talk show 21: with sven birkerts, lisa gabriele, yael

TALK SHOW 21: WITH
SVEN BIRKERTS, LISA
GABRIELE, YAEL
GOLDSTEIN LOVE &
ADRIENNE MILLER
JAIME CLARKE
01.15.09
TALK SHOW: Place and Time
Sven Birkerts is the author of Readings, The Gutenberg Elegies, Reading Life: Books for the
Ages, Art of Time in Memoir: Then, Again, and a memoir, My Sky Blue Trades. He is the
Director of the Bennington Writing Seminars, and is the editor of Agni. He lives in Arlington,
Massachusetts.
Lisa Gabriele is the author of Tempting Faith DiNapoli and the forthcoming The Almost Archer
Sisters, both published by Simon and Schuster. Her writing has appeared in The New York Times
Magazine, Salon, Nerve, Glamour, Vice, and The Washington Post. She lives in Toronto where
she also directs and produces for television and radio. Visit Lisa at www.lisagabriele.com.
Yael Goldstein Love is the author of the novels Overture (Doubleday, 2007) and The Passion of
Tasha Darsky (Broadway, 2008), which are actually the same novel. To make sense of this, you
can visit her website at www.yaelgoldsteinlove.com.
Adrienne Miller is the author of the novel The Coast of Akron, and is the former literary editor of
Esquire. She lives in New York City with her husband, and is finishing her second novel.
––Name a place and time in which you’d like to have lived.
Birkerts: The question is really, for me, which novel would I most happily pull around myself?
A different answer every day, but the answers are interesting. Today I’m thinking something
from Balzac, Paris in the late 19th century, or Schnitzler, Vienna in the early 20th.
Gabriele: I would love to have lived in the 1890s, in Dawson City, Yukon.
Love: Medieval Europe. Doesn’t really matter which country or which century, but I’ve got to be
lower class wherever I am. No noble/monastery life for me. Preferably I’d be a drudge within a
noble house, but I’d take peasant, too. This is a longstanding dream. When I was four years old
my favorite game was to dress up in drab-colored, raggedy clothes, fill a bucket with water, and
flood the kitchen. I called this game ‘scullery maid.’ There’s a lot of photographic evidence of
this, by the way. My mother claims not to even know where I learned the term ‘scullery maid’
much less what attracted me to the role. She gets defensive whenever those pictures surface, and
insists on pointing out that I never had chores as a child.
Miller: Late eighteenth-century America, probably Philadelphia.
––What about the time period attracts you?
Birkerts: What draws me is not the plumbing or the likeliness of fleas, but my fantasy of scale,
of a certain immediate social density. Places big enough to support a diverse café culture, a sense
of release from what Marx called “the idiocy of rural life,” though on other days said idiocy
exerts its own appeals.
Gabriele: I did live in Dawson in the late 1980s, almost a hundred years after gold was first
found in its hills. I fell in love with the dusty ghostness of the town, like I seem to do all mining
towns, from Bisbee and Jerome, Arizona, all the way up to the North American tundra line. Love
them. Not sure why. I’m not a big believer of reincarnation but there’s something about an old,
nearly abandoned mining town that has always felt eerily, instantly familiar to me. But the period
that most attracts me is the year or two of massive expansion, as Dawson grew from being a
handful of filthy canvas tents inhabited by a handful of filthy men, to a teeming, cosmopolitan
city of 40,000 people.
Love: The urgency that comes with a life so bound up with death. There was the constant threat
of war, the constant threat of disease, and people didn’t turn away from this reality. They faced it
head-on, made it the center of their art, thought, and even their festivities. As a result there’s
something so large and awe-embracing about what they produced – their music, art, architecture,
and so on. All succeeding eras seem somehow pinched in comparison.
Miller: I do appreciate that early America was largely a ruffian culture, and that the lateeighteenth-century was a time in which people blew their noses on their sleeves, lived in log
cabins, ate with their fingers, and gouged out people’s eyes in tavern brawls, etc. But it was also
the Enlightenment, and the central belief of the Enlightenment was that the world could be
understood, that everything could be mastered and perfected through reason and rationality. It
was a time that produced the most incredible geniuses ever to exist – Jefferson, Franklin, Mozart,
Haydn, Rousseau, Edward Gibbon. To have heard the Jupiter Symphony when it was first
performed! To have read (or at least cut apart the pages with your penknife, because that’s the
way books worked then) The History of the Decline and Fall of the Roman Empire when it was
first published! And, oh, to have been in the Assembly Room at Independence Hall in
Philadelphia at the floor debates during that intolerably hot summer of 1776, and to have seen
shy, awkward young Jefferson with his flowing red hair sitting silently and lankily, and to have
witnessed elderly, avuncular Franklin piping in with another long-winded story that seemed as if
it were going nowhere … but that always ended up summing up everything brilliantly and
beautifully. I’m also kind of obsessed, to the point of fetishization, with the whole Neoclassical
aesthetic: give me a dome, some columns, and a Chippendale chair to sit in, and that’s all it takes
to make me happy.
––What do you imagine would be the best part of living then?
Birkerts: I like the idea of a genuine critical mass of alert humanity, rather than its virtual standin, and the sense, too, that the future is still vitally in formation and that the earth has not been
colonized to within an inch of its life.
Gabriele: It would be amazing to watch how a city evolves, fast-forward. One day mail moves
by horse and buggy, the next, a telephone line is installed. One day everyone lives by gas light,
the next, electricity is strung up and pumped in. Mostly, how cool to be one of the few women
who dare to venture north in search of personal fortune. I would have done that, as, no doubt, my
options would have been limited to marrying young and moving directly from my father’s house
to my husband’s. I would have read about the northern migration and fled home. I would like to
think that I would have been entrepreneurial, opening a sewing shop or a restaurant or a school.
But the whore’s money might have been too difficult to resist. Plus I’m a sucker for a corset and
feathers.
Love: I think this whole ‘life-with-death’ mentality appeals to me primarily because I am superduper scared of death. I’ve never managed to shake that childhood awake-in-the-darkcontemplating-mortality thing that most people manage to move past (or at least healthily
suppress) in adulthood. I’m still totally bowled over – and kind of affronted – by mortality. So I
think the best thing about living back then would be, basically, not being like this. Being able to
look at life without the terror of death mangling my view.
Miller: I must be drawn to this era in part because of the manic revolutionary fervor in the air,
and because, even then, people (OK: members of the white, male gentry, but still) seemed to
have understood that they were living in a remarkable time. There seemed to have been a feeling
that they were living in a precedent-creating era: they were remaking and reimagining the world.
Not to sound too crotchety, but how often do we look around at this shallow, frivolous, lowestcommon-denominator culture of ours––not to mention our sometimes criminal government––and
feel that this is the best time ever to be alive? I mean, doesn’t every right-thinking person sort of
have to believe that humanity has gone kind of gone backward? Also: late eighteenth-century
clothes were super cool.
––What would be the worst?
Birkerts: The afore-mentioned fleas, still-primitive dentistry…
Gabriele: The smell. People reeked back then. One of the main pleasures of watching Deadwood
was how the series accurately depicted the vile hygiene. Also bad would be the violence,
especially against women. Despite my modern bravado, and all joking aside about prostitution,
joining the gold rush as a woman would have been a horribly dangerous thing to do; rape was
common, murder too. The overall lawlessness of an unformed society would have been stressful.
But still, I’d have been game.
Love: As it turns out, I’m not actually a big fan of war and disease. I am TERRIFIED of the
bubonic plague. Way more than it is reasonable to be terrified of a disease that hasn’t claimed a
victim in centuries. Also, I get cold really easily and I don’t much like the heat either. In general,
I’m not much of a trooper, physically speaking. And not being able to read. I find it hard to
imagine life being all that enjoyable without books. Maybe if I could be a scullery maid in a
monastery (did they have scullery maids?) and a big-hearted, forward-thinking monk could
secretly teach me philosophy and theology and some alchemy for good measure at night. That
sounds pretty appealing. But there’d still be war and disease to contend with.
Miller: Obviously, it wasn’t such a great time to be a woman. (On the upside, I would have
probably gotten very good at those needlepoint alphabet primers you always see on tours of old
houses.) And, boy, would it have sucked even more to be black or Native American. What else?
Well, there was no anesthesia, the public hygiene was hideous, the lifespan was forty, women
could almost be guaranteed an eventual death in childbirth, you were up at dawn and in bed at
dusk, the last meal of the day was at 3 pm, you ate what you grew or killed, and you were pretty
much entirely self-sufficient (which might not have been such a bad thing, really). There were no
pharmaceutical drugs. But there was lots and lots of alcohol. But no Stephen Sondheim. And I’m
firmly of the mind: If there’s no Sondheim, what’s the point?
––What bit of culture from today would you
want with you?
Birkerts: Certainly not television, or the internal combustion engine, or the concept of insurance,
or sleep-aids, or plastic, or the camera, or cell-phones, or the internet, or the idea of the
diet…Maybe the idea of melting cheese onto grilled meat (if that had not yet been discovered)…
Gabriele: My education. I think, as a woman in the late 1890s, it would help open up my
options—hopefully making prostitution an unattractive alternative. Oh, and my iPod.
Love: A few years ago my husband pointed out that if we happened to be transported back to
ancient Rome (we were watching the TV series Rome at the time), we wouldn’t be able to help
modernize the empire because we don’t actually know how anything in our modern world works.
So we decided to each learn how something really important works, just in case. I chose ‘how to
make penicillin’ and he chose ‘how to generate and harness electricity.’ Neither of us has done it
yet. But I guess bringing penicillin back to medieval Europe would mess up my whole life-withdeath thing, anyway. Which kind of proves how stupid my medieval fantasy is. Obviously I’d
rather live in a world with penicillin than one without, and I’d rather everyone else did, too.
Miller:
1. Antibiotics
2. Dental floss
3. Pilates machines
4. iPods
5. Sondheim
6. Purell. So much Purell.