DAVID YARDLEY
b.1978
NEW CAROLS AND SONGS FOR CHAUCER’S PILGRIMS
I believe that aspects of the medieval worldview have central relevance to the modern
TXHVWIRUIXOÀOPHQW0HGLHYDOVWRULHVDVZHOO
DVIDQWDV\ZRUNVZKLFKUHÁHFWWKRVHRULJLQDO
stories are so prominent because they speak to
a deep part of us and we draw inspiration from
WKHP0HGLHYDOPXVLFDVZHOODVD¶IDQWDV\·
YHUVLRQZKLFKGUDZVRQWKHRULJLQDOPXVLF
VSHDNVWRWKLVVDPHSDUWRI XV
:LWKWKHPXVLFRQWKLV&',KDYHVRXJKW
WRDFKLHYHWKUHHWKLQJV)LUVWWRFUHDWHPXVLF
ZKLFKFDQEHHQMR\HGE\DVZLGHDUDQJHRI PRGHUQOLVWHQHUVDVSRVVLEOH6HFRQGWRGUDZ
inspiration from the medieval musical world
WKDWWKHDXWKRUVRI WKHVHFDUROVDQGVRQJV
ZRXOGKDYHEHHQLPPHUVHGLQZKLOHDYRLGLQJ
DQDWWHPSWWRPDNHDQH[DFWUHFRQVWUXFWLRQ
)LQDOO\WREUHDWKHQHZOLIHLQWRWKHQHDU
IRUJRWWHQO\ULFVDQGSRHPVRI WKHSDVWE\
SURYLGLQJWKHPZLWKDYHKLFOHIRUWKHLUEHDXW\
WREHH[SUHVVHGLQZKLFKWKHYDULHW\RI FRORXUV
RI PHGLHYDOOLIHLVUHÁHFWHG
The words for the carols are all taken from
ZLWKLQDKXQGUHG\HDUVRI &KDXFHU·VGHDWKDQG
VRPHZHUHZULWWHQGXULQJKLVOLIHWLPH%XWWKH
main conceptual connection of this project
2
with Chaucer is with the motley assembly of
KLVSLOJULPVVXSSRVHGO\HQJDJHGLQDSLRXV
XQGHUWDNLQJEXWPRVWO\UHYHDOLQJWKHLUWKUHH
GLPHQVLRQDOLPSLHW\DWHYHU\VWHS&KDXFHU·V
UHYHUHQWULEDOGLQGXVWULRXVDQGKHURLFSLOJULPV
DUHUHÁHFWHGLQWKHUDQJHRI ZRUNVRQWKH&'
/LNHWKHSLOJULPVFDUROVFRYHUHGHYHU\VLGH
RI PHGLHYDOOLIHDQGWKHUHDUHVXUYLYLQJFDURO
WH[WVIRUORYHZDUDQGDOHVRQJVDVZHOODV
&KULVWPDVFDUROV(DVWHUFDUROVDQGFDUROVIRU
RWKHUUHOLJLRXVFHOHEUDWLRQV7KHZRUNVRQWKLV
&'JLYHDVDPSOLQJIURPDFURVVWKHVSHFWUXP
ZLWKHYHU\WKLQJIURPFDUROVFHOHEUDWLQJ
&KULVWPDVWRFDUROVFHOHEUDWLQJEHHU
One carol has a particular connection with
WKHSLOJULPV´,SUD\RXVHUVµFRQFHUQVWKHYLUWXHVRI 6W7KRPDV$UFKELVKRSRI &DQWHUEXU\
LQIDPRXVO\PXUGHUHGLQWKHFDWKHGUDOLQ
whose martyrdom sparked the Canterbury
SLOJULPDJHVZKLFK&KDXFHUKDLOV
$GGLWLRQDOLQIRUPDWLRQDQGVFRUHVIRUWKH
PXVLFZLOOEHPDGHDYDLODEOHWKURXJKWKH
ZHEVLWHZZZGDYLG\DUGOH\FRPDX
ON MEDIEVAL CAROLS
BACKGROUND TO THE PROJECT
7KHZRUG¶FDURO·KDVFRPHWRKDYHDQDUURZHU
PHDQLQJWRGD\WKDQLQWKH0LGGOH$JHV:LWK
LWVRULJLQLQ¶FDUROHV·RUGDQFHVRQJVE\WKH
time the texts on this CD were written it could
JHQHUDOO\UHIHUWRDQ\VRQJZLWKD¶YHUVHFKRUXV·VWUXFWXUH
0DQ\KXQGUHGVRI FDUROWH[WVKDYHVXUYLYHG
from medieval times but only a minority have
VXUYLYHGZLWKWKHLURULJLQDOPXVLFLQWDFW7KHUH
are thus hundreds of carol texts that we have
DFFHVVWRZKRVHRULJLQDOPXVLFLVORVW
I have loved medieval stories since at least
WKHDJHRI HLJKWDQGPHGLHYDOPXVLFVLQFH
ÀUVWHQFRXQWHULQJLWDWWKHDJHRI %XWWKH
VSHFLÀFVRI WKLVSURMHFWVWDUWHGWRSURSHUO\WDNH
VKDSHLQ,KDGDOUHDG\EHJXQFUHDWLQJ
PXVLFDOVHWWLQJVXVLQJVXUYLYLQJ0LGGOH(QJOLVK
O\ULFVLQFOXGLQJWKH:\FOLI 0DJQLÀFDWDQG
1XQF'LPLWWLVIRU(YHQVRQJ2QH&KULVWPDV
LWRFFXUUHGWRPHWKDWWKHUHPXVWEHIRUJRWWHQ
PHGLHYDO(QJOLVKFDUROVLQH[LVWHQFHDQG,
was fortunate that my fellow chorister Robert
was able to direct me to the book by Richard
/HLJKWRQ*UHHQHThe Early English Carols
>2[IRUG&ODUHQGRQ3UHVV@
,UHPHPEHUYLYLGO\WKHGD\RI WRLOLQJXSVWDLUV
WR/HYHORI WKH8QLYHUVLW\RI 6\GQH\OLEUDU\
VWDFNWRÀQGWKLVERRNWRGLVFRYHULWKDGQRW
EHHQERUURZHGVLQFH$WWKHWLPHWKLV
DVPXFKDVDQ\WKLQJVWUXFNPHDVDSRZHUIXO
indicator that these beautiful lyrics were almost
IRUJRWWHQ7KHUHUHDOO\ZDVDUHDVRQWRJLYH
WKHVHZRUGVWKHPHDQVWRVLQJDJDLQDIWHU
FHQWXULHVRI UHOXFWDQWVLOHQFH
'$9,'<$5'/(<
6HSWHPEHU
3
PERFORMERS
(performer biographies available online at www.davidyardley.com.au)
Soprano
6DPDQWKD(OOLV
(PPD*ULIÀWKV
%HOLQGD0RQWJRPHU\
Josie Ryan
Alto
/L]0F.HQ]LH
$ODQQD0DFND\
1DWDOLH6KHD
'DYLG<DUGOH\
Percussion
Jon Jones
Conductor
-HKDQ.DQJD
4
Tenor
5LFKDUG%ODFN
3DXO(OGRQ
'DYLG0DFND\
Bass
,DQ%ODNH
&RULQ%RQH
6HEDVWLHQ0DXU\
'DQLHO<DUGOH\
5LFKDUG%ODFNDSSHDUVFRXUWHV\
RI WKH6RQJ&RPSDQ\
DAVID YARDLEY LVDFRPSRVHUFRXQWHUWHQRUDQGPXVLFDOGLUHFWRU+HVWXGLHGDWWKH8QLYHUVLW\
RI 6\GQH\DQGWKH8QLYHUVLW\RI &DPEULGJHSHUIRUPLQJZLWKDQXPEHURI KLJKO\UHJDUGHG
HQVHPEOHVLQFOXGLQJWKHUHQRZQHG&KRLURI -HVXV&ROOHJH&DPEULGJHWKH&DPEULGJH0HGLHYDO
0XVLF*URXSWKH&KRLURI 6W-DPHV·&KXUFK.LQJ6WUHHWWKH6\GQH\&KDPEHU&KRLUDQGWKH
5HQDLVVDQFH3OD\HUV+HFXUUHQWO\SHUIRUPVDVDVRORLVWDQGZLWK&DQEHUUDEDVHGJURXSV7KH
3RFNHW6FRUH&RPSDQ\DQG&RUR
'DYLG·VFRPSRVLWLRQVKDYHEHHQSHUIRUPHGLQWKH868.DQG$XVWUDOLDWRGDWH6DPSOHVRI WKH
VKHHWPXVLFIRUVRPHFRPSRVLWLRQVLQFOXGLQJIURPWKLVGLVFDUHDYDLODEOHWKURXJKKLVZHEVLWHWR
GRZQORDGDVDUHVDPSOHSHUIRUPDQFHVDQGH[WHQGHGELRJUDSKLFDOGHWDLOV'DYLGFDQEHFRQWDFWHG
WRGLVFXVVSHUIRUPDQFHRI WKHVHFRPSRVLWLRQVDQGRWKHUVWKURXJKZZZGDYLG\DUGOH\FRPDX
5
CHRISTMAS CAROLS
1 Virgo, Rosa Virginum, 15th century
0DQXVFULSW*RQYLOOHDQG&DLXV&ROOHJH&DPEULGJH>06@
Soloists: Josie Ryan, Belinda Montgomery, Natalie Shea
6RQJVLQSUDLVHRI WKH9LUJLQ0DU\EHFDPHYHU\SRSXODULQWKH0LGGOH$JHV7KHVHUHQHEXUGHQ
FKRUXVHQWLUHO\LQ/DWLQEORRPVRXWIURPDVLQJOHQRWHPLUURULQJWKHWH[W´0DLGHQURVH
DPRQJVWPDLGHQVµ$VWKHZRUGVFKDQJHIURPUHYHUHQWLDO/DWLQLQWRWKHPRUHHDUWK\0LGGOH
(QJOLVKWH[WWKHPXVLFDOVRGHYHORSVLQWRUK\WKPLFDOO\H[FLWLQJSKUDVHVHQGLQJZLWKPHGLHYDO
LQVSLUHG¶KRFNHW·ÀJXUHVZKHUHHDFKQRWHLVVXQJDOWHUQDWHO\E\GLIIHUHQWYRFDOSDUWV
Virgo, rosa virginum
Tuum precare Filium
Maiden, rose amongst maidens
We entreat thy Son
$OOH\HPRXZHQRI MR\HV\QJH
)URKHYHQH\VFRPHJRGW\WK\QJ
0DU\P\OGHWKDWJRGHWK\QJ
,DPFRQFHSLW)LOLXP
$OO\HZKRFDQRI MR\VLQJ
)URPKHDYHQLVFRPHJRRGWLGLQJV
0DU\PLOGWKDWJRRGWKLQJ
$OUHDG\FRQFHLYHGWK\6RQ
4XHQHRI KHYHQHZHOWKHEH
*RGHV6RQH\VERURQRI WKH
)RUWHPDNHXVDOOHIUH
$ERPQLODEHFULPLQXP
4XHHQRI KHDYHQZHOOWKHHEH
*RG·V6RQLVERUQRI WKHH
)RUWRPDNHXVDOOIUHH
)URPHYHU\VXIIHULQJRI JXLOW
Wanne that he of her bore was
,QDFUDFKHZ\WKH\DQGJUDV
$QGIRUKRXUV\QQHGLHGHRQFURV
6XUH[LWGLHWHUFLD
When that he of her born was
,QDFUDGOHZLWKKD\DQGJUDVV
$QGIRURXUVLQGLHGRQFURVV
$QGURVHRQWKHWKLUGGD\
$IWXUK\VGHGLQK\VXSU\V\QJ
7RKHYHQHKHWRFK\VXSVW\\QJ
$IWHUKLVGHDWKLQKLVXSULVLQJ
7RKHDYHQKHWRRNKLVDVFHQVFLRQ
6
7KHUKHGZHOOXVZ\WRXWHOHV\QJ
'HXVVXSHURPQLD
7KHUHKHGZHOOVZLWKRXWHQGLQJ
*RGDERYHDOOWKLQJV
0DULHPRGXUZ\WRXWHZHPPH
%U\WXUWKDQWKHVRQQHEHP
The has taken wyt hym
$GFHOLSDODFLD
0DU\PRWKHUZLWKRXWVWDLQ
%ULJKWHUWKDQWKHVXQ·VEHDP
Thee hast he taken with him
7RWKHSDODFHRI +HDYHQ
7KRWKHZHPDNXQKRXUHPRQH
3UD\IRUXVWRWK\6RQH
That we mowen wyt hym wone
,QSHUKHQQLJORULD
7RWKHHZHPDNHRXUSUD\HU
3UD\IRUXVWRWK\6RQ
7KDWZHPLJKWZLWKKLPZLQ
(WHUQDO*ORU\
2 Letabundus Exultet, 15th century
0DQXVFULSW%ULGJZDWHU&RUSRUDWLRQ0XQLPHQWV%ULGJZDWHU6RPHUVHW>@
Soloists: Belinda Montgomery, Natalie Shea, Richard Black, Corin Bone
$MR\RXV&KULVWPDVFDUROWKLVSLHFHLVVHWWRDGDQFHUK\WKPHPSKDVLVLQJLWVFHOHEUDWRU\PRRG
7KHSLHFHJUDGXDOO\LQWURGXFHVPRUHSDUWVDQGPRUHFRPSOH[LW\DVWKHYHUVHVRFFXUHQGLQJZLWK
DQLQWULFDWHSDVVDJHRI ¶GRXEOHKRFNHWLQJ·LQWKHODWHUYHUVHV7KLVFUHDWHVD¶VKLPPHULQJ·HIIHFW
PLUURULQJWKHZRUGVZKLFKVSHDNRI VKLQLQJVWDUVWKHUD\RI OLJKWDQGWKHVXQZKLFKQHYHUJRHV
GRZQ
/HWDEXQGXVH[XOWHWÀGHO\VFKRUXV$OOHOXLD
Let the choir of the faithful rejoice, Alleluia
1RZZHOOPD\ZHP\UWK\VPDNH
)RU-KHVXPDQN\QGKDWKWDNH
2I DPD\GHQZLWKRXW\QHPDNH
*DXGHDPXV
1RZZHOOPD\ZHPLUWKPDNH
)RU-HVXPDQ·VIRUPKDWKWDNH
2I DPDLGHQZLWKRXWDQ\PDNH
Let us rejoice
$N\QJRI N\QJHVQRZIRUWK\VEURZJKWK
2II DPD\G\QHWKDWV\QQ\GQRZJKWH
$NLQJRI NLQJVQRZIRUWKLVEURXJKW
2I DPDLGHQWKDWVLQQHGQRXJKW
7
1HWKHULQGHGQHWKHULQWKRZJKWH
5HVPLUDQGD
1HLWKHULQGHHGQHLWKHULQWKRXJKW
$ZRQGURXVWKLQJ
$QDQJHOORI FRXQVHOOQRZ\VERUH
2II DPD\GHDV<VD\GEHIRUH
7RVDZDOOWKDWZDVIRUORUH
6ROGHVWHOOD
$QDQJHORI FRXQVHOQRZLVERUQ
2I DPDLGDV,VDLGEHIRUH
7RVDYHDOOWKDWZDVIRUORUQ
7KHVXQIURPDVWDU
7KDWVRQQHKDWKQHYHUGRZQHJR\QJ
$QGWK\VO\JKWQRW\PHOHV\QJ
7K\VVWHUHLVHYHUPRUHVFKHLQ\QJ
6HPSHUFODUD
7KDWVXQLVQHYHUGRZQJRLQJ
$QGWKLVOLJKWDWQRWLPHVKDOOIDLO
7KLVVWDULVHYHUPRUHVKLQLQJ
)RUHYHUSXUH
5\JKWDVWKHVWHUHEURZJKWIRUJKWDEHPH
2XWHWKHZ\FKFRPP·WKDPDUY·ORVHVWUHPH
6RGXGWKDWPD\GHZLWKRZW\QZHPH
3DULIRUPD
-XVWDVWKHVWDUEURXJKWIRUWKDEHDP
2XWRI ZKLFKFRP·WKDPDUY·ORXVVWUHDP
6RGLGWKDWPDLGHQZLWKRXWVWDLQ
2I WKHVDPHEHDXW\
3 Alleluia, Deo Patris Sit Gloria, 15th century
0DQXVFULSW6ORDQH%ULWLVK0XVHXP/RQGRQ
6RORLVWV(PPD*ULIÀWKV1DWDOLH6KHD5LFKDUG%ODFN6HEDVWLHQ0DXU\
7KLVLVD&KULVWPDVFDUROZLWKPDQ\FODVVLFDOOXVLRQVVXFKDVWRWKHR[DQGDVVLQWKHVWDEOH7KH
ODUJHDPRXQWRI /DWLQLQWKHWH[WDVZHOODVWKHLQVLVWHQWUHSHDWLQJRI WKHZRUG¶$OOHOXLD·PDNHVLW
ZHOOVXLWHGWRDJUDQGPXVLFDOVHWWLQJ$VWKH¶$OOHOXLDV·EXLOGWKHSDUWVDUHJUDGXDOO\DGGHGXQWLOZH
DUULYHDWDIXOOIRXUSDUWFKRUDOVRXQGZLWKSHUFXVVLRQ
Alleluia, Alleluia,
Deo Patri sit gloria
Alleluia, Alleluia
Glory be to God the Father
6DOYDWRUPXQGL'RPLQH
)DGHURI +HYHQHEO\VVLGWKRXEH
2/RUGVDYLRXURI WKHZRUOG
)DWKHURI +HDYHQEOHVVHGWKRXEH
8
7KRXJUHW\VWDPD\GHZLWKRQ¶$YH·
4XHYRFDWXU0DULD
7KRXJUHHWHVWDPDLGZLWKDQ¶$YH·
:KRZDVFDOOHG0DU\
$GHVWRQXQFSURSLFLXV
7KRXVHQG\VWWKL6RQHVZHWH-KHVXV
0DQWREHFRPHIRUORYHRI XV
'HR3DWULVLWJORULD
+HOSXVQRZWRDIDYRXUDEOHWLPH
7KRXVHQGHVWWK\6RQVZHHW-HVX
0DQWREHFRPHIRUORYHRI XV
*ORU\EHWR*RGWKH)DWKHU
1HPHQWHPVRPSQXVRSULPDW
%HWZ\[DQR[DQGDQDV
&U\VWK\PVHOIERUQKHZDV
'HYLUJLQH0DULD
7KDWVOHHSPD\QRWRSSUHVVRXUPLQGV
%HWZHHQDQR[DQGDQDVV
&KULVWKLPVHOIERUQKHZDV
2I WKH9LUJLQ0DU\
7HUHIRUPDWRUVHQVXXP
%RWKHO\WLODQGPHNLODQGDOOHDQGVXP
:ROFXPWKHW\PHWKDWQRZLVFRP
'HR3DWULVLWJORULD
7KRXUHIRUPHURI RXUVHQVHV
%RWKOLWWOHDQGPHHNDQGDOODQGVRPH
:HOFRPHWKHWLPHWKDWQRZLVFRPH
*ORU\EHWR*RGWKH)DWKHU
*ORULDWLEL'RPLQH
7KUHSHUVRQ\VLQ7UHQ\WH
%O\VVLGPRWWKH\DOOHEH
'HR3DWULVLW*ORULD
*ORU\WRWKHH2/RUG
7KUHHSHUVRQVLQ7ULQLW\
%OHVVHGPD\WKH\DOOEH
*ORU\EHWR*RGWKH)DWKHU
4 Blyssid Be That Lady Bryght, 15th century
0DQXVFULSW(QJ3RHW(%RGOHLDQ/LEUDU\2[IRUG
Soloists: Josie Ryan, David Yardley, Natalie Shea
,QWKLV&KULVWPDVFDUROWKHZRUGVH[SUHVVDZHDQGZRQGHUDWWKHPLUDFOHVDVVRFLDWHGZLWK-HVXV·
ELUWK7KHPXVLFEXLOGVXSZDUGVIURPWKHVLPSOHWXQHLQWKHERWWRPSDUWUHDFKLQJIXOOFRPSOH[LW\
LQWKHVHFRQGYHUVHDVWKHWRSSDUWMRLQV7KHH[FODPDWLRQ´:LWKD\µLVUHSHDWHGLQTXLFNVXFFHVVLRQE\HDFKSDUWGHSLFWLQJWKHRYHUZKHOPLQJQDWXUHRI WKHPLUDFOHVEHLQJGHVFULEHG
9
Blyssid be that lady bryght
That bare a chyld of great myght,
Withouten peyne, as it was ryght,
Mayd mother Marye.
Blessed be that lady bright
That bore a child of great might,
Without pain, as it was right,
Maid mother Mary.
*RGG\V6RQQHLVERUQH
+LVPRGHULVDPDLG
%RWKDIWHUDQGEHIRUQH
$VWKHSURSK\F\VDLG
:LWKD\:LWKD\
$ZRQGHUWK\QJLWLVWRVH
+RZPD\GHQDQGPRGHURQPD\EH
:DVWKHUHQHYHUQRQQHEXWVKH
0D\GPRGHU0DU\H
*RG·V6RQLVERUQ
+LVPRWKHULVDPDLG
%RWKDIWHUDQGEHIRUH
$VWKHSURSKHF\VDLG
:LWKD\:LWKD\
$ZRQGURXVWKLQJLWLVWRVHH
+RZPDLGHQDQGPRWKHURQHPD\EH
:DVWKHUHQHYHUQRQHEXWVKH
0DLGPRWKHU0DU\
7KHJUHDW/RUGRI +HDY·Q
2ZUVHUYDQWLVEHFRP
7KRURZ*DEULHOVVWHY\Q
2ZUHN\QGKDYHEHQRP
:LWKD\:LWKD\
$ZRQGHUWK\QJLWLVWRVH
+RZORUGDQGVHUYDQWRQPD\EH
:DVWKHUHQHYHUQRQQHEXWKH
%RUQRII PDLG0DU\H
7KHJUHDW/RUGRI +HDY·Q
2XUVHUYDQWLVEHFRPH
7KURXJK*DEULHO·VYRLFH
2XUIRUPKDVWDNHQRQ
:LWKD\:LWKD\
$ZRQGURXVWKLQJLWLVWRVHH
+RZORUGDQGVHUYDQWRQHPD\EH
:DVWKHUHQHYHUQRQHEXWKH
%RUQRI PDLG0DU\
7ZRVRQVWRJ\WKHUWKH\
2ZJKWWRVK\QHEU\JKW
6RGLGWKDWID\HUODG\H
:KDQ-HVXLQKLUOLJKW
:LWKD\:LWKD\
$ZRQGHUWK\QJLWLVWRVH
7ZRVXQVWRJHWKHUWKH\
2XJKWWRVKLQHEULJKW
6RGLGWKDWIDLUODG\
:LWK-HVXLQKHUOLJKW
:LWKD\:LWKD\
$ZRQGURXVWKLQJLWLVWRVHH
10
7KH/RUGWKDWERXJKWIUHDQGWKUDOO
Is found in an assis stall
%\KLVPRGHU0DU\
7KH/RUGWKDWERXJKWIUHHDQGWKUDOO
,VIRXQGLQDQDVV·VVWDOO
%\KLVPRWKHU0DU\
5 Man be Glad in Halle and Bour, 15th century
0DQXVFULSW6ORDQH%ULWLVK0XVHXP/RQGRQ
Soloists: Samantha Ellis, Natalie Shea, Richard Black
7KLV&KULVWPDVFDUROWHOOVWKHZKROHVWRU\RI -HVXV·OLIHLQHLJKWVKRUWYHUVHV7KH¶JODGQHVV·RI WKH
WH[WLVUHÁHFWHGLQDVSLULWHGDQGMR\IXOPXVLFDOVHWWLQJZKLOHWKHVLQJHUV·G\QDPLFYDULDWLRQVIROORZ
WKHVWRU\ÀUVWIURPELUWKGRZQWRGHDWKULVLQJDJDLQZLWKWKHUHVXUUHFWLRQ
Man be glad, in halle and bour;
This tyme was born our Savyour
Man be glad, in hall and bower;
At this time was born our Saviour
In this tyme a chyld was born
7RVDYHWKRVRZOHWKDWZHQIRUORUQ
)RUXVKHZHUGHJDUORQGRI WKRUQ
$OLWZDVIRURXUKRQRXU
In this time a child was born
7RVDYHWKRVHVRXOVWKDWZHUHIRUORUQ
)RUXVKHZRUHJDUODQGRI WKRUQV
$OOLWZDVIRURXUKRQRXU
The eytende day he was schorn
7RIXOI\OOHWKHODZWKDWZDVEHIRUQ
2I PHNQHVVHKHEOHZKLVKRUQ
$OLWZDVIRURXUKRQRXU
7KHHLJKWKGD\KHZDVVKRUQ
7RIXOOÀOWKHODZWKDWZDVEHIRUH
2I PHHNQHVVKHEOHZKLVKRUQ
$OOLWZDVIRURXUKRQRXU
2Q*RRG)U\GD\ZDVGRQRQURGH
7KH-XZHVVS\OW\QKLVKHUWHEORGH
0DU\KLVPRGHUEHK\PVWRGH
<HEHQRXUKHOSDQGRXUVRFRXU
2Q*RRG)ULGD\ZDVQDLO·GRQFURVV
7KH-HZVVSLOOHGKLVKHDUW·VEORRG
0DU\KLVPRWKHUE\KLPVWRRG
<HEHHQRXUKHOSDQGRXUVXFFRXU
2Q(VWHUQH'D\KHJDQXSU\VH
7RWHFK\QKHPWKDWZHUQRQZ\VH
2Q(DVWHU'D\KHURVHXS
7RWHDFKWKHPWKDWZHUHXQZLVH
11
-KHVXIRU\RXUZRXQGHVÀYH
<HEHQRXUKHOSDQGRXUVRFRXU
-HVXIRU\RXUZRXQGVÀYH
<HEHHQRXUKHOSDQGRXUVXFFRXU
2Q+DOZ\Q7KXUVGD\KHJDQXSVWH\H
7RKLV)DGHUWKDWVLWRQKH\H
-KHVXIRU\RXUFXUWH\V\H
<HEHQRXUKHOSDQGRXUVRFRXU
2Q+RO\7KXUVGD\KHURVHXS
7RKLV)DWKHUWKDWVLWVRQKLJK
-HVXIRU\RXUFRXUWHV\
<HEHHQRXUKHOSDQGRXUVXFFRXU
2Q4Z\WVXQGD\KHJDQGRXQVHQGH
:\WDQGZ\VGDPXVWRDPHQGH
-KHVXEU\QJXVWRWKDWHQGH
:LWKRXW\QGHOD\RXU6DY\RXU
On Whitsunday he came down
:LWDQGZLVGRPXVWRDPHQG
-HVXEULQJXVWRWKDWHQG
:LWKRXWGHOD\RXU6DYLRXU
SECULAR CAROLS
6 Brynge us home good ale, 15th century
0DQXVFULSW+DUOH\%ULWLVK0XVHXP/RQGRQ
Soloists: v1 – Paul Eldon, Ian Blake; v2 – Richard Black, Corin Bone; v3 – David Yardley, Sebastien Maury;
v4 – Daniel Yardley, David Yardley; v5 – Corin Bone, Daniel Yardley
$UDXFRXVFDURORI DOH7KHPXVLFDOVHWWLQJEULQJVWROLIHWKHLPDJHRI WKHJURXSRI PHUU\PDNHUV
VLWWLQJDURXQGWKHWDYHUQWDEOHHDFKWDNLQJWXUQVWRSXWIRUZDUGRWKHUWKLQJVWKDQDOH²EHHIEUHDG
SRUNPXWWRQYHDOFLGHUDQGZLQH²IRUWKHJURXSWRFRQGHPQRQHE\RQHDVEHLQJFOHDUO\
LQIHULRUWRDOH
Bryng us home good ale, ser;
brynge us home good ale,
And for owre dere Lady love,
brynge us home good ale.
Bring us home good ale, sir;
bring us home good ale,
And for our dear Lady love,
bring us home good ale.
%U\QJHKRPHQREHIIVHU
%ULQJXVKRPHQREHHIVLU
12
IRUWKDW\VIXOORI ERQ\V
%XWEU\QJHKRPHJRRGDOHLQRZJK
IRU,ORYHZ\OHWKDW
%XWEU\QJHXVKRPHJRRGDOH
IRUWKDWLVIXOORI ERQHV
%XWEULQJKRPHJRRGDOHHQRXJK
IRU,ORYHZHOOWKDW
%XWEULQJXVKRPHJRRGDOH
%U\QJHXVKRPHQRZHW\QEUHGH
IRUWKDW\VIXOORI EUDXQG
1RWK\UQRU\EUHGH
IRUWKDW\VRI WKDWVDPH
%XWEU\QJHXVKRPHJRRGDOH
%ULQJXVKRPHQRZKHDWHQEUHDG
IRUWKDWLVIXOORI FKDU
1HLWKHUQRU\HEUHDG
IRUWKDWLVRI WKHVDPH
%XWEULQJXVKRPHJRRGDOH
%U\QJXVKRPHQRSRUNHVHU
IRUWKDWLVYHU\IDW
1HWK\UQREDUO\EUHGH
IRUQHWK\UORY\H,WKDW
%XWEU\QJHXVKRPHJRRGDOH
%ULQJXVKRPHQRSRUNVLU
IRUWKDWLVYHU\IDW
1HLWKHUQREDUOH\EUHDG
IRUQHLWKHUORYH,WKDW
%XWEULQJXVKRPHJRRGDOH
%U\QJXVKRPHQRPXWWXQVHU
IRUWKDW\VWRJKDQGOHQH
1RWK\UQRWU\SV
IRUWKH\EHVHOG\QFOHQH
%XWEU\QJHXVKRPHJRRGDOH
%ULQJXVKRPHQRPXWWRQVLU
IRUWKDWLVWRXJKDQGOHDQ
1HLWKHUQRWULSH
IRUWKDWEHVHOGRPFOHDQ
%XWEULQJXVKRPHJRRGDOH
%U\QJXVKRPHQRYHOHVHU
IRUWKDWZ\OOQRWGXUH
%XWEU\QJXVKRPHJRRGDOHLQRJK
WRGU\QNHE\WKHI\UH
%XWEU\QJHXVKRPHJRRGDOH
%ULQJXVKRPHQRYHDOVLU
IRUWKDWZLOOQRWNHHS
%XWEULQJXVKRPHJRRGDOHHQRXJK
WRGULQNE\WKHÀUH
%XWEULQJXVKRPHJRRGDOH
%U\QJXVKRPHQRV\G\U
QRUQRSDOGHZ\QH
)RUDQGWKRXGRWKRZVKDOWKDYH
%ULQJXVKRPHQRFLGHU
QRUQRÁDWZLQH
)RUDQGWKRXGRWKRXVKDOWKDYH
13
&U\VWHVFXUVHDQGP\QH
%XWEU\QJHXVKRPHJRRGDOH
&KULVW·VFXUVHDQGPLQH
%XWEULQJXVKRPHJRRGDOH
7 Nou sprinkes the sprai, 14th century
0DQXVFULSW+DOH/LQFROQ·V,QQ/RQGRQ
Soloists: Belinda Montgomery, David Yardley, Natalie Shea
7KHHDUOLHVWFDURORQWKLV&'WKHVXEMHFWLVELWWHUQHVVDWDORYHU·VEHWUD\DO7KHPDLGHQZLVKHVKHU
IRUPHUORYHUEXULHGDQGYRZVWKDWKHZLOOUXHKLVWUHDFKHU\%XWWKHVWDUWRI WKHFKRUXVDQGRWKHU
LPDJHVXVHGVXJJHVWDVSULQJWLPHSDVWRUDOVHWWLQJDVWKHFRQWUDVWLQJEDFNGURS7KHPXVLFEULQJV
RXWERWKWKHVZHHWQHVVRI WKHVSULQJDQGWKHDQJHURI WKHEHWUD\HGORYHU
Nou sprinkes the sprai;
Al for love icche am so seek
That slepen I ne mai.
Now branch blossoms;
All for love I am so sick
That sleep I never may.
$OV,PHURGHWKLVHQGUHGDL
2PLSOH\LQJH
6HLK,KZDUDOLWHOPDL
%LJDQWRVLQJJH
´7KHFORWKLPFOLQJJH
:DLHVKLP,ORYHORQJLQJH
6DOOLEEHQDLµ
$V,URGHRXWWKHRWKHUGD\
2QP\PHUU\ZD\
6DZ,ZKHUHDJUDFHIXOPDLG
%HJDQWRVLQJ
´7KHJUDYHGLUWKLPFOLQJ
:RHLVWRKLPZKRLQORYHORQJLQJ
/LYHVKLVOLIHDOZD\Vµ
6RQLFFKHKHUGHWKDWPLULHQRWH
7KLGHU,GURJK
I fonde hire in an herber swot
8QGHUDERJK
:LWKMRLHLQRJK
6RQ,DVNHG
¶7KRXPLULHPDL
6RRQ,KHDUGWKDWPHUU\QRWH
7KLWKHU,GUHZ
,IRXQGKHULQDJDUGHQVZHHW
8QGHUDERXJK
:LWKMR\HQRXJK
6RRQ,DVNHG
¶7KRXPHUU\PDLG
14
+ZLVLQNHVWRXDL"·
:K\VLQJVWKRXDOZD\V"·
Than answerde that maiden swote
0LGGHZRUGHVIHZH
0LOHPPDQKDYHVPHELKRW
Of lovve trewe
+HFKDXQJHVDQHZH
<LLI ,PDLLWVKDOKLPUHZH
%LWKLVGDL·
Then answered that maiden sweet
:LWKZRUGVIHZ
0\ORYHUKDVWRPHVZRUQ
Of love true
+HFKDQJHVDQHZ
If I can he shall this well rue
%\WKLVGD\·
8 Willikin’s Return, c.1470
0DQXVFULSW$GGLW%ULWLVK0XVHXP/RQGRQ
Soloists: David Yardley, Paul Eldon, Corin Bone
$ZDUWLPHSROLWLFDOFDUROZKRVHO\ULFVFHOHEUDWHDQHZO\IRUPHGDOOLDQFHLQZKLFKFRQWULEXWHGWRWKHVKRUWOLYHGUHVWRUDWLRQRI +HQU\9,7KHYHUVHVJLYHVRPHWKLQJRI DUROOFDOORI WKH
IDPRXVÀJXUHVRI WKHGD\ZKRDUHDWWKHWLPHWKHO\ULFVDUHZULWWHQDOOLHG².LQJ+DU\LV+HQU\
9,´P\/RUGH3U\QFHµLV(GZDUG3ULQFHRI :DOHVHWF:HFDQLPDJLQHWKHFURZGRI NQLJKWVDQG
ERZPHQFKHHULQJDVHDFKRI WKHLUKHURHV·QDPHVLVPHQWLRQHGLQWKHYHUVHV7KHPXVLFDLPVWR
UHÁHFWWKHPL[HGHPRWLRQVRI WKHZRUGV²RQWKHRQHKDQGFHOHEUDWLRQDQGRQWKHRWKHUWKHJULP
EDFNGURSRI ZDUIDUHDQGSROLWLFDOXQFHUWDLQW\
Nowell! Nowell! Nowell! Nowell!
And Cryst save mery Ynglond
and sped yt well!
Nowell! Nowell! Nowell! Nowell!
And Christ save merry England
and speed it well!
7\OOKRPHVXOO:\OHN\Q
WKLVMRO\JHQW\OVFKHSH
$OOWRKRXUHFRPEHO\.\QJ+DU\
WKLVFQDW\VNQ\W
7KHUIRUHOHWXVDOOV\QJQRZHO
7LOOKRPHVKDOO:LOOLNLQ
WKLVMROO\JHQWOHVKLS
$OOWRRXUFRPHO\.LQJ+DUU\
WKLVNQRWLVNQLW
7KHUHIRUHOHWXVDOOVLQJQRZHOO
15
7\OOKRPHVXOO:\OHN\Q
WKLVMRO\JHQW\OPDVW
$OOWRP\/RUGH3U\QFH
WKDWQHYHUZDVFDVWH
7KHUIRUHOHWXVDOOV\QJQRZHO
7LOOKRPHVKDOO:LOOLNLQ
WKLVMROO\JHQWOHPDVW
$OOWRP\/RUG3ULQFH
WKDWQHYHUZDVFDVW
7KHUHIRUHOHWXVDOOVLQJQRZHOO
7\OOKRPHVXOO:\OHN\Q
WKLVMRO\JHQW\OQRUH
$OOWRP\/RUGH&KDEHUOD\QH
that never was forsore
7KHUIRUHOHWXVDOOV\QJQRZHO
7LOOKRPHVKDOO:LOOLNLQ
WKLVMROO\JHQWOHRDU
$OOWRP\/RUG&KDPEHUODLQ
that never was struck low
7KHUHIRUHOHWXVDOOVLQJQRZHOO
7\OOKRPHVXOO:\OHN\Q
WKLVMRO\JHQW\OVD\OH
$OOWRP\/RUGH)XHU\Q
WKDWQHYHUG\GID\OH
7KHUIRUHOHWXVDOOV\QJQRZHO
7LOOKRPHVKDOO:LOOLNLQ
WKLVMROO\JHQWOHVDLO
$OOWRP\/RUG)XHULQ
WKDWQHYHUGLGIDLO
7KHUHIRUHOHWXVDOOVLQJQRZHOO
9 Wep you no more, 15th century
0DQXVFULSW+DUOH\%ULWLVK0XVHXP/RQGRQ
Soloists: David Yardley, Paul Eldon, Ian Blake
7KLVFDUROKDVDPRXUQIXOWH[WRI ZKLFKRQO\WKUHHP\VWHULRXVYHUVHVKDYHVXUYLYHGZKLFK
OHDYHWKHVWRU\XQÀQLVKHG2XULPDJLQDWLRQVDUHOHIWWRJXHVVWKHFRQFOXVLRQRI WKHVWRU\ZKRVH
UHPDLQLQJYHUVHVKDYHEHHQORVWIURPKLVWRU\7KHVRXQGRI ZHHSLQJLVFUHDWHGWKURXJKWKHXVHRI PHGLHYDOLQVSLUHG´KRFNHWVµEHWZHHQWKHXSSHUWZRSDUWVLQWKHFKRUXV
Wep no more for me swet hart
Wep no more for me
As scharpe as a dart
hathe perysht my hart
16
Weep no more for me sweet heart
Weep no more for me
As sharp as a dart
hath pierced my heart
That ye shod morne for me.
That you should mourn for me.
$SRQDPRUQ\QJRI 0D\
,QWKHPRUQ\QJJUH\
I walkyd plesantly
7RDJDUGHQJUHQ
6RIUHVVKHEHVHQ
7KDWMR\K\WZDVWRVH
8SRQDPRUQLQJRI 0D\
,QWKHPRUQLQJJUH\
I walked pleasantly
7RDJDUGHQJUHHQ
6RIUHVKEHFRPH
7KDWMR\LWZDVWRVHH
Ther walkyd I
$OVREXUO\
0XV\QJP\VHOIIHDORQ
7\OOVRGHQO\
I blenkyd myn y
:KHU,VS\\GZRQ
There walked I
$OOVREHUO\
0XVLQJP\VHOI DORQH
7LOOVXGGHQO\
I blinked my eyes
:KHUH,VSLHGRQH
:K\FKLQJUHWSD\Q
0HWKRZWVDUWH\Q
+\WVHP·GWKDWKHZDV
+\VJRZQDOEODNH
$SRQK\VEDNH
/\NHOHGHK\VFRORUHZDV
:KLFKLQJUHDWSDLQ
,WKRXJKWFHUWDLQ
,WVHHP·GWKDWKHZDV
+LVJRZQDOOEODFN
8SRQKLVEDFN
/LNHOHDGKLVFRORXUZDV
OTHER SACRED CAROLS
10 Lullay, lullay, litel child, c.1372
0DQXVFULSW$GYRFDWHV1DWLRQDO/LEUDU\RI 6FRWODQG(GLQEXUJK
Soloists: Josie Ryan, Natalie Shea, Richard Black
$EHDXWLIXODQGPHODQFKRO\OXOODE\FDUROZKRVHZRUGVDUHVSRNHQRQEHKDOI RI VLQIXOPDQNLQG
7KHUHLVDFRQWUDVWEHWZHHQWKHVZHHWOXOODE\RI WKHFKRUXVDVRSSRVHGWRWKHYHUVHVZKRVHZRUGV
17
EXUGHQWKHLQIDQWZLWKUHVSRQVLELOLW\IRUFRUUHFWLQJYDVWDQGGHHSZURQJV7KHPXVLFUHÁHFWVWKLV
FRQWUDVWZLWKWKHFKRUXVKDYLQJDVLPSOHOXOOLQJVRXQGDJDLQVWWKHPRUHFRPSOH[DQGYLROHQW
UK\WKPVRI WKHYHUVHV
Lullay, lullay, litel child,
Qui wepest thou?
qui wepest thou so sore?
Lullay, lullay, little child,
Why weepest thou?
Why weepest thou so sore?
/XOOD\OXOOD\OLWHOFKLOG
Thou that were so sterne and wild
Nou art become meke and mild
7RVDYHQWKDWZDVIRUORUH
/XOOD\OXOOD\OLWWOHFKLOG
Thou that were so stern and wild
Now art become meek and mild
To save what was forlorn
%XWIRUP\VHQQH,ZRWLWLV
7KDW*RGLV6RQHVXIIUHWWKLV
0HUFL/RUG,KDYHGRPLV
,ZLV,ZLOHQRPRUH
%XWIRUP\VLQ,NQRZLWLV
7KDW*RG·V6RQVXIIHUUHGWKLV
0HUF\/RUG,KDYHGRQHDPLVV
7UXO\,ZLOOQRPRUH
$\HQLVP\)DGULVZLOOH,FKHV
$QDSSHOZLWKDUHXIXOUHV
:HUIRUHP\QKHUWDJH,OHV
$QGQRXWKRXZHSLVWWKHUIRUH
$JDLQVWP\)DWKHU·VZLOO,FKRVH
$QDSSOHWKURXJKDUXHIXODFW
:KHUHIRUHPLQHKHDUW·VGHVLUH,ORVH
$QGQRZWKRXZHHSHVWWKHUHIRUH
$QDSSHO,WRNRI DWUH
*RGLWKDGGHIRUERGHQPH
:HUIRUH,VXOGHGDPSQHGEH
<HI WKLZHSLQJQHZRUH
$QDSSOH,WRRNIURPDWUHH
*RGLWKDGIRUELGGHQPH
:KHUHIRUH,VKRXOGGDPQHGEH
,I LWZHUHQRWIRUWK\ZHHSLQJ
/XOOD\IRUZRWKRXOLWHOWKLQJ
7KRXOLWHOEDUXQWKRXOLWHONLQJ
0DQNLQGHLVFDXVHRI WK\PXUQLQJ
7KDWWKRXKDVWORYHGVR\RUH
/XOOD\IRUZRHWKRXOLWWOHWKLQJ
7KRXOLWWOHEDURQWKRXOLWWOHNLQJ
0DQNLQGLVFDXVHRI WK\PRXUQLQJ
7KDWWKRXKDVWORYHGVRORQJ
18
)RUPDQWKDWWKRXKDVWD\ORYHGVR
<HWVDOWXVXIIUHQSHLQHVPR
,QKHYHGLQIHHWLQKRQGLVWR
$QG\HWZHSHQZHOPRUH
)RUPDQWKDWWKRXKDVWHYHUORYHGVR
<HWVKDOWWKRXVXIIHUSDLQPRUH
,QKHDGLQIHHWLQKDQGVWRR
$QG\HWZHHSZHOOPRUH
7KDWSHLQHXVPDNHRI VHQQHIUH
7KDWSHLQHXVEULQJJH-HVXWRWKH
7KDWSHLQHXVKHOSHD\WRÁH
7KHZLNNHGHIHQGHVORUH
7KDWSDLQWKDWPDNHVXVIUHHRI VLQ
7KDWSDLQWKDWEULQJVXV-HVXWRWKHH
7KDWSDLQWKDWKHOSVXVDOZD\VWRÁHH
7KHZLFNHGÀHQG·VORUH
11 I pra you sers, 15th century, John Audelay
0DQXVFULSW'RXFH%RGOHLDQ/LEUDU\2[IRUG
Soloists: David Yardley, David Mackay, Ian Blake
$FDUROFHOHEUDWLQJ6W7KRPDVD%HFNHWLQIDPRXVO\PXUGHUHGLQ&DQWHUEXU\&DWKHGUDORQ
'HFHPEHUDQGRIÀFLDOO\UHFRJQLVHGDVDPDUW\ULQ7KH&DQWHUEXU\SLOJULPDJHVUHIHUUHG
WRE\&KDXFHUVSUDQJXSIURPWKLVLQFLGHQWDVSLOJULPVWUDYHOOHGIURP6RXWKZDUN&DWKHGUDOLQ
/RQGRQWRWKHVKULQHRI 7KRPDVD%HFNHWLQ&DQWHUEXU\&DWKHGUDO5HÁHFWLQJWKHFHOHEUDWRU\
WRQHRI WKHO\ULFVGHVSLWHWKHJULPFRQWH[WRI KLVPDUW\UGRPWKHPXVLFKDVDEULJKWUK\WKPLF
GULYH
I pra you, sers, al in fere,
Worchip Seynt Thomas, this hole marter.
I pray you, sirs, in all fear,
Worship Saint Thomas, this holy martyr
)RURQD7HZVGD\7KRPHVZDVERUQH
$QGRQD7X\VGD\KHZDVSUHVWVFKRUQH
$QGRQD7X\VGD\KLVO\YHZDVORUQH
$QGVRI\UGPDUW\UGDPZLWKP\OGFKHUH
)RURQD7XHVGD\7KRPDVZDVERUQ
$QGRQD7XHVGD\KHZDVSULHVWVKRUQ
$QGRQD7XHVGD\KLVOLIHZDVORVW
$QGVXIIHUHGPDUW\UGRPZLWKPLOGFKHHU
)RUH+ROH&KHUFKHU\JKWDOKLWZDV
(OOLVZHKDGWKHQVRQJ\Q¶$ODV·
)RU+RO\&KXUFKULJKWLWDOOZDV
(OVHZHKDGWKHQWRVLQJ¶$ODV·
19
$QGWKHFKLOGWKDWXQERUQHZDV
6FKXOKDYHERJKWKLVO\YHIXOGHUH
$QGWKHFKLOGWKDWXQERUQZDV
6KDOOKDYHERXJKWKLVOLIHIXOOGHDU
7KHUSUHVWLVZHUHWKUDOKHPDGKHPIUH
7KDWQRFOHUNHKRQJLGVFKXOGEH
%RWHUHW\NRUIRUHWUD\WUH
<LI RQHVRFKHFDVHIHOWKHUZHUH
7KHSULHVWVZHUHWKUDOOVKHVHWWKHPIUHH
7KDWQRFOHUNKDQJHGVKRXOGEH
8QOHVVDKHUHWLFRUWUDLWRU
If one such fell case there were
7KHQQRFKLOGFULVWRQVFKXOGEH
1HFOHUNHWDNHRUGHUHLQQRGHJUH
Ne mayde mared in no cuntre
:LWKRXWWUHEHXWLQWKHN\QJGDQJHUH
7KHQQRFKLOGFKULVWHQHGVKRXOGEH
1RUFOHUNWDNHRUGHULQQRGHJUHH
Nor maiden married in no country
:LWKRXWWULEXWHWRWKHIHDUVRPHNLQJ
7KXV+ROH&KHUFKHKHPDGIUH
)RUHI\IWHSR\QWLVKHG\HGWUXHO\
,QKHYHQZRUFKLSWPRWKHEH
$QGIDGHUDQGPRGHUKLPJHWHDQGEHUH
7KXV+RO\&KXUFKKHPDGHIUHH
)RUÀIW\SRLQWVKHGLHGWUXHO\
,QKHDYHQZRUVKLSSHGPD\KHEH
$QGKLVIDWKHUDQGPRWKHUZKRERUHKLP
12 Nowel, el, el, el, 15th century
0DQXVFULSW6ORDQH%ULWLVK0XVHXP/RQGRQ
Soloists: David Yardley, Richard Black, Paul Eldon
7KHELWWHUGHVSDLURI 0DU\VSHDNLQJZLWKKHUG\LQJVRQRQWKHFURVVLVSRZHUIXOO\HYRNHGLQWKLV
(DVWHUFDUROUHÁHFWLQJLQWKHPHGLHYDO(QJOLVKODQJXDJHWKHWKHPHRI WKHIDPRXV¶6WDEDWPDWHU·
/DWLQWH[W7KHUHSHWLWLRQVRI WKHV\OODEOH¶(O·LQWKHFKRUXVDUHPXVLFDOO\VHWWRUHÁHFW0DU\·VELWWHU
ZHHSLQJ7KHYHUVHVPL[HPRWLRQVRI WHQGHUQHVVDQGVRUURZDV0DU\ORRNVRYHUWKHEURNHQERG\
RI KHUVRQ
Nowel, el, el, el, el, el, el, el, el, el, el, el, el, el, el, el!
Nowel, el, el, el, el, el, el, el, el, el, el, el, el, el, el, el!
¶0DU\PRGHUFXPDQGVH
7KL6RQHLVQD\O\GRQDWUH
¶0DU\PRWKHUFRPHDQGVHH
7K\6RQLVQDLOHGRQDWUHH
20
+DQGDQGIRWKHPD\QRWJR
+LVERG\LVZRXQG\QDOLQZRR
+DQGDQGIRRWKHPD\QRWJR
+LVERG\LVZRXQGHGDOOLQZRH
¶7KLVZHWH6RQHWKDWWKRXKDVWERUQ
7RVDYHPDQN\QGHWKDWZDVIRUORUQ
+LVKHGLVZUHWKLQLQDWKRUQ
+LVEO\VIXOERG\LVDOOWRWRUQ·
¶7K\VZHHW6RQWKDWWKRXKDVWERUQ
7RVDYHPDQNLQGWKDWZDVIRUORUQ
+LVKHDGLVZUHDWKHGLQDWKRUQ
+LVEOLVVIXOERG\LVDOOWRUQ·
4XDQKHWKLVWDOHEHJDQWRWHOOH
0DU\ZROGQRQOHQJHUGZHOOH
%XWK\LGKHUHIDVWHWRWKDWK\OOH
7KHU-KHVXKLVEORGEHJDQWRVS\OO
:KHQKHWKLVWDOHEHJDQWRWHOO
0DU\ZRXOGQRORQJHUGZHOO
%XWUXVKHGKHUIDVWXQWRWKDWKLOO
:KHUH-HVXKLVEORRGEHJDQWRVSLOO
¶0\QVZHWH6RQHWKDWDUWPHGHUH
4Z\KDQPHQKDQJ\GWKHKHUH"
7KLKHGLVZUHWKLQLQDEUHUH
0\QORYHO\6RQHTZHULVWKLQFKHUH"
¶0\VZHHW6RQWKDWDUWPHGHDU
:K\KDYHPHQKDQJHGWKHHKHUH"
7K\KHDGLVZUHDWKHGLQDEULDU
0\ORYHO\6RQZKHUHLVWK\FKHHU"
¶7KLQVZHWHERG\WKDWLQPHUHVW
7KLQFRPHO\PRZWKWKDW,KDYHNHVW
1RZRQURGHLVPDGWKLQHVW
/HYHFK\OGTXDWLVPHEHVW"·
¶7K\VZHHWERG\WKDWLQPHOD\
7K\FRPHO\PRXWKWKDW,KDYHNLVVHG
1RZRQFURVVLVPDGHWK\QHVW
'HDUFKLOGZKDWLVIRUPHEHVW"·
¶:RPPDQWR-RQ,WKHEHWDNH
-RQN\SWKLVZRPPDQIRUP\QVDNH
)RUV\QIXOVRZO\VP\GHWK,WDNH
2QURGH,KDQJHIRUPDQ\VVDNH·
¶:RPDQWR-RKQ,WKHHEHWDNH
-RKQNHHSWKLVZRPDQIRUP\VDNH
)RUVLQIXOVRXOVP\GHDWK,WDNH
2QFURVV,KDQJIRUPDQNLQG·VVDNH
¶7KLVJDPHDORQHPHPXVWHSOD\
)RUV\QIXOVRZOH,GH\HWRGD\
7KHULVQRQZ\JKWWKDWJRWKEHWKHZD\
2I P\QSH\Q\VFDQZHOVD\·
¶7KLVJDPHDORQH,PXVWSOD\
)RUVLQIXOVRXOV,GLHWRGD\
7KHUHLVQRPDQWKDWJRHWKE\WKHZD\
2I P\SDLQFDQZHOOVD\·
21
13 A domusday we schull ysee, 15th century
0DQXVFULSW%ULGJZDWHU&RUSRUDWLRQ0XQLPHQWV%ULGJZDWHU6RPHUVHW>@
7KLVFDURORI GRRPVGD\EHDUVZRQGURXVLPDJHVRI DQJHOVEHDULQJWUXPSHWVZKLFKEODVWVRORXG
WKDWWKHZKROHZRUOGKHDUVWKHGHDGUHWXUQLQJWROLIHDQGWKHZURQJGRHUVDPRQJVWWKHPSD\LQJ
WKHSULFHIRUWKHLUDFWLRQVLQOLIH7KHVHHSLFZRUOGVKDWWHULQJLPDJHVDUHUHÁHFWHGLQWKHPXVLF
²ZLWKDIXOOGULYLQJVRXQGDQGWUXPSHWOLNHPXVLFDOÀJXUHVWRHYRNHZKDWLVEHLQJGHVFULEHG
Hay, hay, hay, hay, hay, hay, hay, hay,
Take good hede wat youe say.
Hay, hay, hay, hay, hay, hay, hay, hay,
Take good heed what you say.
$GRPXVGD\ZHVFKXOO\VHH
)DGHUHDQG6RQHLQ7ULQLWH
:LWKJUHWHSRZHUHDQGPDJLVWL
$QGDQJHO\VLQJUHWHDUD\
$WGRRPVGD\ZHVKDOOVHH
)DWKHUDQG6RQLQ7ULQLW\
:LWKJUHDWSRZHUDQGPDMHVW\
$QGDQJHOVLQJUHDWDUUD\
$QDQJHOHZLWKDWUXPSDWVFKDOOEORZ
That all the worlde schall yt yknow
7KH\WKDWEH\QHRQ\\UWKVRORZ
7KH\VFKXOODU\VHDOORII WKHFOD\
$QDQJHOZLWKDWUXPSHWVKDOOEORZ
That all the world shall it know
7KH\WKDWEHHQLQHDUWKVRORZ
7KH\VKDOODULVHDOOIURPWKHFOD\
7KH\WKDWE\QHLQ\UWKVRRGHSSH
They schull to thys trumpat take heed
$QGDU\VHDQGIXOOVRUUHZ\SSH
7KDWHYHUWKH\ZHUWR\HQVWWRID\
7KH\WKDWEHHQLQHDUWKVRGHHS
7KH\VKDOOWRWKLVWUXPSHWWDNHKHHG
$QGDULVHDQGZHHSIXOOVRUH
7KDWHYHUWKH\ZHUHKRVWLOHWRWKHIDLWK
*RGK\PVHOIIH6XQHK\W\V
7KDWVFKDOO\HYHWKHGRPHLZ\V
$QGWKHUIRUHDY\VK\PWKDWKDWKLGRDP\V
)RUHWKHUHWKH\VFKXOOUHKHUVVHKHUHSD\
7KHVRQRI *RGKLPVHOI LWLV
7KDWVKDOOJLYHWKHPWKDWMXGJHPHQW
$QGWKHUHIRUHFRXQVHOWKHPWKDWKDYH
GRQHDPLVV
)RUWKHQWKH\VKDOOPHHWUHFNRQLQJ
22
DEDICATION
:LWKRXWWKHORYLQJVXSSRUWLYHHQYLURQPHQWFUHDWHGE\P\SDUHQWVP\SDUWQHUDQGDOORI P\
IDPLO\WKURXJKRXWP\OLIHLWZRXOGQRWKDYHEHHQSRVVLEOHWRFRQFHLYHRUH[HFXWHWKLVZRUNDQG,
GHGLFDWHLWWRWKHP
,DOVRZDQWWRGHHSO\WKDQNWKHSHRSOHZKRKDYHLQVSLUHGDQGWDXJKWPHDWNH\PRPHQWVLQP\
PXVLFDOGHYHORSPHQW7RQDPHDIHZLQSDUWLFXODULQ$XVWUDOLD(OL]DEHWK6ZDLQ2$07RELDV
&ROH'DYLG'UXU\5LFKDUG%ODFNDQG:LQVRPH(YDQV2$0%(0,Q&DPEULGJH(GZDUG:LFNKDPDQG'DQLHO+\GHLQ(GLQEXUJK&DLWOLQDQG&KULV(OPHV
7KH¶ZDQGHULQJPLQVWUHOV·ZKRSHUIRUPRQWKH&'LQFOXGHVRPHRI $XVWUDOLD·VÀQHVWVRORLVWV
DQGFKRUDOVLQJHUVDQG,DPGHHSO\JUDWHIXOWRDOOWKHSHUIRUPHUVIRUJLYLQJWKHLUWLPHDQGWDOHQWV
0\WKDQNVDOVRJRWR3HWHU:LONLQIRUKLVWUDQVODWLRQVLQWRWRGD\·V(QJOLVKGHVLJQHGIRUSHUIRUPDQFHDQGWR5LFKDUG%ODFNIRUKLVZRUNSUHSDULQJKLJKTXDOLW\PDQXVFULSWVRI WKHZRUNV
6SHFLDOWKDQNVDOVRJRWR.LPPR9HQQRQHQIRUKLVH[FHOOHQWZRUNDVUHFRUGLQJDUWLVWWR'DQLHO
6DQGHUVRQIRUDUWZRUNWR3DXO(OGRQIRUPDUNHWLQJWR$GDP+HQU\IRUSKRWRJUDSKVDQGWR
'DYLG0DFND\DQG-RKQ9LUJRHIRUDVVLVWDQFHLQWKHÀQDOHGLWLQJSURFHVVRI WKH&'
Recorded February and April, 2012, Wesley Music Centre, Canberra
Recorded by Kimmo Vennonen
‹7DOLVPDQ5HFRUGLQJV$OOULJKWVUHVHUYHG8QDXWKRULVHGUHSURGXFWLRQFRS\LQJDQGUHQWDORI WKLV
UHFRUGLQJLVSURKLELWHGE\ODZ
www.davidyardley.com.au
23