W. E. B. Du Bois’s Basic American Negro Creed and the Associates in Negro Folk Education Adult Education Quarterly Volume 60 Number 1 November 2009 65-76 © 2009 American Association for Adult and Continuing Education 10.1177/0741713609336108 http://aeq.sagepub.com hosted at http://online.sagepub.com A Case of Repressive Tolerance in the Censorship of Radical Black Discourse on Adult Education Talmadge C. Guy University of Georgia Stephen Brookfield University of St. Thomas W. E. B. Du Bois, one of the brightest lights in African American history, wrote a sparkling critique of the American social and economic system originally planned as part of the Bronze Booklets series, edited and published by Alain Locke and the Associates in Negro Folk Education. The piece was never published and has, until now, been lost to the annals of adult education history. Using historical evidence, the authors examine Du Bois’s Basic American Negro Creed and the circumstances that led to its exclusion from the series. It is argued that the Creed was far too radical for the liberal minded Carnegie Corporation and its leaders who were only interested in accommodating adult education for Blacks through the AAAE funded Bronze Booklets. The exclusion of the Creed represents an example of repressive tolerance by the AAAE. Keywords: Associates in Negro Folk; education; Carnegie Corporation; repressive tolerance; radical adult education; W. E. B. Du Bois I n the mid-1930s, the American Association for Adult Education (AAAE) sponsored an initiative aimed at promoting adult education among African Americans. Led by Alain Locke, the initiative involved both the creation of pilot projects in New York and Atlanta as well as the development of a curriculum that became known as the Bronze Booklets (Guy, 1993, 1996). They were intended to provide a ready-made curriculum for African American adult education discussion and study groups. Covering topics of interest to African American adults, Locke commissioned several prominent and emerging African American scholars to contribute a short pamphlet that addressed specific topic in the series. Among the initial set of contributors invited in 1934 to write for the series was W. E. B. Du Bois, who, by this time, was the elder statesman of the fight for civil 65 Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 66 Adult Education Quarterly rights and racial justice in the United States. Du Bois’s “American Negro Creed” was originally intended to be published as part of this series, but the piece never appeared and was lost in the adult education literature as a consequence. In this article, we resurface Du Bois’s Creed to reinsert it into the adult education literature. We believe that it is equal in importance and range to any statement on adult education of this era and is an excellent example of radical adult education from the perspective of a major figure in American intellectual history. In this historical essay, we review the circumstances leading to the removal of the Creed from the Bronze Booklets and offer an interpretation as to why the Creed was censored by the Associates in Negro Folk Education (ANFE) and the AAAE. To understand why the Creed was seen as so controversial by the editors of the series, it is useful to provide a brief retrospective on the evolution of Du Bois’s thinking about the race problem in the United States. W. E. B. Du Bois: The Brightest Star Arguably the brightest star in African American intellectual history, Du Bois is noted, among other things, for his intellectual and literary masterpiece, Souls of Black Folk, originally published in 1903. His theory of double consciousness in Souls is often cited in the educational literature to explain the position of Blacks in America: The Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eye of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. (2003, p. 5) For its time, this passage proved revolutionary and remains relevant in 21stcentury America. Du Bois is also frequently noted for his educational and sociopolitical theory of the talented tenth that is juxtaposed in opposition to Booker T. Washington’s accommodationist social and political agenda infused in the theory of industrial education (Potts, 1996). As important as these contributions to educational and social theory are, to focus only on this aspect of Du Bois’s work permits an overly narrow and simplistic view of a scholar and activist whose views evolved over time. A prolific writer who authored more than 20 books and articles almost too numerous to count, one can trace the evolution of Du Bois’s thinking through the corpus of his work published work (see selected writings of W. E. B. Du Bois at the Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 Guy, Brookfield / Du Bois’s Basic American Negro Creed 67 end of this article). Over the course of seven decades of activism and writing, Du Bois’s views on America’s race problem and what to do about it evolved progressively to become increasingly radical. Intellectual Transition, Radicalization, and Marginalization Du Bois should be understood as a complex and dynamic figure who continually reassessed the evolving American racial, political, and economic scene to formulate a progressive political, educational, and economic agenda. As he grew older, his increasingly radical and controversial views served to marginalize him, not only from mainstream liberal minded Whites but also among leaders within the African American intellectual community. From the time of the publication of Souls until the 1930s, Du Bois was the major figure in the American civil rights movement continually pressing for Black social and political equality via reform of the American legal and political system. He founded The Crisis as a periodical of the National Association for the Advancement of Colored People (NAACP) in 1910, and through its pages he presented insightful critiques of American society and its institutions and practices advocating equal rights for African Americans. As biographer David Levering Lewis (2000) notes, Du Bois fought many battles both within the NAACP and with Black leaders outside the NAACP. For example, he criticized the NAACP’s leadership for being too “soft” on pressing for civil rights. He criticized other popular Black leaders with whom he disagreed or who he thought were charlatans. As already noted, he opposed Booker T. Washington’s views on industrial education and social accommodation to segregation. While agreeing with Marcus Garvey’s goals for racial uplift, he came to harshly criticize him (Alridge, 2008). At one point, he even wrote in The Crisis that Garvey was either a lunatic or a traitor to the race (Lewis, 1995), an indication that in some cases his conflicts with other leaders deteriorated to personal attacks. Searching for creative and productive strategies for the uplift of the race and to fight White racism, Du Bois advanced the idea of alliance and cooperation with Africans in the diaspora and is considered by some scholars to be the father of PanAfricanism (Lewis, 1995). In the 1920s he began to consider Marxism’s conceptual tools as useful for analyzing American economic and racial inequality. These steps represented a radicalization of Du Bois’s thinking such that he became increasingly marginalized from mainstream African American civil rights activists and writers. By the late 1920s, Du Bois had been embroiled in numerous disputes and conflicts both outside and inside the NAACP. In 1933, approaching his 65th birthday, having resigned from the NAACP, he made the decision to embark on a second career at Atlanta University. During the depression years, Du Bois was reformulating his ideas concerning race progress, moving away from the NAACP’s platform of civil rights reform and toward a more radical view (Marable, 1982). Although he Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 68 Adult Education Quarterly previously believed that racism was primarily because of ignorance, he had begun to conceptualize the stronger relation of economic factors to racism based on the analytical tools of Marxism (Du Bois, 1913/1995). In 1933 and 1934, he began writing a major piece titled “The Negro and Social Reconstruction,” which reflected the influence of Marxism on thinking. By 1935, Du Bois had formulated a concrete plan for race progress and Black liberation through political activism, group solidarity, and community involvement through education. The timing was perfect for the invitation extended to him by Alain Locke to contribute to the Bronze Booklets series. The Bronze Booklets and the ANFE In Dusk of Dawn (1940/1971), the second of his autobiographies, Du Bois recounts the development of his ideas and describes an episode with Alain Locke and the AAAE-sponsored ANFE. He recalled being commissioned in 1936 by the ANFE to undertake a study that would be part of the larger series of Bronze Booklets to be used as source material by Black adult education groups. Du Bois mentions how at that time he was ready to put in permanent form “that economic program of the Negro which I believed should succeed, and implement the long fight for political and civil rights and social equality which it was my privilege for a quarter of a century to champion” (p. 319). The idea of the paper was to describe the conditions of the Negro under Roosevelt’s New Deal with suggestions for possible courses of action. In Du Bois’s estimation, Negro and the New Deal “made a fair and pretty exhaustive study of the experience of the Negro from 1933 to 1936” (p. 319). As part of his study, Du Bois included “a statement and credo which I had worked out through correspondence with a number of the younger Negro scholars” (p. 319) whose identity he does not reveal. This work comprised four statements summarizing the current condition of the Negro race followed by an 11-item Basic American Negro Creed. Several pages later, Du Bois (1940/1971) writes in Dusk of Dawn three fascinating sentences that identify one of the most puzzling and provocative omissions in the history of American adult education. He says that his Basic American Negro Creed proved unacceptable both to the Adult Education Association and to its colored affiliates. Consequently when I returned home from abroad the manuscript although ordered and already paid for, was returned to me as rejected for publication. Just who pronounced this veto I do not know. (p. 322) Du Bois does not speculate in Dusk of Dawn why the Creed was considered unacceptable, but a reading of it gives strong clues. The Creed is an uncompromising indictment of American democratic and egalitarian ideals arguing that Blacks are systematically excluded from economic and political processes while being Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 Guy, Brookfield / Du Bois’s Basic American Negro Creed 69 relegated to the status of “disenfranchised peons” (p. 319), “disinherited illiterates,” and “parasites” (p. 320). Especially critical of the Black, educated middle class, Du Bois says race progress and justice cannot proceed through “the escape of individual genius into the white world” (p. 320) but through “unity of racial effort, so far as this is necessary for self-defense and self-expression” (p. 320). Du Bois (1940/1971) introduces his analysis by naming White supremacy as the enemy of African Americans, arguing that economic inequality has been forced on the Negro race “by the unyielding determination of the mass of the white race to enslave, exploit and insult Negroes” (p. 322). Second, the Creed clearly situates racial advancement within a broader working-class movement in which trade unions will play a substantial role. Du Bois states that “we believe that Negro workers should join the labor movement and affiliate with such trade unions as welcome them and treat them fairly” (p. 321), echoing other leaders such as Paul Robeson, another unjustifiably neglected adult educator, who over many years worked to influence American trade unions to make the fight against White supremacy a priority. Through workers’ councils organized by Blacks, Du Bois believed that “interracial understanding should strive to fight race prejudice in the working class” (p. 321). Third, and most controversially, Du Bois (1940/1971) linked the Black race progress and the abolition of racism to socialism. The sixth element of his Creed states uncompromisingly, “We believe in the ultimate triumph of some form of Socialism the world over; that is, common ownership and control of the means of production and equality of income” (p. 321). This equalizing of work and wealth is urged as “the beginning of the rise of the Negro race in this land and the world over, in power, learning, and accomplishment” (p. 321). Equality is to be achieved through taxation and through “vesting the ultimate power of the state in the hands of the workers” (p. 321), a state of affairs that would be accomplished by the working class demanding their “proportionate share in administration and public expenditure” (p. 322). Du Bois ends the Creed with an expansive appeal to people of all races to join in fighting White supremacy and promoting socialism. In his words, “To this vision of work, organization and service, we welcome men [sic] of all colors so long as their basic subscription to this basic creed is sincere and proven by their deeds” (p. 322). The Controversy: The Locke–Bryson Correspondence It is hardly surprising to us today that the Creed was rejected for publication as part of the Bronze Booklet series. What reasons can be inferred for the paper being excluded? We proceed to a review and examination of the historical record to reveal what happened and to argue that the Bronze Booklets, though lauded as an important landmark in African American adult education scholarship, had their full impact blunted by the forced removal of Du Bois’s work from its catalog. Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 70 Adult Education Quarterly Over the course of activity of the publication of the Bronze Booklets series by the ANFE, Alain Locke and Lyman Bryson, who represented the AAAE board, exchanged a series of letters in which the development of the Bronze Booklet series was discussed and took shape. The coeditors, Locke and Lyman Bryson, envisioned the Booklets to be designed for use primarily in Black adult education reading groups across the country. However, there always existed tension between what the AAAE leadership was willing to support and what the Black adult education leadership wanted to do. For instance, Morse Cartwright (1934), executive director of AAAE, wrote in a letter in 1932 that “the Negro adult education experiments were yet in such early stages that to propagandize for them at the present time might be dangerous” (p. 1). Specifically, Cartwright’s concern had to do with sanctioning a race-conscious curriculum that addressed the special needs and interests of Blacks in a racist society. Although Locke and other Black leaders in the AAAE movement desired to develop a curriculum that was immediately responsive to the conditions facing Black communities, Cartwright expressed a concern that such an approach would be too propagandistic, undermining what he called a neutral and objective approach to learning. The tension evident among the AAAE leadership, Locke, and other African American adult education leaders became manifest during the period in which the Bronze Booklet series was being developed. AAAE’s role in circumscribing permissible Black adult education was replayed in the development of the Bronze Booklets. On the subject of Du Bois’s manuscript that now contained the Creed, Locke wrote a letter in February 1935, indicating that Du Bois had taken several editorial suggestions to heart, but he asked Bryson, “Do you agree with me that it is debatable about printing Du Bois’s summary Creed?” (Locke, 1935, p. 1). Locke (1936) wrote to Bryson again saying he had paid Du Bois for the manuscript and that he had curbed Du Bois’s style, to Du Bois’s evident annoyance (Fitchue, 1996-1997). But Locke goes on to object to Bryson’s view that the Du Bois pamphlet was too controversial: As much as I agree with you about the style, inexactitude of some of the statements . . . and the desirability of toning down as many of the strictures and propagandist flings as possible, I do not agree that we were or can be committed to purely neutral subject matter dealing with “what was fine and worthy in Negro culture and in the contributions which they have made to American culture.” It was clear to me from the beginning, and I hope I made it clear, that part of the series would treat contemporary social and economic issues and their connection with the problems and the programs of the Negro. Fortunately, I myself had perfectly neutral topics, but others like Economic Reconstruction and the Negro, A World View of Race, The Negro and Social Reconstruction were intended to be controversial. Of course, originally I had planned authors who I thought would be a bit more judicial and sportsmanlike; giving the other side a fair show. And I had banked on the demi-Marxian slant of the Bunche point of view to balance the racialist view of Du Bois in a very interesting way. The project Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 Guy, Brookfield / Du Bois’s Basic American Negro Creed 71 would justify itself not by avoiding such issues but by balancing up and boxing the compass as far as our resources permitted us to. (p. 2) Several points are of interest here. First, Locke (1936) characterized his disagreements with Du Bois as ones of style and balance, not of perspective. Locke clearly wanted Du Bois’s manuscript to be included in the series. Indeed, he defended Du Bois’s manuscript as a necessary counterbalance to that of Ralph Bunche (1936), author of World Aspects of the Race Problem. Second, it appears that Bryson’s presence, as a White person on the predominantly Black ANFE committee, served to compromise the freedom of action of the organization and of the editorial process. Third, Locke apparently subordinated himself to Bryson, yielding whatever power he had to Bryson, who held decisive power over editorial decisions. “Locke’s experience with ANFE underscores the dependent nature of the relationship between the ANFE and the Corporation. His authority over the affairs of the organization was in name rather than fact” (Guy, 1993, p. 166). To Du Bois’s (1940/1971) credit, he does not directly accuse Locke of censorship in Dusk of Dawn, nor does he speculate on who stopped publication of the pamphlet, but there can be little doubt this episode adversely affected their previously respectful relationship. Below is Du Bois’s (1940/1971) Creed as it appears in Dusk of Dawn. The emphasis in the text is added to indicate which elements possibly were too controversial. Not by the development of upper classes anxious to exploit the workers, nor by the escape of individual genius into the white world, can we effect the salvation of our group in America. And the salvation of this group carries with it the emancipation not only of the darker races of men who make the vast majority of mankind, but all men of al races. We therefore propose this: BASIC AMERICAN NEGRO CREED A. As American Negroes, we believe in unity of racial effort, so far as this is necessary for self-defense and self-expression, leading ultimately to the goal of a united humanity and the abolition of all racial distinctions. B. We repudiate all artificial and hate-engendering deification of race separation as such; but just as sternly, we repudiate an enervating philosophy of Negro escape into an artificially privileged white race which has long sought to enslave, exploit and tyrannize over all mankind. C. We believe that the Talented Tenth among American Negroes, fitted by education and character to think and do, should find primary employment in determining by study and measurement the present field and demand for racial action and the method by which the masses may be guided along this path. D. We believe that the problems which now call for such racial planning are Employment, Education and Health; these three; but the greatest of these is Employment. Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 72 Adult Education Quarterly E. We believe that the labor force and intelligence of twelve million people is more than sufficient to supply their own wants and make their advancement secure. Therefore, we believe that, if carefully and intelligently planned, a co-operative Negro industrial system in America can be established in the midst of and in conjunction with the surrounding national industrial organization and in intelligent accord with that reconstruction of the economic basis of the nation which must sooner or later be accomplished. F. We believe that Negro workers should join the labor movement and affiliate with such trade unions as welcome them and treat them fairly. We believe that Workers’ Councils organized by Negroes for interracial understanding should strive to fight race prejudice in the working class. G. We believe in the ultimate triumph of some form of Socialism the world over; that is, common ownership and control of the means of production and equality of income. H. We do not believe in lynching as a cure for crime; nor in war as a necessary defense of culture; nor in violence as the only path to economic revolution. Whatever may have been true in other times and places, we believe that today in America we can abolish poverty by reason and the intelligent use of the ballot, and above all by that dynamic discipline of soul and sacrifice of comfort which, revolution or no revolution, must ever be the only real path to economic justice and world peace. I. We conceive this matter of work and equality of adequate income as not the end of our effort, but the beginning of the rise of the Negro race in this land and the world over, in power, learning and accomplishment. J. We believe in the use of our vote for equalizing wealth through taxation, for vesting the ultimate power of the state in the hands of the workers; and as an integral part of the working class, we demand our proportionate share in administration and public expenditure. K. This is and is designed to be a program of racial effort and this narrowed goal is forced upon us today by the unyielding determination of the mass of the white race to enslave, exploit and insult Negroes; but to this vision of work, organization and service, we welcome all men of colors so long as their subscription to this basic Creed is sincere and proven by their deeds. (pp. 320-322) Censure of the Creed as Repressive Tolerance As articulated by Herbert Marcuse (1965), repressive tolerance describes the way institutions and organizations, such as philanthropic organizations like the Carnegie Corporation and professional associations like the AAAE, marginalize dissenting views and efforts for democratic social change even while appearing to support them. How does repressive tolerance work to achieve this? Essentially, it ensures the continued marginality of minority views by placing them in close, comparative association with dominant ones. When a curriculum is widened to include dissenting and radical perspectives that are considered alongside the mainstream perspective, the minority perspectives are always overshadowed by the mainstream one. This Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 Guy, Brookfield / Du Bois’s Basic American Negro Creed 73 happens even if the radical perspectives are scrupulously accorded equal time and space. As long as the dominant, majoritarian, Whitestream perspective is included as one of several possible options for study, its presence inevitably overshadows the minority ones, which will always be perceived as alternatives or others, never as the natural center to which people should turn. So by examining the final product of the Bronze Booklets series, it is easy to see how the AAAE’s liberal ideology is manifested in the range of views depicted in the content of the series. Radical analyses of the American race problem, in this instance a Marxist analysis as represented by the Creed, are marginalized on the basis of supporting critiques that are antiracist but not anticapitalist and by suggesting that such critiques are, in and of themselves, sufficiently radical because they are antiracist. The liberal ideology of AAAE and the Carnegie Corporation leadership, as in the case of Lyman Bryson and Morse Cartwright, could countenance the claim of Black art and culture but not Black economic reconstruction. Marcuse (1965) argues that repressive tolerance is hard to detect because it masks its repressive dimensions behind the façade of open evenhandedness. Alternative ideas are not banned or even censored. Critical texts are published and critical messages circulated. Previously subjugated knowledges and perspectives (e.g., Marxism, Africentrism, queer theory) are inserted into the curriculum. The defenders of the status quo can point to the existence of multiple perspectives, as in the case of the Bronze Booklets series, even while marginalizing and minimizing truly radical and threatening voices, as in the case of Du Bois and the Creed. What results is that real democratic debate, in the sense of a range of perspectives representative of all voices, is muted by the fact that the repressed texts themselves are hard to get or incredibly expensive. It is, therefore, understandable that Du Bois (1940/1971) resorted to publishing the Creed in his own memoir. More likely, the radical meanings are neutralized because they are framed as the expressions of an obviously weird minority opinion. As Marcuse (1965) writes, Other words can be spoken and heard, other ideas can be expressed, but, at the massive scale of the conservative majority . . . they are immediately “evaluated” (i.e., automatically understood) in terms of the public language—a language which determined “a priori” the direction in which the thought process moves. Thus the process of reflection ends where it started: in the given conditions and relations. (p. 96) Conclusion Similarly, the contemporary discourse of diversity, of opening up the field of adult education to diverse voices, perspectives, and traditions, can be analyzed quite effectively using the idea of repressive tolerance. Providing an array of alternative perspectives and sensibilities seems to be a major step in moving away from a Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 74 Adult Education Quarterly situation in which White, male, European voices dominate. Yet Marcuse (1965) alerts us to the possibility that this apparent broadening of voices can actually reinforce the ideology of White supremacy that it purports to undercut. By widening curricula to include a variety of racial and epistemological traditions, we appear to be celebrating all positions. But the history of White supremacy and the way that language and structures of feeling frame Whiteness as the normative, natural, conceptual, and exclusive center mean that the newly included voices, sensibilities, and traditions are always positioned as the “exotic other” (Jordan, 2000). Adult educators can soothe their consciences by believing progress is being made toward racial inclusivity and cultural equity and can feel they have played their small, but important, part in the struggle. But as long as these subjugated traditions are considered alongside the dominant ideology, repressive tolerance ensures they will always be subtly m arginalized as exotic, quaint, and other than the natural center. The logic of liberating or discriminating tolerance would require an immersion only in a racial or cultural tradition that diverged radically from mainstream, Eurocentric, racist ideology—for example, an adult education graduate program that allowed the consideration of only Africentric ideas and perspectives. For it is the logic of repressive tolerance that holds that as long as Africentrism is considered as one of many possible perspectives, including Eurocentrism, it will always be positioned as the marginal alternative to the White supremacist center. The exclusion of the Du Bois booklet, and of the Basic American Negro Creed, was an example of repressive tolerance par excellence. AAAE could point to the existence of the ANFE, and to the publication of the Bronze Booklets, as evidence of its democratic commitment to the abolition of racial superiority. Yet the power and radical critique of the series was compromised in two ways. The first was by framing the series in terms of how the most worthy aspects of Black culture contributed to American culture—a semantic framing that positions Black culture outside of and separate from White American life and culture, as opposed to being endemic to and constitutive of it. Second, the radical critique of the African American experience was compromised by exorcising from the booklets the ideologically radical aspects of Du Bois’s work, particularly his indictment of the persistence of an ideology of White Supremacy bent on the continual degradation and enslavement of Negroes, his advocacy of American and world socialism, and his location of Negro advancement within a broader labor movement and revolution of the American working class. In the end, Du Bois’s Negro Creed stood as a missed opportunity to focus on the real problem facing America, White racism, which was, as Gunnar Myrdal (Myrdal, Sterner, & Rose, 1944) would declare only a few years later, the real American dilemma. Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 Guy, Brookfield / Du Bois’s Basic American Negro Creed 75 Selected Writings of W. E. B. Du Bois Du Bois, W. E. B. (1920). Darkwater: Voices from within the veil. New York: Harcourt Brace and Howe. Du Bois, W. E. B. (1930). Africa–Its place in modern history. Girard, KS: Haldeman-Julius. Du Bois, W. E. B. (1947). The world and Africa: An inquiry into the part which Africa has played in world history, by W.E. Burghardt Du Bois. New York: Viking. Du Bois, W. E. B. (1963). Black reconstruction in America: An essay toward a history of the part which Black folk played in the attempt to reconstruct democracy in America, 1860-1880, by W. E. Burghardt Du Bois. New York: Russell & Russell. Du Bois, W. E. B. (1984). Dusk of dawn: An essay toward an autobiography of a race concept. New Brunswick, NJ: Transaction Books. Du Bois, W. E. B. (1995). The Negro and communism. In D. L. Lewis (Ed.), W. E. B. Du Bois: A reader (pp. 583-593). New York: Henry Holt. (Original work published 1931) Du Bois, W. E. B. (1995). Socialism and the Negro problem. In D. L. Lewis (Ed.), W. E. B. Du Bois: A reader (pp. 577-580). New York: Henry Holt. (Original work published 1913) Du Bois, W. E. B. (1996). The souls of Black folk (Modern Library ed.). New York: Modern Library. Du Bois, W. E. B. (2003). The Negro church: Report of a social study made under the direction of Atlanta University; Together with the proceedings of the eighth Conference for the Study of the Negro Problems, held at Atlanta University, May 26th, 1903. Walnut Creek, CA: AltaMira Press. Du Bois, W. E. B., & Aptheker, H. (1973). The correspondence of W. E. B. Du Bois. Amherst: University of Massachusetts Press. Du Bois, W. E. B., & Eaton, I. (1899). The Philadelphia Negro: A social study. Philadelphia: University of Pennsylvania. The Bronze Booklet Series Titles and Authors, Originally Proposed World Aspects of the Race Problem, Ralph Bunche The Economic Side of the Race Question, Abram Harris The Negro and His Music, Alain Locke The Negro in American Drama, Sterling Brown The Social Reconstruction and the Negro, W. E. B. Du Bois The Art of the Negro: Past and Present, Alain Locke The Negro in American Fiction and Poetry, Sterling Brown An Outline of Negro History and Achievement, Carter G. Woodson Experiments in Negro Adult Education, Eugene Kinckle Jones The Bronze Booklet Series Titles and Authors, Published Adult Education Among Negroes, Ira D. Reid The New Negro and His Music, Alain Locke Negro Art, Past and Present, Alain Locke The Negro and Economic Reconstruction, T. Arnold Hill The Negro in American Fiction, Sterling Brown Negro Poetry and Drama, Sterling Brown The Negro and the Caribbean, Eric Williams Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016 76 Adult Education Quarterly References Alridge, D. P. (2008). The educational thought of W.E.B. Du Bois: An intellectual history. New York: Teachers College Press. Bunche, R. (1936). A world view of race. Washington, DC: Associates in Negro Folk Education. Cartwright, M. A. (1934, June). Letter to Alain Locke. 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Baton Rouge: Louisiana State University Press. Marcuse, H. (1965). Repressive tolerance. In R. P. Wolff, B. Moore, & H. Marcuse (Eds.), A critique of pure tolerance (pp. 81-117). Boston: Beacon. Myrdal, G., Sterner, R. M. E., & Rose, A. M. (1944). An American dilemma: The Negro problem and modern democracy. New York: Harper. Potts, E. (1996). W.E.B. Du Bois and Booker T. Washington. In E. A. Peterson (Ed.), Freedom road: Adult education of African Americans (pp. 27-39). Malabar, FL: Krieger. Talmadge C. Guy is Associate Professor of Lifelong Education, Administration and Policy at the University of Georgia in Athens, Georgia. Email: [email protected]. Stephen Brookfield is Distinguished Professor at University of St. Thomas, Minneapolis, Minnesota. Email: [email protected]. Downloaded from aeq.sagepub.com at PENNSYLVANIA STATE UNIV on February 20, 2016
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