Please Enjoy the Following Sample • This sample is an excerpt from a Samuel French title. • This sample is for perusal only and may not be used for performance purposes. • You may not download, print, or distribute this excerpt. • We highly recommend purchasing a copy of the title before considering for performance. For more information about licensing or purchasing a play or musical, please visit our websites www.samuelfrench.com www.samuelfrench-london.co.uk Big Nate the Musical Book Jason Loewith and Lincoln Peirce Music Chris Youstra Lyrics Jason Loewith and Chris Youstra WORKING DRAFT / NOT A FINAL VERSION SAMUELFRENCH.COM SAMUELFRENCH-LONDON.CO.UK Big Nate y l the Musicaln O y ! p e Book o t a C c i l Jason Loewith Lincoln Peirce l a p s u u Music r D e t Youstra P NChris o Lyrics o D Loewith Chris Youstra Jason and and Commission for Adventure Theatre. Based on the cartoons and books by Lincoln Peirce WORKING DRAFT / NOT A FINAL VERSION United States & Canada [email protected] 1-866-598-8449 United Kingdom & Europe [email protected] 020-7255-4302 Copyright © 2014 by Jason Loewith, Lincoln Peirce, and Chris Youstra All Rights Reserved BIG NATE - THE MUSICAL is fully protected under the copyright laws of the United States of America, the British Commonwealth, including Canada, and all other countries of the Copyright Union. All rights, including professional and amateur stage productions, recitation, lecturing, public reading, motion picture, radio broadcasting, television and the rights of translation into foreign languages are strictly reserved. For Production Enquiries United States and Canada [email protected] 1-866-598-8449 United Kingdom and Europe [email protected] 020-7255-4302 Each title is subject to availability from Samuel French, depending upon country of performance. 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Characters (7 actors – 4 M / 3 F) NATE WRIGHT TEDDY “√” ORTIZ/Mr. Galvin FRANCIS BUTTHURST POPE/Mrs. Hickson/Mrs. Shipulski (Voiceover) ARTUR PASHKOV/Marty Wright/Mr. Staples/Spitsy/Calvin GINA HEMPHILL-TOMS/Mrs. Czerwicki/Galvinator #1 JENNY/Coach John/Pickles/Galvinator #2/Principal Nichols (Voiceover) ELLEN WRIGHT/Mrs. Godfrey/Galvinator Synopsis Production Notes D O FO R PE R N U FO O SA T R L D PE D U O O P N R L LY N IC U O SA AT T L D E U O PL N LY IC AT E Nate Wright, a detention-riddled sixth grader (and drummer for the greatest garage band in the history of f the th galaxy, Enslave the t Mollusk!) hopes to capture beautiful heart by winning “The ul l Jenny’s Je Jen Nicholodeon”, the first prize in his school’s Battle of the Bands. s But when Artur and Jenny team up with Gina to form wit Nate’s ’s arch-rival a the sap-pop band Rainbows and he’s take his game to an d Ponies, Poni ’s gotta go all-star level. Using his superior cartoon supe super artoon rtoon skills, s, , Nate concocts a super-charged, spectacular ar dedication de on to Jenny during durin his song’s climax, which will blow and away make Jenny ow w Rainbows Ra Rai nd Ponies Po way and a an realize her mistake. But since it’s Nate Wright, N right, ght, the plan lan backfires, and Enslave the Mollusk manages ollusk llusk gets disqualified. disqu disqua d. Nate Na N ages to t snatch victory from the e jaws jaw of defeat feat with a little littl honest st help hel from Artur. Nate and his band The Artur for his and win w e Nicholodeon, Nich n, but Jenny rewards rewa rewar honesty by agreeing to “have “hav steadiness” iness with him. iness” As Nate is himself a brilliant iant cartoonist nist – and the plot hinges on the revelation of his drawing skills – the script features a number of ki he s images. These can be achieved via printed images on posters or ia a pri pr revealed on sets and props (like lun lunchboxes, flats or chair backs), lu via projections, or via other creative means. The premiere production used images on foam core held by actors, along with projections. Lincoln Peirce has drawn custom images which are available for use by post-premiere productions. Although there are many locations specified in the script, the premiere production set design is a non-naturalistic classroom, which the actors rotate to reveal Nate’s garage. The set from Adventure is designed to tour. The authors intend scenes to move fluidly and encourage less set, more rhythm. SONGLIST LY N D O IC PL N O T D U PE R FO AT L SA U R N O D E O U D O FO T R PE PL R U IC SA AT L E O N LY “Dream Prologue: Yak Yak Yak Yak” “Another Day in the Life of Big Nate” “I Like Boys (Except For You)” “Gotta Be a Perfect Student (For a Week)” “Even Year Old Cheez Doodles Are Better Than Love” “Even Year Old Cheez Doodles Are Better Than Love (The Bitter Reprise)” “It’s Your Day” “Rock Star” “It’s Our Day” “Pascal’s Law” “Love Is a Four-Letter Word” “I Like Boys (Especially You)” “Another Day in the Life of Big g Nate” Nate (Reprise) rise PROLOGUE: NATE’S NIGHTMARE NATE WRIGHT is sleeping in bed, in a tight spotlight. Around him on the set we see some of his doodles like “Nate the Great,” etc. From the darkness, quietly, we hear NATE’S TEACHERS speaking the following, each at their own particular pace and with their own particular teaching personality. THE TEACHERS yak quack quack yak quack quack L D PE U O P N R L LY N IC U O SA AT T L D E U O PL N LY IC AT E Yak yak yak Quack quack Yak yak yak Quack quack The TEACHERS repeat the phrase, slowly in volume. owly wly growing g chord. SA NATE (waking N aking up) I thought I heard hear my teachers. eacher acher U That’s funny. A musical PE R NATE covers his head with his pillow. h low. O N O FO T R MR. GALVIN, MRS. GODFRE GODFREY, MRS. CZERWICKI, COACH JOHN, . CZE COA COAC , MR. STAPLES and MRS. HICKSON slowly from the shadows, owly emerge e adows, dows, their “Yak Yaks” growing louder. D O FO yak quack quack yak quack quack R D Yak yak yak Quack quack Yak yak yak Quack quack TEACHERS THE T S The TEACHERS begin to converge on NATE from behind. n N NA blend and become in unison. Then: Yak yak NATE yak Quack quack NATE quack Yak NATE quack NATE WHAT’S THE ANSWER YOU NATE? Um, seven? Ben Franklin? NATE Dangling participle??? ALL THE TEACHERS WRONG! Their chants “YAK YAK YAK YAK” Musical chord! The teachers each pull out a stack of detention slips from their pockets. MRS. CZERWICKI DETENTION! MR. GALVIN DETENTION! MRS. HICKSON DETENTION! COACH JOHN AT E DETENTION! N PL WE ALL SAY DETENTION! LY IC MRS. GODFRE GODFREY/MR. STAPLES GODFR S ST IC PL D U PE FO R D RIIIIIIP! O F As they rip a deten detention slip off of their pads: det o AT L R U SA N O T D DETENTION FOR NATE! E! ! E U O THE TEACHERS RS S D O N O T They shower NATE in his bed with detention ion on slips. sl NATE (from his nightmare) THE TEACHERS (sotto) Yak yak yak yak Quack quack quack quack Yak yak yak yak Quack quack quack quack Yak yak yak yak Quack SNORT quack quack Yak yak knick-knack Quack spittle trick-track (Vamp continues) LY But Mrs Mrs. Godfrey… Mr can’t have been a very important He c President t if he didn’t get his face Pr on any mone money. O N LY E AT PL R D U PE T But Mrs. Czer Czerwicki! How was I Bu B supposed sed ed to know those fireworks would mess up your pacemaker?? ld d mes me D O N O R FO IC U O N O D MRS. CZERWICKI (spoken) oke EIGHT-TEEN! SA L D T R FO (out of breath) (ou reath) eath) Blurg! Ack! Ooompf! B pf! f! I can’t do any more pushu pushups, Coach John, I’m gonna ach Jo puke! ke! U PE PL R COACH JOHN (spoken) en) n) SEVEN-TEEN! E AT U IC SA L O N MRS. GODFREY (spoken) SIX-TEEN! THE TEACHERS (sotto) NATE (from his nightmare) Yak yak yak Quack quack Yak yak yak Quack quack yak quack quack yak quack quack Yak yak yak yak Quack SNORT quack quack Yak yak knick-knack Quack spittle trick-track (Vamp continues) LY How can ca I demonstrate fractions if I can’t saw my assistant in half, Mr. an’t s Staples? Stap IC U PL R N O T D U PE D O FO E AT O N LY L SA I wasn’t asleep p Mr. Galvin! I’m just demonstrating inertia! That’s demons demon g iner physics, right? phys ight? ight R D Musical Flourish! AT U D O O ALL THE TEAC TEACHERS TE TWENTY-ONE! N FO T R PE PL R U TWEN-TY! We need COMIC BOOKS in the library, eed C O OOK Mrs. Hickson! “Fem “Femme Fatality” is WAY s. Hi rs. “Femm better than bette “Anna Karenininenin..in..en..a.” “An eninin ninin in IC MRS. HICKSON (spoken) SA L E O N MR. STAPLES (spoken) NINE-TEEN! NATE THE TEACHERS No! It wasn’t a food fight! It was just a... fight with food! ANNOUNCING AN ALL-TIME SCHOOL RECORD: But it was meatloaf day! DETENTION NUMBER TWENTY-TWO FOR THE EVER-CHARMING, AWESOMELY-TALTENTED, SUPREMELY UNLUCKY NATE WRIGHT! Meatloaf! Meatloaf! Meatloaf! M Mea E AT IC PL U D T O N D O FO R D PE O R N U O T SA L D U O N PL LY IC AT E As the teachers depart, they go back to their original ‘Yak yaks’ and ‘Quack quacks’ SCENE ONE The sound of an alarm clock. NATE Oh man, what a NIGHTMARE! (NATE notices the audience, and music resumes: jaunty, fun.) E O N LY “ANOTHER DAY IN THE LIFE OF BIG NATE” Hi guys. I’m Nate Wright, aka the king of Detention. Everybody calls me that. Even though it’s not my fault. Really. Did you see those guys? Coach John, the world’s least athletic gym teacher? He majored in dodgeball and minored in medieval tort torture. And Mr. Galvin? The tor ninety-eight-pound egghead? And don’t get me started on Mrs. Godfrey – n’t ’t ge g the fire-breathing dragon of home e room. room MRS. comes in, like a RS. GODFREY GO N AT PL IC L SA U R O T D U PE N FO R No matter how hard he e tries trie He can’t change his fate at Cause it’s another crummy day ay y In the life of Big Nate! E O U D T O N D O FO R PE GODFREY MRS. G It’s another day of tortu torture just t for Poor Nate Wright I’ll make sure it is isn’t easy isn sy to Endure, Nate Wright! rig righ LY AT PL R U IC SA L We hear monster roars, screams, ms, s, etc. et e fire-breathing dragon. D O [She laughs the laugh of Godzilla, the streets of Tokyo with a, trampling tr tra unabashed glee, and hobbles off.] ] NATE And that was her on a GOOD day. She clearly doesn’t understand that I’m a genius. But hey, even a brilliant mind like MINE can get a little fried with all the stuff I’ve got going on, like intramural fleeceball (cartoon flash) and my amazing garage band – called “Enslave the Mollusk” (cartoon flash), which is a pretty cool name don’t you think?. I’m a 6th grade Renaissance Man. Mrs. Godfrey thinks I’m a chronic screw-up, but she hasn’t seen this. (He pulls out a small slip of paper, accompanied by a musical sting.) This is a fortune from a Chinese Fortune Cookie. Not one of those lame, fake fortunes, like, “Hard Work Is Its Own Reward” – I mean, does that make any sense to you? Think about it. Anyway, this is a real fortune: “You Are Destined for Greatness.” That’s my kind of fortune cookie. I’m gonna be the greatest, call me Big Nate Wright Come sooner or come latest I’ll be Great Nate Wright L D PE U O P N R L LY N IC U O SA AT T L D E U O PL N LY IC AT E I’ll conquer every challenge Yeah! Cause that is my fate, so call me Totallyawesomestupendousyougotit or r just jus Big Nate U R Nate big big Nate Nate big big Nate! PE Big Big Big Big SA COMPANY COM R D O N O FO T R NATE N NA The problem with is: happen. h destiny dest des : you yo don’t y t know when it’s gonna g So until it does, trying to survi survive sixth without going es, I’m just st try th grade gra gr crazy. And why should I go crazy? Well, here Wel Well e comes come reason number one: FO GINA appears, walking to school very confidently. hool ool v nfiden fiden behind her. MRS. GODFREY walks D O Gina is my arch-nemesis. She’s a total brainiac – I mean, who studies tot tota during recess? And she lives to get ge me in trouble with Mrs. Godzilla, who’s president of the Gina fan club: GINA Mrs. Godfrey, may I present you with this fine, shiny Red Delicious Apple, as a symbol of your devotion to the youth of America? MRS. GODFREY In decades of teaching, I have rarely come across a student with such innate intelligence and good manners. (She turns to NATE and snarls like a monster. Then back to GINA) You are truly destined to be – NATE A FIRST-CLASS SUCK-UP FOR THE REST OF YOUR LIFE! GINA/MRS. GODFREY It’s another day of torture, that’s for Sure, Nate Wright We’ll make sure it isn’t easy to Endure, Nate Wright! LY No matter how hard he tries He can’t change his fate Cause it’s another crummy day In the life of Big Nate COMPANY MPANY N O U PE PL R GINA and MRS. GODFREY exit. exit LY IC SA AT L E O N Nate big big Nate Nate big big Nate! U Big Big Big Big U R E D U PE PL R AT IC SA L D N O D FRANCIS appears. O FO T R NATE N NA Luckily there’s an a antidote to that gruesome an t uesome esome twosome: me: my m two best friends. They ma school a litt little less make going g to s s horrifying. hor T O N D O FO That’s Francis, my best friend since kindergarten. He’s just as smart end nd si s nderga derga as Gina, but he’s not obnoxious xious about it. Well… he sorta does get carried away: FRANCIS FRA Hey Nate, did you know that each year, more people die in vending machine accidents than shark attacks? Or that it’s possible to lead a cow upstairs but not downstairs? Though why you’d lead your cow upstairs is a bit unclear to me – oh, and this is really fascinating that the dot over the letter “i” is called a “tittle”? I’ve always wondered NATE gives him a giant wedgie. friendly way. FRANCIS screams, they tussle in a NATE He just can’t help himself… so I do. FRANCIS It’s another day of fleeceball for the Great Nate Wright We will conquer foes together he’s my Mate, Nate Wright No matter what he does He’s always fighting his fate It’s just another awesome day In the life of Big Nate LY TEDDY appears. FRANCIS and NATE continue to tussle. SA AT L E O N Teddy’s my A1 best friend – which just means I met him after I met ust m Francis – and he’s a riot, especially ially when he laughs. He sounds like a constipated llama. N AT IC PL D U PE N O T R FO L SA U R N O D No matter what he does es He’s always fighting his fate It’s just another awesome day ay y In the life of Big Nate! E O U D O FO T R PE PL R TEDDY EDDY He’s a screw-up but I lov love him, the A AMazing Nate Wright t We’re a trio: Francis, Teddy ranci rancis dy an and the Crazy Nate Wright ght LY U IC TEDDY gives NATE a huge wedgie, laugh. dgie, and laughs aughs ughs his distinctive sti t D O NATE ATE I may not be Joe Honor Roll, but I A AM a brilliant cartoonist. here’s Teddy: Look, A cartoon image of TEDDY appears looking silly, teasing him a bit. And here’s Francis: Another image, this one of FRANCIS. Not bad, right? Oh… and here’s Gina: Another image, a total rip on GINA. I’m sort of a comic genius. Suddenly, as if descending from a cloud on high, JENNY enters, carrying an image of herself. Harps, angelic music, the whole shtick. She floats across the stage, completely ignoring NATE. That’s. SIGH. Jenny. Jenny Jenkins. FRANCIS & TEDDY (ala “Maria” from West Side Story) N NATE TE I don’t love Jenny. ny. I just think she’s my soulmate. E O Gimme a break! LY That’s Jenny! The girl that Nate loves, her name’s Jenny! LY N AT L E O U D R PE PL R U IC SA AT L FRANCIS & TEDDY F TED (again, to the tune of “Maria”, of a lovestruck NATE) ria” showing ng g images ima Whatever! Nate’s fallen in love, yeah, yeah yea Whatever! IC PL U D PE O R N U O FO T SA NATE (back back to us) It doesn’t matter, all hung up on Artur, the ter because ter, se Jenny’s Jen ll hun n A Art rt Byelorussian Butthead. FO D T R ARTUR enters, carrying of himself. g a cartoon oon image im himse D O N O He’s an exchange student, and I have no idea ide why Jenny likes him. id Just because he’s, like, incredibly smar smart, extremely courteous, and the top-rated chess champion in some country in the middle of ome huge h Eastern Europe. ARTUR Actual, country is not huge so much. Barely seven million people. Liking Nate I am because he’s Wright great Nate If my words they do not sense make he’s still Great Wright Nate Such awesome guy he make me cry So artsy and so smart He’s so very dory hunky he is Nate Great Big. A distant bell rings. Ah, it is time for the room of home! JENNY Artur, that is so sweet! NATE (slapping his forehead) [Thwak!] D O LY N E AT IC PL N O T D U PE R FO Nate big big Nate Nate big big Nate! E L SA U R N O D Big Big Big Big O U D O FO T R PE PL R U No matter how hard he tries s He can’t change his fate For the unparalleled Incomparable Simply irresponsible ble le Somewhat irresistible stibl stible Absolute unbeatable tab tabl And rather inconceivable le Surely unbelievable The great Nate Wright! ! IC SA AT L O N LY COMPANY It’s another day of teasing for our Mate Nate Wright It’s never easy – breezy, not for r Great Nate Wright SCENE TWO Homeroom. NATE is basking in the glow of his song while TEDDY and FRANCIS assemble homeroom around him. FRANCIS C’mon, Nate! TEDDY I don’t think you’re looking for detention twenty-three, are you? ARTUR and JENNY enter. L D PE U O P N R L LY N IC U O SA AT T L D E U O PL N LY IC AT E ARTUR R Jenny, it is pleasure for I being carry-stool for you. carry arryJENNY JEN SA Artur, you’re so chivalrous! PE R U NATE observes this, gets annoyed, and turns around, furiously. s anno nd tur und, drawing d FO T R Chival-what? N O JENNY Y It means... well, it just m means you’re a nice guy. .. . wel we D O Nice guy. ARTUR ART AR Hokay, good. FO Ah! R Chivalrous! ARTUR ARTU D O NATE faces forward, showing JENNY a drawing of himself on a horse as J draw if he were Sir Galahad. GINA enters. ers. rs. NATE I’m chivalrous too, Jenny! JENNY rolls her eyes and ignores him, sitting down. the shoulder. Nate! ARTUR pats him on ARTUR You are always so FUNNY being! Party of life as they say! GINA “Party of doofus, table for one, please.” Hungry for More? This is a Sample of the Script Buy the full script and explore other titles www.samuelfrench.com www.samuelfrench-london.co.uk Titles are subject to availability depending on your territory.
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