Poetry: Seeing Likenesses Feature Menu Figures of Speech Metaphors and Similes Personification: Making the World Human Practice Figures of Speech Poetry is alive because poets make imaginative comparisons. We all make comparisons in our everyday speech: “My little sister is a real doll!” “The dancer was spinning like a top.” Figures of Speech Poets have a special talent for getting us to look at things differently. Sometimes too hot the eye of heaven shines, And often is his gold complexion dimmed; . . . William Shakespeare from Sonnet 18 Figures of Speech Imaginative comparisons between unlike things are called figures of speech. There are three main figures of speech: metaphors similes personification [End of Section] Metaphors and Similes A metaphor is a kind of comparison that directly compares one thing to another. If you say, “My brother—that rat— got me in trouble again,” you are making a metaphor. You are saying your brother is a rat. Metaphors and Similes Here are the first three lines from Alfred Noyes’s poem “The Highwayman”: The wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight over the purple moor,… What metaphor for the wind do you see? What was the moon? What was the road? Metaphors and Similes If you say your brother is “like a rat” or “as sneaky as a rat,” you are making a simile. A simile is the comparison of one thing to another unlike thing using specific words, such as like as resembles Metaphors and Similes Poets try to find unusual metaphors and similes. My thoughts are perched on a high twig. Duty is a bee, serving the flower-clients along her route. “Surprised by joy—impatient as the Wind” —William Wordsworth [End of Section] Personification: Making the World Human “The sky wept buckets all day.” “The swan flirted, shyly turning her head.” Can a sky weep? Can a swan flirt? What are the sky and the swan being compared to? Personification: Making the World Human Personification is a type of comparison that speaks of something that is not human as if it had human abilities and reactions. But the sea, the sea in the darkness calls; The little waves, with their soft, white hands, Efface the footprints in the sands, . . . Henry Wadsworth Longfellow “The Tide Rises, the Tide Falls” Practice Let’s Try It All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. Here’s part of a play by William Shakespeare. 1. What comparisons are made here? 2. What figure of speech are they? Practice Let’s Try It All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. 1. What comparisons are made here? The world is compared to a stage, and people are compared to actors. Practice Let’s Try It All the world’s a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. 2. What figure of speech are they? The comparisons are metaphors. They do not use like or as. Practice Let’s Try It And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. 3. What comparisons are made here? 4. What figure of speech are they? How do you know? Practice Let’s Try It And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. 3. What comparisons are made here? A schoolboy is compared to a snail. A lover is compared to a furnace. Practice Let’s Try It And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress’ eyebrow. 4. What figure of speech are they? How do you know? They are both similes because they use the word like. Poetry: Seeing Likenesses The End
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