Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information Poetry Reloaded Blair Mahoney [Cambridge title page logo] Blair Mahoney © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi Cambridge University Press 477 Williamstown Road, Port Melbourne, VIC 3207, Australia www.cambridge.edu.au Information on this title: www.cambridge.org/9780521746618 © Blair Mahoney 2009 First published 2009 Edited by Philip Bryan Typeset, design and illustrations by Marc Martin of small & quiet Printed in China by Printplus National Library of Australia Cataloguing in Publication data Mahoney, Blair. Poetry reloaded / Blair Mahoney. 9780521746618 (pbk.) For secondary school age. 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Information regarding prices, travel timetables and other factual information given in this work are correct at the time of first printing but Cambridge University Press does not guarantee the accuracy of such information thereafter. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information CONTENTS About the Author 1 CHAPTER 1: Poetry Gets Started 2 What Does a Poem Look Like? What is Different about Poetry? What Do Poets Say about Poetry? Images and Sounds The Poet’s Life: William Shakespeare Spotlight On: Annotating a Poem: ‘Sonnet 29’ by William Shakespeare Word Play: Writing your own poem that includes a simile Skill Building Read More 17 20 22 23 CHAPTER 2: Poetry Goes on Holiday 30 Oceania South America North America Asia Africa Europe Returning Home Out of this World The Poet’s Life: John Keats Spotlight On: ‘Happy is England’ by John Keats Word Play: Writing your own poem about a place Skill Building Read More CHAPTER 3: Poetry Kicks a Goal Bouncing the Ball A Game of Footy The Bowler Commences His Run Up Elite Athletes On Land and Sea The Spectator © in this web service Cambridge University Press 5 7 9 12 16 32 36 37 41 44 46 52 53 56 58 60 60 62 64 67 71 74 78 80 83 www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information Winning isn’t Everything The Poet’s Life: Bruce Dawe Spotlight On: ‘Life Cycle’ by Bruce Dawe Word Play: Writing your own poem about sport Skill Building Read More 85 87 88 94 94 95 CHAPTER 4: Poetry Looks in the Mirror 96 The Poetry Teacher The Poetry Student Struggling to Write a Poem Everyone is a Poet Reader Feedback Hoping for Immortality Youth and Old Age The Poet’s Life: Sylvia Plath Spotlight On: ‘Mirror’ by Sylvia Plath Word Play: Writing your own autobiographical poem Skill Building Read More 99 102 105 109 111 113 115 118 120 122 122 123 CHAPTER 5: Poetry Falls in Love 124 Looking for Love Adoration A Love Beyond Compare? Comic Love Absent Love What is This Thing Called Love, Anyway? The End of Love The Poet’s Life: Elizabeth Barrett Browning Spotlight On: ‘Sonnets from the Portuguese – XLIII’ by Elizabeth Barrett Browning Word Play: Writing your own love poem Skill Building Read More 127 129 133 136 140 142 144 148 © in this web service Cambridge University Press 150 152 152 154 www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information CHAPTER 6: Poetry Goes to War Dying for Your Country Military Mistakes The Vietnam War Wars Today The Poet’s Life: Wilfred Owen Spotlight On: ‘Dulce et Decorum Est’ by Wilfred Owen Word Play: Writing your own war poem Skill Building Read More CHAPTER 7: Poetry Has a Laugh A Visit to the Doctor Nonsense Poems The Limerick Playing around with Words Family Funnies ‘Hilairious’ Belloc Love Gone Wrong Questioning Authority The Poet’s Life: Edward Lear Spotlight On: ‘How Pleasant to Know Mr Lear!’ by Edward Lear Word Play: Writing your own nonsense poem Skill Building Read More 156 159 163 166 170 175 176 180 181 182 184 187 190 194 196 199 202 205 207 213 214 218 218 220 CHAPTER 8: Poetry Goes to the Movies 222 Inspirational Moments Setting the Mood Teaching Poetry in Films Weddings and Funerals Hoping for Release Science Fiction Poems A Vision of Power The Poet’s Life: WH Auden Spotlight On: ‘As I Walked Out One Evening’ by WH Auden Word Play: Writing your own poem inspired by a film © in this web service Cambridge University Press 225 227 230 235 237 240 244 246 248 252 www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information Skill Building Read More CHAPTER 9: Poetry Gets Serious How to Read and Annotate a Poem ‘The Good-Morrow’ by John Donne: a line-by-line reading ‘The Good-Morrow’ by John Donne: The annotated version Intermission: Looking at titles ‘Typewriter Music’ by David Malouf: a line-by-line reading ‘Typewriter Music’: The annotated version Turning Notes and Annotations into an Essay An Essay Plan 252 253 254 257 260 266 270 273 276 278 279 Glossary of Poetic Forms, Terms and Techniques 282 Subject Index 287 Index of Poets and Poems 289 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information The author and publisher wish to thank the following sources for permission to reproduce material: Images: Page 5, 6, 8-11, 1, 21, 22, 33 top and bottom, 34, 36, 38, 40-45, 47, 49, 51 top and bottom, 53, 61, 63, 68, 69, 72 top and bottom, 74, 76, 78, 81 top and bottom, 83-86, 93, 99, 100, 102, 105-7, 110-12, 114, 116, 127-35, 140-44, 147, 153, 164 top and bottom, 181, 183, 187, 188 top and bottom, 191, 192, 197, 197, 200 top and bottom, 201-5, 209, 226 top and bottom, 230, 235, 237, 238, 240, 245, 252, 253, 257-59, 261, 262, 264, 265, 281: Shutterstock; 79: Photomorgana/ Corbis, 118: Bettman/ Corbis; 87: Monpix/ Monash University; 119: Photoresearchers/ Photolibrary, 175: Lebrehcht Music & Arts Photolibrary/ Photolibrary; 213: Hulton Archive/ Getty Images, 228: Hulton Archive/ Getty Images. Text: Page 8: By William Carlos Williams, from THE COLLECTED POEMS: VOLUME 1, 1909-1939, copyright © 1938 by New Directions Publishing Corp. Reprinted by permission of New Directions Publishing Corp., 36: By Pablo Neruda, from THE CAPTAIN’S VERSES, copyright © 1972 by Pablo Neruda and Donald D. Walsh. Reprinted by permission of New Directions Publishing Corp., 50: By Ezra Pound, from PERSONAE, copyright © 1926 by Ezra Pound. Reprinted by permission of New Directions Publishing Corp., 51: By William Carlos Williams, from THE COLLECTED POEMS: VOLUME 1, 1909-1939, copyright © 1938 by New Directions Publishing Corp. Reprinted by permission of New Directions Publishing Corp., 112: By Denise Levertov, from POEMS 1960-1967, copyright © 1964 by Denise Levertov. Reprinted by permission of New Directions Publishing Corp., 130: By Pablo Neruda, from THE CAPTAIN’S VERSES, copyright © 1972 by Pablo Neruda and Donald D. Walsh. Reprinted by permission of New Directions Publishing Corp., 231: By Stevie Smith, from COLLECTED POEMS OF STEVIE SMITH, copyright © 1942 by Stevie Smith. Reprinted by permission of New Directions Publishing Corp., 232: By Dylan Thomas, from THE POEMS OF DYLAN THOMAS, copyright © 1952 by Dylan Thomas. Reprinted by permission of New Directions Publishing Corp., 240: By Dylan Thomas, from THE POEMS OF DYLAN THOMAS, copyright © 1943 by Dylan Thomas. Reprinted by permission of New Directions Publishing Corp.; 8: Reprinted by arrangement with The Heirs to the Estate of Martin Luther King Jr., c/o Writer’s House as agent for the proprietor New York, NY. Copyright 1963 Dr. Martin Luther King Jr.; copyright renewed 1991 Coretta Scott King; 7, 205: By John Hegley from THESE WERE YOUR FATHER’S copyright © Methuen Publishing Ltd. Reprinted by permission of Methuen Publishing Ltd., 10: By John Hegley from CAN I COME DOWN NOW DAD? Copyright © Methuen Publishing Ltd. Reprinted by permission of Methuen Publishing Ltd., 128, 197, 198: By John Hegley from LOVE CUTS copyright © Methuen Publishing Ltd. Reprinted by permission of Methuen Publishing Ltd.; 11: 1 quote used as epigraph [“A good poet he is great”] from NO OTHER BOOKS: SELECTED ESSAYS by RANDALL JARRELL and INTRODUCTION BY BRAD LEITHAUSER, EDITOR Copyright © 1999 by Mary Jarrell. Introduction Copyright © by Brad Leithauser. Reprinted by permission of HarperCollins Publishers, 107: “The Trash Can” from BETTING ON THE MUSE: POEMS & STORIES by CHARLES BUKOWSKI Copyright © 1996 by Linda Lee Bukowski. Reprinted by permission of HarperCollins Publishers; 33: “Rain” by Hone Tuwhare Copyright © 1970 by the Estate of Hone Tuwhare. Reprinted with permission of Rob Tuwhare, on behalf of the Estate of Hone Tuwhare. [email protected]; 41, 42: “Basho, Issa and Buson” translated by Peter Beilenson, Japanese Haiku, © 1956, Peter Pauper Press; 43: Imtiaz Dharker, Postcards from God (Bloodaxe Books, 1997); 52: “Back from Vacation”, from COLLECTED POEMS 1953-1993 by John Updike, copyright © 1993 by John Updike. Used by permission of Alfred A. Knopf, a division of Random House, Inc., 68: “Fast Break”, from WILD GRATITUDE by Edward Hirsch, copyright © 1985 by Edward Hirsch. Used by permission of Alfred A. Knopf, a division of Random House, Inc., 102: “Theme for English B”, from THE COLLECTED POEMS OF LANGSTON HUGHES by Langston Hughes, edited by Arnold Rampersad with David Roessel, Associate Editor, copyright © 1994 by the Estate of Langston Hughes. Used by permission of Alfred A. Knopf, a division of Random House, Inc., 238: “The Panther”, copyright © 1982 by Stephen Mitchell, from THE SELECTED POETRY OF RAINER MARIA RILKE by Rainer Maria Rilke, translated by Stephen Mitchell. Used by permission of Random House, Inc.; 53: “By Craig Raine. Copyright © Craig Raine 1979.” 61: “Ithaca” from THE COMPLETE POEMS OF CAVAFY, English translation copyright © 1961 and renewed 1989 by Rae Dalven, reprinted by permission of Houghton Mifflin Harcourt Publishing Company. This material may not be reproduced in any form or by any means without the prior written permission of the publisher., 170: “The End and the Beginning” from VIEW WITH A GRAIN OF SAND, copyright © 1993 by Wislawa Szymborska, English translation by Stanislaw Baranczak and Clare Cavanagh copyright © 1995 by Houghton Mifflin Harcourt Publishing Company, reprinted by permission of the publisher. This material may not be reproduced in any form or by any means without the prior written permission of the publisher.; 68: “Dunk” by Gregory K. Pincus, reprinted with permission of Gregory K. Pincus; 72: “Ode to Football” by Thomas Keneally, reprinted with permission of Curtis Brown (Australia) Pty Ltd.; 72, 88, 167: From ‘Sometimes Gladness’ by Bruce Dawe, Pearson Australia Group Pty Ltd.; 76: “Leg Break” by Chris Wallace-Crabbe, reprinted with permission from Chris Wallace-Crabbe; 77: “Bouncer” by Anthony Lawrence, reprinted with permission by University of Queensland Press, 259: “Typewriter Music” by David Malouf, reprinted by permission of University of Queensland Press; 78, 79: Reprinted from Come Out Into the Sun. Copyright © 1965 by Robert Francis and published by the University of Massachusetts Press; 79: Robert Francis, “High Diver” from The Orb Weaver © 1960 by Robert Francis and reprinted by permission of Wesleyan University Press; 116: “Hanging Fire.” Copyright © 1978 by Audre Lorde, from THE COLLECTED POEMS OF AUDRE LORDE by Audre Lorde. Used by permission of W.W. Norton & Company, Inc., 236: I carry your heart with me(I carry it in’ is reprinted from COMPLETE POEMS 1904-1962, by E.E. Cummings, edited by George J. Firmage, by permission of W.W. Norton & Company. Copyright © 1991 by the Trustees for the E.E. Cummings Trust and George James Firmage; 120: “Mirror” from Collected Poems by Sylvia Plath, reprinted with permission of Faber and Faber Ltd., 235, 248: “Funeral Blues” and “As I Walked Out One Evening” from Collected Poems by W.H. Auden, reprinted with permission of Faber and Faber Ltd.; 131: “Crikey” by Cilla McQueen. Reprinted by permission of Otago University Press; 146: “The Dream” by David Solway from The Lover’s Progress: Poems after William Hogarth. Reprinted by permission of David Solway; 165: Copyright Seigfried Sassoon by kind permission of the Estate of George Sassoon; 168: “I was only 19”, Words and music by John Schumann © Universal Music Publishing Pty Ltd. All rights reserved. International copyright secured, Reprinted with permission; 174: Reprinted by permission of United Agents on behalf of Andrew Motion ©: as printed in the original volume; 188: Copyright © Brian Patten. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN; 206: “Love Song” by Dorothy Parker, reprinted by permission of Gerald Duckworth & Co. Ltd; 209: Some Ether © 2000 by Nick Flynn, Graywolf Press; 252: The Society of Authors as the literary representative of the Estate of John Masefield. Every effort has been made to trace and acknowledge copyright. The publisher apologises for any accidental infringement and welcomes information that would redress this situation. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-74661-8 - Poetry Reloaded Blair Mahoney Frontmatter More information To Brigid and Griffin, for putting up with me for the many hours I was working on this book: ‘I thank all who have loved me in their hearts, With thanks and love from mine’ © in this web service Cambridge University Press www.cambridge.org
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