPHY:
Bercovitch, Sacvan, The Cambridge History of American Literature: Volumes VII / VIII,
Cambridge University Press, 1999.
Butler, Christopher. Postmodernism, Oxford Universitz Press, 2002.
Bužinjska Ana i Markovsk Pavel, Književne teorije XX veka, Beograd: Službeni glasnik
2009.
Geuh, Paula (Eds.), Postmodern American Fiction: A Norton Anthology, New York: W. W.
W. Norton, 1998.
Kershner, R.B. The Twentieth-Century Novel: An Introduction, New York: Bedford Books,
1997.
Maus, Derek (Ed.), Postmodernism: the Greenhaven Press Companion to Literary
Movements and Genres, 2001.
Sim, Stuart (Ed.), the Routledge Companion to Postmodernism, London and New York,
2001.
Vukčević, Radojka (Ed.), Postmodern American Fiction: A Reader, 2006.
What’s Left of Theory, Eds. Butler, Guillory, Thomas, New Zork: Routledge, 2000
Course:
AMERICAN POSTMODERN FICTION II
VIII semester
Hours: 4 (2 + 2)
Lecturer: dr Radojka Vukčević, Ph.D. (2)
Language: Serbian/English
Exam requirements: 1 test
Final exam in June 2012
Course description: a survey of the main trends, writers, American and Canadian
postmodern fiction, and criticism in the context of American and Canadian history and
culture from the first half of XX century. Linda Hutcheon (Politics of Postmodernism);
Donald Barthelme (Sentence); Ntozake Shange (Indigo); Kurt Vonnegut (Breakfast for
Champions); Truman Capote (in Cold Blood); Gloria Anzaldua’ (Borederlands/La
Frontera); Norman Mailer (The Armies of the Night); Laurie Anderson (Maps and Places);
Curtis White (Memories of My Father Watching T.V.); Philip Roth (The Ghost writer);
Leslie Marmon Silko (from ceremony); Jay Cantor (Crazy cat); Kathy Acker (Great
Expectations); Paul Auster (City of Glass); Don de Lillo: (White Noise); Toni Morrison
(Beloved); Douglass Coupland (Generation X); Margaret Atwood (Surfacing); Michael
Ondaatje (Slaughter); Margaret Lawrence (Lives of the Girls and Women).
BIBLIOGRAPHY:
Bercovitch, Sacvan, The Cambridge History of American Literature: Volumes VII / VIII,
Cambridge University Press, 1999.
Butler, Christopher. Postmodernism, Oxford Universitz Press, 2002.
Bužinjska Ana i Markovsk Pavel, Književne teorije XX veka, Beograd: Službeni glasnik
2009.
Geuh, Paula (Eds.), Postmodern American Fiction: A Norton Anthology, New York: W. W.
W. Norton, 1998.
Kershner, R.B. The Twentieth-Century Novel: An Introduction, New York: Bedford Books,
1997.
Maus, Derek (Ed.), Postmodernism: the Greenhaven Press Companion to Literary
Movements and Genres, 2001.
Vukčević, Radojka (Ed.), Postmodern American Fiction: A Reader, 2006.
What’s Left of Theory, Eds. Butler, Guillory, Thomas, New Zork: Routledge, 2000.