Entertainment ASO Disney astonishes [email protected] Entertainment Editor: Zheng Zheng Assistant Entertainment Editor: Patricia Uceda THE NUTCRACKER mesmerizes, CONCERT Disney in Concert: Magical Music from the Movies excites crowds PERFORMER: Atlanta Symphony Orchestra LOCATION: Woodruff Arts Center DATE: Nov. 26, 2010 OUR TAKE: ««««« SHOWS By Kristina Sharifi Contributing Writer The Nutcracker For its 51st year, the Atlanta Ballet is putting on the holiday LOCATION: Fox Theatre classic, The NutcrackDATE: Nov. 27 - Dec. 26 er. A perfect holiday show combining the OUR TAKE: ««««« holidays themselves and fantasy, the Atlanta Ballet again augments the wonder of the spectacle with awe-inspiring sets, costumes and, of course, dancing at the always fabulous Fox Theater. The spectacle is a holiday tradition (with good reasons), and the Atlanta Ballet’s own version dazzles the senses. The Atlanta Ballet actually dances their very own version of the show. This version is set in St. Petersburg, Russia. Choreographed by John McFall, the artistic director, this version premiered in 1996. Before this, the company performed the famous Balanchine version, which was performed for the first time outside of the New York City Ballet by the Atlanta Ballet. Trying to remember the story of The Nutcracker proves difficult mainly because there is surprisingly little story. Compared to opera, ballet generally has much simpler stories, and The Nutcracker is no exception. There is not a plot or story and really, no resolution at the end. The classic moment when the Rat King is taken down by a shoe is not here. The story can be summed up as follows: At a party, a brother and sister receive gifts which, along with a little imagination, entertain the children. It is very simple, and there is nothing to follow. While the story is not that interesting, the costumes and sets are very attention-worthy. Both are lavish and very detailed. It was a pleasure to look at the decoration on the stage and the large crowds of people are almost entertainment in itself. This makes this production of The Nutcracker really a spectacle and not a story-based show. It is about the feast for the eyes and enjoying just watching the stage without having to think too much. The combination of live music, scenic eye candy and feats of dancing make an easily-enjoyed show, especially for PERFORMER: Atlanta Ballet On Friday, Nov. 26, Disney in Concert: Magical Music from the Movies was performed at the Woodruff Arts Center. The concert consisted of the Atlanta Symphony Orchestra joined by a quartet of singers and the Atlanta Symphony Gospel Choir. The show used images and music from the famed studio’s film releases and cartoons to salute the accomplishments of Walt Disney. The night of the performance, the audience sat with anticipation as the first violinist and Concertmaster, David Coucheron, tuned and prepared the orchestra for the conductor. Guest Conductor and Principal Pops Conductor to the Atlanta Symphony Orchestra Micheal Krajewski was greeted with an excited applause as he bowed and raised his baton, ready to begin the show. The Disney Classics Overture began the show with a bang and excited the audience. Next, vocalist Candice Nicole sang songs from The Little Mermaid such as “Under the Sea.” The orchestra went on to play “Colors of the Wind” from Pocahontas and an Orchestral Suite from Beauty and the Beast. Singer Aaron Phillips entertained the audience with a song from The Jungle Book, “I Wanna Be Like You.” Before the piece began, conductor Micheal Krajewski revealed a fun fact about it: The Jungle Book was the last movie that Walt Disney himself actually supervised. Before the ntermission, the last pieces from Mary Poppins were played and they happened to be my favorite. The orchestra played “Chim Chim Cher-ee” and asked the audience to sing along with projections of the lyrics as an aid. This was one of the highlights of the show as the audience was more than happy to be engaged. Before beginning the next two selections, conductor Micheal Krajewski admitted that he thought they were the best pieces from Disney movies. The orchestra stunned the crowd with a beautifully played piece from Pirates of the Caribbean: The Curse of the Black Pearl. Still, what was to come was better. The next selection was by far the best of the whole concert; the orchestra was joined not only by the quartet of singers but also the Atlanta Symphony Gospel Choir for a Lion King song suite. The audience was mesmerized. “The Circle of Life”, especially, was executed perfectly by all three contributing parties. This part of the perSee Disney, page 14 Images courtesy of Atlanta Ballet Image courtesy of Atlanta Symphony Orchestra By Christ Ernst Staff Writer Technique 13 Friday, December 3, 2010 those without much of an attention span. The Atlanta Ballet performs The Nutcracker at the fabulous Fox Theater in Midtown, just a stone’s throw from The Varsity. The theater is almost as interesting as any show that passes through. Originally opened in 1929, the Islamic/Egyptian-styled edifice is unique. Even from the street, it screams lavish luxury from yesteryear. During intermission, it is easy to miss the beginning of the second act while exploring the many nooks, crannies (and bathrooms) and details of the historical landmark. For the past two years, the Atlanta ballet used live music only on the show’s opening weekend. However this year will feature live music at all 23 performances for the first time since 2006. There is an indescribable something that live music brings to a multifaceted production like The Nutcracker. Tchaikovsky’s romantic (and then quite experimental) score sounds much more nuanced and engrossing live than any recording can produce. The Atlanta Ballet Orchestra is one of the highlights of the show. The only aspect of the show that seemed lacking was, ironically, the dancing. While at times virtuosic, there were at least commensurate occasions of strikingly bad footwork or timing. The arms and upper half of the dancers was almost always approaching perfection. Arms and their positioning definitely got much more attention than footwork or synchronization. However, with a show that has as many children it is much harder to maintain a high level of execution. The Nutcracker is a tradition, especially with parents and children, and it is very easy to see why. The show is a spectacle with scant story which is easily digested by anyone of any age. The live music, costumes, scenery and feats of dancing make a visual and auditory feast. The Fox is a fantastic venue that only adds to the wonder and uniqueness of the experience. While the dancing is at times shaky, the show is a solid success. The show’s sparkle is hard to resist and gets anyone in the holiday spirit. The Atlanta Ballet will host The Nutty Nutcracker, which will be “unchoreographed by the Atlanta Ballet Dancers.” It is rated PG-13 and is one night only, Dec. 16 at 7:30 p.m. 14 • December 3, 2010 • Technique ENTERTAINMENT Turismo 5 offers realistic driving experience GAMES Gran Turismo 5 CONSOLE: PlayStation 3 GENRE: Racing DEVELOPER: Polyphony Digital RATING: E RELEASED: Nov. 24 OUR TAKE: ««««« By Andrew Akker Contributing Writer The driving simulator genre of video games has seen no better series than Gran Turismo since the first one landed on shelves in 1997 on the first PlayStation console. Since then, numerous sequels and spin-offs have continued its great name and gameplay that we’ve all come to know and love. Gran Turismo 5 (GT5) is no different. GT5 builds upon what developers Polyphony Digital have been creating and improving on for the past 13 years, which is to be a great driving simulator. The handling with the cars is just as you would expect from real-life physics. The elements, such as rain, will have an effect on your driving. All the factors added into to how the gameplay works with the driving really do make this a great driving simulator. The graphics really do look as good as the developers claimed they did in demonstrations of the game. However, the best looking cars are labeled “premium” cars, and you have to purchase these with in-game money. The cars you win from races and such are non-premium and do not look quite as good as premium ones. However, once you take a spin in one of the premium cars, Image courtesy of Polyphony Digital you will be blown away. The menu layout has changed since Gran Turismo 5: Prologue a smaller game released earlier that was supposed to be an introduction to what GT5 was to be when finished. In the main menu, you have Arcade Mode, which is for playing a normal single-player race, Two-Player Mode, Drifting Challenges or Time Trial Challenges. There is also access to a course creator where users can create their own custom courses with the tools available. There is also access to the GT News and “My Home.” “My Home” mode is what has most of the gameplay modes such as A-Spec (racing), dealerships to purchase cars or license tests to learn the basics of the Gran Turismo world. Also accessible from this menu is information about your community image. You can set a personal avatar, information about yourself and with what kind of people you would like to play online with. The game does a very good job of setting all of this up for you the first time you access the My Home menu. There is tons of stuff to do in this game. You can do straight racing in the A-Spec mode or you can also do a manager mode called B-Spec in which you create a player and act as their crew chief to direct them on what kind of racing style they should use during the race. Completing sets of races in these modes will win you cars, credits for purchase and experience to level up. License tests are a good way to train for the big races if you are not very familiar with the world of Gran Turismo. They will teach you how to take turns like a pro and how to drive to win. It is an easy way to get started with credits and experience. Probably the most intricate mode of the game is the photo mode. The player can take his or her car to anyone of the four designated cities. Anything from shutter speed to exposure to filters can be changed to fit the exact kind of picture you want. There’s a “special challenge” mode where you can take on challenges from popular icons in the racing field such as doing a NASCAR challenge with Jeff Gordon, or racing around in the Top Gear track. Each one requires you to reach a certain level to take part in the challenge. The online community is very prevalent in this game as well. Players are allowed to create their own rooms with their own customizations in types of race cars allowed or even to use their own custom tracks. It is a good idea not to go online until you’ve gotten yourself a decent car. Most of the online races deal with high-level cars. Polyphony Digital has done a fantastic job with the newest installment of the Gran Turismo franchise. The gameplay is realistic and the graphics are crisp. The amount of cars to choose from is very vast, and the brands are extremely varied. But above all else, the game is very fun and there is a lot to do. I’d recommend this game to anyone who enjoys realistic driving simulators and to everyone who was ever a fan of the Gran Turismo franchise. Disney formance was by far the most impressive and elaborate. Finally, the last piece and finale from the Atlanta Symphony Orchestra was a small selection from Hercules. It ended the show with a perfect blend of excitement and satisfaction. Before attending the show, however, I talked to one of the performing singers, Whitney Kaufman. Kaufman, a native from Los Angeles and a natural on stage, has been performing since the age of eight. She was most recently on tour with the Broadway hit, Mamma Mia!. “The show is not very challenging because it is so fun but we are performing with visuals on the screen and we have had to work hard with the conductor to listen for musical cues and visual cues,” Kaufman said about the challenges of the show. Kaufman did not have to do any special preparations to take part in the show. “No, we didn’t do anything like that but everyone was very familiar with the Disney music. We did several rehearsals to stay true to the original music. That was very important to everyone— staying true to the original pieces and performing them exactly as they originally were,” Kaufman said. Along with Kaufman were three other vocalists, Candice Nicole, Aaron Phillips, and Terron Brooks. Since Kaufman worked with several famous conductors, she talked about how she had actually worked with Micheal Krajewski before. She had nothing but good things to say. “I worked with him last time we performed in Atlanta. He is fantastic: nice to singers and always listening. He is always on his toes and a great conductor,” Kaufman said. Submit a Sliver! Be Be Be Be from page 13 witty. angry. opinionated. random. Your sliver here. www.nique.net Eating ENTERTAINMENT Disney’s Tangled succeeds Atlanta FILM Cuisines around Atlanta RESTARUANTS Pure Taqueria LOCATION: 300 North Highland Avenue CUISINE: Mexican Food COST: $8 - $10 HOURS: 11 a.m. - 11 p.m. PHONE: (404) 522-7873 OUR TAKE: ««««« By Michael Valente & Andrew Nelson Contributing Writers This week we visited one of three Pure Taqueria locations in Inman Park—one of Atlanta’s most fiercely dedicated communities and home to a myriad of small shops, restaurants and, of course, the glorious hipsters. The first note we made as we walked up to Pure Taqueria in the cold, drizzly rain was that this place was made for warm summer evenings. Walking in, it was apparent that the building may have been a converted auto shop. All the tables were packed with boisterous guests, and the bar was stocked Technique • December 3, 2010 • 15 with warmer-still patrons. After a thirty-minute wait (even on a weekday night, reservations are recommended) we were led through the throng and past a brilliantly tiled food service counter that shone even in the low light of the dining room. Chips, salsa and water were all almost instantaneously delivered to our table while it took our actual server a little bit to introduce herself and ask if we needed anything else. Michael went for the corn masa stuffed with pulled pork, Andrew ordered a traditional dish, chicken mole enchiladas and our companion and photographer Cassie opted for the chicken taquitos. The two large stuffed masa cakes laid imposingly over a majority of the plate and were piled high with toppings. The cakes were at first a bit hard to cut into, but the pork’s moisture and saltiness offset the dryness and touch of sweetness, respectively, from the corn. Mole is a Mexican sauce that varies enough to be the signature of a particular cook, and at Pure it was particularly chocolatey and nutty. In fact, if Nutella were to See Food, page 16 Photos by Cassandra Xie / Student Publications Tangled GENRE: Family Comedy STARRING: Mandy Moore & Zachary Levi DIRECTOR: Nathan Greno & Bryon Howard RATING: PG RELEASE DATE: Nov. 24 OUR TAKE: ««««« By Daniel Fuller Contributing Writer Tangled takes long hair to the extreme, transforming the tale of Rapunzel into an exciting adventure. The original Rapunzel story is evident, but Tangled adds its own flair. The presentation of script, scenery and sound creates a compelling film out of something as simple as a girl with long hair trapped in a tower. Even though Tangled is Disney’s first 3D departure from their roots in classic 2D animation, it stands strong as proof that that Disney still knows how to make good animations. The combination of talent involved in Tangled comes together nicely. The voice acting is excellent, especially by leads Mandy Moore as princess Rapunzel and Zachary Levi as the handsome thief Flynn Rider. Donna Murphy and Ron Perlman provide a striking villainous presence, voicing the manipulative Mother Gothel and the rogue Stabbington brothers, respectively. Most impressively, all of the voice actors perform their own singing roles. The soundtrack is well-done thanks to Alan Menken, a longtime Disney movie composer responsible for classics such as Beauty and the Beast and Aladdin. Image courtesy of Walt Disney Studios Motion Pictures Following the tradition of Disney animated features, characters in Tangled will spontaneously burst into song. The number and pacing of these songs feels just right, delivering emotion and character development through smooth transitions into music. Rather than being overwhelming and distracting, all of the music contributes to the narrative. Rapunzel’s first song is especially charming, describing the daily rituals she employs to counteract the boredom of being trapped in a tower for her entire life. The animators involved in Tangled also deserve special praise. The animation is flowing, the visuals are beautiful, and the character design is unique and interesting. The resulting art style is vibrant, colorful and scenic. Not surprisingly considering the subject matter, the hair is especially well-rendered. With the great vocal talent, music and visuals, the story of Tangled is the final component that brings everything together. with the technique classifieds.nique.net technique CLASSIFIEDS making friday lectures more interesting place your It is full of action, comedy, romance, and villainy. Extreme liberties are taken with the source material, but such has always been the case with Disney’s fairy tale adaptations. In this case, the replacement of the classic-yetboring “prince charming” with a witty rogue opens up interesting narrative possibilities and creates a more complex relationship dynamic between his character and the princess. The Disney formula is clearly evident throughout the film, even down to the quirky animal companions (in this case, a horse and a chameleon). However, while the formula is old and predictable, it is unashamedly so, delivering a happy, fun adventure for audiences to enjoy. Tangled is delightful in its light-hearted charm. It is not particularly deep, yet it is not shallow either. The characters and story are interesting, and the execution is superb from music to art style. More than most, Tangled is simply a fun movie, and that makes it worthwhile. 16 • December 3, 2010 • Technique ENTERTAINMENT Weepies returns strong, wows Variety CONCERT The Weepies PERFORMER: The Weepies LOCATION: Variety Playhouse DATE: Nov. 17 OUR TAKE: «««« « By Jessica Swafford Contributing Writer Two weeks ago on Wednesday, Nov. 17, Variety Playhouse hosted The Weepies, an indie pop-folk group of six based out of Los Angeles. Led by husband and wife musicians Steve Tannen and Deb Talan, The Weepies, while still being lesser known by the masses, has steadily gained notoriety in the last few years. This can be attributed to several songs that have been featured on shows such as Grey’s Anatomy, Scrubs and How I Met Your Mother. The duo, who had solo projects before joining together, write their own lyrics and until the past few years, toured the country in a compact Toyota. Their first album was released in 2003, and they now have a total of four (Happiness, Say I Am You, Hideaway, Be My Thrill) with the most current being released earlier this year. The crowd on Wednesday, unexpectedly ranging from high school students to middle aged adults, made small talk amongst strangers like old friends while waiting on the show to start. Small bright stage lights, fitting to the band’s persona, were turned on around nine, and were immediately followed by fan excitement. Soon after, The Weepies took the stage. During the concert it was common for a single fan to yell a one- Photos by Austin Foote / Student Publications liner to the band, but between songs everyone was unusually quiet. This was noted by trendy dressing lead singer Deb Talan who commented that down time was so quiet she could almost hear a pin drop. It can’t be for sure, but perhaps this silence was due to the fact that no one had heard The Weepies live in so long. They haven’t had a show, much less a tour, in four years. In this time Talan and Tannen wrote their album Be My Thrill, expanded their family and switched from a compact to a tour bus. In the quaint setting of Variety Playhouse, fans were told stories about the inspiration for many songs which range from drinks to arguments to children’s sayings. The tour bus inspired a song called “Antarctica” which is what the duo’s oldest child calls it. As a matter of fact, fans ate up all stories told between songs. Most popular was the story of how Talan and Tannen met while both on separate tours. “Riga Girls” was inspired by it, but those interested will have to look the song’s colorful background themselves. “Please Speak Well of Me,” a slower song about an ex, enhanced the folky aspect of the band by including several band members clapping and snapping in rhythmic sync to make much of the music for the song. Fans soon joined in to make things louder thus adding quality to the song. In order to speed things up and keep excitement The Weepies followed with “Can’t Go Back Now” which was well received proving that fans appreciate different song styles made by the band. Throughout the night The Weepies kept true to their untraditional genre and used not only typical drums and guitars but also incorporated the afore mentioned clapping as well as a ukulele, cello and tambourine. Solidifying themselves as musicians, almost every member played at least two instruments before the night came to a close. Other crowd pleasing songs were “Gotta Have You,” “Nobody Knows Me At All” and two singles that seemed to be known by everyone in the crowd, “Be My Thrill” and “World Spins Madly On.” Variety Playhouse turned out to be the perfect venue for the concert. Fans missed The Weepies and surely appreciated the small, personal setting of the venue where they could make new friends and seemingly “catch up” with the band who themselves treated the audience like old friends. With any luck, they’ll come back soon for those who missed out. If not, it can only be hoped it won’t be four years until the next time. Food from page 15 find its way to a sauce pan with an entourage of chilies, you would have this mole. Toss in some softened peppers and onions and spread over three stuffed enchiladas, and it makes a hearty, earthy dish. All dishes were accompanied by sides of rice and a choice of black, refried or charro beans. The rice was a strange side dish: while the taste was done well, the texture seemed almost waxy but curiously we ate every last grain. Pure’s version of charro beans tasted excellent and came in a small side cup, much preferred over the usual splatter on the side of your plate as in many other restaurants. It also pays tribute to the original, using an unmistakable presence of pork among other spices and chilies commonly found in traditional charro bean recipes. Other food options are the usual suspects for Mexican cuisine, although it certainly surpasses the typical Mexican dive in both atmosphere and style. Pure’s founders based their recipes on family recipes from the southern Mexican state of Oaxaca, and the feature cheese here is, surprise, Oaxaca cheese. They also offer a gluten-free menu that isn’t too bad. Perhaps the highlight of the restaurant was the shiny ethanol centerpiece. Stacked on all sides by liquor, especially their proud tequila selection, the bar seemed almost too retro despite the rest of the modern-retro mix of interior decoration. On the wall opposite the windows was a large tv projection screen showing a football game at the time. Overall the experience of Pure was nice. Perhaps a little dimmer than necessary, but loud and fun. The food was good and plentiful and the price more than reasonable. ENTERTAINMENT Technique • December 3, 2010 • 17 Theme Crossword: Fashion Statement By Robert Zimmerman United Features Syndicate ACROSS 1. Pinch-hit 4. Boorish 9. Inundate 14. Tennessee’s flower 18. Place for fishermen 19. Cotton thread 20. Float 21. Cut 22. Old covered walkway 23. The bounding main 24. Developed 25. Aswan’s river 26. Start of a quip by Julia Roberts: 6 wds. 30. Foil relative 31. Yucky 32. Spoil 33. Set apart 36. Ceremonial wear 38. Pelted 43. Clues 44. Physique 45. Puts an end to 46. Baseball stat. 47. Division word 48. Black, in heraldry 49. Speaks angrily 50. Caution 51. Turn sharply 52. Mind 53. Foundation 54. Glacial ridge 55. Two-wheeler 57. -- -percha 58. Governmental body 59. An article 61. Part 2 of quip: 3 wds. 65. Pop 66. Unit of angular measurement 68. Sharp 69. Poem of a kind 71. Unconcealed 72. Overact 73. Strikes sharply 75. Hibernia 78. Christie’s Miss Marple 79. Pirouettes 80. Tom Sawyer’s aunt 81. Song 82. Farm denizen 83. Pipes 84. Like a bubble bath 85. First VP 86. A coming to be 88. Eschews 89. Brunch order 90. Youth 91. Before long 92. Scent 93. End of the quip: 6 wds. 102. An astringent 103. Avid 104. Eastern servants 105. Time 106. Certain first flight 107. Jewel 108. Heredity units 109. Roadhouses 110. Get word 111. Simple shelters 112. Newsboy’s cry 113. Dollop DOWN 1. Something to eat 2. Quite a while 3. Path 4. Sickened, in a way 5. Nouveau -6. Lost 7. Mini blinds part 8. Levelheaded 9. Cuts of meat 10. Verbose 11. Affirm 12. Interlock 13. Takes precedence over 14. Snub 15. Kind of dance 16. -- of Man 17. Haggard title 18. Penultimate Greek letter 27. Uncloses, poetically 28. Did well on 29. Rests 33. Inmate’s blade 34. Long 35. Forebears 36. Rustic 37. Like a garage floor 38. Outcast 39. BPOE members 40. Navy man: 2 wds. 41. Typos 42. Moved rhythmically 44. Innocents 45. Rash 48. The gannet 49. Clean oneself up 50. Cyst 53. Steep hill 54. Antitoxins 56. Online activity 57. Oversupplies 58. Actress -- Spacek 59. Destructive kind of horse 60. An island capital 62. Third biblical horseman 63. Pictures 64. Put on 67. Wrath 70. Command 72. Monumental 73. Horse’s color 74. Savoy or Lepontine 76. Frost 77. Bridge position 79. Like some beaches 80. Weight 83. Edible part 84. Get out! 85. OT book 87. Make loud demands 88. Breathes in an annoying way 89. Black Sea port 91. -- provocateur 92. Iron-ore pigment 93. Succulent plant 94. Dance form 95. Fill 96. Old Greek contest 97. Wall Street acronym 98. Jargon 99. Chaplin’s wife 100. Litter’s littlest 101. Periods: abbr. 102. Fraxinus sliver www.nique.net Free pizza rations on Tuesdays. 7 p.m., Flag 137, Technique technique The economy sucks. the south’s liveliest college newspaper. PEOPLE! QUICK THE ZOMBIES ARE COMING uga fan: “i can’t wait for y’all to eat your words this weekend.” and i can’t wait to start making 30k more than you after graduation my gpa sux! Solve for i: 9x-7i > 3(3x-7u) Prufrock was right. How will I know if it would have been worth it, after all We watched Harry Potter sing the Elements song in chemistry. Thank you Tech for making me feel less nerdy! Has anybody every asked someone out on sliver? I kinda want to try? Dear Tech, for Christmas I’d like a beautiful red head please who doesnt have TBS. thanks. my roommate is so loud. I wonder if he can hear himself WASHINGTON! WASHINGTON! Taking out dook, ‘cause he’s the one! you’re a jerk hate week thwg Mine eyes have seen the glory Of the N.C. Double-A They’re investigating GA players To see how much they’re paid After counting all the cars And the loans Alumni made, They out pay F.S.U. “It’s a Jeep thing... you wouldn’t understand” you make my day. Go Wranglers! YAY INTERGRATION! i love my munchette blue buses are ninjas I see you eating in Woody’s with the girl I love, and I`m like F*** Youuu, F*** Yoouuu Is Caldwell Co-ed on every floor??? Feels like it. Closing the center of campus? How will I find the G-Spot? Clermont Lounge is not terrible for the prices GT sucks out your soul everyday you study here The Walking Dead should film campus on finals week THWg i am scared of my impending doom of my 1803 test I wish Infinite Harmony would come sing me to sleep every night. facilities: please use the money spent on fueling your leafblowers to pay for bonuses to get your guys to use nice quiet rakes whats up with guys modeling transformers/gun s/guitars in 1770? im too drunk to taste this chicken jackie moon,”budlight. .im horny.” I know where everything light goes You’re 4’ 10” of cute! Love hanging with ya! 18 • December 3, 2010 • Technique Piled Higher & Deeper by Jorge Cham Crossword Solution from page 17 COMICS Non Sequitur by Wiley COMICS Non Sequitur by Wiley DILBERT ® by Scott Adams Technique • December 3, 2010 • 19 ANAK Established in 1908 The ANAK Society would like to congratulate and thank the following members who are graduating in Fall 2010 Sean Boudreau Bedford Ryann Margaret Kopacka Michael Anthony Toney Kathryn Carolyn (K.C.) Young and in loving memory of our alumni John Stewart Hunsinger James Frank Stovall Jr. Founded in 1908, The ANAK Society recognizes Junior and Senior students for their outstanding leadership ability, personal achievement, strong character, and true love for Georgia Tech. Membership is considered by many to be the highest honor a Tech student can receive.
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