West Virginia Reading/Literature Instructional

Grade 6
correlated to the
West Virginia
Reading /Literature
Instructional Materials
Adoption Criteria
Sixth Grade
TABLE OF CONTENTS
Generic Evaluation
1
Learning for the 21st Century
8
General Evaluation
12
Specific Criteria for Content and Skills
33
INSTRUCTIONAL MATERIALS ADOPTION
PUBLISHER:
SUBJECT:
McDougal Littell
Reading/Literature
SPECIFIC
GRADE:
COURSE:
TITLE:
COPYRIGHT
DATE:
SE ISBN:
TE ISBN:
Sixth
Reading and English Language Arts
The Language of Literature
2006
0-618-601341
0-618-601422
GENERIC EVALUATION CRITERIA
GROUP VI – 2007 TO 2013
Reading/Literature K-12
R-E-S-P-O-N-S-E
Yes
No
N/A
CRITERIA
I. INTER-ETHNIC
The instructional material meets the
requirements of inter-ethnic: concepts,
content and illustrations, as set by West
Virginia Board of Education Policy
(Adopted December 1970).
II. EQUAL OPPORTUNITY
The instructional material meets the
requirements of equal opportunity:
concept, content, illustration, heritage,
roles contributions, experiences and
achievements of males and females in
American and other cultures, as set by
West Virginia Board of Education
Policy (Adopted May 1975).
1
NOTES
I. INTER-ETHNIC
The instructional material meets the requirement of inter-ethnic concept, content,
and illustration, as set forth by West Virginia Board of Education Policy (adopted
December 1970).
The Language of Literature meets the inter-ethnic criteria in the following ways:
•
The content of the textbook and instructional support materials clearly indicate,
where relevant, that the United States is a multi-ethnic nation.
This textbook does not explicitly discuss the multi-ethnic character of the United
States, but it is free from ethical, racial, and gender stereotyping in its examples,
applications, and illustrations.
•
The viewpoints, attitudes, values, and contributions of various cultural and
ethnic groups are depicted and explored throughout the text.
The textbook emphasizes the contributions of many persons who influenced the
development of the concepts explored in the course. Please see the following
examples:
p. S21
Lensey Namioka
p. 33
Sandra Cisneros
p. 30
Lois Lowry
p. 47
Robert Cormier
p. 48
Jay Johnson
p. 66
Avi
p. 78
Sue Alexander
p. 88
Norma Fox Mazer
p. 90
Daniel Kwan
p. 113
Jim Haskins
p. 123
Patricia Lauber
p. 134
Armstrong Sperry
p. 144
Amelia Earhart
p. 150
Gary Paulsen
p. 200
Emily Dickenson, James Berry, and Jean Little
p. 205
Basho, Issa and Raymond Patterson
p. 209
Ray Bradbury
p. 215
Charlotte Zolotow
p. 219
Laurence Yep
p. 231
Elizabeth Ellis
p. 234
Pat Mora
p. 249
Myron Levoy
p. 265
Francisco Jiménez
p. 271
Lucille Clifton
p. 275
Yoshiko Uchida
p. 285
Stephen Vincent Benét
p. 286
Theodore Roethke
p. 290
Mary Whitebird
p. 297
Frank Asch
p. 314
Dr. Martin Luther King, Jr.
p. 322
Fan Kissen
p. 333
Michael Anthony
p. 336
Eve Merriam
2
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344
325
349
354
356
365
376
381
392
394
399
447
466
477
478
481
492
498
513
551
556
559
564
565
569
570
575
581
608
614
631
637
644
646
653
664
701
719
724
729
737
743
767
774
778
783
791
794
803
811
819
823
Eleanor Farjeon
Ralph Waldo Emerson
Judith Viorst
May Swenson
Yoshio Adachi
Walter Dean Myers
Aesop
Helen Keller
Norma Landa Flores
Langston Hughes
Gary Soto
Joan Aiken
Don C. Reed
Rachel Field
Robert Frost
Isaac Bashevis Singer
Rudyard Kipling
John Ciardi
Norton Juster and Susan Nanus
J.R.R. Tolkien
Lewis Carroll
William Shakespeare
Jack Prelutsky
Ogden Nash, Edward Lear
Shel Silverstein
Virginia Hamilton
Issac Asimov
Alma Luz Villanueva
William Faulkner
Keith Leckie
Patricia Maclachlan
Robert Fulghum
Pablo Neruda
Jacques Prévert
Kristin Hunter
Lois Lowry
Louis Untermeyer
Anne Terry White
Dudley Randall
Daniel Cohen
John Greenleaf Whittier
Barbara Nichol
Diane Ferlatte
Anne Rockwell
Olivia Coolidge
Mary Pope Osborne
Victor Montejo
Lynn Joseph
Dang Manh Kha and Ann Nolan Clark
Jakob and Wilhelm Grimm
Julius Lester
Pura Belpré
3
p. 826
p. 833
p. 837
•
Carol Kendall and Yao-wen Li
Linda Goss
Joesph Bruchac
The pictorial illustrations reflect the intercultural character of our diverse
society.
The textbook's illustrations show a broad range of persons in various roles
irrespective of race, ethnicity, or gender. Please see the following examples:
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43
49
53
68
81
100
103
109
117
127
139
145
151
173
201
202
222
225
248
260
265
275
290
320
335
340
422
427
462
469
510
513
586
588
614
665
677
683
687
699
714
721
730
743
Families living in tenements
Baseball players
Boy Scouts
Bedouins
School girl
Student
Explorer
North Pole explorers
Firefighters
Tahitian woman and boy
Amelia Earhart
Pilot
U.S. Army Troop
Hikers
Poet
Poet laureates with Hilary Rodham Clinton
Chinese-American family
Chinese-American children
Ukrainian family gathering
Immigrants at Ellis Island
Painting of farmer
Graduate student
Kaw Indian children
Actors
Caribbean schoolboys
Schoolgirls
Men playing handball
Actors
Girl with rescue dog
Scuba diver
Boy in toy car
Actors
Student with Teacher
Engineers
Ojibways
Women with Geisha
Pedestrians on a busy street
Young football player
Children working together
Boy in wheelchair
Excavators
King Tut explorers
Ch'in Shih Huang Ti explorers
Beethoven
4
p.
p.
p.
p.
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769
794
797
805
811
837
845
Xhosa woman
Children listening to a story
Girl with mother
Painting of Vietnamese girl
Princess
Cheyenne Woman
Teacher
II. EQUAL OPPORTUNITY
The instructional material meets the requirements of equal opportunity concept,
content, illustration, heritage, roles, contributions, experiences, and achievements of
males and females in American and other cultures, as set forth by West Virginia
Board of Education Policy (Adopted May 1975).
The Language of Literature meets the criteria for equal opportunity in the following
ways:
•
The content of the textbook and supporting instructional materials reflect equal
opportunities for males and females.
The text does not explicitly discuss equality between males and females, but it is free
from ethnic, racial, and gender stereotyping in its examples, applications, and
illustrations. The textbook includes selections from diverse individuals such as:
p.
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S21
33
30
47
48
66
78
88
90
113
123
134
144
150
200
205
209
215
219
231
234
249
265
271
275
285
286
Lensey Namioka
Sandra Cisneros
Lois Lowry
Robert Cormier
Jay Johnson
Avi
Sue Alexander
Norma Fox Mazer
Daniel Kwan
Jim Haskins
Patricia Lauber
Armstrong Sperry
Amelia Earhart
Gary Paulsen
Emily Dickenson, James Berry, and Jean Little
Basho, Issa and Raymond Patterson
Ray Bradbury
Charlotte Zolotow
Laurence Yep
Elizabeth Ellis
Pat Mora
Myron Levoy
Francisco Jiménez
Lucille Clifton
Yoshiko Uchida
Stephen Vincent Benét
Theodore Roethke
5
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290
297
314
322
333
336
344
325
349
354
356
365
376
381
392
394
399
447
466
477
478
481
492
498
513
551
556
559
564
565
569
570
575
581
608
614
631
637
644
646
653
664
701
719
724
729
737
743
767
774
778
783
791
794
Mary Whitebird
Frank Asch
Dr. Martin Luther King, Jr.
Fan Kissen
Michael Anthony
Eve Merriam
Eleanor Farjeon
Ralph Waldo Emerson
Judith Viorst
May Swenson
Yoshio Adachi
Walter Dean Myers
Aesop
Helen Keller
Norma Landa Flores
Langston Hughes
Gary Soto
Joan Aiken
Don C. Reed
Rachel Field
Robert Frost
Isaac Bashevis Singer
Rudyard Kipling
John Ciardi
Norton Juster and Susan Nanus
J.R.R. Tolkien
Lewis Carroll
William Shakespeare
Jack Prelutsky
Ogden Nash, Edward Lear
Shel Silverstein
Virginia Hamilton
Issac Asimov
Alma Luz Villanueva
William Faulkner
Keith Leckie
Patricia Maclachlan
Robert Fulghum
Pablo Neruda
Jacques Prévert
Kristin Hunter
Lois Lowry
Louis Untermeyer
Anne Terry White
Dudley Randall
Daniel Cohen
John Greenleaf Whittier
Barbara Nichol
Diane Ferlatte
Anne Rockwell
Olivia Coolidge
Mary Pope Osborne
Victor Montejo
Lynn Joseph
6
p.
p.
p.
p.
p.
p.
p.
803
811
819
823
826
833
837
Dang Manh Kha and Ann Nolan Clark
Jakob and Wilhelm Grimm
Julius Lester
Pura Belpré
Carol Kendall and Yao-wen Li
Linda Goss
Joesph Bruchac
•
The viewpoints, attitudes, values and contributions of males and females are
accurately portrayed.
The textbook does not explicitly discuss the formation of American institutions, the
dynamic nature of American society, or the process of communication within and
among groups, as a social studies text might be expected to do. It is the policy of the
publisher when producing educational content for out textbooks to represent a broad
range of persons of all racial and ethnic backgrounds and to show persons in various
roles irrespective of gender. We believe our materials reflect respect and tolerance for
diversity and reinforce the basic values of our society.
•
The pictorial illustrations reflect the equality of males and females.
The textbook illustrations depict persons in various career occupations and recreation
activities, irrespective of gender. In addition to all of the author studies, other
examples are included throughout the text. For example:
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•
49
53
109
116
136
173
340
422
469
513
586
588
614
677
714
Baseball players
Boyscouts
Explorers
Firefighters
Pilot
Hikers
Teacher
Handball players
Scuba divers
Actors
Interview
Engineers
Canoers
Pedestrians
Excavators
The content assists students in examining their own self-image.
The textbook does not explicitly concern itself with students' self-image, but it
employs concrete examples that will be familiar to students from their own
experiences. The text is written in a highly engaging style that directly addresses the
individual student and supports various learning styles. The text was designed with
real life themes to make connections to the students' live, for example Unit 1, Tests of
Courage. Each selection begins with a Preparing to Read section that has a feature
Connect to Your Life to help identify with the characters, plots and themes and relate
what they read to their own lives. Please see the following examples:
pages: 26, 34, 52, 67, 101, 114, 124, 154, 163, 194, 205, 209, 219, 248, 264, 275,
284, 322, 333, 343, 365, 381, 391, 402, 411, 418, 447, 465, 476, 481, 512, 555, 563,
574, 580, 614, 636, 643, 653, 668, 678, 700, 718, 728, 737, 772, 788, 800, 816, 830
7
LEARNING FOR THE 21ST CENTURY
(Vendor/Publisher)
SPECIFIC LOCATION OF
CONTENT WITHIN
PRODUCT
(IMR Committee) Responses
N=
NonI=
A=
M=
existent
I
A
M N
In-depth Adequate Minimal
Less
80%
80%
60%
than
60%
In addition to alignment of Content Standards and Objectives (CSOs) materials must also
clearly connect to Learning for the 21st Century which includes opportunities for students to
develop
A. Learning Skills
Pupil’s Edition/Teacher’s Edition
Peers Talk It Out: 340-342;
Problem-Solution Essay: 430-434;
Connect to Your Life: 653
 Thinking and Problem-Solving
Skills.
See Thinking Through the
Literature after each selection:
31, 45, 64, 76, 111, 121, 132, 142,
161, 170, 198, 207, 216, 227, 257,
272, 281, 287, 330, 337, 346, 378,
385, 395, 409, 415, 424, 459, 473,
479, 488, 552, 561, 566, 579, 585,
633, 640, 648, 661, 674, 684, 711,
725, 734, 740
Pupil’s Edition/Teacher’s Edition
Trading Card Talk: 48-51; Daring
to Dream: 145-148; Calling All
"Nobodies": 201-204; Your
Family's History Will Come Alive:
260-263; Peers Talk It Out: 340342; High-Tech Helping Hands:
388-390; Animals to the Rescue:
462-464; Home on an Icy Planet:
588-591; Flip Out!: 650-652; A
9,500-Year-Old Summer Home:
714-717; Tutankhamen: 718-724;
Research Report: 754-760;
Reading for Information: R2;
Research Report Writing: R49-R50
 Information and Communication
Skills.
8
Pupil’s Edition/Teacher’s Edition
Eleven: 31; President Cleveland,
Where Are You?: 45-46; Scout's
Honor: 52, 64; Nadia the Willful:
76; Writing Workshop: 92;
Summer of Fire: 122; Ghost of the
Lagoon: 132, 133; The Fun of It:
142; Older Run: 154, 161;
Woodsong: 170; Author Study
Project: 173; Writing Workshop:
179; Unit One: 182, 183; Poems by
Dickinson, Berry, and Little: 198;
Three Haiku: 207; All Summer in
A Day: 216; Chinatown: 227;
Writing Workshop: 239; Aaron's
Gift: 257; The Circuit: 272; Oh
Broom, Get to Work: 281; Western
Wagons/Night Journey: 287;
Damon and Pythias: 330; Cricket
in the Road: 337, 338; The
Quarrel/Fable: 346; Abd AlRahman Ibrahima: 378; The Story
of My Life: 385; Street Corner
Flight/Words Like Freedom: 395;
Ode to My Library: 415; Gary
Soto: 426, 427; Something Told
the Wild Geese/Questioning Faces:
479; Zlateh the Goat: 488; The
Phantom Tollbooth: 552; Three
Limericks: 566; The Fun They
Had: 579; Words on a Page: 633;
You Sing/How to Paint the Portrait
of a Bird: 648; The Scribe: 661;
Crow Call: 668, 674; Looking
Back: 684; Author Study Project:
687; Writing Workshop: 693; The
Dog of Pompeii: 711; The First
Emperor: 734; Barbara Frietchie:
741; Unit Six: 850; Group
Communication: R104-R105
 Interpersonal and Self-Direction
Skills and use these 21 Century
Tools
Text Wrap in Teacher’s Edition
Gary Paulson: 173; Writing
Workshop: 180; Zlateh the Goat:
480; Comparing Literature: 573;
The Sand Castle: 585
9
B. 21st Century Tools
Pupil’s Edition/Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
Matthew Henson at the Top of the
World: 112; Summer of Fire: 122;
Ghost of the Lagoon: 228; Your
Family's History Will Come Alive:
262-263; Damon and Pythias: 331;
Wild Geese/Questioning Faces:
480; The Phantom Tollbooth: 553;
Words on a Page: 634; Flip Out!:
652; Tutankhamen: 727; Library
Computer Services: R107
 Problem-solving tools (such as
spreadsheets, decision support,
design tools)
Text Wrap in Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
A 9,500-Year-Old Summer Home:
715
Pupil’s Edition/Teacher’s Edition
Eleven: 32; President Cleveland,
Where Are You?: 46; Nadia the
Willful: 77; Matthew Henson at the
Top of the World: 112; Summer of
Fire: 122; Ghost of the Lagoon:
133; All Summer in a Day: 217;
Chinatown: 228; Aaron's Gift: 258;
Your Family's History Will Come
Alive: 263; The Circuit: 273;
Damon and Pythias: 331; Abd AlRahman Ibrahima: 379; The Story
of My Life: 386; My First Dive
With Dolphins: 464, 474; Zlateh
the Goat: 480; Words on a Page:
634; The Dog of Pompeii: 712;
Tutankhamen: 726; The First
Emperor: 735; Writing Workshop:
754-760; Getting Information
Electronically: R106-R107; Word
Processing: R108-R110
 Communication, information
processing and research tools
(such as word processing, e-mail,
groupware, presentation, Web
development, Internet search
tools)
Text Wrap in Teacher’s Edition
Scout's Honor: 66; Daring to
Dream: 148; High-Tech Helping
Hands: 390
10
Pupil’s Edition/Teacher’s Edition
Unit One Reflect and Assess: 183;
Unit Two Reflect and Assess: 305;
Unit Three Reflect and Assess:
437; Unit Four Reflect and Assess:
599; Unit Five Reflect and Assess:
763; Unit Six Reflect and Assess:
850
 Personal development and
productivity tools (such as elearning, time
management/calendar,
collaboration tools)
11
INSTRUCTIONAL MATERIALS ADOPTION: GENERAL EVALUATION
CRITERIA
The general evaluation criteria apply to each grade level and are to be evaluated for each
grade level unless otherwise specified. These criteria consist of information critical to the
development of reading/literature at all grade levels. In reading the general evaluation
criteria and subsequent specific grade level criteria, e.g. means “examples of” and i.e.
means that “each of” those items must be addressed. Eighty percent of the combined
general and specific criteria must be met with I (In-depth) or A (Adequate) in order to be
recommended.
GROUP VI – 2007 TO 2013
Reading/Literature, K-12
(Vendor/Publisher)
SPECIFIC LOCATION OF
CONTENT WITHIN
PRODUCT
(IMR Committee) Responses
N=
NonI=
A=
M=
existent
I
A
M N
In-depth Adequate Minimal
Less
80%
80%
60%
than
60%
For student mastery of content standards and objectives the instructional materials will
A. MULTIMEDIA
Pupil’s Edition/Teacher’s Edition
Nadia the Willful: 77; Matthew
Henson at the Top of the World:
112; Summer of Fire: 122; Ghost
of the Lagoon: 133; Gary Paulson:
153; All Summer in a Day: 217;
Chinatown: 228; Aaron's Gift: 258;
Your Family's History Will Come
Alive: 260-263; The Circuit: 273;
Damon and Pythias: 331; Abd AlRahman Ibrahima: 379; The Story
of My Life: 386; Gary Soto: 401;
Animals to the Rescue: 464; My
First Dive With the Dolphins: 474;
Zlateh the Goat: 480; Words on a
Page: 634; Lois Lowry: 667; The
Dog of Pompeii: 712;
Tutankhamen: 726; The First
Emperor: 735; Getting Information
Electronically: R106-R107
1.
offer appropriate multimedia (e.g.,
software, audio, visual, internet
access) materials.
12
Text Wrap in Teacher’s Edition
Nadia the Willful: 75; The Fun of
It: 141; Older Run: 156;
Woodsong: 166; All Summer in a
Day: 212; Aaron's Gift: 254; Unit
Three A Sense of Fairness: 314;
Cricket in the Road: 335; The
Quarrel: 344; Abd al-Rahman
Ibrahima: 366, 376; The School
Play: 404, 407; Unit Four
Wondrous Worlds: 440; Lob's Girl:
448; The Phantom Tollbooth: 513,
516, 519, 522, 532, 541, 545, 547;
Words on a Page: 617, 629; Crow
Call: 671; The Dog of Pompeii:
703; Tutankhamen: 719; The First
Emperor: 732; Tests of Courage:
775, 778; Growth and Change:
797; Wondrous Worlds: 818, 827;
Making Your Mark: 832, 837
(continued)
1. offer appropriate multimedia (e.g.,
software, audio, visual, internet
access) materials.
Pupil’s Edition/Teacher’s Edition
Nadia the Willful: 77; Matthew
Henson at the Top of the World:
112; Summer of Fire: 122; Ghost
of the Lagoon: 133; Gary Paulson:
153; All Summer in a Day: 217;
Chinatown: 228; Aaron's Gift: 258;
Your Family's History Will Come
Alive: 260-263; The Circuit: 273;
Damon and Pythias: 331; Abd AlRahman Ibrahima: 379; The Story
of My Life: 386; Gary Soto: 401;
Animals to the Rescue: 464; My
First Dive With the Dolphins: 474;
Zlateh the Goat: 480; Words on a
Page: 634; Lois Lowry: 667; The
Dog of Pompeii: 712;
Tutankhamen: 726; The First
Emperor: 735
2.
provide a website which provides
links to relevant sites as well as
lesson plans, student activities and
parent resources.
Text Wrap in Teacher’s Edition
Matthew Henson at the Top of the
World: 101; Summer of Fire: 114;
Ghost of the Lagoon: 124; The Fun
of It: 135; Older Run: 154;
Woodsong: 165; Writing
Workshop: 176; Poems by
Dickinson, Berry, and Little: 194;
Three Haiku: 205; All Summer in a
Day: 209; Chinatown: 219; Writing
Workshop: 236; Aaron's Gift: 248;
The Circuit: 264; Oh Broom, Get
to Work: 275;
13
Text Wrap in Teacher’s Edition
Western Wagons: 284; Damon and
Pythias: 322; Cricket in the Road:
333; The Quarrel: 343; Writing
Workshop: 355; Abd Al-Rahman
Ibrahima: 365; The Story of My
Life: 381; Street Corner Fight: 391;
The School Play: 402; Ode to My
Library: 411; The Jacket: 418;
Writing Workshop: 430; Lob's
Girl: 447; My First Dive with the
Dolphins: 465; Something Told the
Wild Geese/Questioning Faces:
476; Zlateh the Goat: 481;
Communication Workshop: 500;
The Phantom Tollbooth: 512;
Fairly Lullaby: 555; Three
Limericks: 563; Writing
Workshop: 592; Words on a Page:
614; All I really Need to Know I
Learned in Kindergarten: 636; You
Sing/Sonnet 52: 643; The Scribe:
653; Crow Call: 668; Looking
Back: 678; Writing Workshop:
690; The Dog of Pompeii: 700;
Tutankhamen: 718; The First
Emperor: 728; Barbara Frietchie:
737; Writing Workshop: 754;
Links to Unit One: 772; Links to
Unit Two: 788; Links to Unit
Three: 800; Links to Unit Four:
816; Links to Unit Five: 830;
Communication Workshop: 844
(continued)
2. provide a website which provides
links to relevant sites as well as
lesson plans, student activities and
parent resources.
Pupil’s Edition/Teacher’s Edition
Nadia the Willful: 77; Matthew
Henson at the Top of the World:
112; Summer of Fire: 122; Ghost
of the Lagoon: 133; Gary Paulson:
153; All Summer in a Day: 217;
Chinatown: 228; Aaron's Gift: 258;
Your Family's History Will Come
Alive: 260-263; The Circuit: 273;
Damon and Pythias: 331; Abd AlRahman Ibrahima: 379; The Story
of My Life: 386; Gary Soto: 401;
Animals to the Rescue: 464; My
First Dive With the Dolphins: 474;
Zlateh the Goat: 480; Words on a
Page: 634; Lois Lowry: 667; The
Dog of Pompeii: 712;
Tutankhamen: 726; The First
Emperor: 735; Getting Information
Electronically: R106-R107
3.
integrate technology into the
curriculum.
14
Text Wrap in Teacher’s Edition
Matthew Henson at the Top of the
World: 101; Summer of Fire: 114;
Ghost of the Lagoon: 124; The Fun
of It: 135; Older Run: 154;
Woodsong: 165; Writing
Workshop: 176; Poems by
Dickinson, Berry, and Little: 194;
Three Haiku: 205; All Summer in a
Day: 209; Chinatown: 219; Writing
Workshop: 236; Aaron's Gift: 248;
The Circuit: 264; Oh Broom, Get
to Work: 275; Western Wagons:
284; Damon and Pythias: 322;
Cricket in the Road: 333; The
Quarrel: 343; Writing Workshop:
355; Abd Al-Rahman Ibrahima:
365; The Story of My Life: 381;
Street Corner Fight: 391; The
School Play: 402; Ode to My
Library: 411; The Jacket: 418;
Writing Workshop: 430; Lob's
Girl: 447; My First Dive with the
Dolphins: 465; Something Told the
Wild Geese/Questioning Faces:
476; Zlateh the Goat: 481;
Communication Workshop: 500;
The Phantom Tollbooth: 512;
Fairly Lullaby: 555; Three
Limericks: 563; Writing
Workshop: 592; Words on a Page:
614; All I really Need to Know I
Learned in Kindergarten: 636; You
Sing/Sonnet 52: 643; The Scribe:
653; Crow Call: 668; Looking
Back: 678; Writing Workshop:
690; The Dog of Pompeii: 700;
Tutankhamen: 718; The First
Emperor: 728; Barbara Frietchie:
737; Writing Workshop: 754;
Links to Unit One: 772; Links to
Unit Two: 788; Links to Unit
Three: 800; Links to Unit Four:
816; Links to Unit Five: 830;
Communication Workshop: 844
(continued)
3. integrate technology into the
curriculum.
15
B. SCIENTIFICALLY-BASED READING RESEARCH
STRATEGIES
Pupil’s Edition/Teacher’s Edition
Eleven: 26; President Cleveland,
Where Are You?: 34; The Fun of
It: 143; Older Run: 161; All
Summer in a Day: 217; Damon and
Pythias: 322; Street Corner
Flight/Words Like Freedom: 391;
The School Play: 409; Learning the
Language of Literature: 444;
Something Told the Wild
Geese/Questioning Faces: 479;
Zlateh the Goat: 481; The Phantom
Tollbooth: 553; Comparing
Literature: 573; The Fun They
Had: 579; The Sand Castle: 586;
Words on a Page: 634; Unit Six:
850
1.
provide explicit instructional
strategies to present varied teaching
models including but not limited to:
webbing, mapping, Venn diagrams
and inverted pyramids.
2.
promote independent reading skills
and study techniques (e.g., DRTA,
SQ3R, ReQuest, Feature Analysis,
QAR).
Text Wrap in Teacher’s Edition
Matthew Henson at the Top of the
World: 106; Chinatown: 220;
Writing Workshop: 357
Pupil’s Edition/Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
Becoming an Active Reader: S3;
Reading Literature: S6, S8;
Applying the Strategies: S22, S25,
S31; The Active Reader: 25;
Summer of Fire: 114; Woodsong:
165, 170; All Summer in a Day:
217; Damon and Pythias: 328; The
Active Reader: 364; The Active
Reader: 446; The Dog of Pompeii:
700; Academic Reading
Handbook: R126
16
Pupil’s Edition/Teacher’s Edition
Eleven: 26; President Cleveland,
Where Are You?: 34; The Fun of
It: 143; Older Run: 161; All
Summer in a Day: 217; Damon and
Pythias: 322; Street Corner
Flight/Words Like Freedom: 391;
The School Play: 409; Learning the
Language of Literature: 444;
Something Told the Wild
Geese/Questioning Faces: 479;
Zlateh the Goat: 481; The Phantom
Tollbooth: 553; Comparing
Literature: 573; The Fun They
Had: 579; The Sand Castle: 586;
Words on a Page: 634; Unit Six:
850
3.
present varied teaching models
Text Wrap in Teacher’s Edition
Matthew Henson at the Top of the
World: 106; Chinatown: 220;
Writing Workshop: 357
C. CRITICAL THINKING
Pupil’s Edition/Teacher’s Edition
Becoming An Active Reader: S3;
Reading Literature: S6, S8; Your
Turn: S22, S25, S31, The Active
Reader: 25; Matthew Henson at the
Top of the World: 104; Woodsong:
165, 170; Damon and Pythias: 328;
The Active Reader: 364; The
Active Reader: 446; Lob's Girl:
450, 454
1.
emphasize questioning models to
promote higher order thinking skills
in all levels of comprehension
(literal, interpretive,
critical/evaluative).
Text Wrap in Teacher’s Edition
The Phantom Tollbooth: 534; The
First Emperor: 732; Growth and
Change: 792; A Sense of Fairness:
806, 808
17
Pupil’s Edition/Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
Becoming An Active Reader: S3;
Reading Literature: S6, S8; Your
Turn: S22, S25, S31, The Active
Reader: 25; Matthew Henson at the
Top of the World: 104; Woodsong:
165, 170; Damon and Pythias: 328;
The Active Reader: 364; The
Active Reader: 446; Lob's Girl:
450
2.
emphasize questioning models to
promote higher order thinking skills
based on Bloom’s Taxonomy.
Text Wrap in Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
The Phantom Tollbooth: 534; The
First Emperor: 732; Growth and
Change: 792; A Sense of Fairness:
806, 808
D. LIFE SKILLS
Pupil’s Edition/Teacher’s Edition
Scout's Honor: 65; Daring to
Dream: 146-147; Unit One Reflect
and Assess: 183; Calling All
"Nobodies": 201-204; Aaron's Gift:
258; Unit Two Reflect and Assess:
305; Peers Talk It Out: 340-342;
Unit Three Reflect and Assess:
437; The Sand Castle: 586; Unit
Four Reflect and Assess: 599; A
9,500-Year-Old Summer Home:
714-717; Barbara Frietchie: 741;
Unit Five Reflect and Assess: 763;
Speaking and Listening Handbook:
R105
1.
address life skills (e.g., reading road
maps, using reference tools,
researching, reading a newspaper,
using want ads, completing an
application, applying the interview
process and goal setting).
Pupil’s Edition/Teacher’s Edition
Unit One Reflect and Assess: 183;
Unit Two Reflect and Assess: 305;
Unit Three Reflect and Assess:
437; Unit Four Reflect and Assess:
599; Unit Five Reflect and Assess:
763
2.
address habits of mind activities
(e.g., literacy skills, interpersonal
communications, problem solving
and self-directional skills).
18
E. CLASSROOM MANAGEMENT
Pupil’s Edition/Teacher’s Edition
Eleven: 31; President Cleveland,
Where Are You?: 45-46; Scout's
Honor: 52, 64; Nadia the Willful:
76; Writing Workshop: 92;
Summer of Fire: 122; Ghost of the
Lagoon: 132, 133; The Fun of It:
142; Older Run: 154, 161;
Woodsong: 170; Author Study
Project: 173; Writing Workshop:
179; Unit One: 182, 183; Poems by
Dickinson, Berry, and Little: 198;
Three Haiku: 207; All Summer in
A Day: 216; Chinatown: 227;
Writing Workshop: 239; Aaron's
Gift: 257; The Circuit: 272; Oh
Broom, Get to Work: 281; Western
Wagons/Night Journey: 287;
Damon and Pythias: 330; Cricket
in the Road: 337, 338; The
Quarrel/Fable: 346; Abd AlRahman Ibrahima: 378; The Story
of My Life: 385; Street Corner
Flight/Words Like Freedom: 395;
Ode to My Library: 415; Gary
Soto: 426, 427; Something Told
the Wild Geese/Questioning Faces:
479; Zlateh the Goat: 488; The
Phantom Tollbooth: 552; Three
Limericks: 566; The Fun They
Had: 579; Words on a Page: 633;
You Sing/How to Paint the Portrait
of a Bird: 648; The Scribe: 661;
Crow Call: 668, 674; Looking
Back: 684; Author Study Project:
687; Writing Workshop: 693; The
Dog of Pompeii: 711; The First
Emperor: 734; Barbara Frietchie:
741; Unit Six: 850; Group
Communication: R104-R105
1.
include opportunities for large
group, small group and independent
learning.
Text Wrap in Teacher’s Edition
Woodsong: 168; Gary Paulson:
173; Writing Workshop: 180;
Zlateh the Goat: 480; Comparing
Literature: 573; The Sand Castle:
585
19
Pupil’s Edition/Teacher’s Edition
Speaking & Listening Project:
19m; Speaking & Listening
Project: 187m; Speaking &
Listening Project: 315m; Speaking
& Listening Project: 441m;
Speaking & Listening Project:
609m; Speaking & Listening
Project: 767i
2.
provide classroom management
suggestions.
F. INSTRUCTIONAL MATERIALS
Text Wrap in Teacher’s Edition
Eleven: 27, 29; President
Cleveland, Where Are You?: 35,
37, 39, 41, 41; Scout's Honor: 53,
55, 57, 59, 61, 63; Nadia the
Willful: 69, 71, 73, 75; Matthew
Henson at the Top of the World:
103, 105, 107, 109; Summer of
Fire: 115, 117, 119; Ghost of the
Lagoon: 125, 127, 129, 131; The
Fun of It: 137, 139, 141; Older
Run: 155, 157, 159; Woodsong:
167, 169; I'm Nobody! Who Are
You?: 195, 197, All Summer in a
Day: 211, 213, 215; Chinatown:
221, 223, 225; Aaron's Gift: 249,
251, 253, 255; The Circuit: 265,
267, 269, 271; Oh Broom, Get to
Work: 277, 279; Western Wagons:
285, Damon and Pythias: 323, 325,
327, 329; Cricket in the Road: 335,
The Quarrel/Fable: 345; Abd AlRahman Ibrahima: 367, 369, 371,
373, 375, 377; The Story of My
Life: 383; Street Corner Flight:
393; The School Play: 403, 405,
407; Ode to My Library: 413, The
Jacket: 419, 421, 423; Lob's Girl:
449, 451, 453, 455, 457; My First
Dive with the Dolphins: 467, 469,
471; Something Told the Wild
Geese: 477; Zlateh the Goat: 483,
485, 487; The Phantom Tollbooth:
513, 515, 517, 519, 521, 523, 525,
527, 529, 531, 533, 535, 537, 539,
541, 543, 545, 547, 549, 551; The
Walrus and the Carpenter: 557;
Fairy Lullaby: 559, Three
Limericks: 565; The Fun They
Had: 575, 577;
1.
address varied learning styles and
multiple intelligences of students
including models for insightful
decision-making by the instructor.
20
Text Wrap in Teacher’s Edition
The Sand Castle: 581, 583; Words
on a Page: 615, 617, 619, 621,
623, 625, 627, 629; All I really
Need to Know I Learned in
Kindergarten: 637, 639; Sonnet 52:
645; How to Paint the Portrait of a
Bird: 647; The Scribe: 655, 657,
659; Crow Call: 669, 671, 673;
Looking Back: 679, 681, 683; The
Dog of Pompeii: 701, 703, 705,
707, 709; Tutankhamen: 719, 721,
723; The First Emperor: 729, 731,
733; Barbara Frietchie: 739;
Keeping the Past Alive: 771; Links
to Unit One: 773; The Boy Who
Flew: 775, 777; Arachne: 779, 781;
The Story of Ceres and Proserpina:
783, 785, 787; Links to Unit Two:
789; The Disobedient Child: 791,
793; The Bamboo Beads: 795, 797,
799; Links to Unit Three: 801; In
the Land of Small Dragon: 803,
805, 807, 809; King Thrushbeard:
811, 813, 815; Links to Unit Four:
817; Why Monkeys Live in Trees:
819, 821; The Legend of the
Hummingbird: 823, 825; The
Living Kuan-Yin: 827, 829; Links
to Unit Five: 831; The Frog Who
Wanted to be a Singer: 833, 835;
Where the Girl Rescued her
Brother: 837, 839, 841
(continued)
1. address varied learning styles and
multiple intelligences of students
including models for insightful
decision-making by the instructor.
Pupil’s Edition/Teacher’s Edition
Reading For Information: S12-S19;
Applying the Strategies: S20-S31;
The Active Reader: 25; The Active
Reader: 100; The Active Reader:
193; The Active Reader: 247; The
Active Reader: 321; The Active
Reader: 364; The Active Reader:
446; The Active Reader: 511; The
Active Reader: 613; The Active
Reader: 699
2.
provide extensive and varied
opportunities to practice skills.
See Preparing to Read before each
selection:
26, 34, 52, 67, 101, 114, 124, 135,
154, 165, 194, 205, 209, 219, 248,
264, 275, 284, 322, 333, 343, 365,
381, 391, 402, 411, 418, 447, 465,
476, 481, 512, 555, 563, 574, 580,
614, 636, 643, 653, 668, 678, 700,
21
Pupil’s Edition/Teacher’s Edition
See Preparing to Read before each
selection:
718, 728, 737, 772-773, 788-789,
800-801, 816-817, 830-831
(continued)
2. provide extensive and varied
opportunities to practice skills.
Text Wrap in Teacher’s Edition
Eleven: 28; President Cleveland,
Where Are You?: 36, 38, 40, 42,
44; Scout's Honor: 54, 56, 58, 60,
62; Nadia the Willful: 66, 68, 70,
72; Matthew Henson at the Top of
the World: 102, 104, 106, 108,
110; Summer of Fire: 116, 118,
120; Ghost of the Lagoon: 126,
128, 130; The Fun of It: 138, 140;
Older Run: 156, 158, 160;
Woodsong: 166, 168; Poems by
Dickinson, Berry, and Little: 196;
Three Haiku: 206; All Summer in a
Day: 210-214; Chinatown: 220,
222, 224, 226; Aaron's Gift: 250,
252, 254, 256; The Circuit: 266,
268, 270; Oh Broom, Get to Work:
276, 278, 280; Western Wagons:
286; Damon and Pythias: 324, 326,
328; Cricket in the Road: 336; The
Quarrel: 344; Abd al-Rahman
Ibrahima: 366, 368, 370, 372, 374;
The Story of My Life: 382, 384;
Street Corner Flight/Word Like
Freedom: 392, 394; The School
Play: 404, 406, 408; Ode to My
Library: 412, 414; The Jacket: 420,
422; Lob's Girl: 448, 450, 452,
454, 456, 458; My First Dive with
the Dolphins: 466, 468, 470, 472;
Wild Geese/Questioning Faces:
478; Zlateh the Goat: 482, 484,
486; The Phantom Tollbooth: 514,
516, 518, 520, 522, 524, 526, 528,
530, 532, 534, 536, 538, 540, 542,
544, 546, 548, 550; The
Walrus/Fairy Lullaby: 556, 558,
560; Three Limericks: 564; The
Fun They Had: 576, 578; The Sand
Castle: 582, 584; Words on a Page:
616, 618, 620, 622, 624, 626, 630;
All I Really Need to Know I
Learned in Kindergarten: 638; You
Sing/Portrait of a Bird: 644, 646;
The Scribe: 654, 656, 658, 660;
Crow Call: 670, 672;
22
Text Wrap in Teacher’s Edition
Looking Back: 680, 682; The Dog
of Pompeii: 702, 704, 706, 708,
710; Tutankhamen: 720, 722, 724;
The First Emperor: 730, 732;
Barbara Frietchie: 738; Beethoven
Lives Upstairs: 768, 770; Tests of
Courage: 774, 776, 778, 780, 782,
784, 786; Growth and Change:
790, 792, 794, 796, 798; A Sense
of Fairness: 802, 804, 806, 808,
810, 812, 814; Wondrous Worlds:
818, 820, 822, 824, 826, 828;
Making Your Mark: 832, 834, 836,
838, 840
(continued)
2. provide extensive and varied
opportunities to practice skills.
Text Wrap in Teacher’s Edition
Opportunities to address this
standard can be found on the
following pages:
Eleven: 27, 29; President
Cleveland, Where Are You?: 35,
37, 39, 41, 41; Scout's Honor: 53,
55, 57, 59, 61, 63; Nadia the
Willful: 69, 71, 73, 75; Matthew
Henson at the Top of the World:
103, 105, 107, 109; Summer of
Fire: 115, 117, 119; Ghost of the
Lagoon: 125, 127, 129, 131; The
Fun of It: 137, 139, 141; Older
Run: 155, 157, 159; Woodsong:
167, 169; I'm Nobody! Who Are
You?: 195, 197, All Summer in a
Day: 211, 213, 215; Chinatown:
221, 223, 225; Aaron's Gift: 249,
251, 253, 255; The Circuit: 265,
267, 269, 271; Oh Broom, Get to
Work: 277, 279; Western Wagons:
285, Damon and Pythias: 323, 325,
327, 329; Cricket in the Road: 335,
The Quarrel/Fable: 345; Abd AlRahman Ibrahima: 367, 369, 371,
373, 375, 377; The Story of My
Life: 383; Street Corner Flight:
393; The School Play: 403, 405,
407; Ode to My Library: 413, The
Jacket: 419, 421, 423; Lob's Girl:
449, 451, 453, 455, 457; My First
Dive with the Dolphins: 467, 469,
471; Something Told the Wild
Geese: 477; Zlateh the Goat: 483,
485, 487;
3.
provide intervention, practice and
enrichment materials.
23
Text Wrap in Teacher’s Edition
The Phantom Tollbooth: 513, 515,
517, 519, 521, 523, 525, 527, 529,
531, 533, 535, 537, 539, 541, 543,
545, 547, 549, 551; The Walrus
and the Carpenter: 557; Fairy
Lullaby: 559, Three Limericks:
565; The Fun They Had: 575, 577;
The Sand Castle: 581, 583; Words
on a Page: 615, 617, 619, 621,
623, 625, 627, 629; All I really
Need to Know I Learned in
Kindergarten: 637, 639; Sonnet 52:
645; How to Paint the Portrait of a
Bird: 647; The Scribe: 655, 657,
659; Crow Call: 669, 671, 673;
Looking Back: 679, 681, 683; The
Dog of Pompeii: 701, 703, 705,
707, 709; Tutankhamen: 719, 721,
723; The First Emperor: 729, 731,
733; Barbara Frietchie: 739;
Keeping the Past Alive: 771; Links
to Unit One: 773; The Boy Who
Flew: 775, 777; Arachne: 779, 781;
The Story of Ceres and Proserpina:
783, 785, 787; Links to Unit Two:
789; The Disobedient Child: 791,
793; The Bamboo Beads: 795, 797,
799; Links to Unit Three: 801; In
the Land of Small Dragon: 803,
805, 807, 809; King Thrushbeard:
811, 813, 815; Links to Unit Four:
817; Why Monkeys Live in Trees:
819, 821; The Legend of the
Hummingbird: 823, 825; The
Living Kuan-Yin: 827, 829; Links
to Unit Five: 831; The Frog Who
Wanted to be a Singer: 833, 835;
Where the Girl Rescued her
Brother: 837, 839, 841
(continued)
3. provide intervention, practice and
enrichment materials.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 299-300;
Writing Workshop: 356-357;
Writing Workshop: 431-432;
Writing Workshop: 593-594
4.
provide exemplars of narrative,
descriptive and expository writing
types.
24
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 93; Writing
Workshop: 180; Writing
Workshop: 240; Writing
Workshop: 302; Writing
Workshop: 359; Writing
Workshop: 434; Communication
Workshop: 504; Writing
Workshop: 596; Writing
Workshop: 694; Writing
Workshop: 760; Communication
Workshop: 848
5.
provide exemplars of
editing/revision for writing.
Pupil’s Edition/Teacher’s Edition
Gary Paulson: 150-153; Gary Soto:
398-401; Lois Lowry: 664-667;
Glossary of Literary and Reading
Terms: R146-R161
6.
provide leveled texts to allow
students to read independently
(grades K-4) or include a Handbook
of English Language Arts, which
will include an extensive glossary of
literary and grammatical
terminology as well as background
on authors (grades 5-12).
Pupil’s Edition/Teacher’s Edition
See Preparing to Read before each
selection:
26, 34, 52, 67, 101, 114, 124, 135,
154, 165, 194, 205, 209, 219, 248,
264, 275, 284, 322, 333, 343, 365,
381, 391, 402, 411, 418, 447, 465,
476, 481, 512, 555, 563, 574, 580,
614, 636, 643, 653, 668, 678, 700,
718, 728, 737, 772-773, 788-789,
800-801, 816-817, 830-831
7.
include teacher and student study
guides for literary works.
Text Wrap in Teacher’s Edition
See Standards-Based
Objectives/Summary before each
selection:
26, 34, 52, 67, 101, 114, 124, 135,
154, 165, 194, 205, 209, 219, 248,
264, 275, 284, 322, 333, 343, 365,
381, 391, 402, 411, 418, 447, 465,
476, 481, 512, 555, 563, 574, 580,
614, 636, 643, 653, 668, 678, 700,
718, 728, 737, 772-773, 788-789,
800-801, 816-817, 830-831
25
Pupil’s Edition/Teacher’s Edition
Reading For Information: S12-S19;
Applying the Strategies: S20-S31;
The Active Reader: 25; The Active
Reader: 100; The Active Reader:
193; The Active Reader: 247; The
Active Reader: 321; The Active
Reader: 364; The Active Reader:
446; The Active Reader: 511; The
Active Reader: 613; The Active
Reader: 699
8.
continue skill or strategy instruction
across several instructional sessions
to expand the applicability and
utility of the skill or strategy.
See Preparing to Read before each
selection:
26, 34, 52, 67, 101, 114, 124, 135,
154, 165, 194, 205, 209, 219, 248,
264, 275, 284, 322, 333, 343, 365,
381, 391, 402, 411, 418, 447, 465,
476, 481, 512, 555, 563, 574, 580,
614, 636, 643, 653, 668, 678, 700,
718, 728, 737, 772-773, 788-789,
800-801, 816-817, 830-831
Text Wrap in Teacher’s Edition
Eleven: 28; President Cleveland,
Where Are You?: 36, 38, 40, 42,
44; Scout's Honor: 54, 56, 58, 60,
62; Nadia the Willful: 66, 68, 70,
72; Matthew Henson at the Top of
the World: 102, 104, 106, 108,
110; Summer of Fire: 116, 118,
120; Ghost of the Lagoon: 126,
128, 130; The Fun of It: 138, 140;
Older Run: 156, 158, 160;
Woodsong: 166, 168; Poems by
Dickinson, Berry, and Little: 196;
Three Haiku: 206; All Summer in a
Day: 210-214; Chinatown: 220,
222, 224, 226; Aaron's Gift: 250,
252, 254, 256; The Circuit: 266,
268, 270; Oh Broom, Get to Work:
276, 278, 280; Western Wagons:
286; Damon and Pythias: 324, 326,
328; Cricket in the Road: 336; The
Quarrel: 344; Abd al-Rahman
Ibrahima: 366, 368, 370, 372, 374;
The Story of My Life: 382, 384;
Street Corner Flight/Word Like
Freedom: 392, 394; The School
Play: 404, 406, 408; Ode to My
Library: 412, 414; The Jacket: 420,
422; Lob's Girl: 448, 450, 452,
454, 456, 458;
26
Text Wrap in Teacher’s Edition
My First Dive with the Dolphins:
466, 468, 470, 472; Wild
Geese/Questioning Faces: 478;
Zlateh the Goat: 482, 484, 486;
The Phantom Tollbooth: 514, 516,
518, 520, 522, 524, 526, 528, 530,
532, 534, 536, 538, 540, 542, 544,
546, 548, 550; The Walrus/Fairy
Lullaby: 556, 558, 560; Three
Limericks: 564; The Fun They
Had: 576, 578; The Sand Castle:
582, 584; Words on a Page: 616,
618, 620, 622, 624, 626, 630; All I
Really Need to Know I Learned in
Kindergarten: 638; You
Sing/Portrait of a Bird: 644, 646;
The Scribe: 654, 656, 658, 660;
Crow Call: 670, 672; Looking
Back: 680, 682; The Dog of
Pompeii: 702, 704, 706, 708, 710;
Tutankhamen: 720, 722, 724; The
First Emperor: 730, 732; Barbara
Frietchie: 738; Beethoven Lives
Upstairs: 768, 770; Tests of
Courage: 774, 776, 778, 780, 782,
784, 786; Growth and Change:
790, 792, 794, 796, 798; A Sense
of Fairness: 802, 804, 806, 808,
810, 812, 814; Wondrous Worlds:
818, 820, 822, 824, 826, 828;
Making Your Mark: 832, 834, 836,
838, 840
(continued)
8. continue skill or strategy instruction
across several instructional sessions
to expand the applicability and
utility of the skill or strategy.
Pupil’s Edition/Teacher’s Edition
Reading For Information: S12-S19;
Applying the Strategies: S20-S31;
The Active Reader: 25; The Active
Reader: 100; The Active Reader:
193; The Active Reader: 247; The
Active Reader: 321; The Active
Reader: 364; The Active Reader:
446; The Active Reader: 511; The
Active Reader: 613; The Active
Reader: 699
9.
connect previously taught skills and
strategies with new content and text.
See Thinking Through the
Literature after each selection:
31, 45, 64, 76, 111, 121, 132, 142,
161, 170, 198, 207, 216, 227, 257,
272, 281, 287, 330, 337, 346, 378,
385, 395, 409, 415, 424, 459, 473,
27
Pupil’s Edition/Teacher’s Edition
See Thinking Through the
Literature after each selection:
479, 488, 552, 561, 566, 579, 585,
633, 640, 648, 661, 674, 684, 711,
725, 734, 740
(continued)
9. connect previously taught skills and
strategies with new content and text.
Text Wrap in Teacher’s Edition
Eleven: 28; President Cleveland,
Where Are You?: 36, 38, 40, 42,
44; Scout's Honor: 54, 56, 58, 60,
62; Nadia the Willful: 66, 68, 70,
72; Matthew Henson at the Top of
the World: 102, 104, 106, 108,
110; Summer of Fire: 116, 118,
120; Ghost of the Lagoon: 126,
128, 130; The Fun of It: 138, 140;
Older Run: 156, 158, 160;
Woodsong: 166, 168; Poems by
Dickinson, Berry, and Little: 196;
Three Haiku: 206; All Summer in a
Day: 210-214; Chinatown: 220,
222, 224, 226; Aaron's Gift: 250,
252, 254, 256; The Circuit: 266,
268, 270; Oh Broom, Get to Work:
276, 278, 280; Western Wagons:
286; Damon and Pythias: 324, 326,
328; Cricket in the Road: 336; The
Quarrel: 344; Abd al-Rahman
Ibrahima: 366, 368, 370, 372, 374;
The Story of My Life: 382, 384;
Street Corner Flight/Word Like
Freedom: 392, 394; The School
Play: 404, 406, 408; Ode to My
Library: 412, 414; The Jacket: 420,
422; Lob's Girl: 448, 450, 452,
454, 456, 458; My First Dive with
the Dolphins: 466, 468, 470, 472;
Wild Geese/Questioning Faces:
478; Zlateh the Goat: 482, 484,
486; The Phantom Tollbooth: 514,
516, 518, 520, 522, 524, 526, 528,
530, 532, 534, 536, 538, 540, 542,
544, 546, 548, 550; The
Walrus/Fairy Lullaby: 556, 558,
560; Three Limericks: 564; The
Fun They Had: 576, 578; The Sand
Castle: 582, 584; Words on a Page:
616, 618, 620, 622, 624, 626, 630;
All I Really Need to Know I
Learned in Kindergarten: 638; You
Sing/Portrait of a Bird: 644, 646;
The Scribe: 654, 656, 658, 660;
28
Text Wrap in Teacher’s Edition
Crow Call: 670, 672; Looking
Back: 680, 682; The Dog of
Pompeii: 702, 704, 706, 708, 710;
Tutankhamen: 720, 722, 724; The
First Emperor: 730, 732; Barbara
Frietchie: 738; Beethoven Lives
Upstairs: 768, 770; Tests of
Courage: 774, 776, 778, 780, 782,
784, 786; Growth and Change:
790, 792, 794, 796, 798; A Sense
of Fairness: 802, 804, 806, 808,
810, 812, 814; Wondrous Worlds:
818, 820, 822, 824, 826, 828;
Making
(continued)
9. connect previously taught skills and
strategies with new content and text.
Pupil’s Edition/Teacher’s Edition
Reading For Information: S12-S19;
Applying the Strategies: S20-S31;
The Active Reader: 25; The Active
Reader: 100; The Active Reader:
193; The Active Reader: 247; The
Active Reader: 321; The Active
Reader: 364; The Active Reader:
446; The Active Reader: 511; The
Active Reader: 613; The Active
Reader: 699
10. cumulatively build a repertoire of
multiple strategies that are
introduced, applied and integrated
throughout the course of study.
See Preparing to Read before each
selection:
26, 34, 52, 67, 101, 114, 124, 135,
154, 165, 194, 205, 209, 219, 248,
264, 275, 284, 322, 333, 343, 365,
381, 391, 402, 411, 418, 447, 465,
476, 481, 512, 555, 563, 574, 580,
614, 636, 643, 653, 668, 678, 700,
718, 728, 737, 772-773, 788-789,
800-801, 816-817, 830-831
Text Wrap in Teacher’s Edition
Eleven: 28; President Cleveland,
Where Are You?: 36, 38, 40, 42,
44; Scout's Honor: 54, 56, 58, 60,
62; Nadia the Willful: 66, 68, 70,
72; Matthew Henson at the Top of
the World: 102, 104, 106, 108,
110; Summer of Fire: 116, 118,
120; Ghost of the Lagoon: 126,
128, 130; The Fun of It: 138, 140;
Older Run: 156, 158, 160;
Woodsong: 166, 168; Poems by
Dickinson, Berry, and Little: 196;
29
Text Wrap in Teacher’s Edition
Three Haiku: 206; All Summer in a
Day: 210-214; Chinatown: 220,
222, 224, 226; Aaron's Gift: 250,
252, 254, 256; The Circuit: 266,
268, 270; Oh Broom, Get to Work:
276, 278, 280; Western Wagons:
286; Damon and Pythias: 324, 326,
328; Cricket in the Road: 336; The
Quarrel: 344; Abd al-Rahman
Ibrahima: 366, 368, 370, 372, 374;
The Story of My Life: 382, 384;
Street Corner Flight/Word Like
Freedom: 392, 394; The School
Play: 404, 406, 408; Ode to My
Library: 412, 414; The Jacket: 420,
422; Lob's Girl: 448, 450, 452,
454, 456, 458; My First Dive with
the Dolphins: 466, 468, 470, 472;
Wild Geese/Questioning Faces:
478; Zlateh the Goat: 482, 484,
486; The Phantom Tollbooth: 514,
516, 518, 520, 522, 524, 526, 528,
530, 532, 534, 536, 538, 540, 542,
544, 546, 548, 550; The
Walrus/Fairy Lullaby: 556, 558,
560; Three Limericks: 564; The
Fun They Had: 576, 578; The Sand
Castle: 582, 584; Words on a Page:
616, 618, 620, 622, 624, 626, 630;
All I Really Need to Know I
Learned in Kindergarten: 638; You
Sing/Portrait of a Bird: 644, 646;
The Scribe: 654, 656, 658, 660;
Crow Call: 670, 672; Looking
Back: 680, 682; The Dog of
Pompeii: 702, 704, 706, 708, 710;
Tutankhamen: 720, 722, 724; The
First Emperor: 730, 732; Barbara
Frietchie: 738; Beethoven Lives
Upstairs: 768, 770; Tests of
Courage: 774, 776, 778, 780, 782,
784, 786; Growth and Change:
790, 792, 794, 796, 798; A Sense
of Fairness: 802, 804, 806, 808,
810, 812, 814; Wondrous Worlds:
818, 820, 822, 824, 826, 828;
Making Your Mark: 832, 834, 836,
838, 840
(continued)
10. cumulatively build a repertoire of
multiple strategies that are
introduced, applied and integrated
throughout the course of study.
30
H. ASSESSMENT
Pupil’s Edition/Teacher’s Edition
Standardized Test Practice: 94;
Standardized Test Practice: 181;
Standardized Test Practice: 241;
Standardized Test Practice: 303;
Standardized Test Practice: 360;
Standardized Test Practice: 435;
Standardized Test Practice: 505;
Standardized Test Practice: 597;
Standardized Test Practice: 695;
Standardized Test Practice: 761;
Standardized Test Practice: 849
1.
provide assessment formats
commensurate with WV assessment
programs (WESTEST, NAEP, State
Writing Assessment, informal
assessments, PLAN, EXPLORE,
ACT and SAT).
Pupil’s Edition/Teacher’s Edition
Standardized Test Practice: 94;
Standardized Test Practice: 181;
Standardized Test Practice: 241;
Standardized Test Practice: 303;
Standardized Test Practice: 360;
Standardized Test Practice: 435;
Standardized Test Practice: 505;
Standardized Test Practice: 597;
Standardized Test Practice: 695;
Standardized Test Practice: 761;
Standardized Test Practice: 849
2.
provide preparation for standardized
tests.
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 89, 91; Writing
Workshop: 176, 177; Writing
Workshop: 236, 237; Writing
Workshop: 298, 299; Writing
Workshop: 355, 356; Writing
Workshop: 430, 431; Writing
Workshop: 592, 593; Writing
Workshop: 690, 691; Writing
Workshop: 754, 755; Writing
Handbook: R35, R39, R41, R43,
R44, R46, R54, R55, R56-R57,
R58
3.
provide opportunities for assessment
based on performance-based
measures, open-ended questioning,
portfolio evaluation, rubrics and
multimedia simulations.
Text Wrap in Teacher’s Edition
Writing Workshop: 93;
Standardized Test Practice: 94;
Writing Workshop: 181; Writing
Workshop: 303; Standardized Test
Practice: 360
Writing Workshop: 597; Writing
Workshop: 761
31
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 89, 91; Writing
Workshop: 176, 177; Writing
Workshop: 236, 237; Writing
Workshop: 298, 299; Writing
Workshop: 355, 356; Writing
Workshop: 430, 431; Writing
Workshop: 592, 593; Writing
Workshop: 690, 691; Writing
Workshop: 754, 755; Writing
Handbook: R35, R39, R41, R43,
R44, R46, R54, R55, R56-R57,
R58
4.
provide benchmark and ongoing
progress monitoring.
Text Wrap in Teacher’s Edition
Writing Workshop: 93;
Standardized Test Practice: 94;
Writing Workshop: 181; Writing
Workshop: 303; Standardized Test
Practice: 360
Writing Workshop: 597; Writing
Workshop: 761
32
READING/LITERATURE
SPECIFIC CRITERIA FOR CONTENT AND SKILLS
SIXTH GRADE
Sixth grade students continue to develop as independent, motivated readers and
writers who think critically and take responsibility for their learning. Students will
engage in vocabulary, fluency and comprehension strategies applied across the content
areas. At this level, children will interact with a wide range of literary forms, building
the foundation for lifelong reading and writing. West Virginia teachers are responsible
for analyzing the benefits of technology for learning and for integrating technology
appropriately in the students’ learning environment.
(Vendor/Publisher)
SPECIFIC LOCATION OF
CONTENT WITHIN
PRODUCT
(IMR Committee) Responses
N=
NonI=
A=
M=
existent
In-depth Adequate Minimal
I
A
M N
Less
80%
80%
60%
than
60%
For student mastery of content standards and objectives the instructional materials will
provide opportunities for the student to
A. VOCABULARY: the use of words to comprehend and
produce language
Pupil’s Edition/Teacher’s Edition
Eleven: 32; President Cleveland,
Where are You?: 46; Scout's Honor:
65; Nadia the Willful: 77, 79; Matthew
Henson at the Top of the World: 112;
Summer of Fire: 122; Ghost of the
Lagoon: 133; The Fun of It: 143;
Daring to Dream: 149; Older Run:
162; Woodsong: 171; All Summer in a
Day: 217; Chinatown: 228, 230;
Aaron's Gift: 258; The Circuit: 273; Oh
Broom, Get to Work: 282; Western
Wagons: 289; Cricket in the Road:
338; The Quarrel/Fable: 348; Abd alRahman Ibrahima: 379; The Story of
My Life: 386; Street Corner
Flight/Words Like Freedom: 397; The
School Play: 410; The Jacket: 425;
Lob's Girl: 460; My First Dive with the
Dolphins: 473, 474; Zlateh the Goat:
489, 491; The Phantom Tollbooth:
553; Three Limericks: 568;
Vocabulary Handbook: R20-R25
1.
provide direct and rich vocabulary.
33
Text Wrap in Teacher’s Edition
Eleven: 27; President Cleveland,
Where are You?: 35; Scout's
Honor: 53; Nadia the Willful: 53;
Matthew Henson at the Top of the
World: 102; Summer of Fire: 115;
Ghost of the Lagoon: 125; The Fun
of It: 136; Older Run: 155;
Woodsong: 167; Chinatown: 220;
Aaron's Gift: 249; The Circuit:
265; Oh Broom, Get to Work: 276;
Cricket in the Road: 334; Abd alRahman Ibrahima: 367; The Story
of My Life: 382; The School Play:
403; The Jacket: 419; Lob's Girl:
449; My First Dive with the
Dolphins: 466; Zlateh the Goat:
484; The Phantom Tollbooth: 514,
526; The Fun they Had: 575; The
Sand Castle: 581
(continued)
1. provide direct and rich vocabulary.
Pupil’s Edition/Teacher’s Edition
President Cleveland, Where Are
You?: 35; Building Vocabulary:
79; Summer of Fire: 122; All
Summer in a Day: 217; My First
Dive with the Dolphins: 474;
Words on a Page: 634;
Tutankhamen: 726; Vocabulary
Handbook: R20
2.
determine the meaning of words
from their use in context.
3.
determine the definition of multiplemeaning words used in context.
Text Wrap in Teacher’s Edition
Nadia the Willful: 68; Matthew
Henson at the Top of the World:
102; All Summer in a Day: 210;
The Story of My Life: 382; Lob's
Girl: 449; The Fun They Had: 575;
Words on a Page: 615;
Tutankhamen: 720
Pupil’s Edition/Teacher’s Edition
Summer of Fire: 122; Vocabulary
Handbook: R24
Text Wrap in Teacher’s Edition
Aaron's Gift: 249; Zlateh the Goat:
484
34
Pupil’s Edition/Teacher’s Edition
Nadia the Willful: 77; Matthew
Henson at the Top of the World:
112; Building Vocabulary: 230;
Building Vocabulary: 348; The
School Play: 410; The Dog of
Pompeii: 712; Vocabulary
Handbook: R22
4.
determine the synonym for words in
text to improve quality (e.g. precise
verbs, descriptive modifiers, sensory
details).
5.
recognize and use root origins as
structural cues in determining word
meaning.
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 149; Aaron’s
Gift: 258; The Story of My Life:
386; Building Vocabulary: 397;
Zlateh the Goat: 489; Building
Vocabulary: 491; The Phantom
Tollbooth: 553; Building
Vocabulary: 663; Spelling
Handbook: R27
6.
recognize root words, prefixes and
suffixes as cues in determining word
meaning.
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 149; Unit
One Reflect and Assess: 183;
Building Vocabulary: 289; Unit
Two Reflect and Assess: 305; Unit
Three Reflect and Assess: 437;
Building Vocabulary: 491;
Phantom Tollbooth: 531; Unit Four
Reflect and Assess: 599; Building
Vocabulary: 663; Building
Vocabulary: 742
7.
use resource materials (e.g.
dictionary; glossary; thesaurus) to
determine the meaning of unknown
words or multiple meaning words.
Text Wrap in Teacher’s Edition
The Dog of Pompeii: 701
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 149;
Building Vocabulary: 491;
Building Vocabulary: 663;
Vocabulary Handbook: R21, R22
Text Wrap in Teacher’s Edition
Abd al-Rahman Ibrahima: 367;
The First Emperor: 729
Text Wrap in Teacher’s Edition
Nadia the Willful: 68; Matthew
Henson at the Top of the World:
102; Aaron’s Gift: 249; The
Circuit: 265; My First Dive with
the Dolphins: 466; All I Really
Need to Know I Learned in
Kindergarten: 637; The Scribe: 654
35
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 742;
Vocabulary Handbook: R23
Text Wrap in Teacher’s Edition: The
Phantom Tollbooth: 526
8.
use connotation and denotation to
understand meaning.
Pupil’s Edition/Teacher’s Edition
Lob’s Girl: 461; Writing
Workshop: 500, 502; The Dog of
Pompeii: 713; Writing Handbook:
R36
9.
analyze text to determine
transitional words.
Pupil’s Edition/Teacher’s Edition
Building Vocabulary: 149;
Building Vocabulary: 289;
Building Vocabulary: 397;
Building Vocabulary: 663;
Building Vocabulary: 742;
Vocabulary: Handbook: R21, R22
10. use graphic organizers during
vocabulary instruction to make
connections between prior
knowledge of words/vocabulary to
unfamiliar or new content.
B. FLUENCY: Explore vocabulary words through multiple
exposure
Pupil’s Edition/Teacher’s Edition
Eleven: 26-33; President
Cleveland, Where Are You?: 3447; Scout's Honor: 52-66; Nadia
the Willful: 67-78; Matthew
Henson at the Top of the World:
101-113; Summer of Fire: 114123; Ghost of the Lagoon: 124134; The Fun of It: 135-144; Older
Run: 154-162; Woodsong: 165173; Poems by Dickinson, Berry,
and Little: 194-200; Three Haiku:
205-208; All Summer in a Day:
209-218; Chinatown: 219-229;
Aaron's Gift: 248-259; The Circuit:
264-274; Oh Broom, Get to Work:
275-283; Western Wagons: 284288; Ta-Na-E-Ka: 290-297;
Damon and Pythias: 322-332;
Cricket in the Road: 333-339; The
Quarrel: 343-347; Abd al-Rahman
Ibrahima: 365-380; The Story of
My Life: 381-387; Street Corner
Flight/Word Like Freedom: 391396; The School Play: 402-410;
Ode to My Library: 411-415; The
Jacket: 418-427; Lob's Girl: 447461; My First Dive with the
Dolphins: 465-475;
1.
read with accuracy and
comprehension instructional level
texts designed for the sixth grade
and use self-correction strategies.
36
Pupil’s Edition/Teacher’s Edition
Wild Geese/Questioning Faces:
476-480; Zlateh the Goat: 481-490;
How to Bring Up a Lion: 492-499;
The Phantom Tollbooth: 512-554;
The Walrus/Fairy Lullaby: 555562; Three Limericks: 563-567;
The Fun They Had: 574-579; The
Sand Castle: 580-586; Words on a
Page: 614-635; All I Really Need
to Know I Learned in
Kindergarten: 636-642; You
Sing/Portrait of a Bird: 643-649;
The Scribe: 653-662; Crow Call:
668-675; Looking Back: 678-687;
The Dog of Pompeii: 700-713;
Tutankhamen: 718-726; The First
Emperor: 728-736; Barbara
Frietchie: 737-741; Beethoven
Lives Upstairs: 743-754; Tests of
Courage: 72-773; Growth and
Change: 788-789; A Sense of
Fairness: 800-801; Wondrous
Worlds: 816-817; Making Your
Mark: 830-831
(continued)
1. read with accuracy and
comprehension instructional level
texts designed for the sixth grade
and use self-correction strategies.
Pupil’s Edition/Teacher’s Edition
Eleven: 26-33; President
Cleveland, Where Are You?: 3447; Scout's Honor: 52-66; Nadia
the Willful: 67-78; Matthew
Henson at the Top of the World:
101-113; Summer of Fire: 114123; Ghost of the Lagoon: 124134; The Fun of It: 135-144; Older
Run: 154-162; Woodsong: 165173; Poems by Dickinson, Berry,
and Little: 194-200; Three Haiku:
205-208; All Summer in a Day:
209-218; Chinatown: 219-229;
Aaron's Gift: 248-259; The Circuit:
264-274; Oh Broom, Get to Work:
275-283; Western Wagons: 284288; Ta-Na-E-Ka: 290-297;
Damon and Pythias: 322-332;
Cricket in the Road: 333-339; The
Quarrel: 343-347; Abd al-Rahman
Ibrahima: 365-380; The Story of
My Life: 381-387; Street Corner
Flight/Word Like Freedom: 391396; The School Play: 402-410;
Ode to My Library: 411-415;
2.
read familiar stories, poems and
passages with fluency.
37
Pupil’s Edition/Teacher’s Edition
The Jacket: 418-427; Lob's Girl:
447-461; My First Dive with the
Dolphins: 465-475; Wild
Geese/Questioning Faces: 476-480;
Zlateh the Goat: 481-490; How to
Bring Up a Lion: 492-499; The
Phantom Tollbooth: 512-554; The
Walrus/Fairy Lullaby: 555-562;
Three Limericks: 563-567; The
Fun They Had: 574-579; The Sand
Castle: 580-586; Words on a Page:
614-635; All I Really Need to
Know I Learned in Kindergarten:
636-642; You Sing/Portrait of a
Bird: 643-649; The Scribe: 653662; Crow Call: 668-675; Looking
Back: 678-687; The Dog of
Pompeii: 700-713; Tutankhamen:
718-726; The First Emperor: 728736; Barbara Frietchie: 737-741;
Beethoven Lives Upstairs: 743754; Tests of Courage: 72-773;
Growth and Change: 788-789; A
Sense of Fairness: 800-801;
Wondrous Worlds: 816-817;
Making Your Mark: 830-831
(continued)
2. read familiar stories, poems and
passages with fluency.
Pupil’s Edition/Teacher’s Edition
Western Wagons: 288; The Sand
Castle: 584; The Scribe: 662
3.
read orally with expression literary
texts across the curriculum.
Text Wrap in Teacher’s Edition
Eleven: 30; Woodsong: 168; The
Circuit: 271; Oh Broom, Get to
Work: 280; Words on a Page: 632;
Looking Back: 683; The Boy Who
Flew: 776; The Legend of the
Hummingbird: 825
38
Pupil’s Edition/Teacher’s Edition
Tuesday of the Other June: 80-88;
Unit One for Independent Reading:
184, 185; Flowers and Freckle
Cream: 231-235; Ta-Na-E-Ka:
290-297; Unit Two for
Independent Reading: 306, 307;
The Southpaw: 349-354; Unit
Three for Independent Reading:
438, 439; How To Bring Up a
Lion: 492-499; Where the
Sidewalk Ends: 569-571; Unit Four
for Independent Reading: 600, 601;
Beethoven Lives Upstairs: 743753; More About the Cultures: 851
4.
increase amount of independent
reading..
C. COMPREHENSION: active process of constructing
meaning from text
Pupil’s Edition/Teacher’s Edition
Reading Strategies Unit: S2-S3,
S6-S7, S8-S11, S12-S13, S14-S19,
S20-S31, Learning the Language of
Literature: 21-24; Eleven: 26, 28,
29, 31; President Cleveland, Where
Are You?: 34; Scout’s Honor: 52,
64; Nadia the Willful: 67; Learning
the Language of Literature: 96-99;
Matthew Henson On Top of the
World: 101, 111; Summer of Fire:
114, 121; Ghost of the Lagoon:
124, 132; The Fun of It: 135, 142;
Reading for Information: 145-148;
Older Run: 154; Woodson: 165,
170; Unit One Reflect and Assess:
183; Learning the Language of
Literature : 189-192; Poems by
Dickinson, Berry, and Little: 194;
Three Haiku: 205, 207; All
Summer in a Day: 209, 216;
Chinatown: 219; The Active
Reader: 247; Aaron’s Gift: 248,
250, 254, 255, 257; Reading for
Information: 260-263; The Circuit:
264; Oh Broom, Get to Work: 281;
Western Wagons: 284; Learning
the Language of Literature: 317320; Damon and Pythias: 322, 328;
Cricket in the Road: 333, 337; The
Quarrel/Fable: 343; Learning the
Language of Literature: 362-363;
Abd al-Rahman Ibrahima: 365;
The Story of My Life: 381, 385;
The School Play: 402, 409; Ode to
My Library: 411, 415;
1.
read literary works by national and
international authors to include but
not limited to the following: short
stories, science fiction,
contemporary fiction, historical
fiction, biographies, narratives, and
poetry.
39
Pupil’s Edition/Teacher’s Edition
The Jacket: 418; Lob’s Girl: 447,
450, 452, 454, 455; My First Dive
with the Dolphins: 465, 473;
Something Told the Wild Geese/
Questioning Faces: 476; Zlateh the
Goad: 481, 484; The Active
Reader: 511; The Phantom
Tollbooth: 512, 518, 520, 522, 524,
528, 536, 539, 544, 550, 552; The
Walrus and the Carpenter/ Fairy
Lullaby: 555, 561; Three
Limericks: 563, 566; The Fun They
Had: 574; The Sand Castle: 580;
Unit Four Reflect and Assess: 598;
Words on a Page: 614; All I Really
Need to Know I Learned in
Kindergarten: 636, 640; You Sing/
How to Paint the Portrait of a Bird:
643; The Scribe: 653; Crow Call:
668; The Dog of Pompeii: 700,
711; Reading for Information: 714717; Tutankhamen: 718, 725; The
First Emperor: 728, 734; Barbara
Frietchie: 737, 740; Links to Unit
One Tests of Courage: 772-773;
Links to Unit Two Growth and
Change: 788-789; Links to Unit
Three A Sense of Fairness: 800801; Links to Unit Four Wondrous
Worlds: 816-817; Links to Unit
Five Making Your Mark: 830
(continued)
1. read literary works by national and
international authors to include but
not limited to the following: short
stories, science fiction,
contemporary fiction, historical
fiction, biographies, narratives, and
poetry.
Text Wrap in Teacher’s Edition
Eleven: 28, 30; President
Cleveland, Where Are You?: 38;
42, 43, 44; Scout’s Honor: 54, 56,
58, 59, 60, 62; Nadia The Willful:
70; Matthew Henson At The Top
of The World: 102, 104, 106, 108;
Summer of Fire: 120; Ghost of the
Lagoon: 126, 128, 130; The Fun of
It: 136, 138, 140; Older Run: 156,
160; Woodsong: 166, 168; Three
Haiku: 206; All Summer In A Day:
210, 212, 214; Aaron’s Gift: 250,
252, 253, 254, 256; The Circuit:
270; Oh Broom, Get To Work:
276, 280; Damon and Pythias: 328;
Cricket in the Road: 334, 340; The
Quarrel/Fable: 344; The Story of
My Life: 382, 384; The School
Play: 404, 406, 408; Ode to My
Library: 412; The Jacket: 422;
Lob’s Girl: 448, 454;
40
Text Wrap in Teacher’s Edition
My First Dive with the Dolphins:
466, 470, 472; The Phantom
Tollbooth: 514, 516, 518, 532, 533,
534, 538, 542, 546, 548, 549; The
Walrus and the Carpenter: 556,
559, 560; Three Limericks: 564;
The Fun They Had: 576, 578; The
Sand Castle: 584; Words on a
Page: 624; All I Really Need To
Know I Learned In Kindergarten:
638; You Sing/How to Paint the
Portrait of a Bird: 646; Crow Call:
672; Looking Back: 680, 682; The
Dog of Pompeii: 710;
Tutankhamen: 720, 722, 724; The
First Emperor: 730, 732; Barbara
Frietchie: 738; The Boy Who Flew:
776; The Story of Ceres and
Proserpina: 784, 786; The
Disobedient Child: 792; The
Bamboo Beads: 796; King
Thrushbeard: 812; Why Monkeys
Live in Trees: 818, 820; The
Legend of the Hummingbird: 822,
824; The Living Kuan-Yin: 826,
828; The Frog Who Wanted to Be
a Singer: 832, 834
(continued)
1. read literary works by national and
international authors to include but
not limited to the following: short
stories, science fiction,
contemporary fiction, historical
fiction, biographies, narratives, and
poetry.
Pupil’s Edition/Teacher’s Edition
Abd al-Rahman Ibrahima: 367-380
2.
read literary works by West Virginia
authors.
Pupil’s Edition/Teacher’s Edition
Matthew Henson at the Top of the
World: 101, 111; Summer of Fire:
121; All I Really Need to Know I
Learned in Kindergarten: 636, 640;
The First Emperor: 728, 734
3.
determine the main idea of a passage
whether stated or inferred.
Text Wrap in Teacher’s Edition
Matthew Henson at the Top of the
World: 102, 104, 105, 107, 110;
Abd al-Rahman Ibrahima: 375,
377; The Story of My Life: 384;
All I Really Need to Know I
Learned in Kindergarten: 638; The
First Emperor: 730
41
Pupil’s Edition/Teacher’s Edition
The Fun of It: 135, 142; The
Jacket: 418, 424; Newberry
Acceptance Speech: 676
4.
determine the author’s purpose by
analyzing information on tone, style,
and technique of writing.
5.
determine the appropriate reading
strategy (e.g., rereading) to acquire
specific information.
6.
locate specific details in a literary
selection to promote initial
understanding including but not
limited to vocabulary, cause-effect,
classifying, compare and contrast,
sequence, etc.
Text Wrap in Teacher’s Edition
The Fun of It: 136, 138; The
Jacket: 420
Pupil’s Edition/Teacher’s Edition
Trading Card Talk: 49-51; Daring
to Dream: 146, Calling All
"Nobodies": 201; Your Family's
History Will Come Alive: 261;
341; Animals to the Rescue: 463;
Home on an Icy Planet: 589; Flip
Out!: 651
Text Wrap in Teacher’s Edition
Trading Card Talk: 48, 50; Daring
to Dream: 147; Calling All
"Nobodies": 203; 340; Animals to
the Rescue: 462; Home on an Icy
Planet: 588, 590; Flip Out!: 650; A
9,500-Year-Old Summer Home:
714, 715
Pupil’s Edition/Teacher’s Edition
Eleven: 31; President Cleveland,
Where Are You?: 34; Scout's
Honor: 64; Nadia the Willful: 67,
76; Matthew Henson at the Top of
the World: 111; Summer of Fire:
114, 121; Older Run: 154, 161;
Chinatown: 227; 257; Damon and
Pythias: 330; The Quarrel: 346;
Abd al-Rahman Ibrahima: 365,
378; Street Corner Flight/Word
Like Freedom: 395; Lob's Girl:
447, 459; Words on a Page: 633;
You Sing/Portrait of a Bird: 643,
648; Crow Call: 668, 674; Looking
Back: 684; The Dog of Pompeii:
711
Text Wrap in Teacher’s Edition
President Cleveland, Where Are
You?: 36, 38, 40, 42, 44; Nadia the
Willful: 68, 70, 72; Summer of
Fire: 116, 117, 118, 120; Older
Run: 156, 157; Chinatown: 224,
225; Damon and Pythias: 299; Abd
al-Rahman Ibrahima: 366, 372;
42
Text Wrap in Teacher’s Edition
Lob's Girl: 448, 450, 452, 456,
458; Crow Call: 670, 672; The
First Emperor: 730; Why Monkeys
Live in Trees: 821
(continued)
6. locate specific details in a literary
selection to promote initial
understanding including but not
limited to vocabulary, cause-effect,
classifying, compare and contrast,
sequence, etc.
Pupil’s Edition/Teacher’s Edition
Learning the Language of
Literature: 21-24; Eleven: 26, 31;
President Cleveland, Where Are
You?: 34, 45; Scout’s Honor: 52,
64; Nadia the Willful: 76; Ghost of
the Lagoon: 124, 132; The Fun of
It: 135, 142; Older Run: 161; Unit
One Reflect and Assess: 183;
Poems by Dickinson, Berry, and
Little: 198; All Summer in a Day:
216; Chinatown: 227; Learning the
Language of Literature: 243-246;
Aaron’s Gift: 248, 257; The
Circuit: 264, 272; Learning the
Language of Literature: 319; The
Quarrel/Fable: 343, 346; The
Jacket: 418, 424; Learning the
Language of Literature: 443-445;
Lob’s Girl: 459; My First Dive
with the Dolphins: 473; Zlateh the
Goat: 481, 488; Learning the
Language of Literature: 508-509;
The Phantom Tollbooth: 552; The
Walrus and the Carpenter/Fairy
Lullaby: 555; The Fun They Had:
574, 579; The Sand Castle: 580,
585; Words on a Page: 633; The
Scribe: 653, 661; Lois Lowry
Newberry Acceptance Speech:
676-677; Learning the Language of
Literature: 698; Unit Six Reflect
and Assess: 850
7.
determine plot, style, mood,
characterization, and time/sequence
order words to construct initial
meaning and genre (e.g., science
fiction, folktales, etc.).
Text Wrap in Teacher’s Edition
Eleven: 28, 29; President
Cleveland, Where Are You?: 36,
38, 39, 42, 44; Scout’s Honor: 54,
55, 57, 58, 60, 61, 62; Ghost of the
Lagoon: 126, 127, 128, 130, 131;
The Fun of It: 136, 138; All
Summer in a Day: 213; Aaron’s
Gift: 250, 251, 252, 255, 256;
Cricket in the Road: 336; The
School Play: 405; The Jacket: 420;
43
Text Wrap in Teacher’s Edition
Lob’s Girl: 450, 451, 452, 454,
458; Zlateh the Goat: 482, 483,
485, 486, 487; The Phantom
Tollbooth: 528, 540; The Fun They
Had: 576; The Sand Castle: 582;
The Scribe: 654, 655, 656, 657,
658, 660; Crow Call: 673; The Dog
of Pompeii: 710; The Story of
Ceres and Proserpina: 787; The
Disobedient Child 793
(continued)
7. determine plot, style, mood,
characterization, and time/sequence
order words to construct initial
meaning and genre (e.g., science
fiction, folktales, etc.).
Pupil’s Edition/Teacher’s Edition
President Cleveland, Where Are
You?: 45; Scout's Honor: 64;
Summer of Fire: 114; The Fun of
It: 143; All Summer in a Day: 217;
Aaron's Gift: 257, 258; The
Circuit: 272; Oh Broom, Get to
Work: 281; Damon and Pythias:
330, 331; The Story of My Life:
385; Lob's Girl: 447; Wild
Geese/Questioning Faces: 479,
480; The Walrus/Fairy Lullaby:
555; The Fun They Had: 579; The
Sand Castle: 585, 586; Unit Four
Reflect and Assess: 599; Unit Five
Reflect and Assess: 763
8.
practice the skill of developing
graphic organizers.
9.
use graphic organizers to construct
meaning of a literary selection
showing main ideas, supporting
details, and the relationship among
those ideas.
Text Wrap in Teacher’s Edition
Writing Workshop: 91; Writing
Workshop: Writing Workshop:
237; Writing Workshop: 299;
Writing Workshop: 357; Zlateh the
Goat: 482, 424, 486; Writing
Workshop: 501; Writing
Workshop: 593; Writing
Workshop: 691; Writing
Workshop: 756
Pupil’s Edition/Teacher’s Edition
Matthew Henson at the Top of the
World: 101, 111; Zlateh the Goat:
481, 488; Home on an Icy Planet:
589, 591; Reading Handbook: R6R7
Text Wrap in Teacher’s Edition
Writing Workshop: 237; Zlateh the
Goat: 482, 484, 486
44
Pupil’s Edition/Teacher’s Edition
Eleven: 26, 31; The Fun of It: 143;
Older Run: 161; Learning the
Language of Literature: 244, 245;
Aaron's Gift: 248, 257; The
Circuit: 264; Unit Two Reflect and
Assess: 305; The Scribe: 653, 661;
The First Emperor: 735; Barbara
Frietchie: 740; Unit Six Reflect and
Assess: 850
10. interpret text to determine a
character’s feelings, motives and
traits from the text.
Text Wrap in Teacher’s Edition
Eleven: 29; President Cleveland,
Where Are You?: 39; Scout's
Honor: 55; Aaron's Gift: 250, 252,
256; Cricket in the Road: 336; The
School Play: 405
Pupil’s Edition/Teacher’s Edition
Learning the Language of
Literature: 23; Eleven: 31;
President Cleveland, Where Are
You?: 46, Scout's Honor: 64; The
Fun of It: 140; All Summer in a
Day: 217; Learning the Language
of Literature: 244; Aaron's Gift:
248, 257; Oh Broom, Get to Work:
278; Unit Two Reflect and Assess:
331
11. draw a conclusion to describe
characters based on their thoughts
and actions.
Text Wrap in Teacher’s Edition
Eleven: 28; Aaron's Gift: 250, 252,
256; The Circuit: 270; Cricket in
the Road: 336; The School Play:
405; The Phantom Tollbooth: 518,
530, 532, 542; Words on a Page:
630; The Scribe: 656, 658, 660
Pupil’s Edition/Teacher’s Edition
The Active Reader: 613; Words on
a Page: 614, 618, 625, 628, 630,
633; Academic Reading
Handbook: R118
12. justify conclusions or opinions
reached from textbook information.
Text Wrap in Teacher’s Edition
Words on a Page: 616, 620, 622,
625, 626, 630
45
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 91; Aaron's
Gift: 258; Peers Talk it Out: 341
See Thinking Through the
Literature after each selection:
31, 45, 64, 76, 111, 121, 132, 142,
161, 170, 198, 207, 216, 227, 257,
272, 281, 287, 330, 337, 346, 378,
385, 395, 409, 415, 424, 459, 473,
479, 488, 552, 561, 566, 579, 585,
633, 640, 648, 661, 674, 684, 711,
725, 734, 740
13. identify and apply comprehension
strategies through the critical
thinking of summarizing and
interpreting.
Text Wrap in Teacher’s Edition
Matthew Henson at the Top of the
World: 104, 105; Daring to Dream:
147; Abd al-Rahman Ibrahima:
370; Tutankhamen: 721; The First
Emperor: 731; Tests of Courage:
774, 777, 782; Making Your Mark:
840
Pupil’s Edition/Teacher’s Edition
The Active Reader: 613; Words on
a Page: 614, 618, 625, 628, 630,
633; Academic Reading
Handbook: R118
14. justify conclusions drawn by the
student, based on textbook
information.
Text Wrap in Teacher’s Edition
Words on a Page: 616, 620, 622,
625, 626, 630
Pupil’s Edition/Teacher’s Edition
President Cleveland, Where Are
You?: 35; Building Vocabulary:
79; Summer of Fire: 122; All
Summer in a Day: 217; My First
Dive with the Dolphins: 474;
Words on a Page: 634;
Tutankhamen: 726
15. use context clues to determine the
meaning of a word or phrase.
Text Wrap in Teacher’s Edition
Nadia the Willful: 68; Matthew
Henson at the Top of the World:
102; All Summer in a Day: 210;
The Story of My Life: 382; Lob's
Girl: 449; The Fun They Had: 575;
Words on a Page: 615;
Tutankhamen: 720
46
Pupil’s Edition/Teacher’s Edition
President Cleveland, Where Are
You?: 34, 45; Learning the
Language of Literature: 444;
Academic Reading Handbook:
R128
16. determine the sequence of events in
a text to determine and enhance
understanding.
Text Wrap in Teacher’s Edition
President Cleveland, Where Are
You?: 36, 38, 40, 42, 44
Pupil’s Edition/Teacher’s Edition
Learning the Language of
Literature: 22-24; Nadia the
Willful: 76; Learning the Language
of Literature: 443; Learning the
Language of Literature: 507-510;
The Fun They Had: 574; The Sand
Castle: 580, 585;
17. use setting, plot, characterization
and style to determine a text’s genre
(e.g., science fiction, folktale).
Text Wrap in Teacher’s Edition
The Fun They Had: 576; Sand
Castle: 582
Pupil’s Edition/Teacher’s Edition
Trading Card Talk: 48-51; Daring
to Dream: 145-148; Calling All
"Nobodies": 201-204; Your
Family's History Will Come Alive:
260-263; Peers Talk It Out: 340342; High-Tech Helping Hands:
388-390; Animals to the Rescue:
462-464; Home on an Icy Planet:
588-591; Flip Out!: 650-652; A
9,500-Year-Old Summer Home:
714-717; Tutankhamen: 718-724;
Research Report: 754-760;
Reading for Information: R2;
Research Report Writing: R49-R50
18. locate specific details in both
functional (e.g., advertisements) and
recreational materials to promote
understanding .
Pupil’s Edition/Teacher’s Edition
A Life in the Day: 163; Chinatown:
219, 227; The Active Reader: 699;
The Dog of Pompeii: 700, 711
19. distinguish between fact and
opinion.
Text Wrap in Teacher’s Edition
Summer of Fire: 119; 220, 222,
226; The Dog of Pompeii: 702,
706, 708, 710
47
Pupil’s Edition/Teacher’s Edition
Learning the Language of
Literature: 98; Writing Handbook:
R47-R48
20. determine the meaning of persuasive
language and propaganda in
functional text (e.g., advertisements,
magazine articles, pamphlets, etc.).
Text Wrap in Teacher’s Edition
All I Really Need to Know I
Learned in Kindergarten: 638, 639;
In the Land of the Small Dragon:
810
Pupil’s Edition/Teacher’s Edition
Trading Card Talk: 48-51; Daring
to Dream: 145-148; Calling All
"Nobodies": 201-204; Your
Family's History Will Come Alive:
260-263; Peers Talk It Out: 340342; High-Tech Helping Hands:
388-390; Animals to the Rescue:
462-464; Home on an Icy Planet:
588-591; Flip Out!: 650-652; A
9,500-Year-Old Summer Home:
714-717; Tutankhamen: 718-724;
Research Report: 754-760;
Reading for Information: R2;
Research Report Writing: R49-R50
21. locate specific details in ads and
other functional material to verify
initial understanding.
D. WRITTEN APPLICATION: employing a wide range of
writing strategies to communicate effectively for different
purposes what has been read
1.
use writing strategies to compose
various types of compositions i.e.,
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Communication Workshop: 500504; Writing Workshop: 754-760
 informative
Pupil’s Edition/Teacher’s Edition
Gary Paulson: 172; Wild
Geese/Questioning Faces: 480;
Writing Workshop: 298-302;
Writing Handbook: R39-R40
 descriptive
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 236-240;
Writing Workshop: 592-596;
Writing Handbook: R41-R42
 narrative
48
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Communication Workshop: 500504; Writing Workshop: 754-760
 expository
Pupil’s Edition/Teacher’s Edition
Scout's Honor: 65; Abd al-Rahman
Ibrahima: 379; The Walrus/Fairy
Lullaby: 562; Writing Workshop:
690-694; Writing Handbook: R47R48
 persuasive
Pupil’s Edition/Teacher’s Edition
The Fun of It: 143, Abd al-Rahman
Ibrahima: 365, 380; Reading
Handbook: R6. R8
 chronologically ordered
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Communication Workshop: 500504; Writing Workshop: 754-760
 explanatory
Pupil’s Edition/Teacher’s Edition
President Cleveland, Where Are
You?: 46; Summer of Fire: 122;
All Summer in a Day: 217, Damon
and Pythias: 331, Writing
Workshop: 355-359, Zlateh the
Goat: 489, The Walrus/Fairy
Lullaby: 562, Standardized Test
Practice: 587, Writing Handbook:
R43-R44
 compare/contrast cause/effect
Pupil’s Edition/Teacher’s Edition
Author Study: Gary Paulsen: 173;
Writing Workshop: 180;
Standardized Test Practice: 312313; Writing Workshop: 359;
Writing Workshop: 500-503;
Standardized Test Practice: 587;
The Dog of Pompeii: 712
2.
use a writing prompt to develop a
composition that contains specific,
relevant details and transitions.
49
3.
provide opportunities to use the
five-step writing process i.e.,
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 92; Writing
Workshop: 179; Writing
Workshop: 239; Writing
Workshop: 300; Writing
Workshop: 358; Writing
Workshop: 433; Writing
Workshop: 595; Writing
Workshop: 693; Writing
Workshop: 757
 prewriting
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 92; Writing
Workshop: 179; Writing
Workshop: 239; Writing
Workshop: 301; Writing
Workshop: 358; Writing
Workshop: 433; Writing
Workshop: 595; Writing
Workshop: 693; Writing
Workshop: 759
 drafting
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 93; Writing
Workshop: 180; Writing
Workshop: 240; Writing
Workshop: 302; Writing
Workshop: 359; Writing
Workshop: 434; Communication
Workshop: 504; Writing
Workshop: 596; Writing
Workshop: 694; Writing
Workshop: 760; Communication
Workshop: 848
 revising
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 93; Writing
Workshop: 180; Writing
Workshop: 240; Writing
Workshop: 302; Writing
Workshop: 359; Writing
Workshop: 434; Communication
Workshop: 504; Writing
Workshop: 596; Writing
Workshop: 694; Writing
Workshop: 760; Communication
Workshop: 848
 editing
50
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 93; Writing
Workshop: 180; Writing
Workshop: 240; Writing
Workshop: 302; Writing
Workshop: 359; Writing
Workshop: 434; Communication
Workshop: 504; Writing
Workshop: 596; Writing
Workshop: 694; Writing
Workshop: 760; Communication
Workshop: 848
 publication
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 89-93; Writing
Workshop: 176-180; Writing
Workshop: 236-240; Writing
Workshop: 298-302; Writing
Workshop: 355-359; Writing
Workshop: 430-434;
Communication Workshop: 500504; Writing Workshop: 592-596;
Writing Workshop: 690-694;
Writing Workshop: 754-760;
Communication Workshop: 844
 throughout the text
4.
make use of functional types of
writing i.e.,
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 89-93; Writing
Handbook: R55
 book reports
Pupil’s Edition/Teacher’s Edition
Poems by Dickinson, Berry, and
Little: 199; The Scribe: 662;
Writing Handbook: R54
 friendly letter
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 176-180;
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Animals to the Rescue: 464;
Writing Handbook: R58-R59, R60R61
 essay questions
51
 outlining
Pupil’s Edition/Teacher’s Edition
Standardized Test Practice: 587;
Home on an Icy Planet: 589, 591;
Writing Workshop: 759; Writing
Handbook: R51
Text Wrap in Teacher’s Edition
Trading Card Talk: 50
5.
use writing strategies to address
specific writing purposes, and
address various audiences (e.g.,
peers, teachers, employers). i.e.,
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 592-596;
Writing Handbook: R41-R42
 creative
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 298-302; Lob's
Girl: 460; The Dog of Pompeii:
712; Writing Workshop: 754-760
 journalistic
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 176-180;
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Animals to the Rescue: 464;
Writing Handbook: R58-R59, R60R61
 essay
Pupil’s Edition/Teacher’s Edition
Gary Paulson: 172; Wild
Geese/Questioning Faces: 480;
Writing Workshop: 298-302;
Writing Handbook: R39-R40
 descriptive
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 236-240;
Writing Workshop: 592-596;
Writing Handbook: R41-R42
 narrative
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Communication Workshop: 500504; Writing Workshop: 754-760
 informative
52
Pupil’s Edition/Teacher’s Edition
Scout's Honor: 65; Abd al-Rahman
Ibrahima: 379; The Walrus/Fairy
Lullaby: 562; Writing Workshop:
690-694; Writing Handbook: R47R48
 persuasive
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 355-359;
Writing Workshop: 430-434;
Communication Workshop: 500504; Writing Workshop: 754-760
 expository
Pupil’s Edition/Teacher’s Edition
Aaron’s Gift: 258; Reading for
Information: 717; The First
Emperor: 735; Writing Workshop:
758; Writing Handbook: R51
6.
identify and use correct note taking
process.
7.
organize information into an outline
by categorizing information into
topic, subtopic and detail.
8.
respond in writing to recreational
and functional text using a variety of
strategies and styles including but
not limited to newspaper article,
essay, journal, friendly letter,
business letter, research and poetry.
Text Wrap in Teacher’s Edition
Unit 2 Speaking and Listening
Project Media Panel Discussion:
187m-187n; Reading for
Information/Newspaper Article
Calling All “Nobodies”: 203; Unit
5 Speaking and Listening Project
Historical Interview: 609m-609n
Pupil’s Edition/Teacher’s Edition
Reading for Information: 591;
Writing Workshop: 759; Writing
Handbook: R51
Text Wrap in Teacher’s Edition
Unit 5 Speaking and Listening
Project Historical Interview: 609m609n
Pupil’s Edition/Teacher’s Edition
Writing Workshop: 89-93; Poems
by Dickinson, Berry, and Little:
199; Lob's Girl: 460; Animals to
the Rescue: 464; The Scribe: 662;
Writing Handbook: R54, R58-R59,
R60-R61
53
Pupil’s Edition/Teacher’s Edition
Poems by Dickinson, Berry, and
Little: 199; The Scribe: Wild
Geese/Questioning Faces: 480;
662; Writing Handbook: R54
9.
Pupil’s Edition/Teacher’s Edition
Nadia the Willful: 77; The Fun of
It: 143; Reading for Information:
148; Western Wagons/Night
Journey: 288; Cricket in the Road;
338; Abd al-Rahman Ibrahima:
379; The Sand Castle: 586;
Research and Technology
Handbook: R111-R112
10. use traditional organizers to create,
read, interpret and organize
information in the form of tables,
graphs, diagrams and charts.
demonstrate the use of personal
writing for pleasure and enjoyment
including but not limited to journals
and friendly letters.
54
WV 240
2006
CC2