B ,E PREPARED see some to super- a d a p t a t i o n s of t h e c l o t h e s f r o m "The A d v e n t u r e s of Robin H o o d " t h i s spring. C o s t u m e p i c t u r e s u s u a l l y h a v e m o r e influence on c u r r e n t f a s h i o n s t h a n m o d e m pictures. A n d Milo A n d e r s o n h a s des i g n e d s o m e g o r g e o u s t h i n g s for t h e W a r n e r Bros. T e c h n i c o l o r version of t h i s f a m o u s tale, w h i c h will v e r y likely h a v e m o r e t h a n a c a s u a l e f f e c t on s p r i n g fashions. Recently 1 went out to the famous B u s c h Gardens in P a s a d e n a w h e r e t h e a r c h e r y t o u r n a m e n t for t h i s picture, s t a r r i n g Errol F l y n n and Olivia de Havilland, w a s being e n a c t e d . Olivia w a s s t u n n i n g in a court c o s t u m e of blue and silver m e t a l - c l o t h m a d e w i t h a long waistline, a c c e n t e d w i t h a girdle of m e t a l l i c braid and a v e r y full skirt. Over the long, t i g h t s l e e v e s of t h e d r e s s w e r e outer s l e e v e s embroidered in g o l d braid and j e w e l s . On her head w a s a halo affair, not very different f r o m t h e c r o w n l e s s h a t s w e wore last s u m m e r e x c e p t t h a t it w a s w o r n over a chiffon veil. Errol F l y n n w a s very d a s h i n g in a l e a t h e r jerkin and a g a y Robin Hood hat with long feather. Basil Rathbone w a s m a g n i f i c e n t in a tabard (tunic c o a t .split on the s i d e s ) of black and gold brocade e d g e d in m e t a l l i c braid and w o r n w i t h a j e w e l e d belt and a big j e w e l e d pin a t t h e throat. F o r adaptation, t h e men's c o s t u m e s are a s inspirational a s t h o s e of t h e w o m e n ; for i n s t a n c e , t h e leather jerkins w o r n by Errol F l y n n all through t h e picture. One is of browTi suede scalloped around t h e b o t t o m and around t h e short sleeves. It is w h i p s t i t c h e d in leather d o w n t h e f r o n t and w o r n with a w i d e l e a t h e r belt. A n o t h e r h a s s q u a r e s c a l lops and is studded w i t h nail heads. O l i v i a d e Havilland's m e t a l c l o t h gown, which is a d a p t e d t o t h e m o d e r n m o d e . ANDERSON visualizes t h e s e j e r k i n s both f o r d a y t i m e and f o r m a l w e a r a s a s m a r t addition to milady s spring wardrobe. He has s k e t c h e d one version of a s t r e e t j a c k e t w i t h a jerkin w h i c h could be m a d e either in m a t e r i a l or s u e d e and w o r n a s a s u i t with a m a t c h i n g s k i r t or s e p a r a t e l y over d i f f e r e n t dresses. F o r an e v e n i n g c o s t u m e he s u g g e s t s a jerkin m a d e up in cloth of gold and w o r n o v e r a slim, black crepe or v e l v e t skirt w i t h large g o l d bracelet. T h e tabard c a n be w o r n n o w a l m o s t w i t h o u t c h a n g e . T u n i c s are c o m i n g back i n t o t h e f a s h i o n p i c t u r e and t h i s one could be m a d e up in a s p r i n g floral print Flynn's ierlcin in m o d e r n adaptation. Knighthood's and worn with a long-sleeved underblouse and akirt of satin. A jeweled belt, auch as the one Basil wears, would be stimnlng with this dress, particularly now that jewelry of all kinds is so much in vogue. S t r a n g e a s it m i g h t s e e m now, t h e m e n In t h e d a y s of Robin Hoo'" w o r e m o r e Jewelry t h a n t h e w o m e n . Maid Marian (Olivia) and t h e ladies of t h e c o u r t w o r e j e w e l e d o r n a m e n t s In their hair and j e w e l e d c l a s p s o n their c a p e s ; j e w e l e d hip g i r d l e s and s h o e buckles. B u t t h e m e n of the c o u r t outdid t h e m . T h e y w o r e h e a v y j e w e l e d rings, pins and buttons. Their l e a t h e r belts, d a g g e r s and sword s c a b b a r d s w e r e s e t w i t h s e m i precious and p r e c i o u s s t o n e s . E v e n their s w o r d s had j e w e l e d handles. In one s c e n e in t h e picture Olivia w e a r s a beautiful d r e s s made w i t h a l o n g - w a i s t e d bodice of black and gold m e t a l brocade w i t h a black velvet skirt and m a t c h i n g cape. T h e cape, instead of c o m i n g t o g e t h e i in t h e front, is worn back on the s h o u l d e r s w i t h a m e t a l chain a c r o s s t h e neckline and jeweled c l a s p s on either side. Anderson believes t h a t this m a y s t a r t a n e w f a s h i o n in capes. H e also predicts that t h e halo h a t s w h i c h Olivia and other ladies of t h e court w e a r m a y influence a return of t h e crov/nless h a t s . T h e new halo hat, however, will be w o r n over s e p a r a t e head veils, a s t h e y a r e in the picture. T , H E Robin Hood h a t in f e l t or suede w i t h a peaked c r o w n and long feather, it s e e m s to me, will definitely be a spring millinery f e a t u r e . There is a n o t h e r hat of Errol's. a s o f t , tall-crowned hat with leather laced e d g e w o r n over a short shoulder cape, w h i c h Anderson t h i n k s will have i t s influence on the m o r e h i g h - s t y l e d spring hats. T h e cowl and b o a t n e c k lines of t h e s e c o s t u m e s , he also believes, will h a v e their e f f e c t on s p r i n g clothes, since t h e s e lines are a l m o s t u n i v e r s a l l y b e c o m i n g t o women. D u r i n g the Robin Hood period w o m e n f r e q u e n t l y w o r e s l e e v e s w h i c h w e r e half a s long a g a i n a s t h o s e w e w e a r n o w . T h e y t w i s t e d t h e m around and around, p u s h i n g t h e m u p their a r m s until t h e y w e r e w r i s t length. It m a d e a very flatt e r i n g s l e e v e and A n d e r s o n s u g g e s t s i t a s a n e w version of shirring. H e h a s combined t h i s s l e e v e w i t h a tunic d r e s s and added a shield appllqued on t h e bodice a s a s u g g e s t i o n for a n e w s p r i n g s t y l e . T h e tunic, w h i c h c a n be m a d e of a n y n u m b e r of fabrics, m a y be w o r n over a s l i m black skirt. He has also d e s i g n e d a shield s h a p e b a g w h i c h would be a s m a r t addition t o t h e c o s t u m e . shield is utilized. Enrol Flynn's " R o b i n H o o d " jerkin iivspires new d a y t i m e or f o r m a l gowns. S h e r w o o d Forest b r o u g h t u p - t o - d a t e .
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