Border Doors and the Unmasking of the Zones of Meaning Exhibition Dates: March 20 - April 20, 2016 Reception: April 7, 2016 | 2 - 4 pm | Zimmerman Library page 1 Exhibit Overview “Border Doors and the Unmasking of the Zones of Meaning” is a dispersed exhibit consisting of eighteen full-size doors decorated with mixed-media collages. On view in selective venues at The University of New Mexico and in the community at the National Hispanic Cultural Center, its striking displays call attention to the traumatic experiences of Central American immigrants and the dehumanizing media discourse that portrays them. The doors were created by high school students enrolled in The Neglect of Women Workers and the New Era of Hope, an advanced Spanish-language course at Sandia Prep taught by Claudio Pérez, a faculty member within the school’s Modern Language Department. In the course, Pérez encourages students to think deeply about issues related to immigration, from immigrants’ lived experiences to the complex historical relationship between the United States, Mexico, and Central America. Students studied this topic in their classrooms in Albuquerque and through an in-person trip to the U.S-Mexico border when they visited the Border Immersion Program at Iglesia Luterana Cristo Rey in El Paso, Texas. Throughout the semester, Pérez relied on Nazario’s Enrique’s Journey to present a compelling and informative account of immigrants’ experiences traveling through Central America to the United States. At the end of the term, Pérez invited the students to express their thoughts, responses, and realizations by using the doors as canvases for mixed-media collages. The exhibit is presented on behalf of the Lobo Reading Experience as a collaboration between Sandia Preparatory School, the National Hispanic Cultural Center, and multiple UNM entities, including Chicana and Chicano Studies, Department of Anthropology, Department of History, Department of Spanish & Portuguese, El Centro de la Raza, Latin American & Iberian Institute (LAII), Maxwell Museum of Anthropology Hibben Center, Office of Student Academic Success, Southwest Hispanic Research Institute, and University Libraries. Each sponsor hosts one or more of the doors, with the majority on display at Zimmerman Library. The dispersed display encourages cross-campus collaboration and exploration. The Lobo Reading Experience organized this exhibit as part of a year-long comprehensive program of curricular and co-curricular activities relating to the 2015-16 selection, Enrique’s Journey. Written by Pulitzer Prize-winning journalist Sonia Nazario, this non-fiction account documents the traumatic and harrowing experience of a young Honduran boy, Enrique, as he makes the journey alone from Honduras to the United States to reunite with his mother eleven years after she left her home country in pursuit of a better life for her family. page 2 Exhibit Site Map page 3 Educator ’s Perspective “Border Doors and the Unmasking of the Zones of Meaning” is an art project I initiated two years ago with my students. This artistic piece commemorates the innumerable acts of brutality against immigrants making the journey to the United States. One of the acts that inspired me was the massacre of the 72 migrants in Tamaulipas, Mexico in 2010. These immigrants were on a precarious voyage to the “Land of their Dreams”. During their journey they had to endure routes operated by murderers, rapists, and corrupt officials. This route has been regarded as “one of the most perilous migration routes in the world.” Every year thousands of migrants from Central America and Mexico make this dangerous trip. The project was also inspired by Cristo Rey’s week-long Border Immersion Program that I had been exploring with my students over the past three years, and by the book Enrique’s Journey, by Sonia Nazario. I want my students to put a human face on the ongoing debate over immigration reform and engage them in meaningful discussion. -Claudio Pérez, Educator, Sandia Preparatory School About Sandia Preparatory School Founded in 1966, Sandia Preparatory School is an independent co-ed college preparatory school for students in grades 6 through 12. Their rigorous, wellrounded program is designed to educate the whole person. The school’s vision is to develop essential skills and intellectual potential through challenging academics; to cultivate a socially responsible environment of innovation and creativity; and to engage as a vibrant community for the betterment of society -- all objectives which are aptly illustrated through the Spring 2016 “Border Doors and the Unmasking of the Zones of Meaning” exhibit. page 4 Monty Bruckman + Evan Sanchez Location: Zimmerman Library Natalie Benson Location: Zimmerman Library page 5 Our artwork was influenced by Sonia Nazario’s work, Enrique’s Journey, which recounts the true story of Enrique, an unaccompanied minor migrating to the United States from Honduras. During his travels through Central America and Mexico, he encounters gangs such as the Mara Salvatrucha. Many gang members are young and struggle with poverty like Enrique. In Cary Fukunaga’s film, Sin Nombre, a closer look at the culture of the Mara Salvatrucha gave us further inspiration for the theme of our door. Most gang members join to escape poverty or simply because they are forced to. Our artwork takes into consideration the hollowness of a person’s soul when they are in a gang. On the lower half of the piece we painted phrases in Spanish that translate to, without purpose, without life, without name, and so on. These call to the deeper meaning of why a person would want to join a murderous band of people. Because of the poverty and unhappiness in México, people feel that they lack meaning in their life and they feel that if they join a gang they will have a future, a purpose, and a life worth living.We created this piece to call attention to the lives of gang members, and why somebody would join a gang. The door was donated to our high school, we used it as a canvas to convey the symbol of a door between America and México. We used acrylic paint and permanent markers to create the images. Sin/Without Brooklyn Armijo + Hannah Wiggins Location: Zimmerman Library page 6 While reading the book Enrique’s Journey, by Sonia Nazario, I was introduced to the extreme amount of violence that is part of the lives for Latin American citizens. Looking into it more, I started to learn about the Mara Salvatrucha gangs. The Mara Salvatrucha is one of the deadliest gangs in Latin America. I decided that the theme of my door would be violence. I used red to portray the blood of innocent civilians that is split by the hands of the Mara Salvatrucha. My painting starts out with an “M” and an “S”. These initials stand for Mara Salvatrucha. The “M” and the “S” and followed by a caution tape that is a quotation from Enrique. The quotation translates to, ‘they really messed me up badly’. Enrique is talking about some of the gang members he came in contact with as he was trying to cross the border. Then under the quotation is blood that comes from the violence of the gangs and the outline of a dead body with 13 bullet wounds. The violence of the gangs like Mara Salvatrucha really struck me. The actions these gangs take are very brutal and vulgar. This door demonstrates the brutality and vulgarity of gangs like the Mara Salvatrucha. page 7 Los olvidados / The Forgotten Ones Mohammed Assed Location: El Centro de la Raza La realidad de la tierra/ The Reality of the Land Justin Escobedo Location: Latin American & Iberian Institute My door is without beauty. It is an attempt to recreate the settings that 27 million who live in extreme poverty for generations. The lives of the many families who live in extreme poverty live without beauty, without embellishments, or commodities. To live in poverty in Latin America, or in the rest of the world, is to live an ugly life. The door is meant to be an uninteresting piece. It is not supposed to look beautiful. It is a representation of the reality that millions live. Poverty does not lead to a positive life. The lack of food, shelter, basic items forever leaves a mark on anyone who has lived that way. The 27 holes in the door do not just equate to one hole for every million people in extreme poverty in Latin America. They are to ruin the doors functionality. After painting the brick inlay of the door, I took a hammer to it. While cathartic, it created an example of the permanent damage done by extreme poverty both physically and emotionally. Children who grow up with extreme poverty are not well fed, nor do they have access to advanced schooling. As well they are set at a huge disadvantage for succeeding past their peers. I hope this door acts as a reminder to everyone who views it that poverty is one of the ugliest happenings in our global society. There is very little beauty or happiness. The lives of those who live in extreme poverty live with holes in their lives. page 8 Fahad Hussain + Nathan Odergard Location: Chicana and Chicano Studies/ Southwest Hispanic Research Institute Camilo Melendez + Simon Tyroler Location: Zimmerman Library page 9 La travesía del amor / The Journey of Love Juhee Patel + Alexandria Ragsdale Location: Maxwell Museum of Anthropology Hibben Center Throughout the book, many themes come up. These included fear, love, violence, and religion. We chose love as our center point for our door because it is a topic that people can easily connect to and is also related to immigration and the journey Enrique took to the US. In picking love for our project, we decided on centering our door on the connections and disconnections that occur when two loved ones are separated by the border, the connections being through means of communication such as letters and telephone lines and the disconnections being emotional strains as well as physical and emotional separations. To start our door, we painted it pink. Reds and pinks are often associated with love and warm feelings with sparkles representing the glamour and romanticism often given to love. The dark purple line across the middle of the door is the border, a divider between two countries and between two people. The two broken hearts represent two loved ones, separated by the border. Representing connections through telephone lines, letters, and any other means of communication, we used black yarn. Each piece of yarn is connected from both sides of the border to show these connections, with the largest piece of yarn connecting two halves of the heart. Another part of this project was to include two emoticons to be placed on the door. With hundreds to choose from, we decided on one that is blowing a kiss and one that is waving goodbye. The kiss very simply represents love while the waving goodbye symbolizes separation. To wrap up our project and our understanding of the book, our class went on a trip to El Paso and the U.S.-Mexico border. While there, our class was given the opportunity to speak with a church, as well as several immigrants, about their journeys and the struggles that made them leave their country and the struggles they faced both along the way and while here in the US. All of the people we talked to left someone they loved behind in order to take on an opportunity for a better life. This trip, for us, further emphasized the theme of our door and our understanding of the struggles thousands of people face while migrating. We hope that our door was able to showcase our theme as well as give a small look into the distance that is often put between lovers and families when they are separated by two countries. page 10 Our door symbolized the theme of immigration related death along the border of Mexico. In our Spanish class we studied Enrique’s Journey and read the brutal injuries and deaths that occur on the journey to the United States. This struck us as a hard hitting topic that needed to be addressed through a door. Most of what happens around the border goes unheard in the media. The atrocities that occur at the border have a story and that is what we strived to present on the door and give it a pop culture feel to it. The journey that every immigrant takes to the states is incredible and each person has a story behind it. The only material we needed to use for this project was paint. We used the cover art of the hit song by Drake, “Hotline Bling.” His cover repeats the line, “1-800-hotline bling”, and we used the idea by repeating the line, “1-800-muerte”. We also painted two sets of hands, one as flesh, and one as a skeleton. Running along the side of the door is a fence, representing the border between Mexico and the United states, where violence occurs. This project brought together themes from a popular hip hop song, and aspects from a novel about immigration related tragedies, to represent death along the Mexican border. Hotline muerte / Hotline Death Octavio Pérez + Sean Jarvis Location: Department of History page 11 The door that I’ve created really represents the darkness and reality that immigrants and citizens of Central and South America have endured. I created the door using spray paints as the main background. That colors used are light blue and black which are very dark and cool colors. These colors bring about a lot of different emotions when placed behind the red heart. That heart is modeled after a Spanish card game which represents how simplicity can represent something so meaningful. Another piece of material that I used was a playing card in the corner of the door. This card was actually recovered from the Mexican side of the border in Mexico. This card which was stuck along the fence represents the thousands of people who yearn for better opportunities and a better shot at a safer life. The quote on my door is from a book called Enrique’s Journey which is a story about a boy who journeys on La Bestia to get into the United States to be reunited with his family. The quote also represents the violence and other factors that need to be taken into consideration. The emoticon on the door is a Japanese emoticon that represents sadness. The sadness can also lead back to the representations of the darker and cooler colors and the arrow through the heart. Heart of Darkness/ El corazón de las tinieblas Andrew Brackeen Location: Zimmerman Library page 12 We composed our door around a really strong theme. Our theme was women’s violence in Latin America. Most of these women don’t have the necessary protection and rights, and experience terrible violence. We made sure to use strong colors that represent everything about our theme. Dark blue represents sadness and tears. The pink figure represents the woman’s power, and the little black cross is a reference to these women only having god and faith to protect them in violent situation throughout Latin America. The blood at the top of the door was created by wetting a paintbrush with red paint and letting it drip down, this was done to acknowledge the physical evidence of these women. On our door we put the Japanese emoticons representing “help me”. Another strong theme of our project is the feminicides of women in the borders between Mexico and the USA. When people look our project we want people to think about all of these accusations against Latin American women. Women are often raped during their journeys to the US, they feel the need to protect themselves by sometimes dressing as men and a majority of the time writing “ I have aids” on their chest. These women do not have a voice and we felt as though we needed to speak up for them. We want people to look at our piece and understand that these women are suffering and do not deserve to be treated that way. For this reason we left our woman faceless. Many of the women that make the journey are only looking for a better life, not only for them but also their families.These women are not doing anything wrong and we hope that our piece will be eye opening and we also hope that people will feel empowered. page 13 Pink Dresses / Vestidos rosados Kiersten Huitt + Alexandria Cruz Location: Maxwell Museum of Anthropology Hibben Center Leigh James + U. P. Nguyen Location: Zimmerman Library Christa Street + Alexander Sanchez Location: Zimmerman Library page 14 We have been taking Spanish for over 7 years while we have been attending Sandia Prep. This year we are seniors and we read a book called Enrique’s Journey, by Sonia Nazario. Our professor assigned us to read this book and design a door that represented the book and the struggles that the immigrants had to go through when traveling to the United States. These people had to endure a lot and there journey was far from easy. For our project we had to pick a theme to represent when painting on our door. The theme that we picked was immigration because all of these people we read about were trying to migrate to the US. For our door we painted a scene of a river. On one side we had dirt and rocks which represented Mexico or where the immigrants were jumping the border. In the middle is a picture of a river because a river represents a hard time crossing the border and the river was very popular for people to cross to get into the United States. On the other side of the river is green grass and barbed wire which represented the United States and how nice it is compared to Mexico and then the barbed wire represents the last obstacle that the immigrants have to overcome. The “wall” or the “fence” is the last thing they have to cross before getting into the United States and that is what the barbed wire represents. All together our door represents the journey that the immigrants have to overcome in order to come to the United States. The last thing we had to incorporate into our door was an emoticon. The one we used was a fish and we put a bunch of fish into the river. The last thing that we did during the time we were creating our door was we took a trip down to El Paso. While we were down in El Paso we talked to a couple of families about their journey. These people had been deported with their families and some of them deported without their families. These stories that we heard were so moving and powerful and it made us realize how hard it was for these people to be forced apart from their families. The trip to the Unites States is not an easy journey and these people helped us understand this. After this trip our eyes were opened and we then gathered more inspiration to finish off our door and make it a final project. page 15 Cruzado el rio/ Crossing the River Avery Johnson + Daniel Stell Location: Zimmerman Library The Price of Love (El Precio del Amor) discusses the harm faced by immigrant women attempting to cross Mexico to the US. Women and girls must endure a much more difficult journey on the trains than males; they rarely survive the trip without being raped, abused, or killed. Rape is the largest threat-- often, in order to prevent rape, women will cut their hair, bind their breasts, wear men’s clothing, and try to pass for men. Others write “tengo sida”-- “I have AIDS”-- as an attempt to deter rapists. A white outline on the door evokes the image of a chalk outline drawn at crime scenes after a murder, symbolizing the deaths of the many women who do not survive their treacherous journey. The flowers also have a symbolic significance. Flowers, typically associated with woman or girlhood, represent the sacrifice of femininity that immigrant women must endure in order to reach families or opportunities in the United States. Young girls, often trying to reconnect with their families, are robbed of their innocence, while older women are forced to sacrifice their female identity for the sake of their own survival. The emoticon on the door means “to be threatened,” just as the women are constantly under threat as they attempt to cross Mexico. We learned a lot about the dangerous journey before starting work on the door, reading Enrique’s Journey, which details a teenage boy’s attempt to reach the US to reconnect with his mother. We also took a trip to El Paso to visit the The Price of Love / El precio del amor border and speak with people on both sides Grace McNealy + Eva Epstein about the challenging process of immigration Location: National Hispanic Cultural Center and the constant insecurity of entering or living in the United States illegally. page 16 First semester this year, we took a course exclusive to Sandia Prep called “Border Studies.” In the class, we were taught about complex political, economic, and social problems that plague Central and South America, along with the issues surrounding United States-Mexico immigration, trade, and aid policy. Enrique’s Journey, a book by Sonia Nazario, was used to show us the human impact of immigration policies and stigma. The book is about the journey of a young boy names Enrique from Honduras whose mother leaves him as a child to go north to the United States. Yearning to see his mother again, he decides to leave his girlfriend and child behind in order to unify his family, though he also plans to be able to support his family back home better in the U.S. than he can in Honduras. Most of the travelers from Central America, including Enrique, have to ride on the “La Bestia,” a dangerous train ridden with gang activity, violence, and abuse. After reading the book, the class took a trip to El Paso in order to see the human cost of immigration first hand. We got to meet a family that lived in Mexico, and had the opportunity to talk through the fence about their struggles in trying to cross over into the United States. We also had the chance to visit with the border patrol and hear their thoughts on immigration. This was very eye opening and gave insight to what our door was going to look like.In this year’s Spanish class, we have been working on a door project. This door represents the dangers that come with trying to cross the border into the United States. The sign gives caution to the families that are making the horrible journey, and also cautions against thinking about immigration simply through utilitarian goggles. Immigration is not just about the costs and benefits to our society; we cannot forget that immigrants and refugees are flesh and blood people with feelings, too. page 17 Análisis de costo-beneficio/ Cost-Benefit Analysis Kenneth Adams + Jeremy Dorf Location: Zimmerman Library My Mother, Where Have You Gone?/ ¿Madre, adónde te has ido? Rachel Cochran + Adrian Medina Location: Zimmerman Library Our door proposes the views of the separation of families through immigration. Many families are separated during the process of immigration when the parents leave to find opportunities in the United States to earn more money for their children. Religion also plays a huge part in our door, because during the duration of immigration the children and parents will both pray for their safety. Our door folded in half, so we utilized this as a way to show the separation by the border between Mexico and the United States. We spray painted one side the Mexican flag, and the other side the United States flag. We used barbed wire and nails on the Mexican side to represent the torture the child feels during the journey of their mother to another country. Also, Mexico is substantially more violent than the United States, so the barbed wire and nails also represent the danger of the child being left alone in Mexico. We painted a child on the Mexican side reaching up for his mother, who is on the United States side, painted as a maid. We used religious images on both sides of the door. On the Mexican side, the images were in black and white, except one, representing that in this hard time for the child, it is very hard to find God. The one exception of the colored photo represents that there is a small piece of hope for the child that the mother will return to Mexico for him or her. The American side had religious images, but in color, showing God is all around and the violence in America is not strong enough to take away the religious views of the people. The emoticons on the door were the silence emotion and the sad waving goodbye emotion. The silence emoticon demonstrates the mother’s silence as she traveled on her journey, thinking about how upset her child will be when he or she wakes up to find that his or her mother has left. The sad waving goodbye represents the child after he or she woke up to find that their mother had left, and he or she waving goodbye. The door also symbolized the violence of a child trying to cross the border between Mexico and the United States, while trying to find his or her mother. Many children leave their hometowns to cross the border and try and find their parents, yet many of these children never reach their destination and die while trying. Our door demonstrates the danger and the pain of a parent having to leave their child to try and find a better life in the United States. The parents do this not out of hate, but to try and save their child and send the money. page 18 Sivan Gordon Buxbaum + Haley Kiernan Location: Department of Spanish & Portuguese Sponsors: • Chicana and Chicano Studies • Maxwell Museum of Anthropology Hibben Center • Department of History • National Hispanic Cultural Center • Department of Spanish & Portuguese • Sandia Prep • El Centro de la Raza • Latin American & Iberian Institute • Southwest Hispanic Research Institute • University Libraries Special thanks to Chloё Medaris for catalog design + cover art page 19
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