DMA Documents at the Robinson Music Library

C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Scope: The Robinson Music Library collection includes theses and doctoral documents completed by CIM students. This table lists
DMA documents completed from 1971 to present. The collection also includes theses completed for theory degrees and Bachelor and
Masters degrees between 1953 and 1988; recommencing in 2014. A complete index of these documents is located at the CIM Library.
Access: These documents do not circulate. Patrons may request to view a document by submitting a storage request form. Please allow
24 hours for retrieval of the document. Photocopying is not permitted without the consent of the author.
Last updated: April 2017
Degree
Date
Author
Title
DMA
2017
Glass, Rebecca Cora
Folk Idioms and their Use in Early Twentieth-Century Viola Concertos
DMA
2016
Binienda, Konrad
Orchestrating the Allegro de Concert Op. 46 by F. Chopin
DMA
2016
Cho, Sung-Soo
DMA
2016
Focks, Andrew
DMA
2016
Sullivan, Drew
DMA
2015
Mauthe, Timothy
Gyorgy Ligeti’s Etudes pour Piano, Primier Livre: A Valuable Tool for
Teaching Technique in the Pianist, and a Wonderful, Unique Addition
to One’s Repertoire
The Improvisational Spirit of W.A. Mozart: Principal Movement
Cadenzas in His Keyboard Concertos
Brahms and the Op. 120 Clarinet Sonatas: A Treatise on Orchestration
and Narrative
Donald Erb’s Ritual Observances: Context and Analysis
DMA
2015
Parvin, Daniel
Narrative in Schubert’s Sonata in A Major, D. 959
DMA
2015
Priebe, Kevin
Structural Features of Beethoven’s Piano Sonata no. 32 in C Minor,
op. 111
Page 1 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
2015
Shung, Irwin
Motivic Relationships in Antonín Dvořák’s Second Piano Quintet in A
Major, op. 81
DMA
2015
Sharpe, Robert
A Collaboration between Composer and Performer: Andrés Segovia’s
Edition of Frederico Mompou’s Suite Compostelana para Guitarra
DMA
2015
Zhang, Yu
Rachmaninoff’s Piano Concerto No. 1: A Study of the Composer’s
Revisions and Recording
BM
2014
Hughes, Jack
Social, Harmonic, and Expressive Function: A Comparative Analysis
of the Introductions to Mozart’s Late Symphonies
BM
2014
Klickman, Brian
Descending Fifths throughout the Ages
BM
2014
Zucker, Matt J.
Blurred Traditions: Deviation from Convention in Ravel’s Piano Trio
Passacaille
Page 2 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
2014
Kostritsa, Alexander
Variations on a Theme of Corelli by Sergei Rachmaninoff in Historical
and Modern Perspectives
DMA
2013
Vanhoozer-­­Rodriguez, Mary
Brahms and Performance Virtue
DMA
2012
Huang, Frank
Opening Movement of Brahms' Piano Sonata, op.1: Reflective or
Progressive
DMA
2012
Kang, Heejin
Les Parfums, Les Couleurs et Les Sons of Debussy's Preludes, Book 1:
"Music that begins where the expressive power of the word ends"
DMA
2012
Leonovich, Yuriy
Cassado: The Cello Concertos
DMA
2012
Wang, Shuai
Reflections on the Fourth and Fifth Piano Sonatas by Alexander
Scriabin
DMA
2011
Bratt, Michael
Orchestral Grouping and Pitch Class Set Analysis of Charles Ives’
Symphony No. 4
DMA
2011
Johnston, William
Gershwin/Heifetz: Selections from Porgy and Bess, Transcribed for
Viola and Piano
DMA
2011
Jung Eun Anna Oh
Childhood Irony in Mahler’s Fourth Symphony
DMA
2011
Thomas, Shannon N.
Passion in the Druetzer Sonata: Beethoven and Tolstoy
DMA
2011
Velez, Carlos Alberto
A Comparative Study of the Flute Sonatas of Walter Piston and
Francis Poulenc
DMA
2011
Yamaguchi, Regiane Hiromi
Essential Similarities and Intrinsic Differences in Schubert’s Piano
Page 3 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
Trios
DMA
2010
Meyer, Jeffrey Jacob
Frigyes Hidas: An Analysis and Discussion of Selected Chamber
Music for Tuba
DMA
2010
Waltner,Ann
An Analysis of Ned Rorem’s Song Cycle: “Poemes pour la paix”
DMA
2009
Perras-­­Fortin, Andreé-­­Anne
Integration and Performance of Robert Schumann’s Symphonic
Etudes, op. 13, and “Posthumous Variations”
DMA
2009
Southern, Dean
The Landsmål Language and Grieg’s Vinje Songs, Op. 33
DMA
2008
Ahn, Yoong Kyung
A Study of the Evolution of Franz Liszt’s Mazeppa: Four Versions of
the Piano Etude in D minor and Symphonic Poem No. 6
DMA
2008
Metchkov, Zahari Todorov
Alfred Schnittke’s Piano Quintet
DMA
2008
Williams, Susan
Francis Poulenc: Cinq Poemes de Max Jacob and La Courte Paille
DMA
2006
Dror, Biran
An Analysis of Sergei Prokofiev’s Piano Sonatas Nos. 6, 7, and 8 Th e
War Sonatas
DMA
2006
Levesque, Marie-­­Thais
A Series of Unfortunate Events: Shostakovich’s op. 40 and
Prokofiev’s op. 119
DMA
2006
Orazi, Henry Marino
The Catalan songs of Federico Mompou: A study of Mompou’s works
for voice and piano in his native language, with a guide to the
international phonetic alphabet, Catalan pronounciation, and english
translations
Page 4 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
2005
Fong, Grace
The Cadenza In Mozart’s Piano Concertos: Debates And Dilemmas
DMA
2005
Fong, Grace
An Analysis of Bela Bartok’s Piano Concerto No. 2
DMA
2005
Levesque, Marie-­­Thais
Three Against Two: The Brahms Cello Sonatas, opp. 38, 99, and (?)
78
DMA
2005
Low, Philip
A Masterpiece Unveiled: The Language and Logic of Berg’s Piano
Sonata op. 1
DMA
2005
Whipple, Shederick
Mozart Cantata K. 619 in Perspective
DMA
2004
Lo, Karl
Unusual Fugal Procedures in the Late Beethoven Piano Sonatas: A
Structural and Motivic Analysis
DMA
2003
Jekova-­­Goza, Rossitza
Sergei Prokofiev’s Op. 115 A Study
DMA
2003
Lo, Karl
Unification of the Chopin Twenty-­­four Preludes, Op. 28: A Structural
and Motivic Analysis
DMA
2002
Park, Soh-­­Hyun
J. S. Bach’s Solo Violin Sonata in C Major, BWV 1005: A Performer’s
View of its Structural Analysis
DMA
2002
White, Andrew R.
The Baudelaire Settings of Henri Duparc
DMA
2002
White, Andrew R.
Schumann’s Op. 24 Liederkreis
DMA
2001
LeBauer, Courtiney Elise
Schubert and the Populer/Exotic Aesthetic of the Style Hongrois
DMA
2001
LeBauer, Courtiney Elise
Differences within Similarity: A Look into the Sonatas in D Minor for
Page 5 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
Violin and Piano of Robert Schumann and Johannes Brahms
DMA
2001
Sat, Ronald K.
A study of the two violin sonatas by Sergei Prokofiev
DMA
2001
Tan, Kia-­­Hui
Interpreting Eugene Ysaye: an analytical comparison of the fugue
from his first solo sonata with that of J.S. Bach
DMA
2000
Litteral, Lisa Pierce
“Gretchen am Spinnrade” Schubert’s arrival at a mature lied style
DMA
2000
Park, Soh-­­Hyun
Samuel Barber’s Violin Concerto, op. 14: structural analysis
DMA
2000
Tan, Kai-­­Hui
Elliott Carter: Riconoscenza per Goffredo Petrassi
DMA
2000
Workman, Karen
The role of arrangements in the piano(s) four hand repertory
DMA
2000
Workman, Karen
Motive and meaning in Hindemith’s Sonata for Two Pianos (1942)
DMA
1999
DeSalvo, Nancy
The Sonata for Double Bass and Piano by Paul Hindemith
DMA
1999
DeSalvo, Nancy
Sonata for Violin and Piano by Respighi: an Orchestral Conception
DMA
1999
Etter, Elizabeth
Genius and Genesis in the Accompanied Sonata: Luigi Boccherini’s
Opus 5
DMA
1999
Jarrell, Emily Catherine
Composer’s interpretation: a study of the Andante Assai from
Prokofiev’s Fourth Piano Sonata, opus 29
DMA
1999
Litteral, Lisa Pierce
The Maddening of Lucia: Musical Conventions in Italian Romantic
Mad Scenes
DMA
1999
Rainsong, Lisa
Libby Larsen’s Missa Gaia: A Mass for the Earth
Page 5 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1998
Gagnon, Allison
The Slow Movement of Brahms’ Piano Quartets: Masterful
Manipulation of Musical Materials
DMA
1998
Gagnon, Allison
Chausson’s Poeme, Op. 25 Toward an Improved Arrangement for
Violin and Piano
DMA
1998
Jarrell, Emily Catherine
“Don’t You Think the Music Speaks for Itself?” Deciphering
Schumann’s Carnaval
DMA
1998
Orr, Kevin Robert
An Analysis of the Suggested Programs for Liszt’s B-­­Minor Sonata
DMA
1998
Orr, Kevin Robert
An Analysis of Robert Schumann’s Fantasiestucke Opus. 12
DMA
1997
Ehlen, Timothy
Substrate Motivic Coherence and the Neapolitan Sixth in Beethoven’s
Moonlight Sonata
DMA
1997
Hamner, William W. Jr.
Herbert Howells and his Music for the Organ
DMA
1997
Thomson, Rachel M.
The Search for a New Zealand Identity: The Piano Music of Douglas
Lilburn
DMA
1997
Uniatowski, Joanne M.
The Songs of Karol Szymanowski
DMA
1996
Ehlen, Timothy
Pianistic Imagination and Innovation: Chopin’s Concept of the
Concert Etude as a Genre
DMA
1996
Thomson, Rachel M.
Variations on Variations: Lutoslawski’s Wariacje Ne Temat
Paganiniego
DMA
1996
Uniatowski, Joanne M.
Schumann’s Cycle: Frauenliebe Und Leben
Page 6 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1995
Bright, Mary Alice
Argento’s Casa Guidi: The Setting of A Prose Text
DMA
1995
Bright, Mary Alice
A Comparison of Mahler’s Kindertodenlieder to Das Irdische Leben
and Wo die schönen Trometen Blasen
DMA
1995
Clarke, Luanne M.
Shakespeare in Song: Ophelia’s Songs from Hamlet as Set by
Johannes Brahms and Richard Strauss
DMA
1995
Clarke, Luanne M.
Five Musical Settings of the Poem Wild Nights! Wild Nights! by Emily
Dickinson
DMA
1995
Ryan, Jeffrey W.
Pitch Organization in Alexina Louie’s Winter Music The Yin/Yang
Principle in Structure and Design
DMA
1995
Vosbein, Terry
Christopher Rouse’s Symphony No. 1: an analysis
DMA
1994
Demos, Nickitas John
Three Pieces of Time
DMA
1994
Demos, Nickitas John
The Role of Sonority In Gyorgy Ligeti’s Melodien
DMA
1994
Nitsch, Paul
A Study of the Compositional Style of George Crumb through an
Analysis of Makrokosmos III: Music for a Summer Evening for Two
Amplified Pianos and Percussion (Two Players)
DMA
1994
Psurny, Robert D. Jr.
Die schone Mullerin : Comparative Text-­­Music Analyses of Five
Wilhelm Muller Lyriks Common to the Musical Settings of Ludwig
Beger (1816) and Franz Schubert (1823)
DMA
1994
Psurny, Robert D. Jr.
Benjamin Britten’s Winter Words, Op. 52: A Text-­­Music Study with
an Emphasis on Britten’s Musical Language
Page 7 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1994
Ryan, Jeffrey
Ophelie For Soprano and Orchestra
DMA
1993
Jones, Sherry Lynn
The Woodwind Quintets of Nielsen, Hindemith, and Schoenberg: An
Investigation of Three Neo Classical Works Of The Early 1920’s
DMA
1992
Conner, Jennifer A.
Water Images
DMA
1992
Conner, Jennifer A.
The Canti Lunatici of Bernard Rands
DMA
1992
Nitsch, Paul Arlyn
Robert Schumann’s Compositional Style in the Quintet in E-­­flat
major, Op. 44 for Two Violins, Viola, Cello and Pianoforte and the
Quartet in E-­­flat Major for Violin, Viola, Cello, and Pianoforte
DMA
1992
Schoeffler, William A
Two Examples of Neoclassicism in Twentieth-­­Century Keyboard
Music: Igor Stranvinsky’s Sonata Pour Piano, 1924 and Sergei
Prokofiev’s Piano Sonata No. 7 in B-­­flat Major, Op. 83
DMA
1992
Wright, Gary
Spirit Lake for Symphony Orchestra
DMA
1991
Rothbart, Peter L.
Night School at Esalen for Orchestra
DMA
1991
Schultz, Michael John
The Double Bass Concerto of Antonio Scontrino
DMA
1990
Glazier, Richard
A Comparison and Analysis of Aaron Copland’s El Salon Mexico for
Orchestra, Piano Solo, and Two Piano Four Hands
DMA
1990
Lee, Hyunsai
Beethoven’s Stylistic Development in his Violin Sonatas
DMA
1990
Li, Jian
A Study of Schubert’s Wanderer Fantasy in C Major Op. 15
Page 8 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1990
Onofrio, Gregry J
Event Horizon -­­ for Orchestra
DMA
1990
Satterthwaite, Mary
Heinrich Christoph Koch and Haydn’s Sonatas
DMA
1990
Schoeffler, William A.
Beethoven’s Diabelli Variations, Opus 120
DMA
1989
Haddad, Lorraine
The Solo Clarinet Works of Carl Maria Von Weber
DMA
1989
Lee, Hyunsai
An Analytical Study of Eugene Ysaye’s Six Sonatas Of Op. 27
DMA
1989
Lee, Sungzhin Peter
Hommages A Paul Sacher; An Analysis of the Eleven Cello Solo Pieces
Dedicated to Paul Sacher’s Seventieth Birthday
DMA
1989
Lee, Sungzhin Peter
A Study on the Parallelism of the Two Sets of Twelve Variations for
Piano and Cello Composed by Ludwing Van Beethoven: The Twelve
Variations on a Theme by Handel, WoO 45; The Twelve Variations on
a Theme by Mozart, Op. 66
DMA
1989
Li, Jian
A Study of Schumann’s Fantasy in C Major, Op. 17
DMA
1989
Satterthwaite, Mary
Frank Martin: Aspects of Style and Harmony
DMA
1988
Alfano, Donald
W.A. Mozart: Three Piano Sonatas in F Major, K. 280, 332, and
533/494: A Stylistic Comparison
DMA
1988
George, Mark
Repeat Taking in Classical Piano Sonatas
DMA
1988
George, Mark
Comments on Brahms’ Klavierstucke Op. 117
DMA
1988
Li, Jian
A Study of Beethoven’s Piano Sonata Op. 109
Page 9 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1988
Schneider, Robert
A Stylistic Analysis of Olivier Messiaen’s Meditations Sur Le Mystere
De La Sainte Trinite
DMA
1988
Sostrin, Debra
Bela Bartok’s Folk-­­song Settings for Solo Voice and Piano: A
Historical, Theoretical, and Aesthetic Overview
DMA
1987
Alfano, Donald
Thematic Transformation in the Chopin Impromptus
DMA
1987
George, Mark
Musical Meaning and its Relationship to Perspective
DMA
1987
Lee, Hyunsai
Stravinsky’s Duo Concertant for Violin and Piano
DMA
1987
Satterthwaite, Mary
The Keyboard Fantasies of Johann Sebastian Bach and his Sons, Carl
Philipp Emanuel and Wilhelm Friedmann
DMA
1987
Suh, Hye-­­Young
An Historical Analysis of Johannes Brahms’ Opus 24, The Handel
Variations
DMA
1986
Alfano, Donald
Fantasy and Organization in Kreisleriana, Op. 16, for Piano by Robert
Schumann
DMA
1986
Mercer, Ida Katherine
The Six Sonatas for Cello and Continuo by Rayner Taylor: A Critical
Edition
DMA
1986
Schneider, Robert
Keyboard Music of Colonial America
DMA
1986
Schwoebel, Sandra Louise
The Stylistic Metamorphosis of Synchronisms No. 1, 3, 5, and 6 of
Mario Davidovsky
DMA
1986
Schwoebel, Sandra Louise
Nineteenth-­­Century Literature for Solo Flute and Keyboard
Page 10 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1986
Schwoebel, Sandra Louise
Fifteen Selected Etudes for Flauto traverso, Silver Flute and Piccolo
by Johann Joachim Quantz
DMA
1986
Wendel, Joyce L.
Chamber Music for Voice
DMA
1985
Baldassarre, Joseph A
An Edition of J.S. Bach’s Trio Sonata in C Major (BWV 529) for Guitar
and Harpsichord
DMA
1985
Lualdi, Brenda Louise
A Study of Recital Arrangements of Black is the Color, He’s gone
away, and The Nightengale with an Annotated List of Suitable
Folksong Arrangements for Studio and Recital Use
DMA
1985
Mercer, Ida Katherine
J.S. Bach’s Use of the Cello and Violoncello Piccolo as Obbligato
Instruments in his Cantatas
DMA
1985
Suh, Hye-­­Young
The Extra-­­Musical References in Robert Schumann’s Opus 6,
Davidsbundlertanze
DMA
1985
Wendel, Joyce L.
A Commentary on Alexander Pushkin and Benjamin Britten’s The
Poet’s Echo
DMA
1984
Baker, Larry
An Analysis of György Ligeti’s Violoncello Concerto
DMA
1984
Baldassarre, Joseph A
An Historically Based Vihuela da Mano Design
DMA
1984
Fok, Gloria
The Classical Principles in Ravel’s Le Tombeau de Couperin
DMA
1984
Fok, Gloria
An Analysis of the Variation Procedures in Brahms’ Variation and
Fugue on a Theme of Handel, Op. 24
Page 11 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1984
Lualdi, Brenda Louise
Style, Structure, and Imagery in Debussy’s Chansons de Bilitus
DMA
1984
Mercer, Ida Katherine
The Slow Sections of Beethoven’s Cello Sonatas: Introductions or
Independant Movements?
DMA
1984
Ruzicka, Carol Lynn
Style Development in Beethoven’s Ten Sonatas for Piano and Violin
DMA
1984
Suh, Hye-­­Young
Certain Problems in the Interpretation of J. S. Bach’s Goldberg
Variations
DMA
1984
Wendel, Joyce L.
A Singer’s Interpretation of Dominick Argento’s Six Elizabethan
Songs
DMA
1983
Fok, Gloria
The Thirty Inventions of J. S. Bach: An Analytical Study and
Performance Guide
DMA
1983
Haddad, Lorraine
Saint-­­Saen’s Sonate Pour Clarinette Avec Accompagnement De Piano:
A Musical Analysis and Performance Guide for the Clarinetist
DMA
1983
Knight, Hyperion
The Pianistic Origins of Stravinsky’s Petrouchka
DMA
1983
O’Brien, Eugene
Cantus Firmus and Transformation in Peter Maxwell Davies’
Revelation and Fall
DMA
1983
Ruzicka, Carol Lynn
A Comparison of Gabriel Faure’s Violin Sonatas, opus 13 and opus 18
DMA
1982
Holland, Anthony Greenhalgh
A Stylistic Analysis of the Fourth Symphony of Charles Ives
DMA
1982
Knight, Hyperion
A Study of Certain Controversial Effects in Beethoven’s Pedal
Indications
Page 12 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1982
Knight, Hyperion
A Comparitive Analysis of the First and Second Bartok Concertos
DMA
1982
Mobberley, James C
An Analysis of Textural Intensity in Stravinsky’s Movements for
Piano and Orchestra
DMA
1982
Ruzicka, Carol Lynn
The Significance of the Schubert Fantasy for Violin and Piano, D. 934
DMA
1981
Resanovic, Nikola
An Analytical Study of Rhythmic Functions in the Carter String
Quartets
DMA
1980
Stine, Robert Everett Jr.
Lukas Foss, the Improvisation, Chamber Ensemble, and Echoi
DMA
1979
Kechley, David
Basic Structural Features in Birtwistle’s Verses for Ensemble
DMA
1978
Guenther, Donna
Performance Problems in Quoderno Musicale Di Annalibera by Luigi
Dallapiccola
DMA
1978
Jex, David N
An Analysis and Discussion of Mario Davidovsky’s Synchronisms No.
6
DMA
1977
Guenther, Donna
The Problem of Length in Schubert’s Sonata in A Major, D. 959
DMA
1977
Holmgren, Robert
A Study of Selected Performance Problems in Scarlatti’s Sonatas
DMA
1977
Wiley, Frank
Donald Erb’s Symphony of Overtures: An Analysis
DMA
1977
Worth, David Mark
Claude Debussy and his Recording for the Welte System: A Critical
Study
DMA
1977
Worth, David Mark
An Historical Study of Selected Keyboard Figurations and Idiomatic
Page 13 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
Devices in Bach’s Goldberg Variations
DMA
1976
Guenther, Donna
The Interpretation of Tempo in Beethoven’s Sonata, Op. 111
DMA
1976
Koplow, Philip Jeffrey
Motival and Thematic Development in Penderecki’s Passio et Mors
Domini Iesu Christi Secundam Lucam
DMA
1976
Lawing, William David
Selected Bolognese Sonatas by Composers other than Torelli
DMA
1976
Lawing, William David
A Survey of English Baroque Trumpet Music
DMA
1975
Cherry, George
Parallels Between Liszt’s Sonata in B Minor and the Faust Symphony
DMA
1975
Christopherson, Rosemary
The Classical and Impressionistic Elements in Ravel’s Jeaux d’Eau
DMA
1975
Christopherson, Rosemary
An Approach to the Performance Problems of Schumann’s Piano
Sonata in F# Minor, Op. 11
DMA
1975
Christopherson, Rosemary
A Survey and Comparison of the Stravinsky Sonata (1924) and the
Shostakovich Sonata, Op. 12 (1926)
DMA
1975
Lawing, William David
Nineteenth-­­Century Solo and Chamber Music for Trumpet and
Cornet
DMA
1975
Waller, Susan R.
The Flute at the Court of Frederick the Great
DMA
1975
Waller, Susan R.
The Emergence of the Flute in the Twentieth-­­Century
DMA
1974
Cherry, George
Schumann’s Davidsbündlertänze Considered in the Context of his
Writings on Music
Page 14 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1974
Gruber, Lucille Pachter
An Analysis of Four Representative Keyboard Works of Jan
Pieterzoon Sweelinck
DMA
1974
Gruber, Lucille Pachter
18th-­­Century French Artistic Expression and its Importance in the
Interpretation of the Keyboard Music of François Couperin le Grand
DMA
1974
Ha, Jae Eun
An Analysis of George Crumb’s Ancient Voices of Children
DMA
1974
Olmstead, Gary James
Analysis and Comparison of Duettino Concertante by Ingolf Dahl and
Sources III by David Burge
DMA
1974
Olmstead, Gary James
Analysis and Comparison of Diversion for Two by Donald Erb and
Etude for Taperecorder and Percussion by William Cahn
DMA
1974
Szaraz, Stephen
Gabriel Faure and La Bonne Chanson, Opus 61
DMA
1973
Dreisbach, Paul Clark
Twentieth-­­Century Bassoon Sonatas
DMA
1973
Olmstead, Gary James
An Analysis of Four Twentieth-­­Century Percussion Works by William
Cahn, David Maves, Alfred Fissihger, and Werner Tharichen
DMA
1973
Szaraz, Stephen
Preparations for a Winter’s Journey
DMA
1973
Szaraz, Stephen
Motive and Motivation
DMA
1973
Warne, Katharine M.
An Analytical View of George Crumb’s Echoes of Time and the River
DMA
1972
Cherry, George
Scoring and Dynamics in Three Keyboard Masterworks
DMA
1972
Stanton, Richard
Tempo in the Harpsichord Partitas of J. S. Bach
Page 15 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
DMA
1972
Stanton, Richard
Problems of Piano Technique in the B-­­Flat Concerto of Johannes
Brahms
DMA
1972
Stanton, Richard
Franz Liszt’s Influence on the Piano Music of Maurice Ravel
DMA
1972
Worth, David
Beethoven’s Diabelli Variations: An Historical Study
DMA
1971
Kascher, Rosemarie Anne
The First of Puccini’sTriptych, II Tabarro
DMA
1971
Kascher, Rosemarie Anne
Castrati Evirati Musici
DMA
1971
Manildi, Donald
Rachmaninoff’s Second Piano Concerto: A Study of the Composer’s
own Recording
DMA
1991
McNair, Jonathan
The Aesthetics and Practice of Luciano Berio as seen through his
Sequenzas I, II and VII
DMA
1991
Rothbart, Peter L.
John Corigliano’s Film Score for Altered States: An Analysis of
Selected Cues to the Film
DMA
Unknown Baldassarre, Joseph A
A Baroque Lute Transcription of Johann Jakob Froberger’s Suite
Number 10 in A Minor
DMA
Unknown Curtis, Michael Steven
Gilbert Biberian and Published Referential Works
DMA
Unknown Dahn, Nancy Powell
Bartok’s Violin Works: The Relationship Between Composer and
Dedicatee
DMA
Unknown Gruber, Lucille Pachter
A Reconstruction of the First Movement of J.S. Bach’s Sonata for Flute
and Harpsichord in A Major (BWV 1032), Based on a Study of Similar
Movements in Bach’s other Solo Sonatas with Realized Keyboard
Page 16 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
Parts
DMA
Unknown Holmgren, Robert
Chopin’s B Minor Sonata in an Historical Perspective
MM
1981
Mead, Kay Maureen
An Historical Overview of the Origin and Development of the
Thoroughbass with an Aural Theory Program Utilizing the Figured
Bass
MM
1977
Biggs, Bonnie
Student Eartraining Handbook for Keyboard Harmony Practice
Cassettes
MM
1970
Boyd, Evelyn S
The Study of Theory as a Means of Improving Musicianship in the
Elementary Vocal Music Classes in the Public School
MM
1970
Brown, Glenn A
Basic Steps in Understanding and Teaching Jazz
MM
1970
Patton, Ruby H
Edvard Grieg’s Little Known Pieces: Opera 66 and 72
MM
1969
Schubert, Juanita M
The Application of Computer-­­Assisted Instruction in Teaching
Theory at the Keyboard
MM
1968
Dinwiddie, Richard D
Five Moral Carols from British Museum Additional Manuscript 5665:
Their History, Analysis, and Performance
MM
1967
Snow, Rosemary
A Correlation of Music History and Music Theory
MM
1966
Guy, Dean
The Use of Improvisation in Music Today with Suggestions for its
Practical Application
MM
1964
Hollis, Helen
A Study of Songs of Francis Poulenc
Page 17 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
MM
1963
Lindsay, Margaret Anna
The Symphonies of Ralph Vaughan Williams
MM
1962
Ebert, Lawrence E
John Dewey, his Influence on Education in General and Music
Education in Particular
MM
1962
Mathus, Wilma Fulton
The Son of Gedron: A Medieval Music Drama from the Fleury Play-­­
Book
MM
1962
Mathus, Wilma Fulton
The Son of Gedron: a Medieval Liturgical drama Translated,
Transcribed, and Prepared for Performance with Interpolated
Polyphonic Music of the Medieval Period
MM
1960
Eaton, Joan Rosemary
Modulation in the Baroque Era and its Association with the Rise of
Tonality
MM
1960
Milac, Metod Marjan
The Life and Works of Jacobus Gallus, Including an Edition and a
Commentary on Missa Super Undique Flammatis
MM
1960
Salzinger, Alvin
A Study of the Piano Sonatas of Franz Joseph Haydn
MM
1960
Schultz, Ralph C
A Theoretical Analysis of Contemporary Protestant Church Music
MM
1959
Campbell, Charles J
A Study of Eight Motets in Petrucci’s Canti C
MM
1959
Campbell, Charles J.
Transcriptions of Eight Motets
MM
1959
Pozar, Phyllis Ann
Philippus Basiron and his Messade Franza
MM
1959
Robinson, Joseph C
Some Aspects of the Use of the Rhythmical Motive in Poetry and in
Music
Page 18 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
MM
1957
Bingham, Gordon
The Life and Music of Charles Edward Ives
MM
1956
Dallesandro, Gerald
An Analysis of the Concerto Grosso as Employed by Bach and by
Bartok
MM
1956
Simon, Martin Sebastian
Mattheson on Melody: a Translation and Commentary of Chapter 5,
Part III, as Contained in Der Vollkommene Capellmeister by Johann
Mattheson (Hamburg, 1739)
MM
1954
Fields, Robert A
The Theory of Melody: an Analytical Study of the Development of
Melody
MM
1953
Ashley, Patricia
An Analytical Critique of Paul Hindemith’s The Craft of Musical
Composition from the Pedagog’s Viewpoint
BA
1973
Whitbeck, Donald D
Computer Composition
BM
Unknown Andrews, Donald H
A Brief History of Anglican Church Music
BM
Unknown Cergol, Susan
Sing to the Lord a New Song
BM
Unknown DiBello, Nancy
American Folk Hymnody
BM
Unknown Dvorak, Charles
The Musical Theory of Ancient Greece
BM
Unknown Froelich, Andrew i
Analysis as a Tool in Eartraining
BM
Unknown Schirmer, William
Beethoven’s Variation Technique in the Recapitulation of Sonata-­­
Allegro Movements in his Piano Sonatas
Page 19 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
BM
2005
Britton, Amy Christine
Baroque Settings of Psalm 100
BM
1997
Tessi, Mark
Aspects Of Form and Melody In Selected Treatises Of The Eighteenth
Century
BM
1995
Steger, Monica A.
A Brief Study Of The Theoretical Treatises Of Twelve Important
Seventeenth and Eighteenth Century Theorists
BM
1988
Ficici, Sevan G.
Haydn’s Motivische Arbeit in His Opus 53 String Quartets
BM
1980
Roth, Mollie
The Infiltration of Theory into a Piano Lesson
BM
1980
Widdicombe, Paula Marie
The Correlation of Piano and Theory in Private Lessons
BM
1977
Clark, Stephen F
Applications of Music Theory to Performance: With Special Emphasis
on the Flute
BM
1976
Wingate, Roger
The Orchestra in Relief: an Examination of Some Unique Uses of
Contrast in the Orchestration of Tchaikovsky
BM
1975
Biggs, Bonnie
One Approach to Teaching Eartraining
BM
1974
Danchenka, Gary
Varese: A Search for Motivic and Thematic Unity
BM
1973
Lann, Tampa
The Use and Adaptation of Written Music in a Dalcroze Eurhythmics
Classroom
BM
1972
Dzuman, Olga
The Development of Ukranian Music
BM
1972
Ryan Jr, Michael E
The Functions of the Wind Band
Page 20 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
BM
1971
Evans, Karen R
The Value of Mathematics in the Teaching of Music
BM
1971
Young, Jane
Man and Rhythm: Historical Survey of Their Interactions
BM
1969
Belkin, Betty
The Role of the Private Music Teacher
BM
1969
Varga, John Robert
A Comparison Study of the State of Church Music in the Diocese of
Cleveland Before and After the Second Vatican Council
BM
1968
Ginter, Albert Wayne
The Useful Supertonic Chord: Its Fifteen Variations as Used in
Cadences
BM
1968
Murakami, Yoshiko
The Education of a Musician in Japan
BM
1968
Patton, Ruby H
Past, Present and Future of the Spiritual (The American Negro’s Folk
Music)
BM
1968
Sadin, Robert
Stravinsky Lives: A Translation of Pierre Boulez’s Essay Stravinsky
Demure
BM
1967
Brzuski, Carole Marie
Towards the Development of an Authentic Mass sung in English
BM
1967
Novak, Kenneth L
An Analysis of Sight Singing Techniques Applicable to the Singing of
Contemporary Music
BM
1967
Schubert, Juanita M
A Survey of Music in the Baptist Church Today
BM
1966
Mormon, Linda
The Junior Choir
BM
1965
Seboldt, Franklin O
A Brief Overview of the Church Cantata as a Form, its Development
Page 21 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Author
Title
and Historical Use as it is Applicable in the Lutheran Church
BM
1965
Wild, Nancy H
The Treatment of the Dires Irae in Seven Requiem Masses
BM
1964
Waidelich, Josephine
A Study Of Czech Musical Life In America with a special section on
the Influences Of Charles V. Rychlik and other Czech Musicians Of
Cleveland, Ohio
BM
1963
Wheeler, Theodore E
The Program of Worship Music for the Church
BM
1963
Zale, Thomas M
The Influence of Jazz on Aaron Copland
BM
1960
Glover, Donald
Bach on Vivaldi: a Comparison of Vivaldi’s Concerto Grosso opus
3/11 and Bach’s Transcription thereof, the Organ Concerto in D
Minor, S. 596
BM
1960
Pozar, Phyllis Ann
Two Masses De Beata Virgine : Brumel’s and Josquin’s
BM
1959
Hall, Stanley
A Study of Israel in Egypt: an Oratorio by George Frederick Handel
BM
1954
Anderson, Gladys C
The Anderson Method of Rhythm Through Shapes
BM
1953
Lustig, Bette
Modern German Opera
Unknown
1973
Butler, Jane
Eurhythmics and its Value in Music Education
Unknown
1966
Newman, Elaine W
Three Kyries from the Regensburg Manuscript
Unknown
1961
Slogar, Donald E
Musical Notation
Unknown
1946
Mack, Marcile
Theory and Performance
Page 22 of 23
C.I.M. DISSERTATIONS
DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY
Degree
Date
Unknown
Unknown Boehnlein, Frank
Trois Poèmes D’henri Michaux-­­Witold Lutoslawski: Diagrammed
Supplement To Paper Analyzing
Unknown
Unknown Boehnlein, Frank
Trois Poemes d’Henri Michaux-­­Witold Lutoslawski: An Analysis
Unknown
Unknown Dzurilla, Barbara J
The Teaching Methods of Arnold Schoenberg
Unknown
Unknown Rubin, Jeanne
The Oratorios of Carissimi
Page 23 of 23
Author
Title