THE OLD CHINESE MELTING POT Taoism and Confucianism, as Yin and Yan, mutually nurture and compensate each other. Its thinking is the crystallization of a spiritual stream associated to millenary traditions. An old melting pot in slow and prolonged thawing to which the meditative and austere Buddhism of the dhyana sect was incorporated to transform it into Chan Buddhism. Japanese Zen would drink from this fountain. Historically it has particularized in two VI century BC figures: Lao Tsé, installed in a nebula between history and mythology; and King Tsé, Confucius in its Latin denomination, clearly situated in history. Both figures would create a framework, with its differences and coincidences, to configure a common fund of thought which has been a constant in china up to our days. The old melting pot comes from remote times. Taoist Cosmogony alludes to a primary principle, Tan, that splits in two: the sky (Yang, clear energy); and the earth ( yin, dark energy). Mankind, between sky and earth: ‘ One creates two, two creates three, three creates all other things’ (Tao Te Ching, XLII). Tao Te Ching (TTC) is the written reference of Taoism and is attributed to Lao Tsé and his followers. Taoism enjoyed moments of great spirituality which facilitated its convergence towards the then emerging Buddhism. The “golden flower” (comparable to Buddhist illumination) would be the means of return to Tao for the neotaoist movement. Taoist thinking, already present before Lao Tsé as a primal force of Chinese tradition, proclaims itself as essentially esoteric, oriented to the innermost of mankind beyond all responsibility of any individual to society. Strictly speaking, and despite that in different moments they were proclaimed as religions in China, neither Taoism nor Confucianism (nor Buddhism) are properly religions: “The Sky and the Earth are not benevolent, mankind is for them as straw dogs” (TTC, V). Confucius appears as a reaction against the individualistic projection of Taoism, and without renouncing to spirituality proclaims the organization of society as an objective. Society, believed Confucius, is not a anarchic sum of undifferentiated individuals but rather a stratified and organized superior structure within a system known as the five relations: father-son, husband-wife, older brother-younger brother, master-servant, or its social equivalents. Family is the center and model, and in fact considering society as an inter-family utinty. Lao Tsé, on the contrary, proposes a radical return to nature, to be a consubstantial part of it without questioning her, nor even pretending to understand her. His ethical speech begins with the idea that knowledge is a negative perversion that generates wishes and activates a chain reaction which eventually defines moral of vices and virtues and proclaiming laws that will eventually put an end to with personal liberty and independence. He recommends rules to maintain the people in ignorance, ‘If the populace is difficult to govern it’s because they know too much’ (TTC, LXV), ‘Use the knotted cords again instead of written words’ (TTC, LXXX), ‘may the populace have neither knowledge nor wishes’ (TTC, III), ‘Knowledge of ignorance is the zenith’ (TTC, LXXI), ‘Natural wisdom’ (TTC, LXXXI). 1 The address of this social matters is what most distances Confucius from Lao Tsé, since the former wants to generate a culture of social compromise disdained by the latter, ‘awareness of equality’ which is translated as loving your neighbor as an essence of morality, ‘do unto others as you want for yourself’. Nonetheless, he shares with Lao Tsé self knowledge, ‘consciousness of the center, an essential wisdom by which every person must search the truth and attain perfection in their lives with no other moral compensation but virtue itself, virtue for the sake of virtue. Sine qua non condition, to live life serenely and strive for interior peace. Tao Te Ching unfolds a wide spectrum of personal virtues which fully endorse Confucian thinking: detachment ‘a wise man wants nothing personal’ (TTC, VII), generosity, ‘retire once the work is concluded’ (TTC, IX), ‘create without possession’ (TTC, X). Design an exemplary man of pure soul who, as a mirror, captivates everything but nothing retains, a superman to follow Tao´s Law: ‘he who respects the world in its own person is worthy of being entrusting humanity’ (TTC, XIII). ‘Confucius believed that the best men must lead the people and, responding to an impeccable ethical model, promote the virtue of society. The five cardinal virtues of ruler: 1) benevolence, 2) integrity, 3) correction, 4) knowledge, 5) good faith. Ideals that were not for him a theoretic postulate but rather proposed a decided will to put them into practice. It’s the theory of the ‘continuous thread’. ‘Wise men act without action’ (TTC, II). Taoism and Confucianism endorse the principle of non-action. The lack of action, as a principle of government and decision, does not respond to a principle of passiveness, but rather proposes the free demonstration phenomenon of life without intervening , not forcing, allowing Tao to flow, an indefinable concept (by definition), without name and therefore with too many, -Meanings, ways, roads, the One, the All-, tends to harmonize, to balance, and any action contrary to its flow will, says Taoism, be necessarily offset by a compensating action of cosmic dimension when the cyclical movement is at its peak. A principle of wisdom would be to be alert to detect changes of cycle and, sensing its tendency, to induce transformations acting on the ‘seed’. I Ching, a book of Changes or of the Mutations abridged by Confucius and his followers, is yet another book of the wisdom of the Chinese tradition which should deserve our attention. Since the Tang, dynasty of dynasties, the painting schools of the north, more academic and formal, coexisted and confronted the southern schools, of more free, intimate and spontaneous expression and more prone to the Chinese water ink technique. Confucianism and Taoism, north and south, coexistence and confrontation, two polarities that nurtured each other as did yin and yang. José A. Giménez Mas Imágenes “PÁJARO PROFETA” 2 COLECCIÓN DE ARTE ORIENTAL
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