NYS Common Core ELA & Literacy Curriculum 9.1.3 DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 Lesson 6 Introduction In this lesson, students will continue their close reading analysis of Romeo and Juliet’s first encounter at the Capulet Ball (Act 1.5, lines 92–109). Students will explore how Juliet’s response to Romeo’s initial overture shapes the dialogue that follows and what this increasingly intricate interaction might reveal about these two complex characters. This lesson continues the focus from Lesson 5 on Shakespeare’s use of imagery. The Stage Directions Tool and a related set of text-dependent questions prompt students to generate stage directions and paraphrase actions at key points in Romeo and Juliet’s dialogue. This process will encourage students to make meaning of the sequence of events in this highly metaphorical scene, as well as make inferences about character motivation. Students will synthesize their analysis of this excerpt in a final Quick Write to the focusing question: What can you learn about Juliet from the way that she responds to Romeo? For homework students will read a portion of the text and respond briefly in writing to a question that asks them to consider the actions of the scene. Standards Assessed Standard(s) RL.9-10.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone). Addressed Standard(s) RL.9-10.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. RL.9-10.3 Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme. File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 1 NYS Common Core ELA & Literacy Curriculum DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 Assessment Assessment(s) • • Quick Write: What can you learn about Juliet from the way that she responds to Romeo? Use evidence from the text to support your response. Stage Directions Tool High Performance Response(s) • • Student responses to this open-ended Quick Write will vary. The goal here is to get students to begin to think broadly about what they can learn about Juliet through an analysis of her interactions with Romeo. Students might note that it is clear that Juliet really likes Romeo—she flirts with him and ultimately lets him kiss her (“you kiss by th’ book,” line 109). Others might make more direct inferences about Juliet’s character—perhaps her initial refusal to accept Romeo’s kiss (“lips that they must use in prayer” line 101) indicates that she is shy or modest. Other students might offer that Juliet is bold—she is not afraid to engage in a direct conversation with Romeo on equal terms, and she ultimately lets him kiss her in a public space (the Capulet Ball) with relatively little persuasion. Some students might point to the quality of Juliet’s metaphors (“pilgrims,” “saints”) to support the assertion that Juliet is clever with words—she takes Romeo’s metaphor and twists it to direct the conversation in a way that she chooses. The paraphrasing and stage directions required by the Stage Directions Tool will indicate whether or not students are struggling with basic comprehension of the text. Vocabulary Vocabulary to provide directly (will not include extended instruction) • • • • • • • shrine (n.) – a place in which devotion is paid to a saint or god; a tomb for the dead pilgrim (n.) – one who travels to a shrine or holy place as a devotee saint (n.) – one who is officially recognized after death as being holy palmer (n.) – another word for pilgrim purged (v.) – gotten rid of; cleared of guilt trespass (v.) – to sin; to enter someone’s land illegally prodigious (adj.) – being an omen (obsolete) Vocabulary to teach (may include direct word work and/or text-dependent questions) • mannerly (adj.) – polite File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 2 NYS Common Core ELA & Literacy Curriculum DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 Lesson Agenda/Overview Student-Facing Agenda • • • • • • • • % of Lesson Standards: RL.9-10.1, RL.9-10.3, RL.9-10.4 Text: Romeo and Juliet, Act 1.5, lines 92–109 Introduction of Lesson Agenda Homework Accountability Masterful Reading: Romeo and Juliet, Act 1.5, lines 92–109 Text-Dependent Questions and Stage Directions Tool Quick Write Closing Materials • Stage Directions Tool (see Lesson 5) File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 3 5% 10% 5% 70% 5% 5% NYS Common Core ELA & Literacy Curriculum DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 Learning Sequence Percentage Teacher Actions of Lesson 5% Students look at the agenda. Homework Accountability Redistribute Stage Directions Tool (see Lesson 5). Lead a brief discussion of the students’ homework (How does Romeo’s initial approach towards Juliet compare to his approach towards Rosaline?) and collect written responses. 5% Instructional Notes (extensions, supports, common misunderstandings) Introduction of Lesson Agenda Begin by reviewing the agenda and sharing the standards for this lesson: RL.9-10.1, RL.9-10.3, RL.9-10.4. In this lesson, students will continue their exploration of Romeo and Juliet’s initial interaction at the Capulet Ball. Students will work with the Stage Directions Tool and associated TDQs to explore this lesson’s focusing question: What can you learn about Juliet from the way that she responds to Romeo? 10% Student Actions Students forge connections between Romeo’s advances in both of these passages. Students note the similarities in Romeo’s approach, both in terms of the intense use of imagery and metaphor, as well as the aggressive nature of his pursuit. Some students might indicate that Romeo idolizes Juliet (she is a “holy saint”) just as he idolized Rosaline only pages before (“she hath Dian’s wit”). Masterful Reading File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 4 The purpose of this activity is to review essential understandings from Lesson 5, as well as to encourage students to continue to build connections across the text in their exploration of character development. NYS Common Core ELA & Literacy Curriculum Have students listen to a masterful reading of the excerpt in its entirety (Act 1.5, lines 92–109), as they follow along in their text. 70% Grade 9 • Module 1 • Unit 3 • Lesson 6 DRAFT Students follow along, reading silently in their texts. Text-Dependent Questions and Stage Directions Tool Have students form heterogeneous groups according to established protocols. Instruct groups to reread Juliet’s first 4 lines aloud (lines 96–99), and then display the following questions. Students should discuss in their groups, take notes on their discussion, and be prepared to share with the class. 1. What familiar word(s) do you see in mannerly (line 97)? What does Juliet mean by "mannerly devotion" (line 97)? Student responses may include the following: 1. The word manner(s) appears in mannerly. Having manners means displays of politeness or proper etiquette. In this context, Juliet is saying that Romeo’s devotion to her is polite and proper. 2. How does Juliet feel about Romeo’s advances? Use evidence from the text to support your answer. 2. Juliet does not seem to mind that Romeo is holding her hand. Students might point to the phrase "you do wrong your hand too much" as evidence that she doesn’t mind what his hand is doing, or that she counters his assertion that his hand is unworthy to touch hers by describing his devotion as polite and proper. 3. How does Juliet respond to Romeo’s attempt to kiss her hand? How does this response draw upon File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 3. Juliet uses Romeo’s own words to stop him from kissing her hand. Juliet asserts that 5 Additional scaffolding questions for lines 96–99: According to Juliet, why does Romeo "wrong [his] hand too much"? Juliet says that Romeo is being too hard on his hand because saints and pilgrims touch hands. Therefore, this is an appropriate thing for them to do. According to Juliet, how do palmers (pilgrims) kiss? (Hint: What part of their body do they use instead of their mouth?) NYS Common Core ELA & Literacy Curriculum the metaphor Romeo constructed in lines 92–95? 4. How do you think Juliet might communicate this message with her actions? Suggest a stage direction that tells the actor what to do. Record your stage direction on your tool. Grade 9 • Module 1 • Unit 3 • Lesson 6 DRAFT pilgrims worship saints by touching their hands to the hands of the saints. Therefore, pilgrims and saints “kiss” by touching hands. If Juliet is the “saint” and Romeo is the “pilgrim” (as Romeo established in his first four lines), then because he is already touching her hand, kissing with his lips to express his devotion is not necessary. 4. Responses will vary but should indicate a logical stage direction for the character at this point. Juliet is refusing Romeo’s offer to kiss her hand, so any action that expresses that she is resisting his attempt or turning away is appropriate. Perhaps she pulls her hand away from his, or perhaps she reaches up to touch his other hand with her own. (See Model Stage Directions Tool for a sample answer.) Pilgrims kiss by placing the palms of their hands together. Which words in Juliet’s response also appear in Romeo’s first lines? Hand, pilgrims, kiss, and saints are words in both Romeo and Juliet’s first lines. Circulate and assist as needed. Lead full class discussion. Stage Directions Tool Extension Activity: Once students complete the Stage Directions Tool in their groups, have students direct and perform the scene they have just constructed according to the directions they have outlined. Like the stage directions, File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 6 NYS Common Core ELA & Literacy Curriculum DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 the scene should demonstrate an understanding of the interactions and motivations of Romeo and Juliet in this highly metaphorical scene. Each discussion group can direct and perform their own scene, or all groups can collaborate as a class to direct and perform a single scene. Instruct groups to reread lines 100–101 aloud, then complete the following activities on their tool: 5. What is Romeo’s reply to Juliet? Paraphrase in your groups and record your answer in the appropriate box on your tool. 6. Take 30 seconds to paraphrase Juliet’s response. Record your answer on your tool. Student responses may include the following: 5. Sample paraphrase: Both saints and pilgrims have lips, don’t they? 6. Sample paraphrase: Yes, they do have lips, but they are supposed to use them to pray not to kiss. Circulate to check for comprehension. File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 7 NYS Common Core ELA & Literacy Curriculum Instruct students to reread lines 102–109, then display the following questions for students to discuss in their groups: 7. What course of action is Romeo suggesting to Juliet when he says "let lips do what hands do"? Additional scaffolding questions for lines 102–109: 7. Romeo is saying that he and Juliet should put their lips together, i.e., they should kiss on the mouth. 8. According to Juliet, what do saints do? What do saints not do? 8. Saints grant prayers but “do not move” (line 104). 9. Review the definition of saint at the bottom of the Stage Directions Tool. Why can’t saints move? 9. Saints can’t move because they are dead. File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ Grade 9 • Module 1 • Unit 3 • Lesson 6 DRAFT 8 What word repeats in this section? Underline the repeating word every time it appears. The word sin appears four times in the lines. What does the repetition suggest about how Romeo and Juliet are feeling about their kiss? Romeo and Juliet may feel guilty about their kiss because they are describing it as something that is sinful. 9. If students struggle to grasp this facet of the metaphor in the lines, explain that saints are people who are made into important religious figures after they die. Then explain that pilgrims worship saints in the NYS Common Core ELA & Literacy Curriculum DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 form of statues and holy relics (preserved objects connected to that person). 10. How is Juliet using the metaphor of saints and pilgrims as a response to Romeo’s plea for a kiss? Write a stage direction to accompany line 104 that clearly expresses what you think Juliet is telling Romeo in this sentence. Record your response in your Stage Directions Tool. 10. Stage directions will vary but should indicate that this is a point of acquiescence for Juliet. She yields to Romeo’s pleas for a kiss (grants a pilgrim’s prayer) but will not initiate the kiss (saints do not move). A possible stage direction is that Juliet stands still, with her gaze averted. (See Model Stage Directions Tool for a sample response.) Circulate and assist as needed. Lead full class discussion. 5% Quick Write Display the following prompt for students to respond to independently: What can you learn about Juliet from the way that she responds to Romeo? Remember to use evidence from the text to support your answer. Students complete a Quick Write. See High Performance Response at the beginning of this lesson for elements to look for in student work. Ask students to hand in both their Quick Write and Stage Directions Tool at the end of class. 5% Closing For homework students will read a portion of the text and respond briefly in writing to a question that asks them to consider the actions of the File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ Students read from Romeo and Juliet independently and respond briefly in writing to a focusing question. 9 If necessary, students can complete this Quick Write for homework, or this prompt can be used as a basis for a concluding full class or group discussion. NYS Common Core ELA & Literacy Curriculum DRAFT Grade 9 • Module 1 • Unit 3 • Lesson 6 scene. Students should be prepared to discuss their observations at the beginning of the next lesson. Homework Read lines Act 1.5, lines 133–140 and respond to the following question: What has Juliet just discovered about Romeo? Be prepared to hand in your response at the beginning of Lesson 7. File: 9.1.3 Lesson 6 Date: 8/31/13 Classroom Use: Starting 9/2013 © 2013 Public Consulting Group. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License http://creativecommons.org/licenses/by-nc-sa/3.0/ 10
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