Digital Learning and Teaching about the Holocaust: S1 and S2 Introduction • The aim of this work was to explore ways in which Holocaust education could be supported and enhanced by the use of digital approaches to learning and teaching; • It was anticipated that the nature of that ‘support’ would involve some form of networking that would enable learners and teachers to access information and resources and collaborate in its use; • The assumed benefits included anywhere anytime access; flexibility in allowing or restricting access to resources to better target learning needs; speedy adaptability of resources to meet individual or group learning needs; enhanced learning through ongoing dialogue. Holocaust Education and the Digital This resource did not aim to replicate the digital resources and approaches that already exist. Holocaust education is richly supported through digital provision as the following sites illustrate: • • • • • • • • • Holocaust Memorial Day Trust http://hmd.org.uk/ Holocaust Educational Trust http://www.het.org.uk/ Anne Frank Trust http://www.annefrank.org.uk/ Imperial War Museum http://www.iwm.org.uk/exhibitions/iwm-london/theholocaust-exhibition The National Holocaust Centre http://www.nationalholocaustcentre.net/ USHMM http://www.ushmm.org/learn/holocaust-encyclopedia Yad Vashem http://www.yadvashem.org/ The Holocaust Explained http://www.theholocaustexplained.org/ Centre for Holocaust Education http://www.holocausteducation.org.uk/ The Technology • The resource has been constructed around Microsoft SharePoint o SharePoint is cloud based (i.e. its online and the content is stored on a Microsoft server) o SharePoint is web based (i.e. you are creating a website that can be accessed on a range of devices; you can incorporate applications, for example some of the common ones you find in social media such as discussion forums, into the site) o SharePoint is a content management system (i.e. it allows you to manage digital content such as video, images or documents, in a range of ways) Note: there are a number of such systems, with different features, available to schools. This resource, for example, was originally constructed on EDU 2.0. The Structure of the Resource The resource is structured around school years S1 to S5 in a manner that builds on prior learning as learners moved from stage to stage, or year to year in their school career. In S1 learners should be able to DESCRIBE the experiences of one Holocaust survivor; ACCESS further information about the Holocaust from a reliable website; take part in an ONLINE DISCUSSION around a particular feature of the learning experience. This is informed by an exploration of the experiences of one Holocaust Survivor called Josef Perl. Screenshot S1: Josef Perl The resource contains the following elements: • What was the Holocaust: a definition (web link) (http://www.bbc.co.uk/newsround/16690175) • Jewish life before the war (a video of Josef Perl describing his early life) • A Short and Long version of Josef’s experiences during the war, summarised from his book ‘Faces in the Smoke’) and presented in pdf format • A map of Europe during the Holocaust (locating this places referred to by Josef) • Josef’s journey during the war (a video of Josef describing his travels from one camp to another) • Find out more about Josef (a web link to his family website) (http://www.josefperl.com/) • Teacher Notes (in Word format, supporting use of the resource) • SURVEY (an online learner survey from which the teacher can evaluate prior understanding of the Holocaust to guide how the resource should be adapted) • HELPSHEET (learner helpsheet in Word format) • A web link to the Anne Frank Trust site (i.e. focusing on one Holocaust related site from a reliable and reputable organisation) • THE FORUM (learner and teacher discussion area) The S2 resource introduces the experiences of Holocaust survivor Freddie Knoller, from which learners can COMPARE and CONTRAST the experiences of two survivors; begin to understand how the Holocaust is DEFINED in different ways; and introduces the terms PERPETRATOR and BYSTANDER. Screenshot S2: Freddie Knoller In S3 learners explore the Holocaust from the perspective of the French Jews; in S4 that exploration focuses on Holland; by S5 learners are encountering the place of Auschwitz in Holocaust. Digital Learning and Teaching about the Holocaust: S3 and S4 This digital approach to Holocaust learning and teaching in S1 and S2 is underpinned by a number of principles: • The resource should encompass aspects of Jewish life before, during and after the Holocaust • Personal stories should be emphasised • The resource should be age appropriate and inter-disciplinary in its application In S3 and S4 the resource was further adapted to: • • Explore aspects of the Holocaust in different European countries and the difference that context made Introduce the perpetrators/collaborators/bystanders/rescuers framework that provides a multiple-perspectives study of the Holocaust Screenshot S3: The French Experience of the Holocaust The experiences of Josef Perl are a common thread running through the resource. The constant availability of all resources from S1 to S5, including transcripts of forum conversations, means that these can be revisited and further adapted as learners in S3 are introduced to the next part of their learning journey. Forum use is assumes a greater role in the learning experience by S3 with the following learning discussions taking place: • • • Whohelped(RESCUERS)MarieBienstockescapefromoccupiedFrance? WhoaretheBYSTANDERSinSusanWarsinger'sstory? WhoarethePERPETRATORSinReneeTully'sstory? Resources Video materials were sourced from Yad Vashem and appear on its YouTube Channel. These were incorporated into the SharePoint site due to the streaming video resources not being enabled on the school network. Where images were used on the site these were sourced from teacher visits to respective sites and rights to use granted under a creative commons license. A Creative Commons (CC) license is one of several public copyright licenses that enable the free distribution of an otherwise copyrighted work. A CC license is used when an author wants to give people the right to share, use, and build upon a work that they have created. CC provides an author flexibility (for example, they might choose to allow only non-commercial uses of their own work) and protects the people who use or redistribute an author's work from concerns of copyright infringement as long as they abide by the conditions that are specified in the license by which the author distributes the work. Source: https://en.wikipedia.org/wiki/Creative_Commons_license This is an example of the kind of material that is enhanced through digital access. This writing was scratched on the walls of the cells in which Jews were imprisoned in the Ninth Fort. The Ninth Fort in Kaunas, Lithuania was originally built as a defensive fortress in the years 1901–1913. During the Nazi occupation, over 50,000 people were executed there, including over 30,000 Jews and over 10,000 foreigners. Source: http://www.gutstein.net/kaunas/kaunas-ninthfort.htm A translation exercise in this section also allows learners to collaborate online to investigate the source of a letter and translate its contents into English. This was the last letter written by Marc Blum as he was deported from Drancy to Auschwitz. Marc Moise Blum a sa famille 11 aout 1944 Le 11/08/1944 A Gaston Vachon Haute-Loire Mes chers. Je suis dans le train de Vittel pour ou?? Je ne vous oblie pas. J’espere que tout va bien pur vous. Courage et confiance. Je vous reverrai tous s’il plait a Dieu. Mon moral est excellent dans cette epreuve. Nous sommmes bien traites. Vive la France. Ne vous en faites pas pour mois et gardez-moi toute votre affection. Je vous jure que ce n’est pas par imprudence que je suis la. Je vous embrasse tous tres fort. Marc From Lettres de Drancy, Antoine Sabbagh, 2002, Page 345. Marc Moise Blum wrote this letter to his family and threw it from the train that was deporting him on the 11th August to 1944. He was taken to Auschwitz and killed there. The S4 resource takes a similar approach and focuses on the Dutch experience of the Holocaust. Screenshot S4: The Dutch Experience of the Holocaust Digital Learning and Teaching about the Holocaust: S5 Screenshot S3: Poland and the Holocaust At S5 the resource explores the Holocaust through the experience of Auschwitz. The definition of the Holocaust presented to learners is that from the United States Holocaust Memorial Museum. Learners can compare and contrast this definition with those they were exposed to in earlier years. The resource begins, as the S1-S4 areas did, by refreshing learner knowledge of the experiences of Josef Perl. The range of resources that learners then encounter allow them to explore and discuss in the forum a range of questions around the role of Auschwitz: The SURVEY in this section can be used to evaluate how learner understanding of the Holocaust has developed from S1 to S5.
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